Knight Flower ep 3 eng sub
Knight Flower ep 3 eng sub
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TVTranscript
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00:02:40 I'm fine. You seemed to be surprised, so we're leaving.
00:02:45 Wait.
00:02:47 I saw the incident in front of me, so I can't just pass by.
00:02:52 I'm on my way to start an investigation in Geumyeong. Please cooperate.
00:02:56 No, right now...
00:03:04 I was on my way to pay respect to the temple in the big room, so I can't turn my steps.
00:03:10 That's what my lady says.
00:03:13 Then let's go to the temple together. The Hwajeok Corps may come back.
00:03:23 Our Ha-oh?
00:03:28 Oh, my.
00:03:30 Me? I'm going to the temple with the chief priest.
00:03:34 How can you be so rude?
00:03:41 Why don't you know that a woman who is in a state of prostitution can be uncomfortable just by talking to a man?
00:03:47 If you investigate the incident of meeting Hwajeok Corps in Geumyeong, you have no idea what the rumors will bring.
00:03:57 I've made a big mistake. I'll take care of it so that there's no damage to today's work.
00:04:04 I'll get going.
00:04:06 Let's go.
00:04:07 Okay. Take care.
00:04:22 Why did you say you were meeting your enemy?
00:04:24 When did you become an enemy with the chief priest again?
00:04:29 No, I think you're going to be an enemy with me.
00:04:33 I can tell you're going to catch you without a trace.
00:04:37 Right? You saw me rolling earlier, right?
00:04:39 Don't ever run into me again.
00:04:44 You've met that chief priest, haven't you?
00:04:48 Yeonseo, does it hurt here? Here, too. Here, here.
00:04:53 I've only seen the country, but I've never seen you roll.
00:04:58 You know you almost got into a bigger accident because you're going to let Hwajeok Corps go, right?
00:05:02 You stopped a big ladder from being blown up by others. Think about it that way.
00:05:09 Oh, I didn't think about that.
00:05:13 By the way, what should we do with all this? I can't leave everything behind.
00:05:18 Let's leave it.
00:05:19 All this?
00:05:21 It's a good idea, but it's better for those who are going to take it right away.
00:05:25 I'm tired. Let's go.
00:05:38 We almost got in trouble.
00:05:40 We just passed by, so we were in a daze. Wasn't it a dangerous situation?
00:05:44 Sir! I'm in danger, so please save me first. Not there, me!
00:05:50 What are you talking about?
00:05:52 It doesn't look dangerous at all.
00:05:54 What do you mean?
00:05:57 Didn't it look like you were trying to help Hwajeok Corps?
00:06:01 Are they on the same side as Hwajeok Corps?
00:06:04 I don't think so. He's the eldest daughter-in-law of the Jwasangdae.
00:06:08 Jwasangdae? How do you know that?
00:06:12 I happened to meet him at a famous restaurant a while ago.
00:06:16 He's the eldest daughter-in-law of the famous Jwasangdae.
00:06:21 What are you talking about?
00:06:30 I don't know, but I heard that there was a woman who was originally from a rich family, but she was a widow and had a son.
00:06:39 She said she got married without a son.
00:06:47 According to the legend, she became a widow on the morning of her wedding day, without seeing her father's face.
00:06:56 Are you saying you're a blind widow?
00:07:00 That's the story, so that life wouldn't have been peaceful.
00:07:05 But what does that matter?
00:07:08 If the daughter-in-law of the Jwasangdae, the famous Jwasangdae, gives her a dowry, she will be the best family in this country.
00:07:18 It's amazing that all the dead and the rest are used for the family.
00:07:25 The Jwasangdae is a family that has been used for a long time.
00:07:29 I heard that the potter stole a very precious painting. Do you know what the painting is?
00:07:37 I wish I had seen it.
00:07:42 It's a painting called Baekho-do in the mountains. I was curious about the portrait, too.
00:07:48 But don't say that in front of the servants.
00:07:55 Before you're curious about the stolen painting, you should be worried about the dizzy situation of this country, which is a thief in the house of the royal family.
00:08:06 Oh, I see. I didn't think much about it.
00:08:12 The tree breaks because the bug ate it, and the fence breaks because the gap is wide.
00:08:22 The people are afraid of the royal family, and only when the court of the court stands up, should they always be aware that the foundation of this country is not shaken.
00:08:32 I see. I will always remember the teaching of the Jwasang.
00:08:41 Don't worry. I'll catch the thief who stole the painting from the court and take care of your heart.
00:08:48 I see.
00:08:49 What's wrong? I've never heard of Baekho-do in the mountains.
00:09:01 Whether you hear or see about the tiger, bring it to me unconditionally.
00:09:07 Yes, sir. Yes, sir.
00:09:12 Look carefully who is handing over the painting.
