Papá en Apuros Capítulo 26 Completo HD
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🎥
Short filmTranscript
00:00 No, no, no, this isn't right.
00:02 No, no, no, Julieta, don't say that, please.
00:04 Don't tell me these things, it only complicates it more.
00:07 I don't regret anything, you?
00:09 No, no, I don't regret it, but...
00:13 I'm afraid, I'm afraid to get excited about all this.
00:16 We... we are so different, we are like the water and the oil.
00:19 I don't think we are so different.
00:21 What's going to happen?
00:22 And with the kids, with Mrs. Natalia,
00:24 it's not about kissing and acting like nothing's wrong,
00:26 and moving forward.
00:28 Julieta, the only thing I know is that I haven't felt like this in a long time.
00:32 I feel like a teenager in love.
00:35 We are friends because Julieta doesn't want us to be anything else,
00:37 but she knows I want to go back.
00:39 You're lucky, Juli.
00:41 I want to find a love, I want a guy who really loves me,
00:44 and, like, a serious relationship, serious but not very serious.
00:48 Darling, you deserve the best faggot there is.
00:51 Well, the second best, because this little chest is already full.
00:56 I can't, really, I don't want to get excited, I don't want to suffer.
01:00 Don't look at me like that.
01:02 Don't look at me like that.
01:04 I'm not going to let you look at me like that.
01:06 I have to go.
01:09 Really.
01:23 But if things are done, they are done well or not.
01:26 The first thing I'm going to do is finish with Natalia.
01:29 Uncle Martin adores you.
01:34 He's in love with the ranch girl.
01:37 Mom, that's not, that's impossible.
01:40 Uncle Martin wouldn't look at someone like her,
01:42 wearing market clothes.
01:43 But he didn't just do it, I heard him.
01:47 Well, Ramón, you're very impulsive, just like me.
01:50 We have the same problem.
01:51 What happens if you suddenly prepare a romantic, beautiful atmosphere,
01:57 and suddenly, boom, you go out of class?
01:59 You mean a romantic atmosphere, a romantic dinner?
02:04 That.
02:05 Suddenly, with some wines, a very rich meal,
02:09 I go, I put it in my hand, I start, and you do it yourself.
02:14 Luna, since we don't know when the planet is going to end,
02:19 I would like you to come to my house for lunch.
02:22 Yes, of course.
02:24 No, like, I mean, I've known your family for a long time, but,
02:29 but of course, it sounds like a date.
02:32 Fresh, good.
02:33 I want to introduce you to my family as my girlfriend.
02:37 Okay, Julita.
02:42 Lie to me, but not to you.
02:44 Be careful, don't let her keep playing with you.
02:48 Stories like Miss Vicenta's only happen in fairy tales.
02:52 And I'm afraid.
02:54 Because for our thing to work, our story should be a fairy tale.
02:58 Why don't we write our own story?
03:00 Together.
03:01 Without looking at others, just you and me.
03:04 What do you say?
03:06 Do you dare?
03:08 I'm afraid.
03:11 A lot.
03:14 A lot.
03:15 But with you,
03:19 with you I dare everything.
03:22 [Music]
03:48 [Music]
03:58 [Music]
04:08 [Music]
04:18 [Music]
04:28 [Music]
04:36 Luna, now I can't wait for you.
04:38 The boutique lady is personally showing me the clothes of the last season.
04:42 Yes, yes, yes.
04:43 Bye, bye, bye.
04:45 Ma'am, this blouse can't sell for 25 soles.
04:48 It's worn.
04:49 Almost new.
04:50 And it's brand.
04:51 Well, I have ten.
04:53 Fifteen.
04:54 And make sure it's your size because there are no changes.
04:57 And, and this blouse?
05:01 All those are export jumps.
05:04 Brand clothes made here in Peru.
05:07 Only these little garments did not reach their destination because they were lost.
05:11 Ah.
05:14 And this dress is now that it was lost.
05:16 For you, 50 soles.
05:19 Oh, I love it.
05:20 And what other brands do you have?
05:22 Puchicabana.
05:24 Oh, I love it, I love it, I love it.
05:26 Follow me.
