Columbus (2017)
Columbus is a 2017 American drama film written, directed, and edited by Kogonada in his feature directorial debut. The film follows the son of a renowned architecture scholar (John Cho) who gets stranded in Columbus, Indiana and strikes up a friendship with a young architecture enthusiast (Haley Lu Richardson) who works at the local library. Michelle Forbes, Rory Culkin, and Parker Posey appear in supporting roles. The film premiered at the 2017 Sundance Film Festival and was released in the United States on August 4, 2017, by the Sundance Institute, receiving acclaim from critics.
Transcript
00:00:00 [silence]
00:00:10 [footsteps]
00:00:18 Girsanim?
00:00:20 [footsteps]
00:00:27 Girsanim!
00:00:29 [footsteps]
00:00:50 Girsanim?
00:00:52 [footsteps]
00:00:59 [rain]
00:01:03 Girsanim!
00:01:05 [rain]
00:01:15 Girsanim,
00:01:17 [speaking in Korean]
00:01:24 We were at the Miller House, and now we're at the church.
00:01:28 Yeah.
00:01:30 It's good.
00:01:33 That's nice.
00:01:38 Yeah, I will.
00:01:43 Yeah. Later.
00:01:52 Sorry to hear that.
00:01:56 Well,
00:02:02 right.
00:02:05 Right.
00:02:15 [silence]
00:02:23 First Christian is considered one of the first non-religious churches in America,
00:02:29 in the United States.
00:02:40 Designed by Eliel Sarne, First Christian is considered.
00:03:02 Notice how the cross and the doors and the clock are all off-center.
00:03:10 The design, Sarne's design, is asymmetrical, yet so remains balanced.
00:03:36 [bells ringing]
00:03:46 [bells ringing]
00:03:56 [bells ringing]
00:04:09 There we go.
00:04:11 All right. One real quick.
00:04:25 There you are. Hey.
00:04:27 Look. Marginalia.
00:04:29 Nice. Anything good?
00:04:31 Not sure.
00:04:33 Might just be grad student gibberish.
00:04:36 If you do a database dive, let me know.
00:04:38 Yeah, of course.
00:04:40 What's up?
00:04:42 Want to catch a film tonight?
00:04:45 I can't tonight, sorry.
00:04:48 Having dinner with a friend in Bloomington.
00:04:51 Like a date?
00:04:54 No, it's just an old school friend.
00:04:56 Mm-hmm. Whatever.
00:05:01 Do you have your master's?
00:05:04 Sadly, yes.
00:05:06 Is it hard to get?
00:05:08 Depends what you mean by hard.
00:05:10 Why?
00:05:13 I was just talking to Aaron, and he told me that as a rule,
00:05:16 they only give full-time positions to MLS grads.
00:05:22 That's not completely true.
00:05:24 Claire doesn't have one.
00:05:26 She doesn't?
00:05:28 She has a PhD in lit.
00:05:30 Great.
00:05:32 Yeah, whatever you do, don't get an MLS.
00:05:34 She recently declared the worst master's for a job.
00:05:36 Really?
00:05:38 Yeah.
00:05:40 And yet you have a job.
00:05:42 Well, I'm an exception.
00:05:44 Oh.
00:05:46 Anyway, you don't want to be a librarian.
00:05:49 I might.
00:05:51 No, you don't.
00:05:53 And what about that Debra Burke?
00:05:55 You'd be crazy to pass that on.
00:05:57 Yeah. That's not gonna happen.
00:06:00 Then why not?
00:06:03 It's just not.
00:06:06 You wouldn't understand.
00:06:09 Yes, I would.
00:06:19 But nothing.
00:06:23 [train passing]
00:06:32 [clanking]
00:06:40 [door slams]
00:06:42 [footsteps]
00:06:46 [door slams]
00:06:48 [door slams]
00:06:50 [train passing]
00:07:03 [train passing]
00:07:13 [train passing]
00:07:23 [train passing]
00:07:33 [train passing]
00:07:43 [train passing]
00:07:53 [train passing]
00:08:03 [train passing]
00:08:13 [train passing]
00:08:23 [train passing]
00:08:45 Come on. Let's go see him first.
00:08:55 [birds chirping]
00:08:58 [water running]
00:09:02 [birds chirping]
00:09:05 [door opens]
00:09:07 [door closes]
00:09:35 [door opens]
00:09:38 [door closes]
00:09:43 [door opens]
00:09:49 I still can't believe how old you are.
00:09:54 You look just the same.
00:09:56 That's not true.
00:09:57 You do.
00:09:58 But thank you.
00:09:59 You're sweet.
00:10:03 So how do you like being back in Seoul?
00:10:06 It's okay.
00:10:09 What are you doing there?
00:10:11 I got a job at a publisher.
00:10:14 Translating books into Korean from English.
00:10:18 Sounds interesting.
00:10:20 It is. Not.
00:10:22 It's pretty painful actually.
00:10:24 Um, I'm on deadline now.
00:10:27 Just got off the phone with them.
00:10:28 They don't expect you to work while you're here, do they?
00:10:31 I think they do.
00:10:34 You know it's that Korean thing.
00:10:37 You're so sorry.
00:10:39 Family is the most important thing,
00:10:41 but really work is the most important thing,
00:10:44 so you better finish the fucking translation on time.
00:10:49 That can't be true.
00:10:51 We'll see.
00:10:53 [footsteps]
00:11:02 Wish you were staying another day.
00:11:04 I know.
00:11:06 But I was supposed to be in Chicago a few days ago with your father.
00:11:13 And I have my work.
00:11:16 My husband.
00:11:19 I know. You've already done so much.
00:11:22 I can't believe this happened.
00:11:27 He was doing fine and then just--
00:11:31 Sorry.
00:11:33 I just--
00:11:40 I owe him so much.
00:11:52 Your father means everything to me.
00:11:55 Is there anything else I can get you guys?
00:12:01 I think we're ready for the check.
00:12:03 Can I get another beer?
00:12:04 Definitely.
00:12:05 Another glass of wine?
00:12:07 No thanks.
00:12:09 [phone rings]
00:12:19 [phone rings]
00:12:24 [speaking Korean]
00:12:26 [speaking Korean]
00:12:33 He didn't even tell me he was coming on this trip.
00:12:35 Did he tell you that?
00:12:37 No.
00:12:39 That's about right.
00:12:42 Did he mention me at all?
00:12:48 We talked a little.
00:12:50 What'd he say?
00:12:52 Jin.
00:12:54 Did he tell you that we haven't spoken in over a year?
00:12:56 You're all he has.
00:12:59 That has never been the case. He has his students, his work.
00:13:03 You're his son.
00:13:06 You've been watching too much Korean drama.
00:13:08 Here you go.
00:13:09 Thank you.
00:13:11 Can we have the check?
00:13:13 Sure, I'll be right back.
