Peso Pluma, el músico mexicano de corridos tumbados que continúa rompiendo récords musicales, revela a GQ el proceso creativo de su música. Entre anécdotas, el intérprete de “Ella baila sola” y “TULUM” comparte qué lo inspira y los detalles detrás de sus canciones más icónicas.
Category
🛠️
LifestyleTranscript
00:00 What do you think Lydia Naira does when she listens to the song?
00:03 She dances.
00:05 I say she dances. I say she loses her mind like Taylor.
00:08 Hi GQ, I'm Peso Pluma and welcome to my processes.
00:12 Por las Noches Remix is a collaboration with Nicki Nicole.
00:24 She totally broke it. She recorded separately.
00:28 In fact, I got a lot of options because she goes to the studio
00:32 and she shoots and shoots and shoots and everything is good.
00:35 So they sent me all the options and I didn't know what to do with so many good options.
00:55 I say she broke it and I went to make the video with her to Chile.
01:00 She was a judge in Viña del Mar and that's where we met and we had the opportunity to record the video.
01:08 Well, La Bebe Remix was a song that already existed,
01:16 that was already out on digital platforms, only with Young Lucas.
01:21 It was a song that I liked a lot and on a trip I had at work, I spent listening to it.
01:28 And when I returned to Mexico, I had the opportunity to meet someone who knew Young Lucas
01:39 when he was just starting out.
01:42 And I called him and I told him that I would like to do that song with him, that remix.
01:47 And he said yes and we went to the studio and that same day it was done.
01:52 Culona was a very peculiar process.
02:05 Suddenly I land in New York and in that it calls me Obvious The Drums,
02:12 with which I already had closeness for the song of the spell that we released together.
02:17 And he talks to me and says, "I'm with Karol and Karol wants you to put on a song."
02:23 And so it was, he called me, I talked to her for about 20 minutes.
02:31 I went to the studio in Los Angeles to record it and I sent it to her and when it came out, it was a hit.
02:36 That pretty face, what a mother.
02:41 Lady Gaga is a collaboration with Junior H and Gavito Ballesteros.
02:49 It's a song that I had the opportunity to listen to before it came out.
02:54 Practically Gavito and Junior were already mounted on the song and I was the last one to throw it on my part.
03:02 Don Periño, Lady Gaga, glasses on your face, you're washed.
03:08 Triple washed and a bandit who calls me, wants my money.
03:13 I had the opportunity to release it in Genesis, which was the surprise run of the album,
03:19 which was the one that people liked the most.
03:21 Globally, at the level of Europe, at the level of Latin America, it swept and they felt very identified with the run.
03:30 Pedro Tovar is the composer of the song, who is the vocalist of Slabón Armado.
03:38 He talked to me and told me about this song, that he wanted to do it with me.
03:44 We recorded the song together, he guided me and that's how it was recorded, it was recorded quickly, in less than two hours.
03:52 And when they had the master, they sent it to me, I was in New York and I just put it on.
03:58 I remember that it was raining and I put it on and I said, "No, this is definitely going to be number one."
04:20 Tulum was a collaboration with Grupo Frontera, which I enjoyed a lot because I really wanted to do something with them.
04:29 And above all, get out of my comfort zone, you know?
04:32 To experiment with something new, to experiment with something that is very Mexican,
04:36 and that he was going to give that special touch, that special ingredient to the Genesis album, which was going to be a cumbia.
04:45 And so it was.
04:46 You are a ten, but you still with that guy, who doesn't even get to your feet and doesn't even look like your type.
04:56 What can I tell you? I really appreciate and admire Nata a lot, especially because it was an inspiration for me.
05:07 I sent that song to him and he jumped after AMG and we knew he had the potential to take the corridos to another level.
05:19 I am very proud that it was with him and it was a collaboration that I always expected.
05:36 Thank you very much GQ for watching my processes.
05:38 And if you want to see more content like this, you already know what to do.
05:42 Thank you.
05:44 You're welcome.
05:45 [Music]
05:53 [BLANK_AUDIO]