05:27 Lately you stop a lot at my house.
05:30 Ah, yes, it's that Luna and I have become super friends.
05:32 Now I am her image advisor.
05:34 Look at everything I bought her.
05:35 Well, come in. I think it's in the kitchen.
05:38 Stephanie.
05:41 What are you doing here?
05:43 Hello.
05:44 Can I come in?
05:45 Yes, yes, of course.
05:47 Actually, I came for something super short.
05:52 What happened?
05:53 I came to leave you this.
05:56 But these are your things, you didn't have to bring them to me.
06:06 I don't want anything from you, Cristobal.
06:08 There is everything ...
06:10 There is everything you gave me.
06:12 You gave me everything.
06:13 And with this everything is over.
06:16 Sorry, but I can't receive this.
06:20 You came here to give it to you.
06:22 I'm not going to go to my house with those things.
06:24 But Stephanie, they are your things, don't do that.
06:26 I'm sorry.
06:28 But it does me good and leaves me calm to know that I have nothing of yours.
06:33 Now yes, we have nothing to do with each other.
06:38 [Music]
06:57 Okay.
06:58 Ready.
07:00 We're going home.
07:02 And this table?
07:04 What's up?
07:05 This table is for you and for Ramón.
07:07 Ramón.
07:08 What happens is that you two have to talk.
07:11 Us?
07:13 To talk, but we can't talk at home.
07:16 What happens?
07:17 No, no, no. Better in a more private place.
07:18 More intimate.
07:19 No?
07:20 I have to go.
07:21 So see you later.
07:22 Yeah, but hey.
07:23 Hey.
07:24 Hey, dog.
07:25 What's going on?
07:26 Well, it seems that we have nothing else to do but sit down and talk.
07:31 Let's talk.
07:32 Excuse me.
07:34 Ramón.
07:36 Come on.
07:37 Well, Vicky, I wanted to tell you that ...
07:50 What's up? What?
07:55 Tell me.
07:56 Oh, but don't put that face on me because you're like sick.
08:00 What do you think?
08:01 Don't scare me, Ramón.
08:02 No, nothing like that.
08:03 It's just that it's a little difficult.
08:05 Already?
08:06 I've been wanting to tell you for a long time that ...
08:08 Oh, Ramón, already, but to the point, son, give it fast.
08:12 Well, I've been wanting to tell you for a long time that ...
08:15 I'm ... I'm very in love.
08:18 Very in love with ...
08:20 How are you?
08:21 Hello.
08:22 Do I interrupt?
08:23 Well, a little bit, because you just got there at the precise moment that Ramón was going to tell me something very important, right?
08:28 Oh, yes.
08:29 What's up, Moncho?
08:31 You were ...
08:32 Hey, don't you have anything sweet?
08:34 Yes, I've been provoked to eat something like that, very sweet.
08:37 Oh, yes, something very sweet has also provoked me.
08:40 Really?
08:41 Yes.
08:42 Are you sure?
08:43 Oh, you know, I think I have some alimé and cochin left.
08:45 Oh, how delicious.
08:46 Oh, I'm going, I'm going for three, yes?
08:47 No, no, no, don't worry about me, Vicky.
08:49 Stay, stay, stay.
08:50 I'm leaving, I have to do it.
08:51 Oh, no, Ramón.
08:52 I'll explain to you later, I'll explain to you later.
08:53 Bye, bye.
08:54 No, but you didn't tell me anything.
08:55 Moncho.
08:56 Bye.
08:57 Moncho.
08:58 Mario Bros' dad gets so heavy.
08:59 What a father, respect, man.
09:00 Listen to me.
09:01 I'm going to tell you something, I'm going to tell you something.
09:04 I'm going to tell you something.
09:05 I'm going to tell you something.
09:06 I'm going to tell you something.
09:07 I'm going to tell you something.
09:08 I'm going to tell you something.
09:09 I'm going to tell you something.
09:10 I'm going to tell you something.
09:11 I'm going to tell you something.
09:12 I'm going to tell you something.
09:13 I'm going to tell you something.
09:14 I'm going to tell you something.
09:15 I'm going to tell you something.
