Bravo Tata Episodul 8
Bravo Tata Episodul 8
Category
đź“ş
TVTranscript
00:00 Company of the security company, I'm gonna be a machine appear a photo to run here good. This is me
00:04 Combination suit me a gun and that's another thing to run it as you guys know no more no promote the term is good you're up
00:12 No, I'm a boy. I'm a kid
00:15 Come on, come on see my sheena
00:19 Investigation the money up a look in it. Okay. Don't know it's not a total. I'm supposed to my sheen. I don't mind more than catapult. Oh, no, I'm a woman. Oh, I'm a
00:27 little
00:29 the
00:36 Striga
00:38 Trico
00:40 Scopy
00:42 Dr. Plunkett a lot of a string
00:45 Oh
00:47 Da da da bravo
00:49 I
00:52 Love
00:54, but I'm a bitch
00:57 Just like the me a little bit
00:59 So the body of someone normal
01:01 You see my
01:03 the
01:10 I
01:13 I
01:15 Mean
01:17 My son a totally not a good to fight him but move to school see more tips
01:25 Family
01:28 You were born you're sincere now. We did the verbose line you might think awesome
01:33 We wait for me. I'm gonna get a lot of company. I see good early. I'm gonna be a machine. I'll be careful. I told Sarania
01:39 Can I suppose well I appreciate
01:43 The stomach and we're a book or Oscar to escape a demotion a chest of a commodity a lot of a la rabla she trotting at the electric
01:49 I should go come on my cash cash cash, da
01:53 good
01:55 I'm a genius. Yes, I could
01:58 Decimi oh no no way in a cum laude
02:02 We incredibly come so far. Bonny's you add us this you know no secret. She's a high sub-emma
02:08 I'm not sure nor o'clock. I should have a show over
02:10 I'm
02:12 Done way, but he
02:15 I'm gonna sit a coma Ultima model the robot a book at a re-platinum chef when an area me a host a decommissioned
02:23 Domina watch from a single a lot mix a Zubezia, which is the bush you keep up
02:29 Cricket, I guess bogus copy la culcare pasta come a camera Christina Christina cricket a parasitic. I know you're a good man. Yeah, sure
02:36 But for my interest I am I'm so sick the book at a real my mood come on. Let's see to see your parade. I'm a back end
02:42 Or a remake a spark bunny area normal friends in a my boob I made a naive and you're not alone
02:49 Yes, no race I'd a common call I think so. It's to bunny. Toy. I'm a semi-devil to the chemical
02:56 Zeche me the euro the investish the cool
02:58 This goes to a book I reposited to the book at a really fragile a dead or me to our common center the merpah jam
03:05 But you can't see so invested more in high neck care. No much a
03:10 The stuff rather the drama combi in a t-shirt a me a gun on that the there is also been a
03:15 net resolve on pentacom
03:18 As bogus you see me the euro she should look a car in person Juma Juma profiteau my box show
03:24 So my box show she's a Zima practical. No doubt a bunny. I'm a problem
03:30 It's probably what the result of the Tio, but it's in the money that I see where I know my own promote paternal escort
03:36 Dublin my promote a trip. Love it. But true love me
03:39 Multiple a multi
03:42 Parting by the ship time for but I'm telling us my perfect with a
03:47 Trouble a couple of bottles a share a promotion on us - not what I'm not rolling
03:54 You're a person a pump a picture is a number a turn the bunny Christine a vodka to talk in Cesar Fiat or not a problem at all
04:05 Stop machine the no don't even you know the chair a
04:10 Way for Kuchema my for Kuchema my own children to bear
04:14 the GQ cut
04:27 20 de me euro
04:33 That goes a potato
04:35 Oh, yeah
04:37 No
04:39 But I'm a church
04:41 Bene doze de me
04:53 Oh
04:56 Yeah
04:58 Don't tell me
05:00 You miss it
05:03 When I was easy
05:05 I
05:07 Was a means a sign your ass and your ass is like a tell the Senora Senora the desk of Sophia show to window
05:14 under the rush
05:17 No, no
05:19 But a
05:21 She's a toad a young designer kinesis or consummate exactly what she would do to me
05:26 What do you mean mr. O'Reilly I got you cool da 40 cool when copilar autism
05:38 That's not a lot of it. I say such a chivalry party. I should make a link. I'm a little I'm not sure they'll
05:44 Wow
05:46 Yeah, but you may oppose
05:50 Papa yeah
05:52 Singular problem am I a second number and some latest at OJ to pay money that bump as a cheva no
05:58 You pay credit. I'm so my secret at a coma. I can I'm a tiny middle l.a. L
06:03 Hey, so come on so please
06:05 Astonish do I've read a
06:08 Artist to the matter to attack his cup and a sub to my love you to revamp me
06:13 Artists must push this back a combined curse for the decent hike a minor base. Hi you take my father's patented spin
06:22 Nina
06:24 Nina a co-op in if not mister yeah, it's a good immediate. Mm-hmm
06:28 Mercy pantry day and Tony me exact
06:33 I'm sticking
06:44 me so far as a trap of the status is cubicle it's not present but reverse the pool bearish if it's a sheen I
06:51 Trish to sell in trepidation
06:53 Yeah, I think the attempt a
07:00 Church deposit the weights lucky boys
07:08 Love the pod popos as tons cost me a sauna no lecture
07:18 Stop looking
07:20 Shut up I hope you love her. I'm gonna send them
07:27 The decision to upload come a sin to not know what I share the chair this year
07:35 Much to face a faculty stuff or come up with it. What list read in the outside on
07:41 Akuma can I for that? Yeah, I'm for that
07:47 Some record will post in evidence of the world familiar with a red horse to come with a deanna she didn't mean it so the fact
07:53 No, she's in smithereens. Yo, my phone
07:55 The party could use in dark and we'll see what I a sarato de la pein bolsa punis in pevro lista
08:02 It's a good way to put it upon this time attach a moment by Ramona you know selections for you know select me meet the instance
08:10 We'll go yet to a lace if I see you know you could do be people come and t-be
08:14 Okay
08:16 Jeff ask we'll
08:18 Now you could also do so much in this time the napkin a full day responsibility that the house to fight
08:23 Stoic show the layout you're a place to go to kill some copious of faculty to the book with you carry carry a toe
08:28 To Chris come a move
08:33 The cheer you know she did I cannot Ramona
08:46 Just to get from a set of the top block a status to kick a lash puna a foreign soul
08:50 I
08:53 High-high-high
08:55 Oh
08:57 Yeah
09:00 The sun was the voice in each of the canapé, okay?
