Oliver Twist (1948) EngSub Full Movies
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Short filmTranscript
00:00:00 (dramatic music)
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00:01:01 (thunder rumbling)
00:01:11 (thunder rumbling)
00:01:26 (thunder rumbling)
00:01:29 (crow cawing)
00:01:44 (wind howling)
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00:02:07 (thunder rumbling)
00:02:21 (wind howling)
00:02:23 (thunder rumbling)
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00:03:13 (wind howling)
00:03:15 (thunder rumbling)
00:03:40 (thunder rumbling)
00:03:43 (thunder rumbling)
00:04:09 (wind howling)
00:04:12 (cat meowing)
00:04:35 (cat meowing)
00:04:38 (cat meowing)
00:05:02 (cat meowing)
00:05:05 (cat meowing)
00:05:08 (cat meowing)
00:05:11 (cat meowing)
00:05:35 (cat meowing)
00:05:38 (cat meowing)
00:06:03 (indistinct chatter)
00:06:06 - It's all over, Mrs. Dingley.
00:06:13 (dramatic music)
00:06:24 (dramatic music)
00:06:27 - The old story.
00:06:45 No wedding ring, I see.
00:06:47 Good night.
00:06:51 (dramatic music)
00:06:54 (cat meowing)
00:07:06 (cat meowing)
00:07:12 (dramatic music)
00:07:15 (cat meowing)
00:07:17 (dramatic music)
00:07:26 (cat meowing)
00:07:34 (cat meowing)
00:07:42 (dramatic music)
00:07:44 - May I come in, sir?
00:07:55 - Thank you, ma'am.
00:07:57 - May I?
00:07:58 - Thank you, ma'am.
00:07:59 - Thank you, sir.
00:08:02 Oh, this is indeed a pleasure, sir.
00:08:05 Now, you mustn't be offended at what I'm going to say.
00:08:11 You've had a long walk, and I wouldn't mention it.
00:08:13 Will you take a little drop of something, Mr. Bumble?
00:08:16 - Not a drop, not a drop.
00:08:17 - Just a little drop, with a little hot water
00:08:19 and a lump of sugar.
00:08:21 - What is it?
00:08:22 - I'll not deceive you, Mr. B.
00:08:25 It's gin.
00:08:26 I'm obliged to keep a little in the house
00:08:30 to put any infants to sleep when they ain't well, Mr. Bumble.
00:08:33 - You're a very humane woman, Mrs. Corley.
00:08:36 I shall take an early opportunity
00:08:38 of mentioning it to the board, Mrs. Corley.
00:08:40 - Thank you, sir.
00:08:42 - I, uh, I drink your health with cheerfulness, Mrs. Corley.
00:08:46 We're forgetting business, ma'am.
00:08:52 The child that was half-baptized, Oliver Twist,
00:08:55 is nine year old today.
00:08:56 - He's the worst-disposed boy I ever did see.
00:08:58 - Small wonder, ma'am.
00:09:00 We've never been able to discover his parentage.
00:09:03 - How come that he has a name, then?
00:09:05 - I invented it.
00:09:06 - You, Mr. Bumble?
00:09:08 - I, Mrs. Corley.
00:09:09 I name all our fountains in alphabetical order.
00:09:12 The last was an S.
00:09:14 Swabble, I named him.
00:09:15 This was a T.
00:09:17 Twist, I named him.
00:09:18 - Wow, you're quite a literary character, sir.
00:09:20 - Well, well, perhaps I may be, Mrs. Corley.
00:09:23 Perhaps I may be.
00:09:25 Now, let me see the boy.
00:09:32 (dramatic music)
00:09:35 Twist!
00:09:44 Come here!
00:09:53 (footsteps)
00:09:55 - Make a bow to the gentleman.
00:10:03 - You ought to come along with me, boy.
00:10:06 You ought to be presented to the board.
00:10:08 - Gentlemen, it is my considered opinion
00:10:12 that our charity is being presumed upon.
00:10:15 - Hear, hear. - Hear, hear.
00:10:17 - This workhouse has become a regular place
00:10:19 of entertainment for the poorer classes.
00:10:22 (water rushing)
00:10:24 Gentlemen, it is our duty to set this to rights.
00:10:37 We'll stop it in no time.
00:10:39 - Hear, hear. - Hear, hear.
00:10:40 (knocking)
00:10:41 - Come in.
00:10:42 Case number six.
00:10:51 - Bow to the board.
00:10:53 - What's your name, boy?
00:10:59 - Oliver.
00:11:00 Oliver Twist, sir.
00:11:02 - You know it's your birthday?
00:11:04 - No, sir.
00:11:07 - Boy's a fool.
00:11:08 - Boy, listen to me.
00:11:11 You know you're an orphan?
00:11:13 - What's that, sir?
00:11:15 - Boy's a fool.
00:11:16 I thought he was. - Hush.
00:11:18 You know you've got no father or mother
00:11:20 and were brought up by the parish, don't you?
00:11:22 - Yes, sir.
00:11:25 - I hope you say your prayers every night.
00:11:28 - Yes, sir.
00:11:30 - And pray for the people who feed you
00:11:32 and take care of you. - Yes, sir.
00:11:34 - Well, you're going to be educated
00:11:36 and taught a useful trade.
00:11:38 You'll begin to pick oakum tomorrow morning at six o'clock.
00:11:41 (light music)
00:11:45 (water splashing)
00:11:48 (water splashing)
00:12:04 (water splashing)
00:12:07 - For this abounding provision, oh Lord, we thank thee.
00:12:23 - [All] Amen.
00:12:24 (thunder rumbling)
00:12:28 (water splashing)
00:12:32 (chewing)
00:12:34 (chewing)
00:12:36 (crunching)
00:12:47 (chewing)
00:13:02 (crunching)
00:13:04 (gasping)
00:13:25 (chattering)
00:13:29 (chattering)
00:13:32 (chattering)
00:13:55 (scraping)
00:13:59 (scraping)
00:14:01 (scraping)
00:14:04 (scraping)
00:14:27 (footsteps)
00:14:30 - Please, sir, I want some more.
00:14:56 - What?
00:14:57 What?
00:14:58 - Oh, just for more.
00:15:01 (scraping)
00:15:03 (dramatic music)
00:15:06 - Ah, good morning, Mr. Bumble, sir.
00:15:21 - Good morning.
00:15:22 - I've just taken the measure of the two women
00:15:24 that died last night.
00:15:25 - Coffins are looking up, Mr. Savre.
00:15:28 Ah, thank you.
00:15:30 You'll make your fortune, Mr. Savre.
00:15:33 - The prices allowed by the board are very small, Mr. Bumble.
00:15:36 - So are the coffins.
00:15:37 (laughing)
00:15:38 - Well, well, Mr. Bumble, there's no denying that.
00:15:40 But we must have some profit, Mr. Bumble.
00:15:42 - Oh, just so.
00:15:43 By the way, you don't know anybody who wants a boy, do you?
00:15:46 We poor rocule plenties.
00:15:48 Liberal terms, Mr. Savre.
00:15:50 (knocking)
00:15:51 Liberal terms.
00:15:53 - I'll take him.
00:15:54 (dramatic music)
00:15:57 - Oliver.
00:16:09 - Yes, sir?
00:16:10 - Pull that cap off your eye.
00:16:13 And hold your head up, sir.
00:16:16 Be good enough to tell Mr. Savre that the beadle is here.
00:16:23 - Oh, pleased to come in, sir.
00:16:25 - Is that you, Mr. Bumble?
00:16:30 - No one else, Mr. Savre.
00:16:32 Here, I brought the boy.
00:16:34 - Ah.
00:16:35 So this is the boy, is it?
00:16:41 - Yes, sir.
00:16:42 Who's that?
00:16:45 - My dear, this is the boy from the workhouse I told you of.
00:16:50 - He's very small.
00:16:52 - He is rather small, isn't he?
00:16:54 He is small, there's no denying it.
00:16:56 But he'll grow, Mrs. Savre.
00:16:58 - I daresay he will, on our food and our drink.
00:17:01 There, get downstairs, little bag of bones.
00:17:04 Charlotte!
00:17:07 - Yes, ma'am?
00:17:09 - Give the boy some of the coal bits put by for trip.
00:17:12 - Yes, ma'am.
00:17:13 - I'll be back in a minute.
00:17:17 - Yes, ma'am.
00:17:18 - I suppose you're the new boy, aren't you?
00:17:26 - Yes, sir.
00:17:27 Here you are.
00:17:30 - Oh, thank you, ma'am.
00:17:32 - On the box, workhouse, on the box.
00:17:35 - Workers, do you know who I am?
00:17:46 - No, sir.
00:17:47 - I'm Mr. Noah Claypole, and you're under, mate,
00:17:51 so don't you forget it.
00:17:53 - No, sir.
00:17:54 - Have you done?
00:18:01 - Yes, ma'am.
00:18:02 - Then come with me.
00:18:03 Come on, get up.
00:18:05 Your bed's under the counter, you don't mind, I suppose?
00:18:09 - No, ma'am.
00:18:10 - Doesn't much matter whether you do or you don't,
00:18:12 for you can't sleep anywhere else.
00:18:15 Here, take this.
00:18:17 Get in here.