09:16 I'm going to tell you something.
09:17 I'm going to tell you something.
09:18 I'm going to tell you something.
09:19 I'm going to tell you something.
09:20 I'm going to tell you something.
09:21 I'm going to tell you something.
09:22 I'm going to tell you something.
09:23 I'm going to tell you something.
09:24 I'm going to tell you something.
09:30 I'm going to tell you something.
09:31 I'm going to tell you something.
09:32 I'm going to tell you something.
09:33 I'm going to tell you something.
09:34 I'm going to tell you something.
09:35 I'm going to tell you something.
09:36 I'm going to tell you something.
09:37 I'm going to tell you something.
09:38 I'm going to tell you something.
09:39 I'm going to tell you something.
09:40 I'm going to tell you something.
09:41 I'm going to tell you something.
09:42 I'm going to tell you something.
09:43 I'm going to tell you something.
09:44 I'm going to tell you something.
09:45 I'm going to tell you something.
09:46 I'm going to tell you something.
09:47 I'm going to tell you something.
09:48 I'm going to tell you something.
09:49 I'm going to tell you something.
09:50 I'm going to tell you something.
09:51 I'm going to tell you something.
09:52 I'm going to tell you something.
09:53 I'm going to tell you something.
09:54 I'm going to tell you something.
09:55 I'm going to tell you something.
09:56 I'm going to tell you something.
09:57 I'm going to tell you something.
09:58 I'm going to tell you something.
09:59 I'm going to tell you something.
10:00 I'm going to tell you something.
10:01 I'm going to tell you something.
10:02 I'm going to tell you something.
10:03 I'm going to tell you something.
10:04 I'm going to tell you something.
10:05 I'm going to tell you something.
10:06 I'm going to tell you something.
10:07 I'm going to tell you something.
10:08 I'm going to tell you something.
10:09 I'm going to tell you something.
10:10 I'm going to tell you something.
10:11 I'm going to tell you something.
10:12 I'm going to tell you something.
10:14 I'm going to tell you something.
10:15 I'm going to tell you something.
10:16 I'm going to tell you something.
10:17 I'm going to tell you something.
10:18 I'm going to tell you something.
10:19 I'm going to tell you something.
10:20 I'm going to tell you something.
10:21 I'm going to tell you something.
10:22 I'm going to tell you something.
10:23 I'm going to tell you something.
10:24 I'm going to tell you something.
10:25 I'm going to tell you something.
10:26 I'm going to tell you something.
10:27 I'm going to tell you something.
10:28 I'm going to tell you something.
10:29 I'm going to tell you something.
10:30 I'm going to tell you something.
10:31 I'm going to tell you something.
10:32 I'm going to tell you something.
10:33 I'm going to tell you something.
10:34 I'm going to tell you something.
10:35 I'm going to tell you something.
10:37 Do you notice the difference?
10:38 Yes, yes.
10:39 Barbie, one thing.
10:42 Did you have any money left over?
10:46 Now we have to talk about that.
10:49 You owe me.
10:50 What? How?
10:52 Yes, look.
10:53 I forgot to buy the makeup and I had to put it on.
10:55 Besides, those muses I gave you look old,
10:57 but they're actually from a very expensive brand.
10:59 And I lost half of the money.
11:01 Then the handkerchief,
11:02 which makes you look glamorous,
11:04 the perfume.
11:05 It's fine, it's fine.
11:06 But please, please help me with Jonathan.
11:08 I don't want him and his family to think
11:10 that I'm a weird, stupid girl.
11:14 And a useless, patiño girl.
11:16 Oh, I'm a patiño girl.
11:17 Oh, no, Luna.
11:18 Look, stop.
11:19 We're not going to leave here
11:20 until Jonathan doesn't believe
11:21 the girlfriend he has.
11:23 [music]
11:46 We'll be right back with Papá en Apuros.
11:50 Papá en Apuros.
11:51 Coming soon.
11:53 [music]
12:00 Tell me.
12:02 Hi, Jonathan.
12:05 Luna, what have you done to yourself?
12:09 Nothing, I just grabbed the first thing I found in my house
12:12 and I put it on.