09:03 My water can make a speck on a path, okay?
09:09 It's a pretty tonus special and I'm a fan for you about that. Hey, I got you
09:18 No, I said you got good at in dragos the pen to do that. Yeah, but yeah, but yeah
09:28 Yeah, but it up
09:30 My team in there
09:34 Yeah, I'm a monk a classic a pair of a band a couple for you
09:40 Now the very I'm a careful show you look at the roots of my
09:44 Petro Tina this is
09:47 Always
09:52 Formation some kind of the person I'm not school
09:56 I've got a lot of you know so just mess to catch the prison appendicitis a good that look I've also suffered solo
10:01 But it can't harass a moral. Yeah, I'm pretty tough on sushi. No, I mean it's actually a good moment. Yeah
10:07 Always that was to get single look like a revolver. What's in the detail?
10:12 It's an awesome
10:17 Dish out the material. Oh, it's a bit of a clarity that I say I should I should say I think they get it
10:25 Hope I should
10:27 Dance brush and delete a star the camel to war be a decalcomani mars be to
10:32 the possible that you tell Mario Tati a chef Tati the invitated a deco seagate a chicco
10:40 I'm gonna see show in course the study cooking die of sedilee
10:44 Please imagine a good way up to the lady pop. Yeah, I'm not into check course or they get it
10:51 Wait, I thought
10:54 My problem
10:57 Hmm
11:00 The chanters come at a year
11:06 You know, we're
11:08 Number needs your problem. Uh-huh. No, I'm gonna give a she's a stick up lot or some like let it be a for task
11:16 Yeah, it's our it's our manica my
11:22 Inject
11:27 See to put your money to book let it
11:35 My
11:37 Hide it
11:39 In October the person a big a decade ago good she the rogue your house the string is a rasta you have to misery
11:46 No, no, no, no, sir. Oh, yes, I'm the road. I see the place
11:50 Is the place a master?
11:53 By Santa Casa, chef it latina Casa un garage
11:58 To push love is
12:04 In a watch that the kiss not to eat a vina
12:07 The poor mirror the pomani
12:11 When I did me when I did me
12:15 Don't you
12:19 Miss P.M. A shamrock out
12:22 Mishka, the booze that is not my the autoboost. Oh, you
12:30 That's it
12:33 Glimmer that's a cosmic Christina. Mm-hmm. Jamef cook machine. I'm a little bit in school. Hello
12:41 You
12:45 Come on come on see my she not push it on the street. I'm a she not
12:49 The year you know, Romeo you
12:56 She bested one of us that yeah, that's because you are the inner dad. I think it was a mess
13:02 She was a buna
13:05 I'll talk to me neku
13:09 Mashina, who's the Rani Christina?
13:12 Stays a steak and plaza so cheer as top of Christina tyranny. I continue. How's it? What's my own billet the autobus?
13:20 Oh
13:22 tada
13:32 I
13:34 See you soon. Bob Robb investiture extract the berberina normal
13:40 normal
13:43 Berberina chief and a lot of our back. No, it's a full discipline and penthouse cadara cholesterol
13:50 We got here to bother so the beat Russia no I think it's an over in a parat because no so far the multitude of the book
13:57 The biggest no exact a tribute
14:01 Those a steady the or a bag a team are provident here fix a comb she's not supposed to have the city
14:06 Put an a-trap a cousin by Amanda. No, not a vocal to a number. So you can't do that
14:12 My mother is a good
14:15 Come on, but I'm going to do some blood. It's a double in a polo kinesis. It's a
14:19 Well, so not come out with a machine and we need to cut it. It's a tire
14:22 This is a pet. You're pretty much a machine or for a ticket. You're gonna get a steam machine. That's a bunch of money. I'm a polo kinesis
14:31 Could have a team country super plus the check I got a spawning very very
14:37 the
14:39 the
14:42 In a to trace a man you to momentosa
14:44 Troubled you much a lot in a machine blue to the school of love you see cherry she'll be able to see me at all
14:53 No, she's a situation that I don't produce in any kind of under a Christina show to say cherry
14:58 She says a cherry Christine a bitch. We simply see me. I'm a dish. No way. That's the attack
15:05 I'm a toaster don't get that. We're up a bunny. Yeah, it's a free come here how much a rogue a dude
15:11 I got the not the bell and to chase a bank. No, it's too bad. I got a little kid to proceed to be with this together
15:19 By a minute, so she could
15:25 Start us on a test at a risk and I bunny
15:29 What my dad got carpet a human I could go to Scott see what this copy Tina stay committed?