00:18:20 (door opens)
00:18:21 (dramatic music)
00:18:34 (dramatic music)
00:18:37 (dramatic music)
00:18:54 (dramatic music)
00:18:57 (dramatic music)
00:19:09 (dramatic music)
00:19:21 (dramatic music)
00:19:24 - A very good looking boy, that, my dear.
00:19:32 - He need be, he eats enough.
00:19:34 - There's an expression of melancholy in his face, my dear,
00:19:41 which is very interesting.
00:19:43 - Well?
00:19:44 - He'd make a delightful mute, my love.
00:19:47 I don't mean a regular mute to attend grown-up people, my dear,
00:19:50 but only for children's practice.
00:19:53 Depend upon it, it would have a most superb effect.
00:19:56 (dramatic music)
00:20:00 (dramatic music)
00:20:13 (dramatic music)
00:20:42 (sandpaper scraping)
00:20:45 - Do you want a coffin?
00:20:56 I'll fetch the missus.
00:20:57 - No, no, no.
00:20:59 I want to see the boy.
00:21:10 - The boy?
00:21:12 The boy?
00:21:13 - Yes, the boy.
00:21:15 - The boy?
00:21:16 - Yes, the boy.
00:21:17 - The boy?
00:21:18 - Yes, the boy.
00:21:19 - The boy?
00:21:20 - Yes, the boy.
00:21:21 - The boy?
00:21:22 - Yes, the boy.
00:21:23 - The boy?
00:21:24 - Yes, the boy.
00:21:25 - The boy?
00:21:26 - Yes, the boy.
00:21:27 - The boy?
00:21:28 - Yes, the boy.
00:21:29 - The boy?
00:21:30 - Yes, the boy.
00:21:31 - The boy?
00:21:32 - Yes, the boy.
00:21:33 - The boy?
00:21:34 - Yes, the boy.
00:21:35 - The boy?
00:21:36 - Yes, the boy.
00:21:37 - Yes, the boy.
00:21:38 - Yes, the boy.
00:21:39 (knocking on door)
00:21:44 - Come in.
00:21:45 (door opens)
00:21:50 - How is she this evening?
00:21:51 - There's not much strength left in her.
00:21:54 She's troubled in her mind.
00:21:56 And when the fits aren't on, and that's not often,
00:21:59 she keeps saying she's got something to tell.
00:22:03 She wants to see the matron.
00:22:06 You'd better fetch her.
00:22:09 (knocking on door)
00:22:15 - Come in.
00:22:17 Yes?
00:22:21 - If you please, Mistress.
00:22:22 Oh, Sally's a-going fast.
00:22:24 - What's that to me? I can't keep her alive, can I?
00:22:27 - She says she's got something to tell, that you must hear.
00:22:30 She'll never die quiet until you come, Mistress.
00:22:34 (footsteps)
00:22:39 - Did she say any more, Mata dear?
00:22:41 - Not a word.
00:22:42 - Cold tonight, Mrs. Corny.
00:22:43 - Very cold indeed, sir.
00:22:46 - If you have to wait long, I shall be surprised.
00:22:49 Put the light on the floor.
00:22:51 She won't see it there.
00:22:53 - Good night, sir. - Good night.
00:22:55 (footsteps)
00:22:57 (glass clinks)
00:22:59 (footsteps)
00:23:09 (breathing)
00:23:24 (footsteps)
00:23:28 (footsteps)
00:23:35 - It won't be long, Mistress.
00:23:37 None of us have to wait long.
00:23:39 It'll come soon enough for us all.
00:23:43 (footsteps)
00:23:47 ♪ (soft music)
00:23:56 - Who's that?
00:23:57 - Who's that? - Lie down dear, lie down.
00:24:01 - Ah...
00:24:03 Come here...
00:24:05 Come here.
00:24:07 ♪ (soft music)
00:24:12 Listen...
00:24:13 - Yes?
00:24:15 - In this very room...in this very bed...
00:24:20 a once master pretty young creature...
00:24:23 she gave birth to a boy...
00:24:27 and died.
00:24:28 - Go on! - Yes.
00:24:31 - They would have treated him better if they'd known it all.
00:24:35 - Known what?
00:24:37 - I think...
00:24:40 it was the year-- - Never mind about the year.
00:24:43 What about him?
00:24:44 - Ah, what about him?
00:24:47 What about--
00:24:48 ♪ (soft music)
00:24:51 - I know...
00:24:54 ♪ (soft music)
00:24:57 Turn him away.
00:24:58 - This is anything but-- - Get out!
00:25:01 Get out! Go on, both of you!
00:25:02 Get out, hurry!
00:25:04 ♪ (soft music)
00:25:07 Get out!
00:25:09 ♪ (soft music)
00:25:11 Right, go on.
00:25:13 ♪ (soft music)
00:25:22 - What?
00:25:24 ♪ (soft music)
00:25:39 - Stone dead.
00:25:40 - What was it, mistress?
00:25:42 - Nothing, nothing to tell after all, nothing.
00:25:45 (footsteps)
00:25:55 - Come up and sit by the fire, Noah dear.
00:25:57 Oliver, shut that door behind Mr. Noah's back.
00:26:00 (footsteps)
00:26:03 I saved a nice bit of bacon
00:26:05 from the master's breakfast for you, Noah dear.
00:26:08 (footsteps)
00:26:09 Oliver, here's your tea, and take them bits.
00:26:12 And make haste 'cause they want you to mind shop.
00:26:16 Julia?
00:26:18 - Julia, what is--?
00:26:19 (footsteps)
00:26:28 - What now? Where's your mother?
00:26:32 - She's dead.
00:26:33 - What did she die of, what else?
00:26:36 - They said she died of a broken heart.
00:26:42 - What said to us, Neville?
00:26:44 - Not you.
00:26:46 - Oh, not me, eh?
00:26:47 - No, not you.
00:26:48 You'd better stop saying things about my mother.
00:26:51 - Better stop.
00:26:52 Workhouse, don't be impudent.
00:26:57 You know, workhouse...
00:26:59 your mother must have been a regular right down Baden.
00:27:04 - What did you say?
00:27:07 - A regular right down Baden, workhouse.
00:27:10 And it's a great deal better, workhouse,
00:27:13 that she died when she did.
00:27:14 Or else she'd have been doing hard labor in Bridewell.
00:27:18 Or transport it.
00:27:19 Or Owen, who's more likely than either, isn't it?
00:27:23 ♪ (dramatic music)
00:27:24 (thump)
00:27:25 (shouting)
00:27:30 - You murderer!
00:27:32 (shouting)
00:27:33 (shouting)
00:27:38 (thump)
00:27:39 (screaming)
00:27:40 - You young bitch!
00:27:42 (screaming)
00:27:44 (screaming)
00:27:46 (thump)
00:27:46 (shouting)
00:27:50 - You coward!
00:27:51 - No!
00:27:52 - Yes!
00:27:53 - It ain't you!
00:27:54 - Oh!
00:27:55 ♪ (dramatic music)
00:27:57 You little villain!
00:27:58 - It ain't you!
00:27:59 - I'll kill you!
00:28:00 You coward!
00:28:01 (screaming)
00:28:09 - Oh!
00:28:11 - Noah!
00:28:12 (screaming)
00:28:14 - Yes, ma'am?
00:28:16 - Fetch the badle!
00:28:18 (thumping)
00:28:20 ♪ (dramatic music)
00:28:36 - Well then...
00:28:37 (crying)
00:28:39 (thump)
00:28:40 - Where is this audacious young savage?
00:28:44 (thumping)
00:28:46 - Help me up! Help me up! Help me up!
00:28:48 Help me up!
00:28:49 (thump)
00:28:50 - Oliver?
00:28:55 - Yes?
00:28:56 - Do you know this here voice, sir?
00:28:59 - Yes!
00:29:00 - Ain't you afraid of it, sir?
00:29:03 Ain't you a-trembling while I speak, sir?
00:29:06 - No!
00:29:07 (thumping)
00:29:09 - Help me up! Help me up!
00:29:12 The boy must be mad!
00:29:14 - It's not madness, ma'am.
00:29:16 It's meat.
00:29:17 (thumping)
00:29:18 - What?
00:29:18 - Help me up!
00:29:19 - Meat, ma'am, meat!
00:29:21 If you'd kept the boy on gruel,
00:29:22 this would never have happened.
00:29:24 - What's the meaning of this?
00:29:27 - Young Twist has turned vicious, sir.
00:29:29 - Tried to murder me, sir. - He nearly killed her, missus!
00:29:30 (thumping)
00:29:32 (door opens)
00:29:34 - You're a nice young fella, ain't you?
00:29:39 - He said things about my mother.
00:29:41 - By all accounts, she deserved them!
00:29:43 - That's a lie!
00:29:44 - Ow! Ow!
00:29:45 (crying)
00:29:46 - Don't spare him, ma'am, don't spare him!
00:29:49 (crying)
00:29:53 (thumping)
00:30:03 - Get up to bed.
00:30:07 (footsteps)
00:30:14 (footsteps)
00:30:18 (door closes)
00:30:20 - He comes from a bad family, sir.
00:30:24 Excitable natures, Mrs. Sarvery.
00:30:27 That mother of his made her way here
00:30:29 against difficulties and pain
00:30:31 that would have killed any well-disposed woman
00:30:33 weeks before.
00:30:35 - My parochial apologies, sir.
