Aired (December 15, 2023): Will Pretty (Herlene Budol) set aside her hatred for Lorna (Aleck Bovick) and accept her apology, and will Neneng (Ashley Sarmiento) and Benjie (Marco Masa) finally get along with each other? #GMANetwork #GMADrama #Kapuso
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00:00 But according to my sources, instead of giving food to the customers,
00:07 they are feeding something else.
00:09 Women, and the most ungrateful,
00:13 who even plans to run for politics,
00:16 is the one who is feeding Dante Aguilero.
00:20 What about you?
00:22 Are you going to vote for criminals?
00:26 What do you need, sir?
00:29 I don't know, sir.
00:30 You're taking too long.
00:40 [punching sounds]
00:54 You didn't wait for me, Dante.
01:08 [punching sounds]
01:10 I was just being scolded by the boss.
01:12 I didn't get to teach you a lesson.
01:14 What do you mean?
01:16 We've been friends since we were kids.
01:18 We've been friends since we were kids.
01:21 You won't teach me a lesson?
01:23 You're my opponent, and I'm your opponent.
01:25 That night, when your house was attacked,
01:31 I saw Dante Aguilero.
01:35 A man was called to kill the perpetrator.
01:40 You just arrived.
01:42 Elias is still at his house.
01:44 Go straight to this corner,
01:45 if you're left,
01:46 the first house is there.
01:47 He's with you now.
01:49 Go back, finish him.
01:52 Dante Aguilero,
02:04 the running congressman.
02:06 Are you sure, Tuklao?
02:11 I'm sure.
02:14 He's the one I saw,
02:16 and he's the one who's connected to the mask.
02:21 The rich and powerful are together to kill my family.
02:27 I need to find the congressman's son.
02:33 He needs to pay for what he did to me.
02:35 Thank you.
02:52 [dramatic music]
02:54 Dude, you're holding something.
03:12 Let go of my hand.
03:13 Sir, sir.
03:17 Is there a problem?
03:19 [speaking in Tagalog]
03:20 No, I'm okay, boss.
03:25 I'm tired all day.
03:27 Sir, sir.
03:31 Thank you, sir.
03:34 No problem, no problem.
03:36 I understand.
03:37 That's why I'm here,
03:38 to hear your story.
03:40 Because my heart is really close to the delivery riders.
03:44 I want to help you.
03:46 Like my father, Marcelo Aguilero.
03:49 Okay, get in line.
03:51 Come on, get in line.
03:53 Okay, stop.
03:54 Can I have the green one?
03:57 No, this one.
04:00 Yes.
04:01 I'm going home.
04:02 Are you okay?
04:04 [dramatic music]
04:08 [dramatic music]
04:10 Excuse me.
04:21 You can eat.
04:23 Yes, but don't make it a buffet.
04:27 You're going to feed the barangay.
04:30 Actually, you're going to feed your body.
04:32 What's worse, you're going to get fat.
04:34 Why do you care?
04:35 Why don't you get food?
04:37 Why would I get food?
04:38 I'm a staff here.
04:39 You're just a staff.
04:41 Where's your manager?
04:42 You're embarrassing me.
04:43 Didn't he teach you that customers always write?
04:46 Wow.
04:48 I'm so jealous of you.
04:50 What is that, Lorna?
04:52 You're not just going to fix your hair,
04:54 you're going to fix your hair.
04:55 You came here just to eat, Lorna?
04:58 What is that?
05:00 It's embarrassing.
05:01 What is this, eat and run?
05:02 So you're here, pretty.
05:04 You're still alive.
05:05 And you're going to fix your face.
05:07 You're a manicurist here.
05:09 You're going to get fat like you have a boss.
05:11 [laughs]
05:13 Okay, just eat.
05:14 She's not just a manicurist, she's a manager here.
05:18 Okay?
05:20 Are you fooling me?
05:21 This?
05:23 [laughs]
05:24 Manager?
05:25 She doesn't know how to manage.
05:27 She didn't study this.
05:28 Oh my.