15:35 No, you're a daisy
15:38 Biene kinesia to Vindica organish sustained a datoria. I'm a to see daily talent a Tina. I'm a canoe at the ground
15:45 For a lot of them are fun
15:48 Of even reputed putting bunny la locha a boy come not
15:53 To me the orochid on the other party to meet the orochid one a bush to give up my been a morgue
15:58 We got a lot of good to come on my repeat in a special pick up a cabana
16:01 No, but I'm a lot of shit. That's a show a pachaco is
16:06 To a blue machine a concocted ways battery bars a machine a party this person total is a kid is to set total it's a bunny
16:13 Pussy go around if I don't use this a total of some of the true company neck is Tina I said we didn't bring my own
16:17 I should actually be denied if I ask you to see me well, not change pastille a bet on this function as a perfume to me
16:23 we don't have a big simca
16:25 Because I think I'm a lot of my pussy
16:31 The machine
16:33 The damn the CDM chip
16:35 To
16:37 the idea is
16:42 Oh
16:44 the GQ Gates a
17:01 Lot of it
17:03 the
17:05 the
17:07 The
17:09 The
17:11 No
17:13 Oh
17:16 Madonna to special a vacuum a pot as a
17:18 Fagg so far the money fuckin spritz to the bachelorette a man who don't know that I'm a pizza but this Mario
17:25 What's the war best war best?
17:28 Oh, yes, I'm so sick. So my meal secret the prosecco
17:32 No, sir, you're supposed to be a boy. I'm not gonna say it's pretty adevaru. Yes, Rana
17:38 No my lunch eat, Anna. No my lunch. He's a good way to eat spoon you
17:43 Mm-hmm
17:45 But we take on fashion you're a copyrighted a castle a little yeah, she do Bobby's come on you
17:50 Have a face, uh-huh, I can mash up. Mm-hmm. I'm a Z
17:56 You're good
18:00 I
18:03 Can't use a blanket
18:05 Oh
18:07, yeah, I'm a job if I let the can agree in
18:32 The budget to the state you you tell them a trap of a Johnny carousel a carousel to travel to know that I'm not still
18:39 I
18:41 Played with a lot of my the new show that
18:43 I
18:45 Love a dog
18:47 I'm
18:49 The concept of a job
18:51 But I'm a Z to the blood
18:53 - Yeah, I'll leave it. I'll leave it. I won't touch you.
18:55 - Hey, tell me now, what happened?
18:57 - It's ok, I changed my mind.
18:59 - But what? You can talk to me about anything. Tell me.
19:01 - I really don't need it.
19:02 - But I'm not going to leave you now, please. Come on, talk to me.
19:05 - You know when that time is for us girls?
19:07 - Oh, yeah, it's... yeah.
19:09 It's... it's... but is it urgent?
19:10 - No. - It's... it's...
19:12 - Isn't it better if we talk at home?
19:14 - Yeah, sure. - It's the best, isn't it?
19:15 - Yeah. - Good girl, good girl!
19:16 - Let's talk at home.
19:18 - What are you doing?
19:19 - Look at this one, how big she got.
19:20 Come on, let's go.
19:21 You know, if you talk to your mom in the meantime,
19:23 it's better if you talk to her, because she's better at all this.
19:25 - Ok, ok. - But I'll talk to you, too.
19:26 - We'll talk, yeah. - Yeah? Ok.
19:28 - Bye. - Kisses!
19:29 - Come on, Johnny.
19:32 - Mom, are you still alive?
19:33 - Should I pull it out?
19:36 - No, you're red as a lemon.
19:37 Let's go, it's late.
19:39 - I need to get some money from the house.
19:41 Mom, I can't do it anymore.
19:42 Mom, I can't do it anymore.
19:44 - Ramona!
19:48 - What?
19:49 - Did you take the money from the house?
19:51 - What?
19:52 - Did you take the money from the house?
19:54 - No.
19:56 - We had 3 lei.
19:57 What did you sell, coffee beans or what?
19:59 - I...
20:01 - Ouch, ouch, ouch, ouch, ouch, ouch!
20:03 You're a whore, I'm telling you!
20:06 Ouch!
20:16 - Mom, are you crazy?
20:18 - God, it's incredible how nature is.
20:20 - What? No scratch, nothing?
20:22 Where would the polish be to come out so well?
20:26 - Take it.
20:27 - It has the pressure.
20:33 - So, I think this car never looked better.
20:36 - Do you want to buy it?
20:38 - Oh, no.
20:39 - What? - The Chinese.
20:45 - The money. - Mom.
20:46 - But if...
20:49 If...
20:51 - If what?
20:53 - If we give it the total damage...
20:55 You'll get the money, right?
20:58 Why are you looking at me like that?
21:00 - I feel like my heart is growing.
21:04 - Good.
21:05 - A dad's tractor.
21:06 Bravo, man!
21:07 Bravo, man!
21:09 Bravo!
21:11 - Bravo, man!
21:12 - Where? - Where are you?
21:13 - Where have you been until now?
21:15 - Bravo!
21:16 - What are you doing outside?
21:31 - Sorry, sorry, sorry, sorry, sorry.
21:34 - Didn't you hear I had to go to school now?