00:13:16 [laughing]
00:13:18 [speaking Korean]
00:13:23 I have to leave early in the morning.
00:13:35 I should go to bed.
00:13:37 I'm sorry. I shouldn't have brought that up.
00:13:41 The inn knows about this situation.
00:13:43 You should be able to stay in this room as long as you need.
00:13:48 [speaking Korean]
00:13:54 [speaking Korean]
00:14:22 [man on TV]
00:14:25 Can't we just do it on Sunday?
00:14:30 No.
00:14:32 I'll just drop you off in the morning and then take it over to Kenny's.
00:14:35 It'll cost us more if it breaks down on us.
00:14:38 Ugh, I hate carbs.
00:14:41 Me too.
00:14:45 I think this could use just a bit more spice.
00:14:51 You think it does?
00:14:53 Um, maybe.
00:14:57 I was going for something a little more subtle.
00:15:01 I don't even know what that means.
00:15:05 You know, less obvious.
00:15:08 Why?
00:15:11 Because sometimes you can taste the food better and then there's a better aftertaste.
00:15:19 [sipping]
00:15:21 You crazy.
00:15:26 You are.
00:15:28 [laughing]
00:15:30 This is the Irwin Conference Center, formerly the Irwin Union Bank.
00:15:37 It was completed in 1954 and designed by Errol Sarnon, son of Eliel Sarnon, who designed First Christian Church.
00:15:45 Now, like the church, banks in the U.S. did not look like this in 1954.
00:15:50 They were big, imposing buildings that had tellers behind bars.
00:15:56 No, no, he's not saying it's an actual myth.
00:16:09 He's just questioning this common usage of attention span.
00:16:12 Or really, this idea of a shortening attention span.
00:16:15 So he doesn't think that this is happening.
00:16:18 You're constantly talking about how no one can finish a book anymore.
00:16:22 Yes, that's exactly the point.
00:16:24 I'm bookish. We're both bookish.
00:16:27 So what he's saying is that when we talk about attention, we're biased toward reading.
00:16:31 Like, I had this professor who used to go on and on about the idiocy of video games.
00:16:36 He talked about how his son would play for hours and that he once tried playing with him but found it completely dull after just a few minutes.
00:16:42 Now, if this was reversed, if the son was talking about how his dad would read for hours
00:16:48 and he once tried reading with him but found it boring after a few minutes,
00:16:51 well, we would accuse the son of having a short attention span, right?
00:16:55 But why don't we accuse the professor of having a short attention span?
00:16:58 Because it's not about attention for him. It just seems idiotic.
00:17:01 Yeah, but what if that's exactly the case for the son?
00:17:04 See, what he's saying is that this boy is actually able to give hours of attention to a video game because it's interesting to him.
00:17:10 Yeah, but that's because video games are designed for people with short attention spans.
00:17:14 Yeah, see, that's what bookish people say.
00:17:16 But no, what this guy is saying is it's not a matter of attention but of interest.
00:17:22 The professor doesn't have patience for the video game because he's not interested in that kind of experience.
00:17:27 In the same way that the son might not be interested in books.
00:17:30 And it's not that he doesn't have the ability to pay attention, clearly he does.
00:17:34 Like the professor, he's able to pay attention for hours if he finds something interesting.
00:17:38 So down with books, long live video games?
00:17:41 No, not at all.
00:17:44 What he's offering is a critique of a critique.
00:17:48 But in its place he identifies a different kind of crisis.
00:17:51 Not the crisis of attention but the crisis of interest.
00:17:54 See, to talk about attention is its own kind of distraction.
00:17:58 Kids pay attention to things that interest them.
00:18:03 The real question is what interests them or us?
00:18:08 Are we losing interest in things that matter?
00:18:11 Words on a page, for instance.
00:18:14 Yeah, see, maybe that's not so important.
00:18:17 What about everyday life?
00:18:21 Are we losing interest in everyday life?
00:18:24 You got all this from Marginalia?
00:18:29 Well, you know, he also filled all the blank pages in the back.
00:18:34 [Sighs]
00:18:37 [Water running]
00:18:40 [Beep]
00:18:46 [Water running]
00:18:49 [Water running]
00:18:53 [Water running]
00:18:56 [Footsteps]
00:18:59 [Footsteps]
00:19:02 [Door opens]
00:19:27 [Indistinct chatter]
00:19:30 Casey?
00:19:38 Emma.
00:19:39 Hey.
00:19:40 I was hoping to see you.
00:19:42 Yeah, when did you get back?
00:19:43 Oh, just a few days ago. I'm only here for a week.
00:19:45 Really?
00:19:46 My roommates and I, we're getting an apartment this year.
00:19:48 It's gonna be so fun.
00:19:50 We're all flying in early to set it up.
00:19:52 Oh, sounds great.
00:19:53 Yeah, I can't wait.
00:19:55 How was Amsterdam?
00:19:57 Oh, my God, it was the best.
00:19:58 You have to go one day.
00:20:00 Yeah.
00:20:01 No, seriously, you would love it.
00:20:02 The museums, they're incredible.
00:20:04 You guys are so much more interesting.
00:20:06 Yeah.
00:20:08 And school, how is that going?
00:20:11 Oh, I love it.
00:20:12 Sophomore year was even better.
00:20:14 LA's amazing.
00:20:16 It already feels like home.
00:20:17 They'll probably end up staying out there.
00:20:19 Yeah.
00:20:20 Yeah, I mean, I can't imagine coming back here.
00:20:23 Maybe Chicago.
00:20:25 What about you? When are you leaving?
00:20:27 Uh, to where?
00:20:29 To school, to anywhere.
00:20:32 Oh, I like Columbus.
00:20:35 Come on, Casey.
00:20:37 No, I do.
00:20:38 I mean, you of all people should be in college.
00:20:41 I'm not in any hurry.
00:20:43 Well, you already missed a year.
00:20:44 You can't keep putting it off.
00:20:46 I need to get some of the cards in the back.
00:20:48 Right, yeah.
00:20:50 You should listen to me.
00:20:51 Um, Emma, this is Gabe.
00:20:54 Gabe, Emma, I went to high school with her.
00:20:57 I was your head, but we were still really close.
00:20:59 She's like my little sister.
00:21:01 Um, I should probably get back to work,
00:21:03 but it was really nice to see you.
00:21:05 Oh, text me, okay? Let's hang out.
00:21:07 Yeah, okay.
00:21:16 [phone ringing]
00:21:18 [phone ringing]
00:21:20 [phone ringing]
00:21:27 [speaking Korean]
00:21:30 [speaking Korean]
00:21:32 [speaking Korean]
00:21:34 [speaking Korean]
00:21:40 [speaking Korean]
00:21:47 [speaking Korean]
00:21:57 [speaking Korean]
00:21:59 [speaking Korean]
00:22:06 [speaking Korean]
00:22:14 [speaking Korean]
00:22:22 [speaking Korean]
00:22:24 Actually, I'll take one if you don't mind.