05:30 It's true.
05:31 She's our manager here.
05:33 I'm getting your opinion.
05:34 I'm here.
05:35 You're going to get fat.
05:36 Oh my, you're so annoying.
05:37 Oh Lorna, there's really no change in life, right?
05:40 No change.
05:42 Okay, since you're pitiful,
05:45 if there's something you want to take out, take it out first.
05:48 We're so embarrassed here.
05:50 I have respect for you in Gracia, but not anymore.
05:53 Okay, Lorna.
05:54 I'm not going to leave here either, right?
05:55 But I want to talk to the owner of the salon.
05:58 So call your boss.
06:00 I won't allow you to insult me like this.
06:02 You're so arrogant.
06:04 You don't even have an owner.
06:05 Why do you need an owner?
06:08 I'm a manager.
06:09 So I have the right to fire whoever I want to fire.
06:13 You're the number one.
06:14 Just leave.
06:15 Just stay here in the salon.
06:16 Yes, you're so embarrassing, Lorna.
06:19 You're so hungry.
06:20 Just leave.
06:22 You're just causing trouble.
06:23 I'm embarrassed in my body, right?
06:25 Oh my, you have a body, right?
06:27 You're so dead.
06:28 You're so arrogant.
06:30 I'm not done yet.
06:31 You're too young for me.
06:32 I'm scared of you, Lorna.
06:35 I'm with your sister.
06:37 Hey, don't be so arrogant.
06:38 That's Hector's sister.
06:42 You're so fat.
06:43 The container is already ringing.
06:44 And you're still getting it?
06:45 Sir, we're not done yet.
06:54 We're still waiting for the owner.
06:55 Sir, we're not done yet.
06:56 There's another group of riders coming.
06:58 I don't want to finish that.
07:00 I'm tired.
07:01 I want to go home.
07:02 I'm sweating.
07:03 I'm hot.
07:04 I don't want to do it anymore.
07:05 Let's go, Dante.
07:14 Papa is looking for me.
07:16 We have a problem with the production of drugs.
07:18 Okay.
07:23 Papa can handle this.
07:25 He's the only one who likes to look good.
07:27 Are you sure, Elias?
07:47 The one who was with Sir Dante?
07:51 The son of the congressman Aguilero?
07:53 The one who killed your family?
07:55 You're right, brother.
07:57 Aguilero is a suspect in the murder of my family.
08:01 And he's a strong supporter of the membership of the syndicate.
08:05 If Sir Dante is a member of your family,
08:10 and if he's a member of the Golden Scorpion,
08:12 then he must know the whereabouts of the man who attacked Bernice's house.
08:17 I'm sure he's in Bernice's house.
08:19 [Suspense music]
08:21 [Screaming]
08:27 [Grunting]
08:32 [Gunshot]
08:48 [Car engine]
08:50 Here you go, sister.
09:01 Here, sis. Carry it.
09:02 Thank you.
09:03 Wait, sister.
09:09 Oh my!
09:12 Benji's effect on you is really different, right?
09:15 Before, you're a flower, but now you're a wet blanket.
09:18 Huh? Why Benji?
09:21 I want to finish high school. I'm still studying.
09:25 Hey! You're crushing on Benji.
09:27 You know your eyes are talking.
09:29 When you talk to him, I'll see you.
09:30 You're not. You're the one who's crushing on him.
09:33 Oh my!
09:35 Don't deny that Benji is not right for you.
09:38 Correct.
09:39 Oh, Benji's here.
09:43 Come here. Come here.
09:45 He's been staring at me for a whole day.
09:47 You're really annoying.
09:49 Come here.
09:50 Come here. Come here.
09:53 There. There.
09:54 He's staring at you.
09:55 Wow!
09:56 Come here.
09:59 Come here. Come here.
10:01 Hi, Benji.
10:03 Quiet, please.
10:07 I'm sorry for bothering you for a whole day.
10:11 That's why I went to your house.
10:13 But I'm studying alone.
10:16 Help me finish the book you borrowed from me.