21:36 - It's none of your business.
21:38 - Bravo!
21:39 - Hey, hey, hey!
21:56 Get it out, get it out!
21:58 You're in trouble again, boy!
22:01 You're in trouble again!
22:02 You're in trouble again!
22:03 No, no, really?
22:05 - It's true. - Really?
22:07 - Boy, boy, what's your problem now?
22:10 It's not on this planet anymore, you hear me?
22:12 Not your phone, not your tablet, not your...
22:14 nothing, not your life!
22:15 I'll take you to the hospital, you hear me?
22:17 Unbelievable, boy.
22:18 - But what about the tattoo?
22:20 - Why are you so insensitive?
22:22 You're arguing with me about tattoos?
22:24 I can't believe this!
22:26 Who does the tattoos?
22:27 The egg or the chicken?
22:28 What's this?
22:29 Now, where did you get this money from?
22:32 Where did you get this money from?
22:36 Where did you get this money from?
22:38 You don't know?
22:40 Fine, your job.
22:42 You'll see what...
22:43 what your dad will say, what he'll do to you when he hears this.
22:46 - What will he do?
22:47 - Boy, are you insensitive?
22:48 Get dressed!
22:50 - Excuse me, auntie, I need to pee.
23:05 - You want to pee?
23:06 - It was a kind of pee.
23:08 Listen, neighbor, I wanted to ask you something that's a bit more...
23:13 - No.
23:14 I'm only doing it when I'm young.
23:16 - That's why I didn't even ask.
23:18 - I'm doing it anyway.
23:19 I just wanted to see if I can raise the price.
23:22 - What are we talking about?
23:23 - I don't know what we're talking about.
23:25 - Well, I was thinking...
23:26 Maybe you don't know someone who can help me with a car that doesn't know how to drive.
23:31 - Oh, that doesn't know how to drive.
23:33 - You want to give your aunt a car to get insurance money, right?
23:37 - Something like that.
23:38 I mean, that's exactly what I'm talking about.
23:39 - I have a perfect car for you.
23:41 - Really?
23:42 - I'll be right back, ok?
23:45 - That's not how you do it, my boy.
23:55 You have to be honest in life.
23:57 If someone steals a new car, you're in trouble.
24:01 - I don't think that's how you do it.
24:03 - What are you talking about?
24:04 You're telling me how it's done?
24:05 Huh?
24:06 You shut up when I'm talking to you.
24:08 And move over a little, so the water can see through that table.
24:11 Can't you see?
24:12 That's it, there, yes.
24:14 Uh-huh.
24:15 Listen to what I'm saying now.
24:18 I'm talking to you, Luca.
24:20 In life, you have to be honest, honest and punctual.
24:27 And don't get into all the...
24:29 ...fuck-ups.
24:31 Do you understand?
24:33 - Why didn't you answer my text?
24:41 - Well, I don't have my phone.
24:43 I've had my phone for two months now.
24:45 I lost it, I don't know where it is.
24:47 - She's looking for her phone, so the guys don't look for it.
24:49 - I looked for it, too, my wife.
24:51 I desperately looked for it, but I couldn't find it.
24:54 - You see, it's in the back pocket.
24:56 - I don't need it.
24:57 - Come on.
24:58 - Take it!
24:59 Ha!
25:00 I didn't look for it here.
25:01 It was...
25:02 I put it in the sink.
25:04 You wrote to me.
25:06 - And what did I write?
25:08 - You wrote that...
25:10 ...there's something in Chinese I don't understand.
25:12 - Money?
25:13 - Yes, look, some money.
25:14 - Lots of money?
25:15 - Money, yes.
25:16 But I'll give you the money.
25:17 I'll give you the Chinese, I'll give you.
25:18 I'm with the Chinese, I'm with the girl, I'll give you the money.
25:21 How do I do it? How do I do it?
25:22 If I give it to you...
25:23 - If it doesn't work out...
25:25 - I'll help you, my boys.
25:27 See how well prepared I am?
25:29 - Yes, I see.
25:30 I'll figure it out, Kins.
25:34 - Hello!
25:37 Mom!
25:39 Mom!
25:41 - What are you doing?
25:43 - I washed my face, I put it on the floor, I put you on the bench so I don't get dirty.
25:46 - Get down, please, it's nice.
25:48 - It's still half.
25:55 - You should have told me that I had my phone in the back, right?
25:57 - In life you have to be correct and honest.
26:00 - Santa Bajera in all the magazines!
26:01 - Stop it, please.
26:02 So, the hard part is over, right?
26:04 Now mop, toilet, optional towel and disinfectant.
26:08 - For?
26:09 - For?
26:10 - Toilet direction.
26:11 Come on.
26:13 - Neighbor, so once again, thank you from the bottom of my heart for saving us.
26:16 - Yes, leave me alone, let's go.
26:17 - Dear lady, wait a second.
26:19 Unfortunately, you can't take a shower with me because I have an emergency.
26:22 - What emergency?
26:23 - Which is not really an emergency because I feel like you came out of the air, if I'm not mistaken.
26:27 - I don't know what you're talking about.
26:28 What happened?
26:29 - I ran out of soap.
26:31 Forgive me, forgive me.
26:32 - Leave him, ma'am.
26:34 He took a little bit of soap and gave it to her.
26:36 - No, but it's you, you took it at this age, illegally?
26:39 - Oh, be careful.
26:41 - Yes.
