• 9 months ago
When a composer must finish her late mentor's concerto, she discovers that playing its music summons deadly consequences.
Transcript
00:00 [MUSIC PLAYING]
00:01 Do you think I'll ever be as good as you?
00:03 What you hear isn't so important.
00:09 You'll feel it.
00:12 Mr. Gustafsson, have you decided on what
00:14 we're going to play yet?
00:15 Melanie, your music, it is good, but soft.
00:20 I'm looking for something controversial, dangerous.
00:24 What do you know about Catherine's first concerto?
00:28 You're going to perform the concerto for children?
00:32 She didn't want it performed.
00:35 That concerto was what she was trying to burn
00:38 when she set herself on fire.
00:41 Trying to burn it?
00:51 This is all that was left, but I can hear it in my head.
00:57 I think I can finish that.
00:59 Music is powerful.
01:08 Mom.
01:10 In the Middle Ages, they believed
01:11 music will send people into trances, go insane.
01:15 There's something very wrong with this music.
01:19 I listened to it.
01:22 Felt it in my head.
01:24 [MUSIC PLAYING]
01:27 I think this thing has been using me to finish the score.
01:38 What happens if you finish?
01:39 If you hear it, he has you captured.
01:47 [MUSIC PLAYING]
01:50 (dramatic music)
01:53 (upbeat music)

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