10:20 You can do it alone. You even brought me along.
10:23 What happened?
10:29 Ouch!
10:30 You know, you're right. Benji is a bit annoying.
10:34 I don't know what happened.
10:36 He's not like that before.
10:38 Maybe he's just going through something.
10:41 Are you okay?
10:42 Where can I buy this?
10:46 I don't know.
10:47 Sir, you have a customer.
10:48 I need to be careful, brother.
10:57 I can't let this happen again.
11:07 Dante Aguilera needs to get out of my hands.
11:13 And if that happens,
11:18 I'll give him and his soul
11:23 until he tells me one by one
11:27 the people who died in my family
11:30 and how I can get that golden skull.
11:37 Okay, brother. I'll call Oca.
11:40 We'll look for information about the congressman and the sardine.
11:45 This is cheating!
11:55 We're four people and you're cheating.
11:58 Hey, Sian!
12:02 Get out of the way!
12:03 Sian, move!
12:04 Move!
12:08 Hey, Benji!
12:11 Let's go!
12:13 Let's go!
12:14 Okay.
12:15 Wait, wait.
12:16 You like to study, right?
12:19 I have a question for you.
12:20 What's farther?
12:21 Ilocos or the moon?
12:23 The moon.
12:25 I knew it!
12:28 You know, you can see the moon every night,
12:31 but not Ilocos.
12:32 The moon is closer, right?
12:34 Wait, why aren't you laughing?
12:39 Laugh!
12:40 I'll punch you!
12:41 What's this?
12:43 There!
12:44 That's nice!
12:45 What's your problem?
12:47 I didn't do anything to you, Doc!
12:49 You're our problem.
12:51 You're always annoying in class.
12:53 You're always annoying.
12:55 Do you know who you are?
12:56 You're always like that!
12:57 You're always annoying!
13:00 What?
13:01 You're always annoying!
13:02 Stop it!
13:04 You're smart, but you're always like that!
13:07 What?
13:10 You're weak?
13:12 Hey, you're so mean!
13:13 You're so mean to Benji!
13:15 Who's this?
13:16 You're so mean!
13:17 You're so mean!
13:18 I'm going to punch you!
13:19 Hey, you're going to get punched!
13:23 Why are you getting involved?
13:24 You know what?
13:26 Go home and continue your fights!
13:29 You're so mean!
13:30 Benji's so mean!
13:31 Go home and continue your fights!
13:34 Fight!
13:35 Wait!
13:37 Why are you defending Benji?
13:39 Why?
13:40 Is he your boyfriend?
13:41 Not yet!
13:42 Oh, no!
13:45 Oh, no!
13:46 Oh, no!
13:47 No!
13:48 No!
13:49 This is so gross!
13:51 You're just a girl.
13:53 You know what's better?
13:54 You can kiss him!
13:56 No!
13:57 No!
13:58 Kiss him!
13:59 Kiss him!
14:00 Kiss him!
14:01 That's what's better!
14:02 Kiss him!
14:03 You're so mean!
14:04 That's enough!
14:07 What?
14:11 What?
14:12 That's enough!
14:13 I'm not a girl!
14:14 I'm a man!
14:16 I'll call the police!
14:18 What?
14:24 Ouch!
14:25 Are you okay?
14:27 Thank you.
14:28 I'm okay!
14:30 Ouch!
14:31 Sorry!
14:33 I'll go ahead.
14:38 I don't want to disturb you.
14:41 What?
14:44 No!
14:45 Your bag!
14:46 Neneng!
14:47 Wait!
14:49 Neneng!
14:51 [music]
14:52 Clap! Clap!
15:00 Clap! Clap!
15:01 [applause]
15:02 [cheering]
15:06 Why?
15:10 For TV!
15:11 Good morning, Congressman Aguilero.
15:15 Welcome to Palanga.
15:16 Oh, good morning.
15:18 Good morning to all of you.
15:21 I'm the one who's excited.
15:23 I see all of our students are hardworking and hardworking students.