26:42 - Take out the money, let's do the laundry.
26:43 - More money.
26:44 - Be careful, you're pushing us.
26:47 - Still, more money.
26:49 - We're putting it in gear.
26:51 - Here, with speed, we have a problem, because we don't know how far this jungle can go.
26:55 - No, it's going.
26:56 - Come on, calm down and let's hit it once, bang, in the first tree, in the first tree.
27:00 No.
27:01 Let's hit it in a walnut tree, that one is stronger.
27:03 - Bravo, better, because the nuts from the tree will fall and it will fall on the roof, it will scratch and it's good.
27:07 - Let me form it now, one, one, two, so I can attack at the moment.
27:11 - Come on, let's go.
27:12 - Wait a minute.
27:13 - Are you sure this woman knows what she's doing?
27:16 - Who?
27:17 - Let's see what she's doing.
27:20 - God, it's good, yes.
27:21 - No.
27:35 She's busy.
27:37 And I'm busy.
27:40 - Busy, busy, but still lonely.
27:44 - What do you want?
27:48 - I wanted to tell you that since I saw you at the paintball, a calmness has been washed away in my soul when I saw what a strong woman you are.
27:55 - Listen.
27:58 Don't you want to take some steps before you meet my right hand to see how strong it is?
28:04 - Oh, my.
28:05 - Hello, Tibi.
28:10 - Hello.
28:11 - The lunch break ends in five minutes.
28:13 - Mrs. Ramona, after that we go home, right?
28:16 - Yes, Mrs. Ramona, after that we go to the back to clean the potatoes.
28:19 Two bags.
28:20 - What did you do?
28:24 - I didn't do anything.
28:25 This is a solution.
28:26 I think he stole money from his aunt's house.
28:28 - I made a mistake, but Ramona exploits us.
28:32 - Two minutes.
28:33 - Of course, Mrs. Ramona.
28:35 I think I know what her problem is.
28:37 She just came to me.
28:38 She likes Johnny and he doesn't notice.
28:42 And you notice the suffering?
28:44 - Mom.
28:45 Lunch break is over.
28:47 In the back, three bags of potatoes are waiting for you.
28:49 - You said two.
28:50 - Yes?
28:51 - Yes.
28:52 - You're a big fool.
28:54 - Tibi, don't do like her, ok?
28:58 I'm a wrong turn.
29:01 - Is it true what Luca said when you left Johnny?
29:03 - Take it, go clean the potatoes.
29:06 - I don't want to.
29:07 - Come on, please.
29:08 Thank you.
29:09 - Listen, neighbor, I was thinking, I'd better wait outside
29:14 because I'm not a big fan of frontal impact.
29:16 I haven't done it before.
29:17 - But you have to kiss the dead man first.
29:19 - Kiss what?
29:20 - The dead man.
29:21 - Yes, I think it's a good idea.
29:23 - Yes, because the airbags must open.
29:25 Both of them.
29:26 - If they open?
29:27 - So be careful.
29:28 We'll go fast, hit the tree hard
29:30 and then you hit the wheel.
29:31 - Yes, so...
29:32 We go fast, hit it hard
29:37 and then I'll hit the tree.
29:38 - Oh, God, something like that.
29:40 Oh, God, help us.
29:43 - I'll go.
29:45 - I'll go.
29:46 - Mica, to the Lord.
29:49 - And Mary, to the Lord.
29:50 - I can't do it anymore.
29:53 - See, I told you to take Mica.
29:55 - I'm talking about the phase with Mary.
29:58 I have to stop this story.
30:00 - Oh, sure, I told you.
30:02 - Yes, you have to come with me.
30:05 - Sure, I can't.
30:06 I have work.
30:07 - But I didn't even tell you when.
30:10 - Exactly, it's a very busy period.
30:12 - I'm telling Mary and she doesn't believe me.
30:14 So, if you come with me, you know what I'll say?
30:16 - Dana, wait.
30:17 - The thing is, I'm totally against
30:20 psychological violence.
30:21 And physical.
30:22 - But I'm not violent.
30:24 - No, you're not.
30:25 - I'm serious.
30:26 Once, he hit me.
30:27 - I'm not coming.
30:28 - And that's because he wanted to introduce me to a dentist
30:30 and then he apologized to me.
30:32 He apologized to the dentist.
30:34 - You know, I apologize
30:38 when I use a dental pill.
30:40 - Oh, God.
30:41 - I'm sorry.
30:42 - Oh, you took it with garlic?
30:45 - Uh-huh.
30:46 - You took it with a lot of garlic.
30:48 - Yeah, what's the problem?
30:49 - No problem.
30:50 - Is he dead?
31:04 - Not yet.
31:05 - What do you mean, not yet?
31:07 - I mean, we're all in a situation like this.
31:09 - Wait a minute.
31:10 - What?
31:11 - Yeah.
31:18 - Guys, we're really happy to do business with you.
31:25 Flavius, we'll talk about money tonight.
31:27 It was a little more complicated.
31:29 - What more money do you want?
31:30 - We'll talk about it tonight.
31:31 And you, give me that guy's number with the barber
31:33 because I have business for him.
31:35 Come on, kiss the girl.
31:39 - Hey, kid, what are you doing?
31:40 - Hey, guys!
31:41 - So, I'll never see this forest again.
31:44 So, I'm like a flea, ready for illegal activities.
31:48 Come on, what tree do we cut it down to?
31:50 - Too late.
31:51 The event took place.