00:09:14 Yes, sir.
00:09:16 If you touch someone else's, you should cut off the wrist.
00:09:23 Secretly without anyone knowing.
00:09:33 Yes, sir.
00:09:35 Huh?
00:09:37 Yes, sir.
00:09:38 Yes, sir.
00:09:39 Are you sure you're looking for it secretly while talking so loudly?
00:09:53 Are you okay, sir?
00:09:55 I haven't heard of the painting, but everyone told me to give it to you. You should go now. I don't know.
00:10:04 Is this the one that the author wrote? Why is the author looking for Baekho-do in the mountains?
00:10:09 How do I know that? How many times have I told you that I haven't heard of the painting?
00:10:15 Please listen to me.
00:10:17 If you don't believe me, would the painting be out there now?
00:10:22 You must have hidden it somewhere that no one knows.
00:10:25 Please.
00:10:26 Please.
00:10:28 [Music]
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00:10:36 [Music]
00:10:53 [Music]
00:11:03 Ma'am, a guest is here.
00:11:06 Guest?
00:11:10 What brings you here, Madam?
00:11:21 I'm sorry to come all of a sudden.
00:11:24 No, it's okay. Please come in.
00:11:27 You've decorated the house so neatly.
00:11:32 Is this your first time coming to my house?
00:11:36 I've only seen you at the Moranhoe, but now I'm finally here.
00:11:40 By the way, what brings you here?
00:11:49 I thought it would be nice to go to the Gu-yul Festival at Moranhoe, so I came to see you.
00:11:56 Gu-yul Festival?
00:11:58 It's a small event that I've been doing in my line of work, and I think it would be nice to do good things together, as the Queen Mother was so happy.
00:12:12 Are you going to the Gu-yul Festival?
00:12:17 It's not that hard.
00:12:19 The servants cook the food anyway, and I just do the sharing.
00:12:25 So, why don't you go to the Gu-yul Festival tomorrow?
00:12:34 Well, I don't know. It won't change anything if we go.
00:12:41 The Queen Mother and her second daughter-in-law have already come out a few times.
00:12:47 The Queen Mother?
00:12:53 Since the Queen Mother's birth, she has been giving awards to the filial sons, daughters-in-law, and daughters-in-law all over the country.
00:13:02 I hope your wife didn't join the second daughter-in-law who is in the process of giving a speech.
00:13:10 The people's lives will change if we go, but it's a good job, so let's do it together.
00:13:17 It will be a good experience for the eldest child who goes back and forth from the house every day.
00:13:23 That's right. It will be a good experience.
00:13:30 (The Gu-yul Festival)
00:13:32 Master, Kang Pil-jik is looking for Sanjung Baekhodo.
00:13:44 What do you mean?
00:13:46 Captain Geum-hui told me to check if Sanjung Baekhodo was a treasure, so I went to the art room.
00:13:51 But do you know who I met there?
00:13:53 Well, Kang Pil-jik asked me where the painting was.
00:13:58 Kang Pil-jik is looking for a painting?
00:14:00 Yes, he was so fierce.
00:14:03 Geum-hui is already investigating, and they're looking for a painting. There must be another reason.
00:14:12 Of course there's a different reason.
00:14:14 First, it's an expensive painting.
00:14:16 Second, someone who wants to have a painting asked me to do it.
00:14:20 Third, there's a secret that no one else should know about the painting.
00:14:24 Secret?
00:14:25 And the last one, the fourth one, is important.
00:14:28 He's trying to catch our legendary beauty who took the painting.
00:14:33 I think Kang Pil-jik is trying to catch our beauty.
00:14:37 That knife mark was amazing.
00:14:40 Your beauty is not easy. Don't worry.
00:14:44 That's right.
00:14:46 Yes?
00:14:50 (The letter of the King's order)
00:14:52 Lady.
00:14:59 I sent a letter from Myeong-do.
00:15:05 Letter? What's the matter?
00:15:08 I know you've been doing a lot of work with a woman's body while covering your face.
00:15:17 If you have a strict national law or are indiscriminate in the city,
00:15:23 I'm going to tell you my name, and you'll catch him as a gold-sword officer.
00:15:28 I'm going to catch you, so don't ever show up in front of me.
00:15:36 I'll be right back.
00:15:38 What the hell are you doing?
00:15:40 I need to check something.
00:15:41 No.
00:15:43 Oh, and I hope you put the painting back in a hurry.
00:15:47 Is it a bad sign?
00:15:52 Did you send this to me?
00:16:07 No wonder. So, you've already seen this and...
00:16:14 You've seen this, too.
00:16:18 Why did you hide that important story?
00:16:27 If anything happens to me, should I do a cuckold instead of you?
00:16:31 Should I be beaten to death? I'm worried because I'm one body.