00:30:38 (door closes)
00:30:40 (footsteps)
00:30:46 (crying)
00:30:57 ♪ (soft music)
00:31:25 (baby crying)
00:31:28 ♪ (soft music)
00:31:34 ♪ (soft music)
00:31:55 (snoring)
00:31:57 ♪ (soft music)
00:32:05 (baby crying)
00:32:08 ♪ (soft music)
00:32:31 (indistinct chatter)
00:32:40 (bell ringing)
00:32:43 (indistinct chatter)
00:32:51 (buzzer)
00:32:54 (buzzer)
00:32:55 (indistinct chatter)
00:33:05 (bell ringing)
00:33:06 (indistinct chatter)
00:33:11 (indistinct chatter)
00:33:26 (indistinct chatter)
00:33:36 (indistinct chatter)
00:33:46 (indistinct chatter)
00:33:52 - Stein in London?
00:33:55 - Yes.
00:33:56 - Got any lodgings?
00:33:58 - No.
00:33:59 - Money?
00:34:00 - No.
00:34:01 - Hungry?
00:34:02 - Yes.
00:34:04 - Follow me.
00:34:06 ♪ (suspenseful music)
00:34:24 (tires screeching)
00:34:26 ♪ (suspenseful music)
00:34:55 (door opens)
00:34:57 ♪ (suspenseful music)
00:35:18 - Come here!
00:35:19 (whistles)
00:35:20 (door closes)
00:35:24 (door opens)
00:35:25 Who's the other one?
00:35:27 - A new pal.
00:35:29 - Come in.
00:35:30 Wait here.
00:35:34 (footsteps)
00:35:39 Do you want him?
00:35:48 Come on in!
00:35:53 (footsteps)
00:35:57 - Here he is, Fagin.
00:35:59 My friend, Oliver Twist.
00:36:01 (footsteps)
00:36:02 - Are they glad to see you, Oliver, are they?
00:36:05 Aren't we, my dears?
00:36:06 - Yes!
00:36:07 - Here, how far have you come?
00:36:08 - I've been walking for seven days.
00:36:10 - Walking for seven days?
00:36:12 Beak's all right.
00:36:13 - Do you know what a beak is, my dear?
00:36:16 - A bird's muscle.
00:36:18 (laughter)
00:36:20 - Sit down, all of you!
00:36:21 (laughter)
00:36:22 A beak is a magistrate, my dear.
00:36:25 - Dodger, take off the sausages.
00:36:27 - Sit down, Oliver.
00:36:29 (sausages clatter)
00:36:30 (liquid pouring)
00:36:33 There are a great many of them, ain't there, my dear?
00:36:36 - Yes, sir.
00:36:37 - We've just looked 'em out, ready for the wash.
00:36:39 (laughter)
00:36:41 Hope you've been at work, Dodger.
00:36:44 - Odd!
00:36:45 (door opens)
00:36:48 (door closes)
00:36:50 - Good boy, good boy.
00:36:53 - And free warps!
00:36:54 - Ingenious worker, ain't he, Oliver?
00:36:58 - Very indeed, sir.
00:37:00 (laughter)
00:37:02 - You'd like to make pocket handkerchiefs
00:37:04 as easily as the artful Dodger, wouldn't you, my dear?
00:37:08 - Yes, if you teach me, sir.
00:37:09 (laughter)
00:37:10 - We will, my dear, we will.
00:37:13 To work!
00:37:14 Terry, Fred.
00:37:15 (door opens)
00:37:15 (upbeat music)
00:37:18 (upbeat music)
00:37:21 (upbeat music)
00:37:23 (upbeat music)
00:37:26 (upbeat music)
00:37:28 (upbeat music)
00:37:31 (upbeat music)
00:37:33 (upbeat music)
00:37:36 (upbeat music)
00:37:41 (upbeat music)
00:37:45 (upbeat music)
00:37:50 (upbeat music)
00:37:54 (upbeat music)
00:38:01 (upbeat music)
00:38:04 - Sit down!
00:38:12 Tally, Dodger.
00:38:15 (upbeat music)
00:38:18 (upbeat music)
00:38:25 (laughter)
00:38:27 (upbeat music)
00:38:30 (upbeat music)
00:38:33 (upbeat music)
00:38:35 (laughter)
00:38:39 (upbeat music)
00:38:41 (laughter)
00:38:43 (upbeat music)
00:38:46 (laughter)
00:38:50 (upbeat music)
00:38:53 (laughter)
00:38:56 (upbeat music)
00:39:02 (upbeat music)
00:39:05 (bell rings)
00:39:15 - Oliver.
00:39:21 Oliver.
00:39:25 (bell rings)
00:39:27 (upbeat music)
00:39:30 (upbeat music)
00:39:32 (upbeat music)
00:39:36 (door creaks)
00:39:38 (ominous music)
00:39:41 (ominous music)
00:39:43 (ominous music)
00:39:46 (ominous music)
00:39:49 (ominous music)
00:39:52 (ominous music)
00:39:55 (ominous music)
00:39:57 (ominous music)
00:40:00 Clever dogs.
00:40:27 Never blow, don't hold faggot.
00:40:30 (clattering)
00:40:40 Why are you awake?
00:40:41 Speak up, boy, quick!
00:40:44 - I couldn't sleep any longer, sir.
00:40:46 - What have you seen?
00:40:46 - Nothing, sir.
00:40:48 - You were not awake an hour ago.
00:40:51 - No, no, indeed, sir.
00:40:52 - Are you sure?
00:40:54 - Yes, sir.
00:40:55 - Churchill, my dear.
00:40:57 I only tried to frighten you.
00:41:00 Did you see any of those pretty things, dear?
00:41:06 - Yes, sir.
00:41:07 - They, they're mine, Oliver.
00:41:11 All I have to live on in my old age.
00:41:16 They call me a miser.
00:41:19 I'm a miser.
00:41:23 They call me a miser.
00:41:25 - May I get up now, sir?
00:41:28 - Certainly, dear, certainly.
00:41:31 (playful music)
00:41:33 They've gone to work, Oliver.
00:41:40 Make 'em your models.
00:41:42 Do everything they bid you do.
00:41:44 Take their advice in all things,
00:41:46 especially the artful dodgers.
00:41:48 You'll be a quick man himself one day
00:41:49 and we'll make you one too.
00:41:51 You see my handkerchief hanging out of my pocket, dear?
00:41:54 - Yes, sir.
00:41:55 - If you can take it without my feeling it.
00:41:59 Is it gone?
00:42:04 - Yes, here it is.
00:42:06 - Ah, you clever boy.
00:42:08 Here's a shilling for you.
00:42:11 If you go on this way,
00:42:15 you'll be the greatest man of the time.
00:42:18 (playful music)
00:42:21 - He'll do.
00:42:40 (playful music)
00:42:43 (footsteps tapping)
00:42:46 (footsteps tapping)
00:42:49 - Stop, thief!
00:43:14 (child laughing)
00:43:17 Stop, thief!
00:43:19 Stop, thief!
00:43:20 Stop, thief!
00:43:21 (child laughing)
00:43:24 Stop!
00:43:25 (child laughing)
00:43:28 (footsteps tapping)
00:43:31 (child laughing)
00:43:35 (child laughing)
00:43:38 (footsteps tapping)
00:43:42 (child laughing)
00:43:44 (children shouting)
00:43:47 (playful music)
00:43:50 (children shouting)
00:43:53 (children shouting)
00:43:56 (children shouting)
00:43:59 - Stop, thief!
00:44:19 (children shouting)
00:44:22 (children shouting)
00:44:25 (gun firing)
00:44:45 - He don't deserve it.
00:44:49 - That's right.
00:44:50 - Is this the boy, sir?
00:44:52 - Yes, I'm afraid it is.
00:44:53 - Afraid?
00:44:54 That's Sir Gordon.
00:44:56 - Poor little fellow, he's hurt himself.
00:44:58 - I did that, sir.
00:45:00 I stopped him.
00:45:01 I cut my knuckles against his mouth.
00:45:03 - Come on, get up.
00:45:05 - Make way there.
00:45:07 Make way.
00:45:08 Come on.
00:45:10 - Don't hurt him, officer.
00:45:12 - Oh no, I won't.
00:45:13 (children laughing)
00:45:16 - Hold your noise.
00:45:18 Do you wanna get raped?
00:45:20 - I can't help it.
00:45:21 I can't help it.
00:45:22 - What will Fagin say?
00:45:26 - Where's Ivor?
00:45:40 Where's the boy?
00:45:45 What's become of the boy?
00:45:51 - You come, I'll throttle you.
00:45:53 - Let go of me.
00:45:54 The traps have got him, and that's all about it.
00:46:01 Come on.
00:46:11 - What's it all about, Fagin?
00:46:19 - It's lucky the pot didn't hit me,
00:46:20 or I might have settled someone.
00:46:23 - Come in, Mr. Sykes.
00:46:25 Come in.
00:46:26 - None of your mysterying, you know my name.
00:46:28 Come in, you sneaking cur.
00:46:30 What are you hanging about there for?
00:46:32 Go on, get in, will you?
00:46:34 - Will you take a drink, Bill?
00:46:37 - See you don't poison it, neither.
00:46:40 Here.
00:46:42 What's he been up to?
00:46:43 Ill-treating the boys again, eh?
00:46:47 You avaricious old fence.
00:46:49 - You seem out of humor, Bill.
00:46:51 - Yeah, maybe I am.