31:53 Disrespecting the speed on the road conditions
31:56 led to nothing.
31:59 - So, if I gave it to the woman and told her to go to the market
32:02 and asked her nicely to take care of it,
32:04 I'd bring her more powder.
32:05 - And what do we do now?
32:06 - I have another idea.
32:08 - What's up?
32:09 - Hi, kid.
32:10 I need to get to something.
32:12 - I like your voice.
32:14 - But you have to stay in a place where no one will find out.
32:16 - Ok.
32:17 - I have a small problem.
32:19 - How small?
32:20 - Pretty big.
32:21 I don't know if it's okay to talk on the phone,
32:24 if you understand what I'm trying to say.
32:26 - I understand.
32:27 - I need to get rid of a problem.
32:31 - Where are you?
32:32 - Forest, lake, swamps...
32:35 - You don't have to say more. It'll be solved.
32:37 - Good!
32:38 - Yes, yes, yes.
32:39 I'll call the police.
32:40 - No, no.
32:41 - You said it'll be solved.
32:42 - What?
32:43 - Where are you exactly?
32:45 - I'll give you a location, ok?
32:48 - Ok, ok.
32:49 - Bye!
32:50 - You're a woman, Johnny is a man.
32:57 - Let's say so.
32:59 - What do men like?
33:02 - Women.
33:04 - Yes, but what kind of women?
33:07 - Sexy?
33:09 - Yes, or?
33:11 - Men like women with a sense of humor.
33:16 Did you understand?
33:18 - Ah, women with a sense of humor.
33:21 - Ok, so Johnny comes home.
33:26 What do you say? What do you do?
33:28 - Knock, knock.
33:29 - No, Johnny comes home.
33:31 You're already home.
33:33 - Knock, knock.
33:34 - Who?
33:36 - Polo.
33:37 - Polo who?
33:39 - Poloniku.
33:40 - Ok, let's try something else.
33:44 Different.
33:45 - Ah, knock, knock.
33:47 - Ok, no jokes.
33:50 Knock, knock.
33:51 Who?
33:52 - Akim.
33:53 - Akim who?
33:54 - Akim, my dear, who?
33:56 How are you?
34:02 - Very good.
34:03 - You were always there for me in good and bad times.
34:12 And you were always there for me, unconditionally.
34:16 And that's why I thank you.
34:18 Although I've often acted like a pig.
34:21 And that's why I feel like I want to tell you and ask you.
34:26 - I'm sorry.
34:27 - Tell me, where is Sma?
34:43 - What Sma?
34:44 - What do you mean, what Sma?
34:45 Is it a problem to get rid of her?
34:47 - No, no, no, no.
34:48 - What? No, no, no.
34:49 You want to go to Pranaie?
34:50 Do you know what happens to people like you there?
34:52 What?
34:53 - I have.
34:54 - Leave it like that. Where is Mortaciunea?
34:55 - She's not here.
34:56 Mortaciunea, calm down a bit.
34:58 Emil was talking about the car.
35:00 We have to get rid of the car.
35:02 So we can get some money for insurance.
35:05 - Oh, no.
35:08 - You didn't see anything, did you?
35:10 - Wait a minute.
35:11 - What?
35:14 - You know it's not a good idea, right?
35:16 - No, we deserve to die.
35:17 - Wait a minute.
35:18 Let's group up the car.
35:21 - Wait a minute.
35:24 If we get rid of her,
35:25 do you realize how hard it is?
35:27 - We're five people.
35:28 How much can she take?
35:29 - A lot.
35:31 So I can't.
35:37 - A little more.
35:39 A little more.
35:41 A little more.
35:42 It's not working.
35:46 You know what?
35:47 Let's put some leaves on her.
35:50 And cover her.
35:51 - Yeah, sure.
35:52 She'll disappear.
35:53 - That's how the new Zaroi's disappeared.
35:55 They came, covered her with leaves,
35:57 and discovered millions of years later.
35:59 - Guys.
36:00 We can try something else.
36:03 - But you?
36:06 Who are you?
36:07 - Wait, wait.
36:11 Something else, right?
36:12 We can do it or we can't.
36:14 - Let's go.
36:15 - Yeah.
36:29 Ready?
36:37 - Yeah.
36:38 - Okay.
36:40 - I'm sorry.
36:41 I'm sorry.
36:42 - No, no.
36:43 - I'm sorry.
36:44 - No, no.
36:45 - I'm sorry.
36:46 - No, no.
36:47 - I'm sorry.
36:48 - No, no.
36:49 - I'm sorry.
36:50 - No, no.
36:51 - I'm sorry.
36:52 - No, no.
36:53 - I'm sorry.
36:54 - No, no.
36:55 - I'm sorry.
36:56 - No, no.
36:57 - I'm sorry.
36:58 - No, no.
36:59 - I'm sorry.
37:00 - No, no.
37:01 - I'm sorry.
37:02 - No, no.
37:03 - I'm sorry.
37:04 - No, no.
37:05 - I'm sorry.
37:06 - No, no.
37:07 - I'm sorry.
37:08 - No, no.
37:09 - I'm sorry.
37:10 - No, no.
37:11 - I'm sorry.
37:12 - No, no.
37:13 - I'm sorry.
37:14 - No, no.
37:15 - I'm sorry.
37:16 - No, no.
37:17 - I'm sorry.
37:18 - No, no.
37:19 - I'm sorry.
37:20 - No, no.
37:21 - I'm sorry.