00:16:34 I can hear you.
00:16:37 Lady.
00:16:40 Don't worry. I'm not going to be caught. How can you catch me?
00:16:44 If I don't go out, you won't be able to catch me.
00:16:45 It's a problem because you're out.
00:16:47 I always say this, but you're the worst.
00:16:49 But are you telling me to put the painting back or not?
00:17:00 Put it back.
00:17:01 Give it to me.
00:17:05 I'll get it.
00:17:07 I'm going to get it.
00:17:08 I'm going to get it.
00:17:09 I'm going to get it.
00:17:11 I'm going to get it.
00:17:13 I'm going to get it.
00:17:14 I'm going to get it.
00:17:16 I'm going to get it.
00:17:18 I'm going to get it.
00:17:20 I'm going to get it.
00:17:22 I'm going to get it.
00:17:23 I'm going to get it.
00:17:52 Who drew it?
00:17:53 It's like looking at a living tiger.
00:17:59 Is it reckless or is it reckless?
00:18:06 I told you not to stand out.
00:18:14 I'm here to put it back.
00:18:20 I told you I wouldn't catch you if you didn't stand out.
00:18:22 That's what it meant.
00:18:24 If you came in on your own, you'd be ready to catch me.
00:18:32 I'm not the kind of person who can be caught that easily.
00:18:36 Then let's make it hard to catch.
00:18:45 Let's just say it didn't stand out easily.
00:18:48 I'm going to get it.
00:18:50 I'm going to get it.
00:18:51 I'm going to get it.
00:18:52 I'm going to get it.
00:18:54 I'm going to get it.
00:18:56 I'm going to get it.
00:18:58 I'm going to get it.
00:19:00 I'm going to get it.
00:19:02 I'm going to get it.
00:19:03 I'm going to get it.
00:19:05 I'm going to get it.
00:19:07 I'm going to get it.
00:19:09 I'm going to get it.
00:19:10 I'm going to get it.
00:19:12 I'm going to get it.
00:19:14 I'm going to get it.
00:19:41 What's this about that tiger?
00:20:10 Who are you?
00:20:11 Keep walking!
00:20:21 Wait!
00:20:32 Excuse me.
00:20:34 I need to check something.
00:20:37 I'm sorry.
00:20:38 Sir!
00:20:42 Please save me first!
00:20:43 Here!
00:20:44 Stop!
00:20:51 Who are you?
00:21:05 Tell me who you are!
00:21:06 That's none of your business.
00:21:08 That's scary.
00:21:24 What's wrong with you?
00:21:26 What's wrong with you these days?
00:21:30 You're a ghost.
00:21:32 I don't think we're all the same.
00:21:34 You look like one person.
00:21:37 You look like one person?
00:21:40 Who?
00:21:41 Forget it.
00:21:43 Get out of here.
00:21:44 Do you feel like you've seen it somewhere?
00:21:46 Do you feel like you're familiar?
00:21:48 Have you ever had a strange experience like this?
00:21:51 Of course.
00:21:52 There are a few people who have never had such an experience.
00:21:55 Nari's appearance is extremely normal.
00:21:58 Even if you read a book or work,
00:22:01 you're dreaming, right?
00:22:03 Yes.
00:22:04 Everyone in the world looks like one person.
00:22:07 This is a must.
00:22:09 -Yeonmo... -Shut up!
00:22:11 Why are you so shy between us?
00:22:14 It's awkward because it's your first time.
00:22:17 It's called a fan-favorite.
00:22:20 Fan-favorite?
00:22:22 It's not a fan-favorite.
00:22:25 It's a big fan-favorite.
00:22:30 Are you a professor?
00:22:33 Do you want me to show you the fan-favorite?
00:22:36 Nari, come out.
00:22:49 Captain Geumhui has already gone to the storage door.
00:22:51 Storage door?
00:22:52 The wives of the party minister are going to the storage door on the 9th.
00:22:56 So we have to protect them without any gaps so that there are no accidents.
00:23:01 (The house is full of love.)
00:23:03 (The house is full of love.)
00:23:05 (The house is full of love.)
00:23:07 (The house is full of love.)
00:23:09 (The house is full of love.)
00:23:11 (The house is full of love.)
00:23:13 (The house is full of love.)
00:23:15 (The house is full of love.)
00:23:17 (The house is full of love.)
00:23:19 (The house is full of love.)
00:23:21 (The house is full of love.)
00:23:23 (The house is full of love.)
00:23:25 (The house is full of love.)
00:23:27 (The house is full of love.)
00:23:29 (The house is full of love.)
00:23:31 (The house is full of love.)
00:23:33 (The house is full of love.)
00:23:35 (The house is full of love.)
00:23:37 (The house is full of love.)
00:23:39 (The house is full of love.)
00:23:41 It's a little rough, isn't it?