12:13 Is that your clothes?
12:15 Yes, I made a change of look.
12:17 Something vintage.
12:18 Do you like it?
12:19 I don't know.
12:21 And where is your family?
12:24 I didn't know everyone was going out.
12:26 Excuse me, please.
12:28 Today I won't be able to introduce you as my girlfriend.
12:30 No.
12:31 Sorry, sorry, sorry.
12:33 I mean, fresh.
12:34 It's like, it's fine, it's okay.
12:36 Maybe we can go out to eat something.
12:38 We, like, some, some snacks.
12:41 No, you know I don't like to snack.
12:44 And you shouldn't drink.
12:45 You're in school.
12:46 Oh, because I repeated, well, silly.
12:48 I'm older.
12:49 But, but, it's going to be super cool.
12:52 I mean, like, let's go.
12:54 Let's go.
12:55 Luna, what's wrong with you?
12:57 Nothing's wrong with me.
12:59 What, what, what are you smoking?
13:00 No, no, no.
13:01 What have you been smoking?
13:02 You're talking very strange.
13:04 It's like you're someone else.
13:06 Excuse me, but you're not the girl I fell in love with.
13:09 [music]
13:13 Stephanie, how could you not control yourself?
13:15 I mean, I understand you.
13:16 I understand that Cristobal says pure nonsense sometimes.
13:19 But I also talk nonsense and that's not why you're going to slap me.
13:22 I didn't lack desire.
13:24 How scary with your aggressiveness, Stephanie.
13:26 Really.
13:27 You have to learn to control yourself, like me.
13:29 I don't know, get a job, take pills, I don't know.
13:31 But if you keep doing this, people are going to hear from you.
13:33 Yeah, yeah, tremendous fresh.
13:34 Surely you kissed my ex because you were pure control.
13:37 No.
13:38 And you got into his bed well controlled.
13:40 Oh, how strong, Stephanie.
13:41 I thought you had asked me here to make the passes, to pass pages.
13:44 No, no, from now on you and I are going to mark distance.
13:47 Total, extreme.
13:48 I can't believe that in the middle of a wave of feminism and sonority,
13:51 you're fighting with me for a man.
13:53 A man you're not even with.
13:55 I don't know if you and I can ever be friends again, Barbara.
13:58 I'm innocent, Stephanie.
13:59 Well, but if you want an approach between the two,
14:03 if you want to regain confidence, I have a condition.
14:06 Which?
14:08 Get away from Cristobal.
14:10 I know you love him and there he is single.
14:13 Stephanie, enough.
14:14 You say it as if it were a predator.
14:16 Besides, I know you and I know that in less than half a day you're going to go back with him.
14:19 No, no, that's over forever.
14:21 But if I tell you that I don't want you to have something with him,
14:24 it's because I don't want to have him close.
14:26 I know that your mom goes out with her dad,
14:28 but I don't want to see him going around in the academy looking for you or kissing you.
14:32 Yeah, Stephanie, I promise you.
14:34 That will never happen.
14:35 But there is a problem.
14:37 Elvis invited me to a party and I wanted us to go together,
14:41 but Cristobal is also going.
14:43 He's alone, that's all.
14:45 Look, let's make a pact.
14:47 And friends.
14:48 You and I are not friends yet.
14:49 Oh, but that pact will help us.
14:51 Look, from now on, neither of you can mess with Cristobal.
14:55 Okay?
14:56 But, but Jonathan, why are you telling me that?
15:04 I, I just wanted to surprise you
15:07 and that you look at me before looking at other prettier and cooler girls.
15:11 No, it's just that you are beautiful, you are beautiful.
15:13 And I don't pretend, I don't want you to dress like this,
15:18 or that you speak weird.
15:21 I like you as you are, speaking normally.
15:25 Calm, like that, I feel comfortable.
15:28 And that doesn't make you a pava.
15:30 And it doesn't matter if you're a little pava,
15:32 because I also have pava things.
15:34 Yeah, but you can be a little pava, but you're cute, you know?
15:38 Instead, I'm pava and I'm ugly.
15:41 No, no, no, no, no, no.