00:22:38 Yeah, sure.
00:22:39 Thank you.
00:22:41 You speak English.
00:22:49 Asians can speak English?
00:22:52 Yeah, of course.
00:22:56 No, yeah, I was just-- I heard you speaking Korean, and I--
00:22:59 Sorry, I'm being a jerk.
00:23:01 You offered me a cigarette, and I'm giving you a hard time.
00:23:04 I didn't mean to.
00:23:07 I know what you meant.
00:23:09 Sorry, I'm having a rough day.
00:23:13 For a year?
00:23:18 Yeah.
00:23:20 I saw you at the hospital.
00:23:24 You did?
00:23:27 Yeah, it was early in the morning.
00:23:30 Sorry, I don't remember.
00:23:33 Are you-- I don't want this to sound offensive if you're not,
00:23:43 but are you related to Jae Young Lee?
00:23:47 I am. I'm his son.
00:23:49 How did you know that?
00:23:51 I was planning to go to his talk.
00:23:53 It's canceled, obviously.
00:23:56 We heard what happened. Is he okay?
00:23:59 He's, uh, stable.
00:24:03 Not enough to put on a plane.
00:24:08 Still unconscious.
00:24:14 I'm really sorry.
00:24:16 It's okay.
00:24:19 My name's Casey. It's actually Cassandra, but everyone calls me Casey.
00:24:28 Jin.
00:24:30 Jim?
00:24:31 Jin.
00:24:33 With an N.
00:24:35 Got it.
00:24:37 Are you from here?
00:24:43 Yeah. We moved here when I was four.
00:24:46 Do you like it here?
00:24:49 I do.
00:24:52 How about you?
00:24:55 Not sure yet.
00:24:59 Do you like the Inn?
00:25:04 Yes. It's quite fancy. Like I might break something.
00:25:12 It's not very modernist, though, is it?
00:25:15 No.
00:25:18 Is that where your father--
00:25:27 Yeah.
00:25:30 See, it's asymmetrical, but it's also still balanced.
00:25:40 So you were planning on going to my father's talk?
00:25:43 Mm-hmm.
00:25:45 You familiar with his work?
00:25:51 No, but I'm really interested in architecture.
00:25:56 Been to almost all the talks the past few years.
00:25:59 Yeah, I hear this town is quite the mecca.
00:26:02 I'm sure everyone here is fanatical about architecture.
00:26:08 Are you kidding?
00:26:10 No, most people, they don't really have any idea.
00:26:13 I mean, they know some things, but they don't really give a shit.
00:26:18 Is that right?
00:26:20 Yeah. You'd be surprised how little people know or care about architecture here.
00:26:25 Maybe not.
00:26:27 What do you mean?
00:26:30 I don't know shit about architecture or care.
00:26:33 I don't believe you.
00:26:35 It's true. I'm just like everyone here.
00:26:39 You grow up around something and it feels like nothing.
00:26:44 I never liked her.
00:26:51 Oh, she's okay.
00:26:53 Just show off.
00:26:55 She's not.
00:26:57 Don't start protecting her now.
00:26:59 It's not like everybody can go to Monaco.
00:27:02 Monaco? Amsterdam.
00:27:05 Whatever.
00:27:10 [sizzling]
00:27:13 [sizzling]
00:27:17 [sizzling]
00:27:20 [sizzling]
00:27:23 [thunder]
00:27:34 [rain]
00:27:46 [rain]
00:27:49 [door slams]
00:28:08 [door creaks]
00:28:10 [footsteps]
00:28:13 [footsteps]
00:28:16 [footsteps]
00:28:22 [footsteps]
00:28:25 [speaking Korean]
00:28:49 [slurping]
00:28:52 [sighs]
00:29:00 [sighs]
00:29:05 [door slams]
00:29:11 [sighs]
00:29:16 [footsteps]
00:29:19 [lips smacking]
00:29:32 [lips smacking]
00:29:35 [footsteps]
00:29:48 [eerie music]
00:29:59 [footsteps]
00:30:02 [door opens]
00:30:13 [door closes]
00:30:28 [footsteps]
00:30:31 [door opens]
00:30:34 [door closes]
00:30:37 [water running]
00:30:40 [footsteps]
00:30:43 [door opens]
00:30:46 [footsteps]
00:30:49 [clanking]
00:30:52 [door opens]
00:30:55 Sorry. Did that wake you up?
00:30:58 No. I was up.
00:31:00 I thought I'd get back in time.
00:31:03 Thanks for shaking the trash out.
00:31:06 Doing my part. You want some eggs?
00:31:09 We're out. I'm gonna have to go to the store later.
00:31:12 Can I get the butter, please?
00:31:17 [car driving by]
00:31:20 [car driving by]
00:31:23 Hey, thanks. Have a good day.
00:31:34 You too. See you later.
00:31:37 [car driving by]
00:31:47 [car driving by]
00:32:13 [phone ringing]
00:32:16 Hi. Are you Christine?
00:32:23 Hello.
00:32:24 Hi. I'm here to turn in my applications.
00:32:27 You have more than one.
00:32:30 Yes. This one is for the part-time newsroom assistant,
00:32:33 and that is for the internship.
00:32:35 Got it. Thank you.
00:32:37 Do you know when we might hear something?
00:32:39 It's hard to say, but you're welcome to call back
00:32:42 if you haven't heard from us.
00:32:44 Thank you.
00:32:47 [phone ringing]
00:32:57 [car starting]
00:33:00 Shit.
00:33:08 [car driving by]
00:33:11 Jen!
00:33:23 Jen! Jen, wait for me!
00:33:36 Jen!
00:33:39 This is my second favorite building.
00:33:42 Second? What's your first?
00:33:45 The house I was mentioning.
00:33:47 I'm gonna sign you up for a tour. It's the only way you can see it.
00:33:51 But this is also by Eero Saarinen. Sort of resembles the house.
00:33:56 What do you know about it?
00:33:59 Uh...
00:34:02 This was one of the first modernist banks in America.
00:34:06 You can imagine at the time that walking into an all-glass bank
00:34:10 was quite unusual. Radical, really.
00:34:14 Because during that time, banks were designed to be imposing,
00:34:19 fortress-like, with tellers behind bars.
00:34:23 The idea here was that you walk in at street level,
00:34:28 you don't have to climb any stairs, it's inviting.
00:34:32 Sorry, what? What are you doing?
00:34:35 What? Who are you?
00:34:38 [laughs]
00:34:40 God, shut up. I'm just trying to tell you about this building.
00:34:43 Okay, stop with the tour guide mode for a second. I'm not in a mode.
00:34:46 You said this is one of your favorite buildings. It is. Why?
00:34:50 It's one of the first modernist banks in the United States.