00:23:43 You've had a hard time coming.
00:23:47 The ground is steep here, so be careful when you get off.
00:23:55 If your parents-in-law call you, you have to answer politely.
00:23:59 Don't be afraid to cough, sneeze, and cough.
00:24:03 All right, Jo Yeo-hwa. You can do it.
00:24:06 Welcome.
00:24:16 Welcome.
00:24:19 I'm sorry I couldn't prepare more than ten lines this time.
00:24:24 Oh, my God.
00:24:26 It's nothing.
00:24:28 I'm grateful that you care about me every time I'm in trouble.
00:24:33 I guess you've only been holding hands with your daughter-in-law.
00:24:44 I couldn't prepare it because I was ahead of my heart.
00:24:49 I'll do my best next time.
00:24:52 I'll do my best next time.
00:24:54 I didn't know you and your daughter-in-law were doing such a good thing in secret.
00:25:02 I don't know what you're trying to do.
00:25:05 You didn't have to come out even now.
00:25:09 That's enough.
00:25:11 Hello, everyone.
00:25:18 I'm Hwang Ji-dal, the leader of the Geum-i, who will take you safely today.
00:25:23 Thank you for your concern.
00:25:28 You're welcome.
00:25:31 Baby, come out now.
00:25:35 Come on.
00:25:37 Oh, my God.
00:25:59 You're so lucky that you don't hesitate to get dirty like that snow-white sugar.
00:26:09 I'm here to work.
00:26:13 What does it matter if your clothes get dirty?
00:26:17 Baby.
00:26:21 I'm here to work.
00:26:42 I've only heard that.
00:26:45 Like a swan crossing the quiet water,
00:26:51 You're so elegant and beautiful.
00:26:56 It's one of the virtues of a woman.
00:27:04 Mother, the sun is strong and your eyes are going to be dazzling.
00:27:16 I have something to prepare, so I'll go first.
00:27:23 Then while you're ready, let's go under the prepared car.
00:27:34 Be careful of the stairs.
00:27:37 Do you have a new book?
00:27:45 Oh, yes.
00:27:46 These two books just came in.
00:27:50 Uncle, I'm here.
00:27:59 Oh, you're here. Wait a minute.
00:28:02 Yes.
00:28:03 It's the book you dropped last time.
00:28:15 I was going to leave it in the new book room, but I'm seeing it again.
00:28:19 Oh, it's not a promotion day.
00:28:21 No, it's not. Don't get me wrong.
00:28:29 I'm not the kind of person who misunderstands.
00:28:32 What's wrong with that?
00:28:34 I didn't borrow this book.
00:28:37 Then why is that book with me? Where's the person who bumped into me?
00:28:41 I don't know.
00:28:44 These are the books I've been working on.
00:28:49 Oh, yeah?
00:28:50 Yes.
00:28:51 Did you make this book?
00:29:05 Yes.
00:29:07 I wanted to see this book. I'll take this book.
00:29:14 It's a difficult book, so you have to give me a book.
00:29:18 Yes.
00:29:19 Two.
00:29:25 I didn't even pay for the medicine I touched last time.
00:29:28 How can you pay for a medicine?
00:29:31 You'll be in trouble if you spend a lot of money like this.
00:29:34 No.
00:29:42 (Sigh)
00:29:43 Is he a regular here?
00:29:51 A regular?
00:29:53 I've been writing all my books and making a lot of money here.
00:29:57 Maybe it's because I'm taking care of the house of the Grand Master.
00:30:00 He's got a great writing skill.
00:30:03 How can you be so good at reading?
00:30:10 You're good at this kind of thing.
00:30:13 Isn't that great?
00:30:16 You make rice for the people every time and even show them the manual.
00:30:22 Isn't he the one who can be the basis of all women?
00:30:27 He said he had a basic virtue as a young man.
00:30:34 I don't know how much he compliments me every time I see him.
00:30:39 What a scholar needs is not a basic virtue, but a passion for his father.
00:30:47 My eldest son is not enough to go to the temple every day, so he asks to protect his father's grave for the rest of his life.
00:30:59 (Sigh)
00:31:01 (Laugh)
00:31:02 I'd like to tell him not to talk to me or interfere with my dirty work.
00:31:17 That's not easy. You're amazing.
00:31:25 (Laugh)
00:31:26 (Laugh)
00:31:27 Isn't the end of passion a suicide that follows the death of one's father?
00:31:43 (Music)
00:31:45 Oh, I shouldn't have come.
00:32:04 What's wrong?
00:32:05 A fierce battle is raging.
00:32:10 The left-hand side and the right-hand side are right next to each other.
00:32:14 In other words, they're saying, "Baby, baby," and sending them to the grave.
00:32:20 Even...
00:32:21 I'll just kill you in front of you.