15:43 Don't say that again.
15:45 Listen to me.
15:46 You are the prettiest girl I know.
15:49 Look at that look, those cute little eyes.
15:54 You are the prettiest girl I know, Luna.
15:58 Really?
16:00 Yes.
16:02 But I still want to make a change in my life.
16:06 Because I don't want to be the prettiest girl you know,
16:09 I want to be the prettiest for you and period.
16:12 I'm sure it was for the best that you finish.
16:29 But very insensitive.
16:31 She was very resentful too.
16:32 It was just for you.
16:34 Yes, it was.
16:35 It was, I just want to have a good time.
16:37 Just in case I invited Elvis to have a cool plan,
16:39 he'll be here any minute.
16:40 Hey, are you willing to have a good time tonight?
16:43 Let's see, how is that?
16:45 It seems to me that I'm liking it.
16:47 What do you think of friends with rights?
16:49 I think it's very good.
16:51 [Music]
16:54 [Music]
16:57 Dad, can I talk to you?
17:07 It's about Mr. Martin.
17:09 I don't want to talk about him anymore.
17:10 Dad, please, I'm asking you to listen to me, it's important.
17:13 Okay, I'm listening.
17:14 Look, it was useless for you to tell me to leave that house,
17:18 because I like Mr. Martin and I like him.
17:22 Julieta, don't start, please.
17:24 Dedicate yourself to thank your life and forget about those nonsense.
17:27 I don't want to hear you anymore.
17:28 Dad, I've tried, I've really tried, but I can't.
17:31 But then keep trying until you get it.
17:33 But cut it out.
17:34 No, it's not that easy.
17:36 Look, I don't care if you support me anymore, I'm not going to hide.
17:40 I'm in love with Mr. Martin and I'm in love with me.
17:43 What does that mean?
17:44 Tell me, tell me.
17:45 What are you going to do with all those little birds, all those illusions?
17:49 I look at my daughter and I only see that she is dreaming.
17:52 But the reality is that between you and Mr. Martin there is nothing.
17:56 Yes there is, dad, believe me.
17:58 And we are not going to play it to be together.
18:01 Martin, what a surprise.
18:10 I was just going to call you, it seems that we are connected.
18:13 I came because I have to talk to you, Natalia.
18:15 I also have to talk to you about something very important.
18:18 Who starts?
18:19 You start.
18:21 Yes, come sit down, sit down.
18:23 The first thing I want to tell you is that I am the happiest woman since I have been by your side.
18:30 And that the best is yet to come.
18:33 I come to talk to you about us.
18:35 Everything happens for a reason.
18:37 And I promise you that I will do everything in my power to make it the happiest experience of your life and mine.
18:43 Although I confess to you that I am terrified.
18:46 No, I'm not understanding you.
18:48 It's a gift.
18:50 We are going to be a family.
18:52 Your children, my daughter and our son.
18:56 Sorry?
18:58 Our son?
19:00 What do you mean?
19:02 I'm pregnant.
19:04 Hey, you're having a great time, huh?
19:15 Who?
19:16 I'm going to teach you how to have a good time.
19:18 No, Barbie, no.
19:20 To one side, please.
19:22 What's wrong with her?
19:23 What's up, Barbara?
19:24 Can you leave?
19:25 I need to talk to Cristobal.
19:27 Um...
19:28 Elvis Tango, huh?
19:30 Un gusto.
19:31 Give me a drink of camu camu.
19:32 Yes, come, come, come.
19:33 Can you tell me what's going on?
19:35 You just broke up with Stephanie.
19:37 Why is she kissing you with anyone?
19:39 Let's see, Barbara, I don't need you to defend Stephanie's interests.
19:42 She and I are over.
19:43 I'm not defending Stephanie's interests.
19:46 I'm defending mine.
19:49 What?
19:51 Cristobal, you just broke up with Stephanie.
19:54 Why are you messing with her and not with me?
19:57 I'm the one who's waiting for you.
20:00 Barbara, Barbara, you...
20:03 You're an amazing girl and I like you very much, and you know it.
20:07 But I need you to get this in your head.
20:12 I'm never going to be with you.