00:34:55 Albeit, do you like this building intellectually because of all the facts?
00:35:00 No.
00:35:03 I'm also moved by it.
00:35:05 Yes. Yes, tell me about that. What moves you?
00:35:09 I thought you hated architecture.
00:35:14 I do. But I'm interested in what moves you, particularly about a building.
00:35:20 [birds chirping]
00:35:23 [music]
00:35:34 [music]
00:35:37 [music]
00:36:02 [music]
00:36:05 Well, wouldn't you get tired of it?
00:36:09 No, not at all.
00:36:11 And I'd get to interact with all these interesting people from all over the world.
00:36:16 The problem with being a tour guide is that you stop seeking.
00:36:21 You become some arbiter of tidbit facts that you'd start repeating over and over.
00:36:26 You'd hate it.
00:36:28 If you go this walkway, then you'll go through the building,
00:36:31 and you'll see signs for the main hospital on the other side.
00:36:35 I like this building.
00:36:41 Isn't it great? Yeah.
00:36:44 It's a little run down, but it's still great.
00:36:47 Can I tell you something? What?
00:36:51 I know a bit about Polshek and this building.
00:36:54 You do? Yeah.
00:36:56 I know a bit about what Polshek did of architecture being this sort of healing art
00:37:01 that it had the power to restore, and that architects should be responsible.
00:37:06 Do you mind if I... For the tour?
00:37:09 No.
00:37:11 I mean, all the details of this building are mindful of that responsibility,
00:37:17 especially since it was a structure for mental health.
00:37:20 This building was meant to be both a literal and metaphoric bridge.
00:37:25 Polshek had the same idea for the Clinton Library.
00:37:29 Did your dad tell you all this?
00:37:35 No.
00:37:38 I think he was planning on writing something about Polshek,
00:37:41 but then he found out that Polshek was writing his own book.
00:37:44 It came out very recently.
00:37:46 And you read it?
00:37:48 Uh, some of it. The part about this building.
00:37:53 And you don't care about architecture?
00:37:56 I skimmed it. It was in my father's room when I got here.
00:38:00 Wait, so you... you just recently read about this building?
00:38:06 Yes. Does that matter?
00:38:09 No. I guess not.
00:38:12 You're funny.
00:38:16 [Birds chirping]
00:38:19 [Music]
00:38:27 [Wind blowing]
00:38:30 [Wind blowing]
00:38:37 [Wind blowing]
00:38:49 [Music]
00:38:52 Hey.
00:39:05 Hey.
00:39:06 What are you doing tonight?
00:39:08 I'm hanging out with my mom.
00:39:11 Well, I'm free.
00:39:13 So?
00:39:15 So let's... let's do something.
00:39:18 Did you not hear me?
00:39:20 What, are you getting me back for the other night?
00:39:23 What?
00:39:25 When I hung out with my friend.
00:39:28 No.
00:39:30 Why would I?
00:39:32 God, I can't believe you have a master's degree.
00:39:34 Yeah, don't forget it.
00:39:36 Of course. It's the worst degree you can get.
00:39:38 Better than no degree.
00:39:40 Nice.
00:39:43 Oh, hey, I was just joking.
00:39:45 I know.
00:39:47 Come on, we were just joking.
00:39:50 You just called my degree the worst.
00:39:52 Yeah, I know. We're good.
00:39:55 We're fine. Just leave me alone and never talk to me again.
00:39:59 Have fun without me.
00:40:02 Hey, uh, should I hang out with you and your mom tonight?
00:40:17 Seriously?
00:40:18 Yeah.
00:40:20 No. Never.
00:40:23 Sure.
00:40:26 No, goodbye.
00:40:27 Alright.
00:40:29 [crying]
00:40:31 Mom.
00:40:53 [footsteps]
00:40:56 [footsteps]
00:40:58 [phone beeps]
00:41:25 [phone beeps]
00:41:27 Mom, it's me. Call me back.
00:41:34 [phone beeps]
00:41:37 [phone beeps]
00:41:42 [crunching]
00:41:46 [crunching]
00:41:48 [crunching]
00:41:50 [knife clatters]
00:42:04 [knife clatters]
00:42:07 [paper rustles]
00:42:15 [papers rustle]
00:42:17 [phone beeps]
00:42:28 Hey, I know you're at work, but I'm just checking in.
00:42:39 Call me, okay?
00:42:41 [phone beeps]
00:42:43 [phone beeps]
00:42:45 Hey, sweetie. I have to get back in a second, but your mom's fine.
00:42:58 Yeah, I've been trying to get a hold of her all night.
00:43:00 Her phone's out of charge.
00:43:02 Okay. Why couldn't she come out?
00:43:05 Well, we have a supervisor with us tonight.
00:43:07 You know we're not supposed to have visitors or phone calls or texts.
00:43:10 Sorry. I was worried.
00:43:12 I was worried I'd run out. You know how she is.
00:43:14 Yeah. Okay.
00:43:16 Sorry. I hope you're not going to get in trouble.
00:43:18 I'll be fine, but I should head back up.
00:43:20 Okay. Could you just tell her that I'm going to pick her up tonight?
00:43:23 No, sweetie. I'll give her a ride.
00:43:25 She wanted me to tell you that, okay?
00:43:27 She wants you to rest. I got to go.
00:43:29 Hey.
00:43:37 What's going on?
00:43:40 I want to show you something.
00:43:42 It's late. I think I should probably not.
00:43:49 It's not even midnight.
00:43:51 You're such an old man.
00:43:54 Come on.
00:43:59 It's number three on my list.
00:44:03 Number three? Really?
00:44:08 Mostly because...
00:44:10 it was the beginning for me, you know?
00:44:14 This one here?
00:44:19 Yep.
00:44:21 And you didn't know anything about it?
00:44:23 Nothing.
00:44:26 I just saw it from over there.
00:44:31 I've probably seen it a thousand times before.
00:44:37 But this one night, I was getting in my car, and I...
00:44:42 looked up and...
00:44:46 saw it.
00:44:50 So I jumped back in my car, drove up here, same spot, and I just...
00:44:57 stared at it for a really long time.
00:45:01 What was it?
00:45:03 Not sure.
00:45:08 It had to have been something.
00:45:12 Well, it was a pretty miserable night.
00:45:29 It was a pretty miserable time in my life.
00:45:33 When you mentioned the whole healing thing, it sort of made me think of that moment.
00:45:41 I don't know if I believe that, you know?
00:45:45 That architecture has the power to heal.
00:45:49 I think that's a fantasy that architects like to tell themselves,
00:45:54 people like my father, people who were invested in architecture, you know?
00:45:59 I wasn't claiming to be healed.
00:46:07 I'm sorry. I wasn't trying to be dismissive.
00:46:14 You were telling me it was a miserable time in your life.
00:46:22 What was going on?
00:46:24 I don't really want to talk about it. I just wanted you to see this building.