00:46:52 And you seem kind of out of sorts, too.
00:46:57 What's in the wind, Fagin?
00:46:58 - It's the new boy.
00:46:59 The traps have got him.
00:47:00 - Well, what of it?
00:47:01 - I'm afraid, you see, he may say something
00:47:03 that'll get us into trouble.
00:47:05 - That's very likely.
00:47:07 You're blowed upon, Fagin.
00:47:09 - I'm afraid, you see, if the game was up with us,
00:47:12 it might be up with a good many more.
00:47:16 It would come out rather worse for you
00:47:18 than it would for me, wouldn't it, my dear?
00:47:22 - Look here.
00:47:27 Somebody ought to go and find out
00:47:30 what's going on at the police court.
00:47:33 Somebody ought to go there, Fagin.
00:47:45 - Would you?
00:47:46 Surely.
00:47:49 - And about time, too.
00:48:10 - Ah, Nancy, the very thing.
00:48:14 She's a clever girl.
00:48:16 - Here's to her.
00:48:17 - Nancy will go, won't you, my dear?
00:48:20 - Where?
00:48:21 - Only just to the police court, my dear.
00:48:23 What do you say?
00:48:24 - But it won't do, Fagin,
00:48:26 so it's no use you trying it on.
00:48:27 - What do you mean by that?
00:48:28 - Well, what'd I say, Bill?
00:48:29 - Well, you're the very one for it.
00:48:31 No one around here knows anything about you.
00:48:33 - And as I don't want 'em to neither,
00:48:35 it's rather more no than yes with me, Bill.
00:48:37 - She'll go, Fagin.
00:48:38 - Oh, no, she won't, Fagin.
00:48:41 - Oh, yes, she will, Fagin.
00:48:43 (door opens)
00:48:46 (Nancy laughs)
00:48:53 - Yes?
00:48:54 - Is there a little boy here?
00:48:56 - Who are you?
00:48:57 - His sister.
00:48:59 - You have to wait, the case is on now.
00:49:02 - Now, what is the charge against this boy?
00:49:07 - Stealing a handkerchief, Your Worship.
00:49:10 - I'd rather not press the case.
00:49:12 - Hold your tongue, sir!
00:49:14 Are there any witnesses?
00:49:15 - None, Your Worship.
00:49:17 - What is your name?
00:49:20 What is your name?
00:49:23 - He's been hurt, and I fear, I really fear he's very ill.
00:49:29 - Oh, yes, I dare say.
00:49:32 Come now, none of your tricks here, you young vagabond.
00:49:34 What is your name?
00:49:36 What's your name?
00:49:40 (footsteps)
00:49:43 Hmm?
00:49:46 He says his name's Tom White, Your Worship.
00:49:51 - Very well.
00:49:52 Where does he live?
00:49:54 - Where do you live?
00:49:57 - Where he can, Your Worship.
00:50:00 - Please, sir, would I have some water?
00:50:03 - Stop that nonsense!
00:50:04 Don't try and make a fool of me!
00:50:07 (gentle music)
00:50:10 - I'm afraid he really is ill, Your Worship.
00:50:13 - I know better.
00:50:14 The care is good for all.
00:50:16 Stand away!
00:50:17 Very good, you lads.
00:50:20 - How do you propose to deal with the case, sir?
00:50:25 - Quiet!
00:50:26 What's this?
00:50:27 Who is this?
00:50:28 - I keep the bookstore.
00:50:29 I saw it all.
00:50:31 It was another boy.
00:50:32 - Why didn't you come before?
00:50:33 - Couldn't get a soul to mind the shop.
00:50:35 - Swear the man.
00:50:37 (footsteps)
00:50:39 (door opens)
00:50:41 (footsteps)
00:50:44 - They bring him out of the court fainting.
00:51:11 He gets in a carriage with this gentleman
00:51:13 and they drive off.
00:51:14 He'll blow on us, Fagin, for certain!
00:51:17 (whistle blows)
00:51:18 (dramatic music)
00:51:21 (horse whinnies)
00:51:26 (horse whinnies)
00:51:37 (dramatic music)
00:51:40 (dramatic music)
00:51:42 (dramatic music)
00:51:45 (dramatic music)
00:51:48 (dramatic music)
00:51:51 (dramatic music)
00:51:53 (dramatic music)
00:51:56 (dramatic music)
00:51:59 (dramatic music)
00:52:03 (door closes)
00:52:05 (footsteps)
00:52:07 (dramatic music)
00:52:11 (footsteps)
00:52:13 (dramatic music)
00:52:16 (footsteps)
00:52:19 ♪ (soft music)
00:52:47 - That's the boy, is it?
00:52:50 - It's a boy.
00:52:51 ♪ (soft music)
00:52:53 Nice looking boy, isn't he?
00:52:55 - I don't know.
00:52:57 I only know two sorts of boys.
00:53:00 Mealy boys, and beef-faced boys.
00:53:04 - And which is he?
00:53:06 - Mealy.
00:53:07 (door opens)
00:53:10 (footsteps)
00:53:13 - Good night, Mr. Dredd.
00:53:14 - Good night, sir.
00:53:16 (door closes)
00:53:19 - Is Bedwin in the habit of counting the plate at night?
00:53:25 ♪ (soft music)
00:53:27 Because if she doesn't find a tablespoon or two
00:53:29 missing one sunny morning,
00:53:31 I'll be content to eat my head, sir!
00:53:35 - Don't move.
00:53:37 - Where does he come from? Who is he? What is he?
00:53:41 If that boy doesn't deceive you, my good friend,
00:53:43 I'll eat my head...and yours too!
00:53:47 - We shall see. - We will!
00:53:49 We will!
00:53:51 ♪ (soft music)
00:54:09 - Where am I?
00:54:11 - Hush, my dear. You must be very quiet
00:54:13 or you'll be ill again. You've been very, very bad.
00:54:15 This bath's back a bit, pretty lie.
00:54:17 Lie down again, that's it dear.
00:54:20 ♪ (soft music)
00:54:28 And there...
00:54:30 Oh...
00:54:32 (sobs)
00:54:34 (sobbing)
00:54:39 - Don't mind me, my dear.
00:54:41 ♪ (soft music)
00:54:44 - It's all over now.
00:54:46 - I was rather hoarse this morning, Bedwin.
00:54:49 I'm afraid I've caught a cold.
00:54:51 Now, how do you feel, my dear?
00:54:54 - Very happy, sir. - Good.
00:54:57 Have you given him any nourishment, Bedwin?
00:54:59 - He's going to have a basin of beautiful strong broth, sir.
00:55:01 - Mmm, a couple of glasses of port wine
00:55:03 will do him far more good.
00:55:05 Wouldn't they, Tom White?
00:55:07 - My name's Oliver, sir.
00:55:09 - Oliver...
00:55:12 Oliver White, hmm?
00:55:14 - No sir, Twist. Oliver Twist.
00:55:19 - Oh, that's a queer name.
00:55:21 What made you tell the magistrate your name was White?
00:55:25 - I never told him, sir.
00:55:28 ♪ (soft music)
00:55:34 - Some mistake, some mistake.
00:55:37 ♪ (soft music)
00:55:40 - Ah, have your broth, young man.
00:55:42 We must get you strong again.
00:55:44 And as soon as you're well enough,
00:55:46 we must have a little chat.
00:55:48 - Oh, thank you very much, sir.
00:55:51 ♪ (soft music)
00:55:53 (Bedwin chuckles)
00:55:55 - Fool! Bungler! Liar!
00:55:58 I paid you good money to make an end of the business!
00:56:00 One sniveling boy, and you have to lose him!
00:56:05 I'm worse off now than if I never set eyes on you.
00:56:08 And farther still from what should be mine.
00:56:10 What do I get? My money back?
00:56:12 - No, no my dear, not that.
00:56:14 I'll give you hope.
00:56:16 Do you know the workhouse where the boy was born?
00:56:19 - Of course, I traced him from there.
00:56:21 - Then you must go back, my dear.
00:56:23 You must go back. Listen.
00:56:26 (Bedwin sighs)
00:56:30 (footsteps)
00:56:35 (door opens)
00:56:37 (Bedwin sighs)
00:56:39 Tomorrow, two months, it was done.
00:56:43 It seems a age.
00:56:46 (door closes)
00:56:48 - You're going to sit there snoring all day?
00:56:51 - I shall sit here as long as I think proper, ma'am.
00:56:54 And though I was not snoring,
00:56:56 I shall snore, gape, sneeze, laugh, or cry
00:57:00 as the humor strikes me, such being my prerogative.
00:57:03 - Your prerogative?
00:57:05 - I said the word, ma'am.
00:57:07 The prerogative of a man is to command.
00:57:10 - And what's the prerogative of a woman,
00:57:12 in the name of goodness?
00:57:14 - To obey, ma'am.
00:57:15 As your late unfortunate husband should have taught you.
00:57:18 And then perhaps he might have been alive now.
00:57:21 I wish he were, poor man.
00:57:23 - You brute!
00:57:25 (Bedwin sobs)
00:57:29 - Cry your hardest, ma'am.
00:57:31 It opens the lungs, washes the countenance,
00:57:34 exercises the eyes, and softens down the temper.
00:57:38 So cry away.
00:57:40 - Brute!
00:57:49 (Bedwin groans)
00:57:52 (Bedwin groans)
00:57:53 - You screamer!