00:32:26 What the hell is age?
00:32:30 Anyway, if there's a problem here, you and I will go to Hwangcheon-gil holding the hands of the Grim Reaper, so get a hold of yourself.
00:32:40 Yes, sir.
00:32:42 I'll be back safe.
00:32:45 Go back to your seat.
00:32:50 Look at the outside, sir. It's because you handed over the gun to the con artist last time.
00:33:07 Are you nervous?
00:33:09 Heechan, how does that woman in a uniform look to you?
00:33:16 My wife?
00:33:17 Oh, I just can't get close.
00:33:22 Doesn't it look cold as if you don't have a drop of blood even if you stab it?
00:33:25 It's cold just thinking about it.
00:33:29 Stop looking. You'll make eye contact.
00:33:33 What's the point of making eye contact?
00:33:36 I'm sorry.
00:33:37 Heechan, help me with the stuff over there.
00:33:41 Yes, sir.
00:33:42 Let's go. I'm ready.
00:33:55 Mother, it's all done.
00:33:57 Oh, you brought it.
00:33:58 Mother, you're tired, but you're here, right?
00:34:02 I'll do it for you.
00:34:05 Okay.
00:34:06 Mother.
00:34:08 Where are you going?
00:34:12 I'll be back soon. Please stay here.
00:34:19 Wait.
00:34:25 You have to wear your clothes.
00:34:31 But if you're going to work...
00:34:32 There are a lot of people there. How can I show my face?
00:34:35 When you're making porridge, put your hands on the bottom or put them on the floor.
00:34:41 Yes.
00:34:43 Yes.
00:34:44 Why is this man here again?
00:35:05 (I'm going to make porridge. I'm going to make porridge.)
00:35:08 You're going to cry. You can't recognize me, can you?
00:35:20 (I'm going to make porridge. I'm going to make porridge.)
00:35:22 Anything wrong?
00:35:40 Well, it's the same every day.
00:35:42 I'm taking care of my mother.
00:35:45 What about you?
00:35:48 I'm doing the same thing today.
00:35:49 I'm going to fix the job you threw away.
00:35:53 I released 50 more of the 900 sheep you left last time.
00:35:59 Since when did I check?
00:36:02 It's 20 sheep this month.
00:36:09 Please let me borrow more.
00:36:12 You must have already bought two more houses in Hanyang.
00:36:16 A smart kid like you should take care of our top house.
00:36:20 Please don't tell my mother yet.
00:36:25 But wouldn't it be better to tell her?
00:36:30 She didn't treat you as a slave.
00:36:33 If you make up your mind, you can come out.
00:36:35 I don't have a house.
00:36:37 My mother can't come as she pleases.
00:36:40 I'm sure she'll be happy.
00:36:41 Line up, please.
00:36:53 (The next day)
00:36:55 I'm so uncomfortable.
00:37:15 How can I work wearing this?
00:37:17 Take it off.
00:37:21 I'm going to work this year, too.
00:37:25 (The next day)
00:37:28 (The next day)
00:37:54 Can't you give me a little more?
00:37:57 Next.
00:37:59 Come here.
00:38:04 You have to give me as much as you can.
00:38:08 I can only give you porridge.
00:38:12 Are you trying to save this?
00:38:14 If you give it like that, you'll get someone who can't take it.
00:38:17 (The next day)
00:38:19 Line up, please.
00:38:27 Don't worry and wait.
00:38:30 I'm dying.
00:38:32 Please find my daughter.
00:38:36 Oh, my daughter.
00:38:40 Didn't you see my granddaughter?
00:38:42 My granddaughter is gone.
00:38:44 Your granddaughter?
00:38:46 Oh, my.
00:38:48 Please find my granddaughter.
00:38:52 Don't worry.
00:38:57 It's not a strange place to die.
00:39:00 Or did you run away because it was hard to live?
00:39:04 I'm starving.
00:39:09 She couldn't have eaten anything.
00:39:11 Oh, my God.
00:39:15 She's crying.
00:39:17 Eat slowly.
00:39:21 My daughter.
00:39:23 Your Majesty.
00:39:47 Have you calmed down?
00:39:50 I still have a headache and feel nauseous.
00:39:53 I took medicine, so I'll be fine soon.
00:39:56 It's been 15 years already.
00:39:59 Are you still so weak?
00:40:01 I feel like I've forgotten everything.
00:40:04 I can't sleep in my nightmare if I forget.
00:40:08 You look so pathetic.
00:40:16 The king's son is also fighting on the phone.
00:40:22 How can you not know that sadness?
00:40:25 I made you feel sad.
00:40:30 You've been a good son since you were a kid.
00:40:38 If you keep your position for too long, you'll say a lot of things.
00:40:43 Even if you do everything,
00:40:47 you'll have to be a good son.