37:22 - No, no.
37:23 - I'm sorry.
37:24 - No, no.
37:25 - I'm sorry.
37:26 - No, no.
37:27 - I'm sorry.
37:28 - No, no.
37:29 - I'm sorry.
37:30 - No, no.
37:31 - I'm sorry.
37:32 - No, no.
37:33 - I'm sorry.
37:34 - No, no.
37:35 - I'm sorry.
37:36 - No, no.
37:37 - I'm sorry.
37:38 - No, no.
37:39 - I'm sorry.
37:40 - No, no.
37:41 - I'm sorry.
37:42 - No, no.
37:43 - I'm sorry.
37:44 - No, no.
37:45 - I'm sorry.
37:46 - No, no.
37:47 - I'm sorry.
37:48 - No, no.
37:49 - I'm sorry.
37:50 - No, no.
37:51 - I'm sorry.
37:52 - No, no.
37:53 - I'm sorry.
37:54 - No, no.
37:55 - I'm sorry.
37:56 - No, no.
37:57 - I'm sorry.
37:58 - No, no.
37:59 - I'm sorry.
38:00 - No, no.
38:01 - I'm sorry.
38:02 - No, no.
38:03 - I'm sorry.
38:04 - No, no.
38:05 - I'm sorry.
38:06 - No, no.
38:07 - I'm sorry.
38:08 - No, no.
38:09 - I'm sorry.
38:10 - No, no.
38:11 - I'm sorry.
38:12 - No, no.
38:13 - I'm sorry.
38:14 - No, no.
38:15 - I'm sorry.
38:16 - No, no.
38:17 - I'm sorry.
38:18 - No, no.
38:19 - I'm sorry.
38:20 - No, no.
38:21 - I'm sorry.
38:22 - No, no.
38:23 - I'm sorry.
38:24 - No, no.
38:25 - I'm sorry.
38:26 - No, no.
38:27 - I'm sorry.
38:28 - No, no.
38:29 - I'm sorry.
38:30 - No, no.
38:31 - I'm sorry.
38:32 - No, no.
38:33 - I'm sorry.
38:34 - No, no.
38:35 - I'm sorry.
38:36 - No, no.
38:37 - I'm sorry.
38:38 - No, no.
38:39 - I'm sorry.
38:40 - No, no.
38:41 - I'm sorry.
38:42 - No, no.
38:43 - I'm sorry.
38:44 - No, no.
38:45 - I'm sorry.
38:46 - No, no.
38:47 - I'm sorry.
38:48 - No, no.
38:49 - I'm sorry.
38:50 - No, no.
38:51 - I'm sorry.
38:52 - No, no.
38:53 - I'm sorry.
38:54 - No, no.
38:55 - I'm sorry.
38:56 - No, no.
38:57 - I'm sorry.
38:58 - No, no.
38:59 - I'm sorry.
39:00 - No, no.
39:01 - I'm sorry.
39:02 - No, no.
39:03 - I'm sorry.
39:04 - No, no.
39:05 - I'm sorry.
39:06 - No, no.
39:07 - I'm sorry.
39:08 - No, no.
39:09 - I'm sorry.
39:10 - No, no.
39:11 - I'm sorry.
39:12 - No, no.
39:13 - I'm sorry.
39:14 - No, no.
39:15 - I'm sorry.
39:16 - No, no.
39:17 - I'm sorry.
39:18 - No, no.
39:19 - I'm sorry.
39:20 - No, no.
39:21 - I'm sorry.
39:22 - No, no.
39:23 - I'm sorry.
39:24 - No, no.
39:25 - I'm sorry.
39:26 - No, no.
39:27 - I'm sorry.
39:28 - No, no.
39:29 - I'm sorry.
39:30 - No, no.
39:31 - I'm sorry.
39:32 - No, no.
39:33 - I'm sorry.
39:34 - No, no.
39:35 - I'm sorry.
39:36 - No, no.
39:37 - I'm sorry.
39:38 - No, no.
39:39 - I'm sorry.
39:40 - No, no.
39:41 - I'm sorry.
39:42 - No, no.
39:43 - I'm sorry.
39:44 - No, no.
39:45 - I'm sorry.
39:46 - No, no.
39:47 - I'm sorry.
39:48 - No, no.
39:49 - I'm sorry.
39:50 - No, no.
39:51 - I'm sorry.
39:52 - No, no.
39:53 - I'm sorry.
39:54 - No, no.
39:55 - I'm sorry.
39:56 - No, no.
39:57 - I'm sorry.
39:58 - No, no.
39:59 - I'm sorry.
40:00 - No, no.
40:01 - I'm sorry.
40:02 - I'm sorry.
40:03 - No, no.
40:04 - I'm sorry.
40:05 - No, no.
40:06 - I'm sorry.
40:07 - No, no.
40:08 - I'm sorry.
40:09 - No, no.
40:10 - I'm sorry.
40:11 - No, no.
40:12 - I'm sorry.
40:13 - No, no.
40:14 - I'm sorry.
40:15 - No, no.
40:16 - I'm sorry.
40:17 - No, no.
40:18 - I'm sorry.
40:19 - No, no.
40:20 - I'm sorry.
40:21 - No, no.
40:22 - I'm sorry.
40:23 - No, no.
40:24 - I'm sorry.
40:25 - No, no.
40:26 - I'm sorry.
40:27 - No, no.
40:28 - I'm sorry.
40:29 - No, no.