00:57:55 (Bedwin groans)
00:57:57 (Bedwin groans)
00:57:58 Talk about your prerogative again, if you dare!
00:58:03 Get up!
00:58:04 Get away from here, or I might do something desperate!
00:58:07 - Certainly, my dear, certainly.
00:58:10 (Bedwin snickers)
00:58:12 (footsteps approaching)
00:58:15 (footsteps thudding)
00:58:18 ♪ (soft music)
00:58:32 (Bedwin sighs)
00:58:34 ♪ (soft music)
00:58:40 - You were the beadle here once, were you not?
00:58:43 - I was, a parochial beadle.
00:58:45 - What are you now?
00:58:47 - Boss of the workhouse.
00:58:49 - Good.
00:58:51 Now listen to me.
00:58:53 I want some information.
00:58:55 (papers rustling)
00:59:00 Carry your memory back 10 years, last winter.
00:59:04 The scene, the workhouse, and the time, night.
00:59:07 The place, the line, in room.
00:59:12 A boy was born.
00:59:13 - There were many boys.
00:59:15 - He was apprenticed down here to a coffin maker.
00:59:18 - You mean young Twist?
00:59:19 There wasn't a obstinate--
00:59:20 - It's not of him I want to hear, it's of a woman.
00:59:23 The hag that nursed his mother.
00:59:26 Where is she?
00:59:28 - She died last winter.
00:59:31 One moment...
00:59:35 - Yes?
00:59:37 - There was a woman with her when she died.
00:59:39 - How can I find her?
00:59:42 - Only through me.
00:59:45 - It will be worth her while.
00:59:47 (crashing sound)
00:59:50 (papers rustling)
00:59:59 What if I've paid you for nothing?
01:00:01 - You can easily take it away again.
01:00:03 I'm a woman here, alone and unprotected.
01:00:05 - I'm not alone, my dear.
01:00:07 Nor unprotected, neither.
01:00:09 - You're a fool, you better hold your tongue.
01:00:11 - You'd better have it cut out
01:00:12 if you can't speak in a lower tone.
01:00:15 Now...let's hear your story.
01:00:21 - You were with this hag the night she died?
01:00:27 - Yes. - There was no one by?
01:00:29 - No.
01:00:30 She asked that we should be alone.
01:00:31 - Get out!
01:00:32 - Go on.
01:00:34 - She spoke of a young mother...
01:00:35 - Aye.
01:00:36 - Who she nursed in that same bed.
01:00:38 - Yes.
01:00:40 What of her?
01:00:41 - I robbed her.
01:00:44 She wasn't cold when I stole it.
01:00:47 - Stole what?
01:00:49 - It...the only thing she had.
01:00:53 Gold.
01:00:54 - Gold?
01:00:55 Go on, what of it?
01:00:57 - She charged me to keep it safe.
01:01:00 - Yes?
01:01:01 The boy's name?
01:01:02 - They called him Oliver.
01:01:06 - Yes.
01:01:07 - I...I haven't told you all, have I?
01:01:10 - No, no, be quick!
01:01:12 - She'd run away.
01:01:15 Her father...
01:01:16 - Yes?
01:01:18 - I was to tell him...
01:01:21 to tell him...
01:01:23 - What were you to tell him?
01:01:25 - Mm...
01:01:27 - What?
01:01:29 - To tell him... - What?
01:01:32 - Mm...
01:01:34 ♪ (soft music)
01:01:38 - She said more!
01:01:40 You're lying!
01:01:42 - She never uttered another word.
01:01:46 But it was then that it happened.
01:01:48 - What?
01:01:50 ♪ (soft music)
01:02:00 - Scrap of paper!
01:02:02 What was it?
01:02:04 - A pawnbroker's ticket. - Yes.
01:02:06 - The time was out in two days, so I redeemed the pledge.
01:02:10 - Where is it now?
01:02:13 - There.
01:02:19 - And this is all?
01:02:22 - All.
01:02:24 And what you expected to get from it?
01:02:28 - It is.
01:02:30 ♪ (soft music)
01:02:35 - Bless us and save us!
01:02:37 Come in and wash your hands and let me do your hair nicely for you, child.
01:02:40 - Why, what's the matter?
01:02:41 - Mr. Brown, no one wants to see you, dear.
01:02:43 We must make you as smart as sixpence.
01:02:46 ♪ (soft music)
01:03:01 (knocking on door)
01:03:02 Come in.
01:03:04 Oh, come in Oliver, come in.
01:03:12 (door opens)
01:03:14 Here, there are a good many books, are there not, my boy?
01:03:21 - I never saw so many, sir.
01:03:23 - How would you like to grow up a clever man and write books, eh?
01:03:27 - I think I'd rather read them, sir.
01:03:29 - What? Don't you want to be a book writer?
01:03:32 - I think I'd rather be a bookseller, sir.
01:03:34 (Mr. Brown laughs)
01:03:37 - Well said, my boy. Very well said.
01:03:41 Now...now Oliver,
01:03:44 I want you to pay great attention to what I'm going to say.
01:03:49 - You're not going to send me away, sir?
01:03:51 - No, my dear, I'm not going to send you away...
01:03:53 unless you give me cause.
01:03:56 - I'll never do that, sir. Never.
01:03:58 - Good.
01:04:00 Somehow, I feel that you and I are going to be good friends.
01:04:05 - Oh, thank you, sir.
01:04:07 - I trust you, Oliver.
01:04:09 And I find myself more interested in your behalf
01:04:12 than I can well account for...
01:04:14 even to myself.
01:04:16 ♪ (soft music)
01:04:27 Are you fond of pictures, Oliver?
01:04:29 - I don't quite know, sir.
01:04:32 ♪ (soft music)
01:04:36 - Now that is a portrait...a likeness.
01:04:41 ♪ (soft music)
01:04:42 - She's very pretty, sir.
01:04:45 - Yes, she was very pretty.
01:04:48 (door opens)
01:04:50 - Any muffins for tea?
01:04:54 Hello...what's that?
01:04:55 - It's a young Oliver Twist.
01:04:58 - You don't mean to say that's the boy who had the fever, I hope?
01:05:01 - That's all over now. Come and speak to my young friend.
01:05:05 - How are you, boy?
01:05:07 - A great deal better, thank you, sir.
01:05:10 - And when are we going to hear an account of his history?
01:05:14 Eh, my friend?
01:05:15 - I think we'll have our tea first, eh Oliver?
01:05:17 Oh, is that the bookseller? - Yes, sir.
01:05:19 - Well, stop the boy. There are some to go back.
01:05:21 - He's gone, sir.
01:05:22 - Oh, dear me. I particularly wanted to return some tonight.
01:05:25 Send Oliver with them.
01:05:27 He'll be sure to deliver them safely, you know.
01:05:30 - Yes, do let me go, sir. I'll run all the way.
01:05:33 - Ah!
01:05:35 You shall go, my boy.
01:05:37 The books are on a chair by my table.
01:05:39 Fetch them down.
01:05:41 Let me see here.
01:05:46 He'll be back in 20 minutes at the longest.
01:05:49 - Ah, so you really expect him to come back, do you?
01:05:52 - Why, don't you?
01:05:53 - No, I do not.
01:05:55 The boy has a new suit of clothes on his back,
01:05:57 a set of valuable books under his arm,
01:05:59 and a five pound note in his pocket.
01:06:02 If ever that boy returns to this house, sir,
01:06:04 I'll eat my head.
01:06:06 - Oh.
01:06:07 (light music)
01:06:09 - Here.
01:06:16 (light music)
01:06:18 - Good night, dear.
01:06:20 (light music)
01:06:23 (light music)
01:06:25 - Oliver!
01:06:39 Oliver, Oliver, oh, you naughty boy!
01:06:44 - Ah!
01:06:45 - Oh, my dear little brother, I found him.
01:06:46 Thank goodness, gracious heavens, I found him.
01:06:48 - Let go of me.
01:06:49 - You cruel boy, come home directly.
01:06:52 - What's the matter, ma'am?
01:06:53 - He ran away near a month ago from his parents.
01:06:55 Hard working, respectable people.
01:06:57 - I didn't.
01:06:58 - He went and joined a set of thieves
01:06:59 and bad characters and nearly broke his mother's heart.
01:07:01 - You little wretch.
01:07:02 - I'm not.
01:07:03 I haven't got a mother.
01:07:04 - How old are you, little brute?
01:07:06 - I live in Vandenville.
01:07:07 - Oh, listen how he braves it out.
01:07:09 - Come home to your mother, will you, you young dog?
01:07:11 - I don't know them, I don't belong to them.
01:07:13 - What's this?
01:07:14 He's been stealing again.
01:07:16 - Oh, no, Bill, come on.
01:07:18 - Right, that's the only way to be very sensitive.
01:07:20 - You're right, you and good too.
01:07:22 - Yeah, you get it too.
01:07:24 Come on, lay down, Bill.
01:07:26 (somber music)
01:07:38 (lighter clicking)
01:07:41 (lighter clicking)
01:07:44 (dramatic music)
01:08:02 - Frankie, Georgia, look!
01:08:11 (dramatic music)
01:08:13 (laughing)
01:08:18 (dramatic music)
01:08:40 - Come on, let's have a glimpse.
01:08:42 (dramatic music)
01:08:47 (dramatic music)
01:08:50 - Delighted to see you looking so well, my dear.