00:40:52 I think I'm always a burden to my ancestors.
00:41:00 Don't think like that.
00:41:03 You have to be a good son.
00:41:07 If you don't try hard, you'll be a good son.
00:41:14 I understand.
00:41:19 Then you can't rest today.
00:41:23 You can't come to the front tomorrow.
00:41:26 I understand.
00:41:29 I'll take care of it.
00:41:32 (The king's son is waiting for the king.)
00:41:37 Your Majesty.
00:41:39 The king is here.
00:41:42 Let him in.
00:41:45 (The king's son is waiting for the king.)
00:41:49 Your Majesty, you look very tired.
00:42:11 Thanks to your concern, I've used up all my energy today.
00:42:17 You've been handling it for decades.
00:42:21 It's hard to do it every day.
00:42:24 I heard your son was in charge of the investigation of the theft of the painting.
00:42:31 I haven't heard the news yet.
00:42:35 What did you do?
00:42:38 I'm the king, but I'm going to have you as my ears.
00:42:42 But if you succeed in finding the painting,
00:42:46 Isn't it coming in from the gold?
00:42:49 Your Majesty, you must want to see the body fly away.
00:42:55 Hey, you.
00:42:58 No matter how much you worry about your son,
00:43:03 You can't avoid everything.
00:43:06 Your Majesty.
00:43:08 If that's fate, there's nothing we can do.
00:43:13 I'm Abba's son.
00:43:18 That kid, too.
00:43:20 I hope that day is just a dream.
00:43:29 It's a dream.
00:43:34 Then I feel like I'm dreaming.
00:43:39 I've been chasing you for 15 years, but I haven't found a sign.
00:43:44 Maybe I didn't know the death of Abba from the beginning.
00:43:51 Your Majesty, I haven't found all the people who disappeared that day.
00:43:57 The full moon is coming soon, so be sure to be sincere and wait a little.
00:44:03 Yes.
00:44:05 Thank you for being there.
00:44:13 No.
00:44:15 No.
00:44:18 This is not a place where anyone can die or go.
00:44:44 Or did you run away because it was hard to live?
00:44:47 Oh, my God.
00:44:49 Where are you?
00:44:54 Grandma, you didn't eat anything today, did you?
00:44:58 Grandma!
00:45:05 Grandma!
00:45:08 Grandma!
00:45:11 Grandma!
00:45:13 Grandma!
00:45:15 Grandma!
00:45:17 Grandma!
00:45:19 (Gangto is running away from the death of his mother.)
00:45:46 It's dangerous. Let's get out of here.
00:45:50 Gangto!
00:45:53 (Gangto runs away from the death of his mother.)
00:45:58 (The people who were chasing Gangto are running away.)
00:46:02 (The people who were chasing Gangto are running away.)
00:46:06 (The people who were chasing Gangto are running away.)
00:46:10 (The people who were chasing Gangto are running away.)
00:46:14 (The people who were chasing Gangto are running away.)
00:46:18 (The people who were chasing Gangto are running away.)
00:46:22 (The people who were chasing Gangto are running away.)
00:46:26 (The people who were chasing Gangto are running away.)
00:46:30 (The people who were chasing Gangto are running away.)
00:46:34 (The people who were chasing Gangto are running away.)
00:46:38 (The people who were chasing Gangto are running away.)
00:46:42 What's going on?
00:46:44 What are you doing?
00:46:50 You're not supposed to be so rude.
00:46:55 Are you okay?
00:46:57 I'm fine.
00:46:59 The roof suddenly collapsed.
00:47:01 Oh, my God.
00:47:04 You're a great daughter-in-law.
00:47:15 You showed your body to risk your life for a weak old man.
00:47:24 You deserve to be a great daughter-in-law.
00:47:28 Oh, if the Queen hears this, she'll praise you.
00:47:36 Are you okay?
00:47:42 Yes.
00:47:43 Let's go.
00:47:47 Yes, mother.
00:47:49 (The people who were chasing Gangto are running away.)
00:47:53 What's going on?
00:48:14 A head ran away.
00:48:17 (The people who were chasing Gangto are running away.)
00:48:19 I brought him from a nearby well.
00:48:21 What are you doing after feeding your son?
00:48:24 I'm sorry.
00:48:25 You're always saying sorry.
00:48:29 I have to send him without mercy.
00:48:32 How many times did you say that?
00:48:35 I don't think I could have gone far.
00:48:37 I'll go get him right away.
00:48:39 (The people who were chasing Gangto are running away.)
00:48:42 (The people who were chasing Gangto are running away.)
00:48:45 (The people who were chasing Gangto are running away.)
00:48:48 (The people who were chasing Gangto are running away.)
00:48:51 (The people who were chasing Gangto are running away.)