00:46:30 Please, tell me.
00:46:33 Can I see?
00:46:37 I need a cigarette.
00:46:39 Cassandra.
00:46:42 [Cassandra's phone rings]
00:46:44 Can you pass me those?
00:47:02 Thank you.
00:47:08 [Cassandra's phone rings]
00:47:10 You know meth is a big thing here.
00:47:17 Meth and modernism.
00:47:20 Meth is big everywhere.
00:47:25 Even in North Korea.
00:47:29 Really?
00:47:31 Yeah.
00:47:33 China, everywhere.
00:47:37 Hmm.
00:47:39 So were you addicted to meth?
00:47:47 No.
00:47:50 Your mother?
00:47:57 Did she do meth?
00:48:00 What?
00:48:04 Sorry.
00:48:06 That just sounds funny.
00:48:09 Funny how?
00:48:11 Your mother? Did she do meth?
00:48:15 What?
00:48:17 You don't hear it?
00:48:18 Hear what?
00:48:19 Your mother? Did she do meth?
00:48:22 What?
00:48:24 Your mother? Did she do meth?
00:48:27 I don't...
00:48:28 Never mind.
00:48:31 So did she?
00:48:33 Did she what?
00:48:35 You know.
00:48:37 No. No, I don't know.
00:48:40 What are you asking?
00:48:42 Did your mother do meth?
00:48:48 God. That was even worse.
00:48:57 So she did meth?
00:49:00 No, she didn't.
00:49:03 But it was just 'cause the shithead guy cheated on her.
00:49:09 That's a real addiction, shitheads.
00:49:12 Sorry.
00:49:17 Yeah. Got really bad after the last shithead.
00:49:24 The worst, really.
00:49:27 When was this? How old were you?
00:49:30 15, 16.
00:49:33 Sorry.
00:49:36 There were nights that my mom just wouldn't come home at all.
00:49:46 I had no clue where she was.
00:49:51 That's when I started coming here.
00:49:54 I found it weirdly comforting.
00:49:57 In the middle of all the mess...
00:50:02 ...in this fucking strip mall, there was this.
00:50:07 This.
00:50:15 I don't know.
00:50:20 I don't know.
00:50:22 I sort of weirdly became obsessed with this building after that.
00:50:34 That's when I discovered Deborah Burke, who designed it.
00:50:39 Then I learned about Sarnan, who she adores, and...
00:50:43 ...just started reading all this stuff.
00:50:46 Suddenly, the place I'd lived my whole life felt different.
00:50:50 Like I'd been transported somewhere else.
00:50:54 God.
00:50:59 My dad would have loved you.
00:51:02 Yeah.
00:51:07 And you don't?
00:51:10 No.
00:51:12 So things got better?
00:51:21 Sort of.
00:51:24 Yeah, I mean, slowly.
00:51:28 It was hard.
00:51:32 It was really hard for a long time.
00:51:37 I was sort of at the bottom before my mom was willing to do anything.
00:51:41 I got ugly.
00:51:43 I just...
00:51:45 I'd rather not talk about it.
00:51:49 I met Deborah Burke last year.
00:52:04 Really?
00:52:06 Yeah, the museum brought her into town to discuss the Miller House.
00:52:11 She was amazing.
00:52:13 Sort of followed her around like a little fangirl.
00:52:16 We actually hung out a few times.
00:52:18 No big deal.
00:52:20 Yeah, she told me I should come out to New Haven.
00:52:25 To Yale?
00:52:27 No.
00:52:29 She thought I could get into the University of New Haven.
00:52:32 She had some connections there.
00:52:35 She also said I could audit some of her classes at Yale.
00:52:39 Maybe even intern at her firm in New York.
00:52:43 Really? You want to become an architect?
00:52:46 I don't think so.
00:52:48 Never really thought about it until she brought it up.
00:52:52 But you'll go, right?
00:52:54 No.
00:52:57 We don't have the resources and...
00:53:02 I really think I should stay with my mom. She's doing really well.
00:53:05 We're happy.
00:53:07 I just think I should stay here.
00:53:12 [wind howling]
00:53:15 [wind howling]
00:53:17 [wind howling]
00:53:45 [bells jingling]
00:53:47 [door opening]
00:53:49 [birds chirping]
00:54:17 [door closing]
00:54:19 [wind howling]
00:54:48 [water running]
00:54:50 [birds chirping]
00:55:06 [wind howling]
00:55:09 [door closing]
00:55:37 [door opening]
00:55:39 [door closing]
00:56:05 [speaking Korean]
00:56:07 [wind howling]
00:56:10 [wind howling]
00:56:12 [speaking Korean]
00:56:16 [speaking Korean]
00:56:31 [speaking Korean]
00:56:36 [wind howling]
00:56:38 [speaking Korean]
00:56:42 [gun cocking]
00:57:04 [gun cocking]
00:57:06 [air hissing]
00:57:21 [footsteps]
00:57:23 [door opening]
00:57:40 [door closing]
00:57:42 [soft music]
00:58:03 [footsteps]
00:58:05 [indistinct chatter]
00:58:24 [soft music]
00:58:26 [door opening]
00:58:41 [soft music]
00:58:43 [soft music]
00:58:45 [gun cocking]
00:59:02 [gun cocking]
00:59:11 [birds chirping]
00:59:13 So he built this 22 years later.
00:59:22 Is the father still alive?
00:59:26 Uh, no.
00:59:29 Or, I don't know.
00:59:32 Um, Aeliel died in...
00:59:34 19. When was it?
00:59:39 Let me... let me check.
00:59:41 No, don't. Don't. Give me a second.
00:59:43 No, stop. Seriously.
00:59:45 Aeliel died in...
00:59:48 19...
00:59:50 1950.
00:59:53 1950. Yeah, so he was...
00:59:55 he was definitely dead.
00:59:57 Yes. 1950. The tour guide nails it.
01:00:00 I don't even know why you wasted your data.
01:00:02 Wasted my data?
01:00:04 Never mind.
01:00:07 Smart phone? Dumb human.
01:00:09 So you never use your phone?
01:00:11 For phone calls. Right.
01:00:13 I have a dumb phone. No internet.
01:00:15 That's not even possible.
01:00:17 What?
01:00:22 I searched plenty of things on the computer.
01:00:26 [chuckles]
01:00:29 Does it make you feel better than everybody else?
01:00:32 Hardly.
01:00:36 [bell tolling]
01:00:38 You'd love Eleanor, by the way.
01:00:51 She was probably a lot like you when she was younger.
01:00:55 Yeah? How so?
01:00:57 You know, an architecture nerd.
01:01:01 Oh. Is that what I am?
01:01:06 Yes.
01:01:08 Really?
01:01:10 Without a doubt.
01:01:14 Hmm.
01:01:17 Go on.
01:01:19 Well...
01:01:22 Eleanor was telling me about my...