01:09:14 (laughing)
01:09:17 Why didn't you write and say you was coming?
01:09:20 We'd have got something hot for supper.
01:09:23 (laughing)
01:09:25 - What's that?
01:09:28 That's mine, Fagin.
01:09:30 - No, no, my dear, mine, Bill, mine.
01:09:33 You shall have the books.
01:09:34 - If that ain't mine, mine and Nancy, that is,
01:09:37 I'll take the board back again.
01:09:38 Now come on, hand over, will you?
01:09:41 Where is it?
01:09:43 - This is hardly fair, Bill, hardly fair, is it, Nancy?
01:09:45 - Fair or not fair, give it here,
01:09:47 you avaricious old skeleton.
01:09:50 Give it.
01:09:50 Take the books if you're fond of reading,
01:09:56 and if you ain't, sell 'em.
01:09:57 - Help, help!
01:10:00 - Who's there?
01:10:02 - Leave him in there, Bill!
01:10:03 He'll tear the boy to pieces!
01:10:05 - I'll be right.
01:10:06 - No, you don't!
01:10:07 - You'll stand off of me, I'll ask for tell-a-biz.
01:10:09 - I don't care, I don't care!
01:10:12 (screaming)
01:10:14 - What's the matter here?
01:10:15 - The girl's gone mad.
01:10:17 - No, she ain't, thank you.
01:10:18 No, she ain't, don't think it.
01:10:20 - Then keep quiet, will you?
01:10:21 - No, I won't do that neither!
01:10:23 What do you think of that?
01:10:25 - So you wanted to get away, my dear, did you, eh?
01:10:38 Wanted to get away, did you?
01:10:40 - I didn't want to get away, I didn't want to get away.
01:10:43 - You wanted to get assistance,
01:10:45 called for the police, did you?
01:10:48 We'll soon cure you of that, my young master.
01:10:52 - You see it done, Fagin!
01:10:53 You've got the boy, what more do you want?
01:10:55 - Let him be!
01:10:56 - Let him be, or I'll put that mark on some of you
01:10:59 that'll send me to the gallows before me time.
01:11:01 - Why, Nancy, you're more clever than ever tonight.
01:11:04 Ha ha, you're acting beautiful, dear.
01:11:06 - Am I?
01:11:08 Then take care I don't overdo it.
01:11:09 You'll be the worst for it, Fagin, if I do.
01:11:11 - What do you mean by this?
01:11:13 You're a nice one, a pretty subject
01:11:15 for the boy to make a friend of.
01:11:17 - So help me, I am.
01:11:18 I wish I'd been struck dead in the street
01:11:20 before lending hand to bring him here.
01:11:22 He's a thief, a liar, a devil,
01:11:25 and all that's bad from this night on.
01:11:27 Isn't that enough of the old rich without blows?
01:11:30 - Come, come, Sykes, we must have civil words.
01:11:32 Civil words, Bill.
01:11:33 - Civil words, civil words, you villain.
01:11:36 Yes, you deserve them from me.
01:11:38 I'd feed for you when I was a child,
01:11:40 not half his age, and I feed for you ever since.
01:11:43 Don't you know it?
01:11:44 - And if you have, it is your living.
01:11:47 - Aye, it is.
01:11:50 It is my living.
01:11:52 And the cold, wet, dirty streets are my own.
01:11:56 And you're the wretch that drove me to them long ago.
01:11:59 And that'll keep me there day and night.
01:12:02 Day and night.
01:12:03 Day and night.
01:12:04 - I'll show you what I'm made of,
01:12:05 if you say much more.
01:12:07 (dramatic music)
01:12:10 - No!
01:12:11 No!
01:12:13 (yells)
01:12:15 (dramatic music)
01:12:18 (whimpers)
01:12:21 (whimpers)
01:12:23 (whimpers)
01:12:34 (whimpers)
01:12:37 - That's the worst of having to deal with women, my dears,
01:12:53 but they're clever and we can't get on
01:12:55 in our line without 'em.
01:12:56 Dodger, show her over to bed.
01:12:57 - He hadn't better wear his best suit tomorrow, had he, Faye?
01:12:59 - Certainly not.
01:13:00 The Dodger should give you another suit, my dear,
01:13:03 for fear that Sunday one shall get stolen.
01:13:05 (laughing)
01:13:07 (dramatic music)
01:13:12 - Well, Mrs. Bedwin?
01:13:29 - I'm afraid he's lost his way, sir.
01:13:30 - You mean he never went there, eh?
01:13:33 There you are.
01:13:34 The boy's an imposter.
01:13:35 - It can't be.
01:13:36 It can't be!
01:13:37 - What do you mean, it can't be?
01:13:39 You old women never believe anything
01:13:41 but quack doctors and lying storybooks.
01:13:45 - He was a dear, grateful, gentle child, sir.
01:13:48 I know what children are and have done these 40 years,
01:13:50 and people who can't say the same
01:13:52 shouldn't say anything about them.
01:13:53 That's my opinion.
01:13:54 - That'll be all, Bedwin.
01:13:58 (dramatic music)
01:14:01 - Well?
01:14:13 I'll take the liberty, if you'll allow me,
01:14:21 of helping us both to a glass of sherry.
01:14:23 (dramatic music)
01:14:26 (people chattering)
01:14:29, (people chattering)
01:14:34, (people chattering)
01:14:39, (people chattering)
01:14:44 (people chattering)
01:14:47 ♪ To live for God the truth of what I say ♪
01:15:06 ♪ And wish to prove it in any way ♪
01:15:12 ♪ And give to the stealth the greatest light ♪
01:15:17 ♪ From candle and green on a sunny night ♪
01:15:22 ♪ From candle and green on a sunny night ♪
01:15:27 ♪ Now in the dark you're sure to meet ♪
01:15:32 ♪ With naughty girls from all the street ♪
01:15:35 ♪ Who once your real bust close will stare ♪
01:15:38 ♪ And whisper softly, good night, my dear ♪
01:15:41 ♪ They'll call you dear, they'll call you love ♪
01:15:45 ♪ They'll feel and coo like a turtle dove ♪
01:15:49 ♪ But they'll diddle you out of your casual robe ♪
01:15:53 ♪ From candle and green on a sunny night ♪
01:15:58 (dog barking)
01:16:01 - Well, lie down, will you, you stupid brute?
01:16:04 Don't you know the devil when he's got a great coat on?
01:16:07 (maniacal laughing)
01:16:09 - Oh, Nancy.
01:16:11 - Well?
01:16:12 - Well, my dear, it's about the crib of Jetty.
01:16:15 - Well, what about it?
01:16:16 - You know what I mean, my dear.
01:16:18 He knows what I mean, Nancy, don't he?
01:16:20 - No, we don't.
01:16:22 And don't stand there talking to me in incts
01:16:25 as though you weren't the first one
01:16:26 talking about the robbery.
01:16:28 - Shh, somebody will hear us.
01:16:29 - Well, let 'em hear, I don't care.
01:16:32 - There, there, my dear.
01:16:33 It was only my caution, nothing more.
01:16:36 Now, Bill, I've got the boy.
01:16:38 You can...
01:16:40 - What's the matter?
01:16:41 - I don't know whether she might be out of sorts
01:16:43 as she was before.
01:16:45 - Go on, Fagin, tell him it's Oliver.
01:16:47 - You're a clever one, my dear.
01:16:49 The sharpest girl I ever saw.
01:16:51 It was about Oliver I was gonna speak.
01:16:54 - Him?
01:16:55 - Yes, Bill, it's time he began to earn his bread.
01:16:57 Besides, the others are all too big.
01:17:00 - He's about the size of a wolf.
01:17:02 - And will do everything you want
01:17:04 if you frighten him enough.
01:17:06 - When's it to be done?
01:17:08 - Ah, Therese, you...
01:17:10 When is it to be done, eh?
01:17:12 - Tomorrow night.
01:17:20 - Good.
01:17:21 It's all arranged about bringing off the swag.
01:17:23 - It's all planned.
01:17:24 Now, you hold your tongue and keep your melting pot ready.
01:17:28 That's all you have to do.
01:17:30 Now, leave us alone, will ya?
01:17:32 (crowd singing)
01:17:36 (crowd singing)
01:17:39 (crowd cheering)
01:18:02 (crowd cheering)
01:18:05 - What's the news?
01:18:14 - Great, so is mine.
01:18:16 - May I introduce to you a charming young singer
01:18:19 who's never appeared in public before.
01:18:22 Miss Lucy Willow.
01:18:25 (crowd cheering)
01:18:29 ♪ This morning early, my melody was such
01:18:34 ♪ I in my tea took brandy
01:18:38 ♪ And I took a drop too much
01:18:41 (crowd laughing)
01:18:44 ♪ But stop, I must not wag my head
01:18:53 ♪ My head aches if you please
01:18:57 ♪ A pinch of Irish flag on
01:19:00 ♪ I'll take to give me ease
01:19:03 - This is the only proof of the boy's identity.
01:19:10 So I've got the young devil's money at last.
01:19:13 Now you can do what you like with him.
01:19:15 Get him hauled up for some felony,
01:19:17 drag him through every jail in town.
01:19:19 - It's not easy to train him to the business.
01:19:21 - That's your affair.
01:19:22 - If it's not likely mine,
01:19:25 what if the worst should come to the worst?