00:48:54 (The people who were chasing Gangto are running away.)
00:48:56 (The people who were chasing Gangto are running away.)
00:48:58 Brother.
00:49:26 What the hell are you doing?
00:49:29 You're all bruised.
00:49:30 It's nothing.
00:49:31 What do you mean, it's nothing?
00:49:33 How can a man who is not a soldier not be able to keep his body?
00:49:42 I heard you're looking for a picture of a thief in a flowerpot.
00:49:48 You know it, too.
00:49:50 I guess the picture is precious.
00:49:53 I found the picture, so I'll give it back to you tomorrow.
00:49:56 Did you catch a thief?
00:49:58 I want to see the face of the man who even crossed the wall of the Lord's house.
00:50:05 I didn't see his face, either.
00:50:10 You're a thief you couldn't catch.
00:50:13 You're a newbie.
00:50:16 Which wall are you going to cross next?
00:50:22 Here you go.
00:50:24 Don't work too hard.
00:50:37 Don't go out and don't stand out.
00:50:40 There are many priests who live well by protecting their position.
00:50:42 Brother.
00:50:43 Just live like that.
00:50:50 If I didn't come out of your house and become Park Soo-ho,
00:50:58 If I didn't lose my memory of that day,
00:51:03 Then I could have lived a little harder.
00:51:10 I can't be sure of that.
00:51:18 Maybe I lived as a servant who had a relationship with women.
00:51:25 I should go now.
00:51:31 Eat well.
00:51:38 Yes.
00:51:39 Take care.
00:51:43 (The door is locked.)
00:51:45 Aren't you hungry?
00:51:58 Are you hungry?
00:52:01 I thought ghosts were hungry, too.
00:52:07 Ghosts?
00:52:09 You'll be surprised to hear that.
00:52:12 It's a job to get in trouble every day.
00:52:16 What's going on?
00:52:20 What's going on?
00:52:23 Yeon-seon.
00:52:27 What do you think is the most important thing in the world?
00:52:32 Money.
00:52:33 I shouldn't have asked.
00:52:35 What about you?
00:52:38 You've been with me for 12 years, but you still don't know that?
00:52:42 I know the ten roads, but I don't know the one road.
00:52:47 You said it was the most important thing to eat three meals a day.
00:52:51 I'm taking care of the sick old man in the east.
00:52:54 I'm taking care of the child who doesn't have a house in the west.
00:52:57 I'm making a servant who ran away to the south.
00:53:01 How can I understand someone who doesn't even think about my life?
00:53:06 Why do you take out the north?
00:53:08 The north is here in the north.
00:53:11 I'm worried about my husband's ghost, who I've never seen before.
00:53:16 Open it.
00:53:18 That's pretty good.
00:53:21 So who are you worried about today?
00:53:29 I'm just a bowl of porridge to people who are barely standing on their stomachs.
00:53:36 I'm wearing my clothes all over and I'm sweeping them.
00:53:39 How funny my face was.
00:53:44 Today, I'm worried about that pathetic me.
00:53:48 You can't help everyone.
00:53:52 You can't do that either.
00:53:54 And I think you've forgotten it's been a long time.
00:53:57 If it wasn't for you, I would have died.
00:54:01 The day you left home for the first time.
00:54:05 Oh, my God.
00:54:13 That's right.
00:54:15 It was a really hard day.
00:54:18 I'm not even sad, but I have to cry all day.
00:54:22 My life is so sad and sad.
00:54:27 I'm only 20 years old.
00:54:29 At that time, I had the courage at the end of the river.
00:54:34 The courage to run away without looking back.
00:54:39 You found me dying on the street.
00:54:51 What are you guys?
00:54:53 What's that?
00:54:55 Run away.
00:55:01 Are you okay?
00:55:05 Hey, wake up.
00:55:07 Do you want to try it?
00:55:22 I can't leave you on the street.
00:55:25 I can't take you and run away.
00:55:27 You're back in this house.
00:55:29 The palm of your hand is yours.
00:55:33 Where am I going to learn to write?
00:55:39 Why is there no place to write?
00:55:41 You have to learn to write to make the world you can see wider.
00:55:46 I'm going to write.
00:55:48 Why?
00:55:58 Isn't it working?
00:56:00 I'll give you a sheep for my self-sacrifice.
00:56:03 What do you have to do with the three meals?
00:56:08 Someday, I'll have a lot of things to do without you.
00:56:13 I'm going to write.
00:56:15 You're doing what you can do.
00:56:28 Yeah, thank you.
00:56:32 You must have had a hard time today. Go down and rest.
00:56:36 What you have to worry about now is the future of your wife.
00:56:41 What?
00:56:42 Tomorrow is the day of my mother-in-law.
00:56:45 Why are you so good at it?
00:56:47 That's the reality of the lady.