01:01:25 dad's latest research.
01:01:27 He was writing something on the, um,
01:01:29 Saronan churches.
01:01:31 Really? Like what?
01:01:34 I'm not sure exactly.
01:01:36 Something about the paradox of...
01:01:38 modernism and religion.
01:01:40 That's interesting.
01:01:45 I suppose.
01:01:48 Are you religious?
01:01:50 No.
01:01:52 I think religions are like monarchies.
01:01:56 There might be a good king here and there,
01:01:59 but the system is...
01:02:01 problematic.
01:02:03 Too easy to exploit.
01:02:05 So you're anti-monarchy?
01:02:09 Yes.
01:02:12 Isn't everyone?
01:02:14 You'd be surprised.
01:02:16 What about your dad? Does he believe in anything?
01:02:22 He believes in...
01:02:24 modernism.
01:02:27 Modernism with a soul.
01:02:31 I like that.
01:02:33 I don't know what it means.
01:02:36 But he used to say it all the time.
01:02:38 Something about an...
01:02:40 alternative possibility.
01:02:43 What are you doing?
01:02:53 Just checking to see if this might be it.
01:02:56 It's not.
01:02:59 What?
01:03:01 Take a look at this. What do you think it is?
01:03:04 These lines?
01:03:06 I don't know. It could be anything.
01:03:14 It sort of looks like a tower, right?
01:03:17 Yeah, I guess.
01:03:20 It's not this.
01:03:22 What's this mean?
01:03:27 It's just...
01:03:29 fragments.
01:03:31 This says, "Much ado about nothing,
01:03:34 with nothing underlined."
01:03:37 What's over here?
01:03:43 With the exclamation point?
01:03:45 That just says, "Yes."
01:03:48 It says,
01:03:50 "Effort plus cost...
01:03:53 to see what is...
01:03:56 invisible and...
01:03:59 always visible."
01:04:02 No.
01:04:04 Omni-visible.
01:04:06 No.
01:04:08 Always visible.
01:04:10 Always visible.
01:04:12 Wow.
01:04:15 I should ask Gabe at work.
01:04:17 He's really into these kind of riddles.
01:04:19 Yes. Yes. What the fuck?
01:04:23 My father was always trying to be so profound.
01:04:26 "Let me just write the name down or draw a better picture."
01:04:30 I didn't think he thought someone was ever going to read this.
01:04:34 He probably knew exactly what he meant.
01:04:36 Still fucking annoying.
01:04:38 Can I ask you something?
01:04:43 Maybe.
01:04:45 Why aren't you at the hospital?
01:04:47 Nothing's changed, you know.
01:04:49 If I were there right now,
01:04:52 it'd be just like the last time I saw him.
01:04:55 I'd just be lying there.
01:04:57 Why should I stare at him all day?
01:04:59 You could talk to him?
01:05:02 If this isn't the movies, nothing's going to happen.
01:05:07 You know, there's been research...
01:05:10 I don't want to talk to him.
01:05:12 We never talked.
01:05:15 He was never interested.
01:05:18 Never interested.
01:05:20 Why should I bother him now?
01:05:23 Do you think he's got a chance to recover?
01:05:35 Even if it's just enough to go back to Seoul?
01:05:39 God.
01:05:48 I hope not.
01:05:50 What?
01:05:53 Truth is, if I were in Korea,
01:06:02 I'd be expected to be there when he died.
01:06:05 And to express sorrow
01:06:09 in the most dramatic fashion.
01:06:15 There's this belief that if you're not there when a family member dies,
01:06:19 and not adequately grieving,
01:06:23 your spirit will roam aimlessly and become a kikri.
01:06:29 A ghost.
01:06:32 Of course, my dad didn't believe in that shit.
01:06:42 But still, he'd be expected of me.
01:06:45 Do you believe in it?
01:06:50 No.
01:06:53 But if you were in Korea, you'd go along with it?
01:06:57 Probably.
01:07:01 So what?
01:07:05 You don't want him to get better?
01:07:08 No.
01:07:10 Maybe not.
01:07:17 That's so sad.
01:07:37 I was right.
01:07:39 Are you just trying to get back at me for talking about your dad?
01:07:43 No. I've been thinking about it since you told me.
01:07:46 What she says makes sense.
01:07:48 Stop. You have no idea.
01:07:50 You're bright. You can do a lot.
01:07:52 You should go to New Haven. Take her up on her offer.
01:07:55 What offer?
01:07:57 What offer? She was being nice, and I blew it up in my head,
01:08:00 and I don't even want to go. I can't.
01:08:04 Your mom wants you to go? Yeah.
01:08:06 She just feels guilty, and she doesn't know what it would mean.
01:08:10 Give your mom some credit, huh?
01:08:13 I can't believe you're lecturing me.
01:08:18 I'm not lecturing you. I'm not lecturing you.
01:08:22 You quit grad school, right?
01:08:27 That is different.
01:08:30 That is completely different.
01:08:34 The reason I'm telling you this, and the reason your mother is telling you this,
01:08:38 is because you are smart and talented. You could do a lot better.
01:08:42 Than what?
01:08:44 Taking care of my mom?
01:08:47 You obviously don't get that, do you?
01:08:50 Because you're here hoping that your dad dies so you don't have to mourn for him.
01:08:54 I'm sorry.
01:08:56 I should go.
01:09:08 [footsteps]
01:09:10 [rain falling]
01:09:24 [thunder]
01:09:26 [birds chirping]
01:09:42 [music]
01:09:50 [footsteps]
01:09:52 [phone notification]
01:10:16 [footsteps]
01:10:41 [TV playing]
01:10:43 Table that mimics the one outside.
01:10:55 Where's the fountain?
01:10:57 Inside.
01:10:59 A statue of Henry Moore's draped, reclining woman used to reside on this plant up here,
01:11:05 but there was an auction one day, and Oprah bought it.
01:11:08 And over here to the right, we have a second century Roman alabaster...
01:11:13 [music]
01:11:15 [footsteps]
01:11:17 [footsteps]
01:11:36 [music]
01:11:38 Can you do the translation work in his room?
01:11:47 I just think you should be there whenever possible.
01:11:50 There are a lot.
01:11:52 It makes a difference, Jim. It does.
01:11:54 [door creaking]
01:11:56 [indistinct chatter]
01:11:59 [indistinct chatter]
01:12:01 I think you'd really like her.
01:12:08 She sounds great.
01:12:10 She's a mini version of you.
01:12:12 I mean, she's not smaller. She's younger.
01:12:16 Oh, I get it.
01:12:19 How old did you say she was?
01:12:22 Um, I don't know. 19, 20.
01:12:27 You like her?
01:12:29 I think she's...
01:12:32 What do you mean? What do you mean?
01:12:37 Do you like her? Like her?
01:12:41 How old are you?