01:19:28 - It's no fault of mine, mind that thing.
01:19:30 I had no hand in this.
01:19:32 (crowd laughing)
01:19:45 ♪ In a mood for crying
01:19:50 ♪ Cares a silly car
01:19:53 ♪ Is to get back your trying
01:19:57 ♪ Send my way to love
01:20:00 (crowd singing)
01:20:03 - Get out!
01:20:08 ♪ My old pal and me goes in my dream
01:20:20 ♪ Like all the neighbours out there
01:20:24 ♪ Boy is one with him
01:20:26 ♪ Then he is one with me
01:20:29 ♪ Then we comes to blows
01:20:33 ♪ He's got me down
01:20:37 ♪ Now when you stop
01:20:39 ♪ He likes his drop
01:20:42 ♪ Up to the top
01:20:44 ♪ Put him a-reeling
01:20:46 ♪ All over the shop
01:20:48 ♪ 'Cause he's out now
01:20:51 ♪ Where is this gone?
01:20:53 ♪ Look at the drunkards of London
01:20:57 ♪ Lying all over the place
01:21:02 ♪ There isn't a doubt
01:21:04 ♪ It's a lovely look out for the human race
01:21:10 ♪ Oh, we have got to stop
01:21:17 ♪ He likes his drop
01:21:19 ♪ Up to the top
01:21:21 ♪ Put him a-reeling
01:21:23 ♪ All over the shop
01:21:25 ♪ 'Cause he's out now
01:21:28 ♪ Where is this gone?
01:21:31 (crowd cheering)
01:21:34 - Awful.
01:21:40 Are you awake?
01:21:42 - What's the matter?
01:21:43 - Listen carefully, my dear.
01:21:45 I want you to do a piece of work for me
01:21:47 that needs great care and caution.
01:21:50 - What is it?
01:21:51 - I want you to dodge a woman.
01:21:53 - I'll do that, although...
01:21:55 What do you want me to dodge her for?
01:21:58 - Not to do anything,
01:22:00 but to tell me where she goes,
01:22:03 who she sees, and what she says,
01:22:06 and to bring back all the information you can.
01:22:09 - Who is she?
01:22:11 - One of us.
01:22:13 - (whistles)
01:22:14 What will you give me?
01:22:18 - If you do it well, my dear,
01:22:21 a guinea.
01:22:22 One guinea.
01:22:25 And that's what I never gave you yet
01:22:27 for such a pleasant piece of work.
01:22:29 (water splashing)
01:22:32 (water splashing)
01:22:35 (clinking)
01:22:45 - Bulk roast for me, Bill.
01:22:54 - Here.
01:22:55 - The persuader.
01:22:57 - I got it.
01:22:58 - Siskrite, keys, center bits, darkies.
01:23:01 Nothing forgotten.
01:23:02 - You take the crowbar.
01:23:04 (water splashing)
01:23:10 - Take ease.
01:23:16 He's a rough man.
01:23:18 Mind.
01:23:19 (growling)
01:23:22 - What's that?
01:23:23 - The boy.
01:23:24 - Oh.
01:23:25 What a Mr. Faget's, lads.
01:23:27 (door opening)
01:23:30 (door closing)
01:23:32 - It's gold, Nancy dear.
01:23:34 It seems to go right through one.
01:23:36 - It must be a piercer to find its way through your heart.
01:23:39 Come here, young'un.
01:23:41 Come here!
01:23:43 (panting)
01:23:46 Do you know what this is?
01:23:48 - Yes, sir.
01:23:49 - Well, if you speak a word when we're outside,
01:23:52 you'll get a bullet through your head without warning.
01:23:55 So if you do make up your mind to talk,
01:23:58 you'd better say your prayers first.
01:24:01 Now then, look sharp.
01:24:04 We're light as it is.
01:24:06 Come on.
01:24:10 (water splashing)
01:24:25 (footsteps)
01:24:53 (water splashing)
01:24:56 (suspenseful music)
01:25:08 (water splashing)
01:25:11 (suspenseful music)
01:25:21 (water splashing)
01:25:24 (water splashing)
01:25:48 (water splashing)
01:25:51 (footsteps)
01:26:00 - Sir?
01:26:13 - You come in consequence of having seen my advertisement?
01:26:16 - Not here, sir. I'm afraid to speak.
01:26:18 Down the steps.
01:26:20 (water splashing)
01:26:25 - Why do you bring me to this dark and dismal place?
01:26:33 - Because there are those who would surely murder me
01:26:35 if they knew I was here tonight.
01:26:37 - Young woman, if you have any intelligence
01:26:39 of this poor child, in heaven's name,
01:26:42 put me in possession of it.
01:26:46 - Do you know a man named Monks?
01:26:48 - Monks?
01:26:49 What do you know of this man?
01:26:51 - Oh, before I tell you, sir,
01:26:54 have I your promise that my secret will be strictly kept?
01:26:57 I'll not turn on the others because,
01:26:59 bad as they are, they never turn on me.
01:27:01 Have I your promise for that?
01:27:03 - You have.
01:27:04 - And nobody will ever learn how you know what you do?
01:27:08 - Never.
01:27:12 - Some time ago, soon after Oliver was taken
01:27:15 from your house in Pentonville,
01:27:17 I saw this man Monks for the first time.
01:27:20 And the other day, I saw him again.
01:27:23 He came to a place I now call...
01:27:25 (breathing heavily)
01:27:30 (breathing heavily)
01:27:57 - There, take care of that,
01:27:59 and do the most you can with it.
01:28:00 It's been trouble enough to get.
01:28:02 What are you looking at me like that for?
01:28:17 He's gone mad.
01:28:22 - I've got that to tell you will make you worse than me.
01:28:26 - Aye?
01:28:27 A look sharp or Nance will think I'm lost.
01:28:30 - Lost?
01:28:31 She's pretty well settled that in her own mind already.
01:28:35 - Open your mouth and say what you gotta say in plain words.
01:28:39 - Suppose that lad that's lying there...
01:28:41 - Well?
01:28:42 - Suppose that lad was to peach, to blow upon us all.
01:28:45 First stealing out at nights to find the right folks for the purpose,
01:28:49 then having a meeting with them in the streets.
01:28:51 Not grabbed, trapped, tried, and brought to it on bread and water,
01:28:55 but if his own fancy do you hear me, suppose he did this, what then?
01:28:58 - What then? I'd smash his head in.
01:29:00 - What if I did it, I that know so much and could hang so many besides meself?
01:29:05 - I'd beat your brains out.
01:29:08 - You would?
01:29:09 - Charley.
01:29:10 - If it was Charley or the Dodger or...
01:29:12 - No matter who, I'd do the same.
01:29:15 (footsteps)
01:29:25 - Dodger? Dodger?
01:29:27 Poor lad. He's tired.
01:29:32 Tired with watching for her so long.
01:29:37 With watching for her, Bill.
01:29:44 What do you mean?
01:29:46 Dodger? Dodger?
01:29:48 Tell me that again. Once again, just for him to hear.
01:29:53 - Tell you what?
01:29:54 - That about Nancy.
01:29:57 (footsteps)
01:29:58 - What about her?
01:29:59 - You followed her?
01:30:01 - Yes.
01:30:02 - To London Bridge?
01:30:03 - Yes.
01:30:04 - Where she met a gentleman?
01:30:06 - So she did.
01:30:07 - A gentleman she'd gone to of her own accord,
01:30:09 who asked her to give up her pals, which she did.
01:30:12 - Well, she...
01:30:13 - She did all this.
01:30:14 She told it all, every word, without a threat, without a murmur.
01:30:18 She did, did she not?
01:30:20 - All right. That's just about what it was.
01:30:23 - What did she say about the boy?
01:30:25 - I told you that before.
01:30:26 - Again. Tell it again.
01:30:28 - Well, he asked her why she hadn't brought Nolly with her.
01:30:32 - Why? Why? Tell him that.
01:30:35 - Because he'd got her out on a job. With him.
01:30:38 - More of him. Tell him that. Tell him that.
01:30:42 - Why? That she'd bring him to London Bridge tomorrow, midday?
01:30:47 - Yes. Why?
01:30:50 - Because he'd be asleep.
01:30:52 She made me laugh when she said it.
01:30:54 - Said what?
01:30:56 - That she was going to give him a drink of lode, you know.
01:30:59 - [laughs]
01:31:01 - Put me under here!
01:31:03 - Bill. Bill.
01:31:11 [footsteps]
01:31:13 - Bill.
01:31:18 - Don't speak to me. It's not safe.
01:31:20 - You won't be... - Let me out!
01:31:21 - You won't be too violent, Bill.
01:31:24 I mean not too violent for safety.
01:31:27 [footsteps]
01:31:29 [door slams]
01:31:56 - Get up.
01:31:58 - How it's you, Bill.
01:32:03 - It is.
01:32:05 Get up!
01:32:07 [door slams]
01:32:10 There's light enough for what I've got to do.
01:32:13 - Why are you looking at me like that?
01:32:16 Oh, no! No!
01:32:22 No! No! Bill! Bill! Bill!
01:32:25 Speak to me! What have I done?
01:32:28 - Oh, dear. You were watched tonight.
01:32:31 Every single word you said was heard.
01:32:34 - Oh, I've been true to you.
01:32:40 On my soul I have.
01:32:42 Give me time! A little else!