40:30 - I'm sorry.
40:31 - I'm sorry.
40:32 - No, no.
40:33 - I'm sorry.
40:34 - No, no.
40:35 - I'm sorry.
40:36 - No, no.
40:37 - I'm sorry.
40:38 - No, no.
40:39 - I'm sorry.
40:40 - No, no.
40:41 - I'm sorry.
40:42 - No, no.
40:43 - I'm sorry.
40:44 - No, no.
40:45 - I'm sorry.
40:46 - No, no.
40:47 - I'm sorry.
40:48 - No, no.
40:49 - I'm sorry.
40:50 - No, no.
40:51 - I'm sorry.
40:52 - No, no.
40:53 - I'm sorry.
40:54 - No, no.
40:55 - I'm sorry.
40:56 - No, no.
40:57 - I'm sorry.
40:58 - No, no.
40:59 - I'm sorry.
41:00 - No, no.
41:01 - I'm sorry.
41:02 - No, no.
41:03 - I'm sorry.
41:04 - No, no.
41:05 - I'm sorry.
41:06 - No, no.
41:07 - I'm sorry.
41:08 - No, no.
41:09 - I'm sorry.
41:10 - No, no.
41:11 - I'm sorry.
41:12 - No, no.
41:13 - I'm sorry.
41:14 - No, no.
41:15 - I'm sorry.
41:16 - No, no.
41:17 - I'm sorry.
41:18 - No, no.
41:19 - I'm sorry.
41:20 - No, no.
41:21 - I'm sorry.
41:22 - No, no.
41:23 - I'm sorry.
41:24 - No, no.
41:25 - I'm sorry.
41:26 - No, no.
41:27 - I'm sorry.
41:28 - No, no.
41:29 I'm sorry, I'm sorry, that...
41:31 you've been studying so long and...
41:35 you've been with me in good and bad times and...
41:39 and you've been with me unconditionally and...
41:43 that's why I thank you.
41:45 Although, lately, I've been acting like a pig.
41:48 And that's why I feel like I want to tell you and...
41:53 and ask you.
41:58 Oh, man, we're friends again.
42:00 At least that's it.
42:06 It started raining, so I went to the toilet.
42:09 I did a flash. What can I say?
42:11 I really want to.
42:13 Maria!
42:16 Yes, my love, I'm here, in the garden.
42:18 My little one.
42:25 My love, my soul, my heart...
42:28 Since the first time I saw you,
42:31 since I fell in love, I'm crazy about you.
42:34 And today I'm just as in love.
42:36 I know I've made mistakes,
42:38 but I know they were just moments.
42:40 And I promise I've changed and that...
42:43 you'll stay and you'll be my greatest love.
42:49 Can I tell you something?
42:52 Anything, yes.
42:53 I chose Toma.
42:55 Good. Go on.
42:57 I chose Toma!
43:02 Excuse me?
43:04 Am I disturbing you?
43:06 Wait, I don't...
43:11 Yeah, I see you don't really understand,
43:14 so you know what? Apologize for that.
43:16 I loved you to death, mom, I loved you with fire.
43:19 I loved you to death, mom, but I'm not lucky.
43:22 I loved you to death, mom, I loved you with fire.
43:25 I loved you to death, mom, but I'm not lucky.
43:28 I loved you to death, mom, I loved you with fire.
43:31 I loved you to death, mom, but I'm not lucky.
43:34 I loved you to death, mom, I loved you with fire.
43:37 I loved you to death, mom, I loved you with fire.
43:40 I loved you to death, mom, I loved you with fire.
43:43 I loved you to death, mom, I loved you with fire.
43:46 I loved you to death, mom, I loved you with fire.
43:49 I loved you to death, mom, I loved you with fire.
43:52 I loved you to death, mom, I loved you with fire.
43:55 I loved you to death, mom, I loved you with fire.
43:58 I loved you to death, mom, I loved you with fire.
44:01 I loved you to death, mom, I loved you with fire.
44:04 Mario, didn't you say you'd give me the moon in the sky?
44:07 Yeah.
44:08 Well, I don't want the moon in the sky.
44:10 I want to go to therapy.
44:12 You'd better think about that moon.
44:14 Wow.
44:16 My heart, tell me what to give you, everything you want.
44:22 You're the first man to make me laugh with such a few words.
44:25 Let me tell you, it doesn't matter how big the vocabulary is and how you use it.
44:28 I love you so much, I don't understand why we fight.
44:31 We shouldn't be soulmates, we're almost cousins, you know?
44:35 I feel like we have a connection.
44:37 It's not a connection, it's just sex.
44:39 Oh, yes, stupid.
44:41 If someone steals his dog, he'll give him a lot of money to buy it, right?
44:45 If someone gets close to him or does something to his dog or a strand of his dog's hair,
44:50 the dog won't cut it.
44:51 And if we don't look at the money, we'll get small.
44:53 So?
44:54 How did you get there?
44:55 There's a road next to the pool.
44:58 [MUSIC PLAYING]
45:01 [MUSIC PLAYING]
45:05 [MUSIC PLAYING]
45:08 [MUSIC PLAYING]
45:12 [MUSIC PLAYING]
45:15 [MUSIC PLAYING]
45:18 [MUSIC PLAYING]
45:21 [MUSIC PLAYING]
45:25 [MUSIC PLAYING]
45:28 [MUSIC PLAYING]
45:47 [MUSIC PLAYING]
45:50 (electronic music)