01:12:44 [laughing]
01:12:46 You do, don't you?
01:12:49 You need to pull back on that wine.
01:12:52 God, you love her.
01:12:56 First of all, she's way too young.
01:12:58 Oh, wait. Weren't you 18 when you declared your love to me?
01:13:05 I was 17.
01:13:10 Shut up. I never did that.
01:13:14 Oh, you did.
01:13:17 I didn't.
01:13:19 Maybe you didn't use the word "love," but...
01:13:25 Oh, you're so sweet.
01:13:28 God, I was hoping that never happened.
01:13:34 It did.
01:13:36 I just hoped it was in my imagination.
01:13:42 Eleanor, I want you to know that I think you're...
01:13:53 [sighs]
01:13:55 What did you say?
01:13:59 What was it?
01:14:03 I was admittedly a little naive.
01:14:08 Oh, no, you were sweet.
01:14:10 I always thought you were adorable.
01:14:13 You're just young.
01:14:17 Very serious.
01:14:21 [sighs]
01:14:23 I miss it.
01:14:28 I was 20.
01:14:31 But yes.
01:14:37 Hmm.
01:14:41 I did have an agonizing crush on you.
01:14:45 God.
01:14:48 You were like...
01:14:50 Really just like your dad right now.
01:15:00 [sighs]
01:15:02 No.
01:15:23 Please.
01:15:24 No.
01:15:25 Eleanor.
01:15:26 No, you have to go.
01:15:29 You can't do this.
01:15:31 You have to leave.
01:15:34 You have to leave.
01:15:36 [footsteps]
01:16:05 [knocking]
01:16:07 More glass.
01:16:22 More glass.
01:16:26 Transparency.
01:16:30 Light.
01:16:34 This is number five on my list.
01:16:36 Woo-hoo!
01:16:38 Shh.
01:16:40 Look at the dummy.
01:16:43 Where are you going?
01:16:44 Just give me a second.
01:16:46 Hi, Vanessa, it's Casey.
01:17:00 Sorry to bother you, but I'm just trying to get a hold of my mom again.
01:17:04 I want her to know that I will definitely pick her up in the morning.
01:17:07 Can you tell her that?
01:17:08 Thanks. Bye.
01:17:11 [phone beeps]
01:17:13 [phone beeps]
01:17:40 Are you fucking kidding me?
01:17:43 You okay?
01:17:45 Oh, hi. Sorry.
01:17:57 I was just gonna leave another message.
01:18:07 Yeah. Yes, I forgot that she told me that.
01:18:11 That's why I was calling back.
01:18:13 Okay. Got it. So you'll drive her.
01:18:20 Hey, did my mom's phone die again?
01:18:24 Yeah, that's what I thought. Can I talk to her for a second?
01:18:36 I see.
01:18:38 Okay, well, tell her I said hey.
01:18:41 Okay, thanks.
01:18:46 Everything okay?
01:18:51 Casey, what's the matter?
01:18:56 Do you want to go to a party?
01:19:04 What?
01:19:06 My friend Emma invited me to a party. We could still make it.
01:19:09 No. I don't want to go to a party.
01:19:14 Yeah, you do.
01:19:17 [phone beeps]
01:19:20 [footsteps]
01:19:22 [grunts]
01:19:30 [grunts]
01:19:39 [footsteps]
01:19:41 [grunts]
01:19:52 [footsteps]
01:20:07 [sighs]
01:20:09 [rock music plays]
01:20:15 ♪ Your lips are moving, but I don't hear a sound ♪
01:20:25 ♪ And if you hang up, I'll still see you around ♪
01:20:34 ♪ They see you coming, they don't know you by name ♪
01:20:37 ♪ They see you coming, they don't know you by name ♪
01:20:42 ♪ They see you coming, they don't know you by name ♪
01:20:47 ♪ They see you coming, they don't know you by name ♪
01:20:52 ♪ They see you coming, they don't know you by name ♪
01:20:57 ♪ They see you coming, they don't know you by name ♪
01:21:02 [laughs]
01:21:04 What are you doing?
01:21:12 Oh, nothing.
01:21:23 Did I miss the party?
01:21:28 What party?
01:21:31 Didn't you say we were going to a party?
01:21:33 Oh, right.
01:21:36 No, I wanted to come here instead.
01:21:41 Where are we?
01:21:44 Nowhere!
01:21:47 Wha-- What is this?
01:21:51 This is where I went to school.
01:22:00 It's brutal.
01:22:02 [sighs]
01:22:06 [snorts]
01:22:09 Want to check it out? I know how to get inside.
01:22:18 You do?
01:22:21 What? I think I heard something.
01:22:24 [suspenseful music]
01:22:26 [knocking]
01:22:45 [knocking]
01:22:51 [knocking]
01:22:53 [knocking]
01:22:57 [knocking]
01:23:04 Why aren't you answering your phone? We need to get to the hospital.
01:23:13 What's going on?
01:23:15 I don't know. There's been some complications. We need to go.
01:23:18 Let me get my phone. Hurry up.
01:23:21 What's going on?
01:23:29 Well, hey, um...
01:23:32 I need to go to the hospital.
01:23:35 Is everything okay?
01:23:38 I don't know.
01:23:41 [footsteps]
01:23:43 [water running]
01:24:08 [door creaking]
01:24:10 Cassandra?
01:24:24 Oh, hi. What are you doing here?
01:24:26 Uh, I was just visiting someone.
01:24:28 Here?
01:24:29 Yeah, we have a guest that's giving a talk at the library.
01:24:32 Oh, I heard that you work in there.
01:24:34 I am. I love it.
01:24:36 So how's your mom doing?
01:24:38 She's great.
01:24:39 Good. Good. I heard she's doing much better.
01:24:41 Yeah.
01:24:42 Yeah, and she's still working at the factory?
01:24:44 Yeah, she is. It's part-time. She's almost at 30 hours now.
01:24:47 She's doing some night cleaning too, but it's temporary.
01:24:49 Oh, yeah. That's... I'm so happy to hear that, Cassandra.
01:24:53 And when will you be graduating?
01:24:55 I graduated last year.
01:24:57 That's good. Are you going?
01:24:59 I really better get going. Sorry.
01:25:01 Okay, well, tell your mom hi.
01:25:03 Yeah, I will.
01:25:04 Nice to see you.
01:25:05 Bye.
01:25:07 [door opens]
01:25:09 [door closes]
01:25:11 [eerie music]
01:25:13 [footsteps]
01:25:23 [doorbell rings]
01:25:31 [eerie music]
01:25:33 [dog barking]
01:25:42 [door opens]
01:25:48 Where have you been?
01:25:52 [eerie music]
01:25:54 Cassandra, what's wrong?
01:26:08 [water flowing]
01:26:10 What am I going to do?
01:26:18 What do you mean?
01:26:20 [water flowing]
01:26:22 How long do I stay here and just wait?