01:32:44 [crying]
01:32:46 [footsteps]
01:32:48 [screaming]
01:32:50 [footsteps]
01:32:52 [music]
01:32:58 [music]
01:33:00 [music]
01:33:02 [music]
01:33:04 [music]
01:33:06 [music]
01:33:09 [music]
01:33:12 [music]
01:33:15 [music]
01:33:18 [music]
01:33:21 [music]
01:33:24 [music]
01:33:27 [music]
01:33:30 [music]
01:33:32 [music]
01:33:52 [music stops]
01:33:54 [footsteps]
01:33:56 [footsteps]
01:33:58 [footsteps]
01:34:00 [footsteps]
01:34:27 [footsteps]
01:34:29 [thud]
01:34:38 [music]
01:34:56 [music]
01:35:24 [music]
01:35:26 [music]
01:35:29 - Bill.
01:35:31 Bill.
01:35:33 Fake and lied, Bill.
01:35:35 I didn't tell.
01:35:37 He deceived you.
01:35:40 He deceived you.
01:35:42 He deceived you.
01:35:44 - She told on all her pals.
01:35:48 Not brought to it on bread and water,
01:35:51 but of her own fancy.
01:35:54 She did, she did, she did.
01:35:57 [music]
01:35:59 [music]
01:36:01 [screaming]
01:36:10 [music]
01:36:12 [music]
01:36:14 [music]
01:36:16 [music]
01:36:18 [thud]
01:36:20 [footsteps]
01:36:22 - I'm sleeping!
01:36:24 [chatter]
01:36:39 [bell ringing]
01:36:49 [bell ringing]
01:36:51 [music]
01:36:58 [music]
01:37:00 [music]
01:37:02 [music]
01:37:04 [music]
01:37:06 [knock]
01:37:13 [knock]
01:37:17 [knock]
01:37:45 - Murder!
01:37:47 Brutal murder!
01:37:49 Murder!
01:37:50 Brutal murder!
01:37:52 In the early hours of this morning,
01:37:55 a young woman was brutally beaten to death
01:37:58 by one William Sykes.
01:38:01 If any person or person...
01:38:04 [chatter]
01:38:06 [chatter]
01:38:34 I first met this girl at London Bridge.
01:38:37 I went there in response to an anonymous letter.
01:38:41 I promised not to reveal the names of her associates.
01:38:45 But in face of this terrible crime,
01:38:47 I no longer consider that promise binding.
01:38:50 [music]
01:38:52 [music]
01:39:01 [music]
01:39:03 - Lock the door on the outside and come when I ring.
01:39:20 - Yes, sir.
01:39:22 - Where is my grandson?
01:39:24 - Grandson?
01:39:25 - I warn you that every word that passed between you
01:39:28 and your criminal associates is known to me.
01:39:30 - Is this a trick to deprive me of my inheritance?
01:39:32 - You have no inheritance.
01:39:34 For as you know, my daughter had a child.
01:39:36 And it was you who for your own gain
01:39:38 suppressed the only proofs of his birth and parentage.
01:39:41 - You can prove nothing.
01:39:42 Your daughter ran away and was never heard of again.
01:39:45 - Coward. Liar.
01:39:47 Where is Oliver Twist?
01:39:49 - I know nothing of him.
01:39:51 - We shall see.
01:39:53 [footsteps]
01:39:55 - Sit down.
01:39:59 [footsteps]
01:40:01 - How do you do, sir? I hope you are well.
01:40:16 - Take him away.
01:40:20 - Idiot.
01:40:22 - It only remains for me to tell you
01:40:25 that neither of you will ever be employed
01:40:27 in the position of trust again.
01:40:29 You may go.
01:40:31 - Fool.
01:40:34 - [sighs]
01:40:37 I hope, sir, that this unfortunate little circumstance
01:40:40 will not deprive me of my parochial office.
01:40:43 - Indeed it will.
01:40:45 And think yourself well off, besides.
01:40:47 - It was all Mrs. Bumble.
01:40:49 She would do it.
01:40:50 - That is no excuse.
01:40:52 You were present at the sale of the locket
01:40:54 and indeed are the more guilty of the two
01:40:56 in the eye of the law,
01:40:58 for the law supposes that your wife acts under your direction.
01:41:01 - If the law supposes that,
01:41:03 then the law is a ass, a idiot.
01:41:06 If that's the eye of the law,
01:41:12 then the law is a bachelor.
01:41:14 And the worst I wish the law is
01:41:16 that his eye may be opened by experience.
01:41:19 By experience.
01:41:22 [rattling]
01:41:24 [bell ringing]
01:41:28 - It's Charlie.
01:41:43 It's all up!
01:41:49 - What's the matter?
01:41:50 - They've got scouts out everywhere!
01:41:52 - Now, what's the news?
01:41:57 - They've nabbed Monks.
01:41:59 - And Sykes? What about him?
01:42:02 - They say he'll be took tonight.
01:42:04 They're looking for his dog.
01:42:06 - Fool.
01:42:19 [whistling]
01:42:21 [shouting]
01:42:30 [crying]
01:42:46 [rain falling]
01:42:48 [chatter]
01:43:02 [chatter]
01:43:04 - There.
01:43:26 [footsteps]
01:43:28 - Take him away.
01:43:39 - The dog!
01:43:48 - Follow the dog!
01:43:50 [rattling]
01:43:52 [footsteps]
01:43:54 - Follow the dog!
01:44:03 Follow the dog!
01:44:07 - We'll take him!
01:44:12 - It's the dog! They've got his dog!
01:44:14 - Yes!
01:44:16 [bell ringing]
01:44:18 [footsteps]
01:44:20 - Don't leave us in the dark!
01:44:35 [footsteps]
01:44:37 [footsteps]
01:44:39 - Who is it?
01:44:58 [footsteps]
01:45:00 [footsteps]
01:45:17 - What are you going to do?
01:45:23 Sell me or let me lie here till Yonk's over?
01:45:26 - We're in this together, Fogan.
01:45:28 Lock her.
01:45:31 - Yes.
01:45:36 [footsteps]
01:45:43 [footsteps]
01:45:52 [footsteps]
01:46:21 - Get me a drink.
01:46:23 Get me a drink, will ya?
01:46:32 Wagon!
01:46:36 [footsteps]
01:47:03 - Blast you, can't you say something?
01:47:06 [clattering]
01:47:22 Don't you know me, doctor?
01:47:25 - Don't come near me.
01:47:29 I'm not afraid of him.
01:47:32 If they come here, I'll give him up!
01:47:34 I will!
01:47:36 - You what?
01:47:38 [dog barking]
01:47:40 - Come here!
01:47:56 Get out!
01:47:58 [footsteps]
01:48:01 [footsteps]
01:48:03 [dog barking]
01:48:15 - What?
01:48:23 - They're here.
01:48:28 [footsteps]
01:48:30 - Get that table, will ya?
01:48:39 - Out!
01:48:50 Out! He's here! Out!
01:48:52 [crowd cheering]
01:48:55 - Out!
01:48:57 Out!
01:48:59 [crowd cheering]
01:49:04 - Fogan!
01:49:07 [crowd cheering]
01:49:09 - In the king's name!
01:49:13 [crowd cheering]
01:49:15 - We've gone out over the loop.
01:49:24 - I'll teach you yet!
01:49:26 Do it!
01:49:28 [crowd cheering]
01:49:30 - Darren.
01:49:39 They're coming with me.
01:49:41 Get me a rope. Come here!
01:49:43 [crowd cheering]
01:49:45 [crowd booing]
01:49:52 [crowd cheering]
01:49:54 - Don't go without me!
01:50:14 [crowd cheering]
01:50:17 [crowd booing]
01:50:19 - Strike them all in.
01:50:25 What right have you to butcher me?
01:50:29 [crowd cheering]
01:50:32 [crowd cheering]
01:50:34 - Get close to me, young'un.
01:51:01 - Fagan!
01:51:03 - Fagan!
01:51:05 - Fagan!
01:51:07 - They've got Fagan!
01:51:09 [crowd cheering]
01:51:11 - You're on the stick!
01:51:30 [crowd cheering]
01:51:32 - You're on.
01:51:42 [crowd cheering]
01:51:46 [crowd cheering]
01:51:48 - Strike!
01:52:09 [crowd cheering]
01:52:12 [crowd cheering]
01:52:14 [crowd cheering]
01:52:18 - Get in round!
01:52:21 Get that rope round!
01:52:24 - 50 pounds for the man who rescues the boy!
01:52:32 - Get in round, will ya!
01:52:36 [crowd cheering]
01:52:39 [crowd cheering]
01:52:41 - Help!
01:52:49 Help!
01:52:51 [crowd cheering]
01:53:05 [crowd cheering]
01:53:07 - We've got the boy, sir.
01:53:15 - I've got the boy!
01:53:17 [crowd cheering]
01:53:19 [crowd cheering]
01:53:21 [crowd cheering]
01:53:31 [crowd cheering]
01:53:33 [music]
01:53:35 [music]
01:54:03 [sobbing]
01:54:05 - He's come back, sir.
01:54:10 I knew he would.
01:54:12 [music]
01:54:16 [music]
01:54:19 [music]
01:54:21 [music]
01:54:35 [music]
01:54:37 [music]
01:54:47 [music]
01:54:56 [music]
01:54:58 [music]
01:55:10 (upbeat music)
01:55:13 [Music]