15:29 Especially those who are really fighting to continue their studies.
15:34 Yes, we are thankful that you came here to us.
15:38 Oh, no, nothing.
15:39 I have a small gift for you.
15:42 Especially for those who are in the alternative learning system.
15:46 It will help you.
15:47 Thank you so much.
15:48 You're welcome.
15:49 It's for you.
15:50 Oh, no, nothing.
15:51 Thank you, Congressman.
15:52 Our students also brought gifts.
15:55 Oh, really?
15:56 You're still working?
15:57 Yes.
15:58 Thank you so much.
15:59 Thank you.
16:00 We will give it to you.
16:01 Thank you so much.
16:02 Thank you.
16:03 Thank you so much.
16:04 What's your name?
16:14 Neneng.
16:18 Oh, you have a beautiful name.
16:19 You should have put it there.
16:21 Thank you.
16:22 Thank you for your gift.
16:23 Congressman, is it okay if I go around here so you can see our other classrooms?
16:32 Okay, okay.
16:33 Help them first.
16:34 Sir, let's accompany Congressman, okay?
16:37 There's no need.
16:38 There's a walkway here.
16:39 Okay, okay.
16:40 Let's sit on the first floor, sir.
16:42 Okay, okay.
16:43 Let's ask for help.
16:44 Thank you.
16:45 Thank you.
16:48 Let's go.
16:49 This one looks like it's real.
16:55 This black one is just simple, right?
16:57 Is this for Neneng?
16:58 Yes, it's for Neneng, B.
17:00 Yes.
17:01 That kid, when he's in a hurry, he's beautiful, right?
17:05 True.
17:06 You're beautiful, don't you think, sis?
17:08 Okay, I'll get this for him.
17:10 Perfect.
17:11 T, right?
17:12 Just a moment.
17:13 Here, this.
17:14 What did you say?
17:15 This one.
17:16 You're just going to give this to Neneng, B.
17:18 What about you?
17:19 No, this is fine.
17:21 You know, that's really my budget.
17:25 It's just right for one.
17:27 He's happy with that.
17:29 Okay, get the other one for him.
17:32 I'll pay for it.
17:34 I'll just carry it.
17:36 Really?
17:39 I'll get one for myself too.
17:41 Go.
17:42 Just a moment.
17:43 The kit has changed.
17:44 It's gone.
17:45 It's for you.
17:46 Thank you so much, pretty.
17:48 You're welcome.
17:49 Now, we have a symbol of my brother and me,
17:51 that we're really close.
17:53 We've been through so much.
17:56 To be honest,
17:59 on Christmas Eve,
18:01 we didn't steal anything.
18:03 You know,
18:05 everyone can change.
18:08 But Hector,
18:10 no one can change that animal.
18:13 Thank you.
18:15 Why am I hearing my brother's name here?
18:17 Wait, Norna.
18:18 Just a moment.
18:19 We're just talking to pretty.
18:21 We don't have any bad intentions.
18:23 And what if I mention Hector's name?
18:27 Huh?
18:29 What you want is for me to shout here in Bonquia
18:31 why Hector was imprisoned.
18:34 Hector.
18:35 Well,
18:40 I'm sorry.
18:41 I'm really stressed about what happened to my brother.
18:47 To be honest,
18:49 I came here to talk to you
18:51 so that you can take the case to your wife.
18:54 Wife?
18:56 Wife, Norna?
18:57 Wife?
18:58 Why are you crying?
19:02 You call me a wife,
19:04 but you're the first person who contradicted our relationship.
19:08 You're even consulting your brother
19:11 repeatedly.
19:13 And then,
19:14 what?
19:15 Wife?
19:16 You're so funny, Norna.
19:18 I understand that you're mad at me.
19:21 That's why I'm here,
19:23 to fix things.
19:24 Fix things?
19:27 Norna, do you know that Hector has no hope?
19:30 He'll be imprisoned.
19:32 No, no.
19:34 You're so stubborn.
19:36 Do you want me to pity you
19:40 or just give in to you?