01:26:25 As long as it takes.
01:26:29 So I just wait until he dies?
01:26:33 Or recovers.
01:26:37 He's not going to recover.
01:26:47 Whatever happens, you need to wait.
01:26:50 I do?
01:26:54 If he dies, you don't want him to die alone.
01:27:01 I don't?
01:27:02 You don't.
01:27:04 Doesn't seem fair.
01:27:10 He never paused his life for me.
01:27:14 [birds chirping]
01:27:16 I know this is hard.
01:27:21 I'm so sorry.
01:27:24 [birds chirping]
01:27:34 [water flowing]
01:27:42 [eerie music]
01:27:44 So along with the music room, the front parlor was designed for receiving and entertaining guests.
01:28:09 It was also meant to showcase the family's art collection.
01:28:12 The Millers were more serious collectors than any generation before them.
01:28:16 In fact, the art collection that was stored here and at the Miller House sold in auction through Christie's in 2008.
01:28:24 It was the largest collection of Impressionist and Post-Impressionist art ever.
01:28:29 Like you said, it's better than what you thought, though.
01:28:38 But it's a pattern.
01:28:40 This guy's from work. Maybe he's the one.
01:28:43 I doubt that.
01:28:48 Have him at him.
01:28:50 I'm tired of meeting new guys.
01:28:55 Just tired.
01:29:04 Then accept Eleanor's offer.
01:29:07 My mom would be lost without me.
01:29:17 Yeah.
01:29:23 Maybe.
01:29:27 [birds chirping]
01:29:29 Can you pass me one of those?
01:29:39 Yeah.
01:29:41 [paper crinkling]
01:29:44 [paper crinkling]
01:29:46 [grunts]
01:29:57 You want one?
01:30:12 [phone buzzes]
01:30:14 What is this building ranked on your list?
01:30:22 This?
01:30:25 Mm-hmm.
01:30:27 I don't know. Probably...
01:30:33 late teens, twenties.
01:30:36 Hmm.
01:30:41 I think this is what my dad's referring to.
01:30:44 That?
01:30:49 Yes.
01:30:53 Hmm.
01:30:56 If it's not, I'm gonna say that it is.
01:31:03 I'm going to walk along the storage wall and let you take a look.
01:31:08 This table here was designed by Alexander Girard.
01:31:12 The design of it is the same design that he put on the curtains in the children's area.
01:31:17 Hmm.
01:31:18 It's pretty, huh?
01:31:19 Yeah.
01:31:20 And he also picked out all the pillow textiles.
01:31:23 Hmm.
01:31:24 I love this area.
01:31:26 It's bright.
01:31:28 And then there's a fountain that shoots up in the middle of the dining table,
01:31:31 and it sort of mimics the fountain out in the backyard.
01:31:34 Oh, yeah.
01:31:35 Yeah.
01:31:37 [birds chirping]
01:31:40 Jen?
01:31:55 Jen?
01:32:04 [birds chirping]
01:32:30 [car engine starts]
01:32:33 [car engine rumbles]
01:32:44 Can't believe you're leaving.
01:32:54 Me neither.
01:32:59 It'll be good for you.
01:33:01 That's what people keep saying.
01:33:04 It's true.
01:33:06 I should probably go.
01:33:17 Wanna know something?
01:33:21 What?
01:33:25 I don't really smoke.
01:33:29 Shut up.
01:33:31 It's true. I...
01:33:37 I just liked hanging out here with you.
01:33:41 Yeah.
01:33:46 I should probably stop.
01:33:55 [cigar crackles]
01:33:58 I better go. My mom's waiting for me.
01:34:10 Last dinner.
01:34:13 Yeah.
01:34:15 Want me to join you?
01:34:20 [car engine rumbles]
01:34:23 [car engine starts]
01:34:49 [car engine rumbles]
01:34:52 [crickets chirping]
01:35:09 [crickets chirping]
01:35:12 I think that was your best dinner yet, Missy.
01:35:23 So subtle.
01:35:27 That wasn't subtle.
01:35:32 It was good, though. Thank you.
01:35:38 Hmm?
01:35:40 What am I gonna do without your dinners?
01:35:45 Hmm?
01:35:48 Use the microwave.
01:35:50 Oh. That's exactly what I'll be doing.
01:35:54 I made you a list of recipes. Don't forget. Use them, okay?
01:36:02 [sighs]
01:36:04 I really wish that we'd done more things together, you know?
01:36:18 Like taking a trip together or something.
01:36:25 I really can't believe we never did that.
01:36:32 Not even once.
01:36:34 Mom.
01:36:38 You shouldn't.
01:36:42 We were...
01:36:46 absurd.
01:36:48 Oh, God, it must have been so hard to come up with me.
01:36:54 I'm so sorry, Katie.
01:36:58 Mom, no. It wasn't.
01:37:01 I love being with you.
01:37:09 I don't even know why I'm leaving, honestly.
01:37:18 I just want to stay here with you.
01:37:27 [sighs]
01:37:29 Mom.
01:37:41 Mom.
01:37:47 Mom.
01:37:49 Mom.
01:38:00 How's the apartment?
01:38:04 It's not the inn.
01:38:06 [sighs] Well, nothing's the inn.
01:38:08 Is it bearable?
01:38:10 Uh, no complaints.
01:38:12 It's actually nice. I like the neighborhood.
01:38:14 It's a week to week.
01:38:16 Month to month.
01:38:18 That's still good.
01:38:20 [sighs]
01:38:25 [sighs]
01:38:27 [sobs]
01:38:41 [eerie music]
01:39:08 Thanks...
01:39:10 for everything.
01:39:12 Thank you...
01:39:18 for being here.
01:39:20 I hope my mom's gonna be okay.
01:39:25 She's gonna be all right.
01:39:28 She wants this for you.
01:39:33 Katie, she's so proud of you.
01:39:36 I know.
01:39:38 I feel bad leaving you, too.
01:39:44 Gotta keep me posted, okay?
01:39:47 I will.
01:39:49 But you need to stop feeling bad.
01:39:52 Yeah.
01:39:54 So do you.
01:39:56 Maybe.
01:39:59 I think I'm gonna quit smoking.
01:40:04 Yeah? Yeah.
01:40:06 It's probably a good idea. She's not a fan.
01:40:10 You better get going.
01:40:23 I know.
01:40:27 [car engine starts]
01:40:29 [car engine starts]
01:40:42 [car engine stops]
01:40:44 [phone chimes]
01:41:08 [phone chimes]
01:41:10 [phone chimes]
01:41:35 [phone chimes]
01:41:37 [soft music]
01:41:52 ♪ ♪
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01:42:18 ♪ ♪
01:42:21 ♪ ♪
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01:42:27 ♪ ♪
01:42:30 ♪ ♪
01:42:33 ♪ ♪
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01:43:56 [BLANK_AUDIO]