00:56:49 Oh, Yeon-seon.
00:56:52 I close my eyes and it's like my future.
00:56:57 I can't see anything.
00:57:00 Nothing.
00:57:02 Didn't you see my granddaughter?
00:57:07 My granddaughter is gone.
00:57:11 I should go out.
00:57:13 Where are you going?
00:57:14 I'm worried about my grandmother.
00:57:17 No, my granddaughter is gone, but my house is collapsing.
00:57:20 There's nothing to sleep on.
00:57:39 What is this?
00:57:41 There's not a grain of rice left.
00:57:46 You saw the rice that you gave me.
00:57:48 There's still a lot left.
00:57:50 My wife didn't eat anything.
00:57:54 I'll have to wait until next spring.
00:57:58 Did you eat the rice that you made?
00:58:01 The rice was full of dirt and stones.
00:58:04 Shh!
00:58:05 Isn't that rice?
00:58:12 Rice?
00:58:14 Rice?
00:58:17 Eat it.
00:58:19 Why?
00:58:20 What happened?
00:58:21 What is this?
00:58:22 Why is there rice on the floor?
00:58:24 What is this?
00:58:25 I think the sky gave me rice.
00:58:27 But my wife...
00:58:30 Rice?
00:58:31 This is rice.
00:58:44 It's different from what I ate.
00:58:47 The color is very...
00:58:49 Oh, my God.
00:58:52 It's a mask.
00:58:53 Aren't we going to die?
00:58:55 What's going on?
00:58:58 I'm sorry.
00:59:00 The rice is stuck in my eyes.
00:59:04 When did this hole come out?
00:59:09 Wait a minute.
00:59:14 There's a grandmother who lost her granddaughter.
00:59:19 Grandma?
00:59:22 The grandmother who was wandering around in the daytime because her granddaughter was gone.
00:59:26 Where are you now?
00:59:27 The house collapsed and I was out of my mind.
00:59:29 I'm buried across the street.
00:59:31 Yes.
00:59:32 Wait a minute.
00:59:37 I know when the grandmother's granddaughter disappeared.
00:59:42 When was it?
00:59:45 The girls are gone.
00:59:49 There are more missing kids.
00:59:51 There are many.
00:59:55 There are many.
00:59:57 It's common.
00:59:59 It's common.
01:00:01 But you don't know that?
01:00:04 I'm sure he's back here.
01:00:12 Find him.
01:00:13 Yes.
01:00:14 Go.
01:00:15 Wait a minute.
01:00:21 [Music]
01:00:50 There's no one over there.
01:00:52 I'm going to go this way.
01:00:54 You go over there and you go out.
01:00:57 I didn't think so, but the enemy is met on the bamboo bridge.
01:01:09 It's a bamboo bridge.
01:01:11 I'm going to catch him today.
01:01:15 I'm not the kind of person who can catch him so easily.
01:01:17 I don't want to see the house.
01:01:19 I don't want to fight.
01:01:21 Go on your way.
01:01:23 You were here.
01:01:33 Help me, sir.
01:01:35 Please.
01:01:37 Please.
01:01:39 Please.
01:01:40 Can you save me?
01:01:42 Please.
01:01:46 You're here to catch this kid.
01:01:49 Then the story will change again.
01:01:53 [Music]
01:02:19 What did you see?
01:02:22 What did you see?
01:02:24 Grandma.
01:02:25 Oh, my God.
01:02:27 Grandma.
01:02:29 What are you doing?
01:02:34 Give me a child.
01:02:35 Grandma.
01:02:37 Stay still.
01:02:38 I'll figure it out.
01:02:40 All right.
01:02:43 Take me.
01:02:46 I'm not the one who's been trying to get you from the beginning.
01:02:49 I'm here to catch the girl.
01:02:52 I told you to hand over the child.
01:02:54 I'll gladly catch you.
01:02:57 Stop it.
01:03:04 [Music]
01:03:23 What is this?
01:03:25 [Music]
01:03:35 Wake up.
01:03:51 Wake up.
01:03:53 [Music]
01:04:11 Oh, my God.
01:04:13 [Music]
01:04:29 What am I doing?
01:04:31 [Music]
01:04:37 [Music]
01:05:01 Why are you chasing me?
01:05:03 I was curious.
01:05:04 Who the hell is it?
01:05:06 How dare you be so shameless in front of the servant?
01:05:09 You, the masked man, come out and take the child.
01:05:12 Go out and find the masked man right now.
01:05:15 Then this might not have been just about catching a child.
01:05:20 It could be a target for Kang Pil-jik.
01:05:23 You'll need someone to do the back work.
01:05:25 If someone does something bad, can anyone catch it?
01:05:30 I prepared this for Ban.
01:05:34 [Music]
01:05:39 ♪ Do that ♪