19:41 You should give in, Norna.
19:45 You did a lot to Pretty.
19:46 But you know,
19:48 you're a good person.
19:50 Try it.
19:51 That's hopeless.
19:54 Okay, okay.
19:55 I'll give in.
19:57 [car horn honking]
19:59 You're so annoying.
20:10 Pretty.
20:11 Tres is inside.
20:13 I pity you.
20:15 I don't trust my brother.
20:18 Even if you don't return him,
20:20 just settle your case with him.
20:23 And then,
20:25 I'll send him back to the province
20:26 so he won't bother you again.
20:27 That's why I'm talking to you.
20:29 Go ahead.
20:31 You know, Norna,
20:33 if I'm the only one who's hurt by Hector,
20:34 I might have given you an order.
20:37 But no.
20:40 A lot of people got involved.
20:42 The ones who really care about me,
20:45 like Mother Alma,
20:46 and Vane.
20:47 Hector hurt them too.
20:49 I won't let that happen.
20:50 I'll just let the law
20:52 punish that Hector.
20:55 Okay, doctor.
20:56 You made me suffer,
21:01 and you won't let me go.
21:03 I didn't order you to talk to him.
21:05 Don't be like that.
21:06 This is a mess.
21:09 Hey, you know,
21:10 Vane's face is thick.
21:11 You should be the one who's in jail for a long time.
21:13 You?
21:14 Wait a minute, Norna.
21:15 Why am I involved?
21:16 I'm not involved.
21:17 I've changed, right?
21:18 And you?
21:19 Do you see your behavior?
21:21 You came here to apologize to Pretty,
21:23 and now you're saying that?
21:25 What's wrong with you?
21:26 You're so annoying.
21:27 You're being nosy,
21:28 but you're making me angry.
21:29 I don't care.
21:30 Norna, you're like a soy sauce.
21:31 You're a pervert, Norna.
21:33 You're always angry when you need something.
21:34 Shut up.
21:35 Shut up.
21:36 Hey, hey.
21:37 Hey, hey.
21:39 You're crossing the line.
21:40 You.
21:41 You're crossing the line.
21:43 You're crossing the line.
21:44 Oh, you're so annoying.
21:45 You know what?
21:47 You're so annoying.
21:48 You're so annoying.
21:49 You're so annoying.
21:50 (shouting)
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24:33 [COUGHING]
24:35 [PUNCHING]
24:36 [SPEAKING IN TAGALOG]
24:38 [PUNCHING]
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24:43 [PUNCHING]
24:45 [LAUGHTER]
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24:50 [LAUGHTER]
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31:26 (gentle music)
31:28 (speaking in foreign language)
31:35 (gentle music)
31:38 (speaking in foreign language)
31:41 (speaking in foreign language)
31:53 (gentle music)
32:07 (speaking in foreign language)
32:11 (dramatic music)
32:24 (dramatic music)
32:29 (speaking in foreign language)
32:34 (speaking in foreign language)
32:38 (dramatic music)
32:46 (explosion booms)
33:01 (dramatic music)
33:03 (speaking in foreign language)
33:09 (explosion booms)
33:16 (speaking in foreign language)
33:26 (dramatic music)
33:29 (dramatic music)
33:32 (dramatic music)
33:35 (speaking in foreign language)
33:39 (speaking in foreign language)
33:43 (speaking in foreign language)
33:47 (speaking in foreign language)
33:51 (speaking in foreign language)
34:00 (speaking in foreign language)
34:14 (dramatic music)
34:17 (speaking in foreign language)
34:23 (dramatic music)
34:26 (speaking in foreign language)
34:31 (speaking in foreign language)
34:36 (speaking in foreign language)
34:40 (speaking in foreign language)
34:45 (dramatic music)
34:48 (speaking in foreign language)
34:52 (dramatic music)
34:55 (speaking in foreign language)
34:59 (speaking in foreign language)
35:04 (dramatic music)
35:07 (speaking in foreign language)
35:11 [MUSIC PLAYING]