20:15 Again with your head in the clouds?
20:21 How can you say something like that?
20:23 You don't believe me, do you?
20:25 You said that the stories didn't exist, but this time you were wrong.
20:28 Wake up, daughter.
20:30 Do you think Mr. Martin is going to leave Miss Natalia to be with you?
20:33 That he's going to take you to his house with Mrs. Emilia and they're going to make you a welcome dinner?
20:37 But what's wrong with you, daughter?
20:39 Look at me, look at me.
20:40 Look at me, Dad.
20:42 I'm in love with Mr. Martin and Mr. Martin is in love with me.
20:47 Daughter, what do you want? Do you want to suffer?
20:52 You know you're the most important thing in my life.
20:54 And I'm not going to let you keep making yourself a living.
20:57 I'm not going to try to convince you.
20:59 But when Mr. Martin calls me, I'm going to tell him to come.
21:09 Natalia, what are you talking about?
21:11 This is a joke, isn't it?
21:13 How is it going to be a joke if a child is the most sacred thing there is?
21:17 I just don't understand how this could happen.
21:20 You clearly told me you were taking care of yourself.
21:23 But of course I am.
21:25 I'm not irresponsible, but when you're a mom you have so many things on your mind
21:29 that I suddenly stopped taking the pill.
21:32 But it's a blessing. We're going to be parents.
21:34 Natalia, I just wanted to tell you that...
21:35 Yes, it's life.
21:36 Sometimes it gives you surprises, but it's a beautiful surprise.
21:39 It's a blessing to be a parent.
21:41 Let's see, let's see. Wait, wait.
21:43 Isn't it a little early to know if you're pregnant?
21:46 I did the test and it came out positive.
21:49 And it's from the modern tests.
21:51 The ones that tell you until the exact time you have.
21:54 Oh, my love.
21:55 What were you going to tell me?
22:05 Sensual.
22:06 A sensual movement.
22:07 Sensual.
22:08 And here comes Azul Azul with this dance that is a bomb.
22:12 To dance this is a bomb.
22:15 To enjoy this is a bomb.
22:17 To dance this is a bomb.
22:20 And women dance like this.
22:22 Like this.
22:23 If I had known that having a girlfriend was so complicated,
22:29 I would have been single.
22:31 Love is never easy, little boy.
22:34 But no one ever told me, mom.
22:37 Then forget that girl and stay with your mom forever.
22:41 Of course, because the woman who will accompany you all your life will be me.
22:45 I know that.
22:46 So, my cadet, you are clear that the most important woman in life is who?
22:51 My holy mother, ma'am.
22:53 That's it, honey.
22:55 Your mom, your mom.
22:59 When you meet a girl, you have to tell her,
23:02 "Mom, I like you, but 95% of my heart belongs to my mom."
23:09 That's it, huh?
23:10 What's wrong, mom?
23:12 Of course, son, you have to have things very clear from the beginning.
23:15 In addition, that girl Luna is the first of many girlfriends you will have.
23:20 And at your age, honey, you have to have a good time.
23:23 Don't make up problems.
23:25 I tell her she's pretty, mom.
23:28 Maybe not for everyone she's pretty,
23:31 but for me, yes.
23:33 And she doesn't understand me when I tell her.
23:35 And she has some very strange changes that I don't like at all.
23:39 I don't know what to do, mom.
23:44 Come here.
23:47 Come here.
23:48 My mom's kiss.
23:55 [Music]
23:58 Ready.
23:59 At home, safe and sound.
24:01 I'm dying of sleep, so I'm leaving.
24:03 No, no, but why don't we talk for a while?
24:07 But about something else that I don't know, Stephanie.
24:10 Because she has me hooked on Stephanie over there, Stephanie over there.
24:13 But low, because my mom is sleeping.
24:17 Why don't we talk tomorrow? I'm dying of sleep.
24:20 Look, the truth is, I was very sorry that you were with a random girl
24:24 instead of being with one who really loves you
24:26 and who knew you were sick of Stephanie.
24:28 Like me.
24:29 I bet that girl you kissed had no idea you were sick.
24:33 Yes, I guess you're right.
24:36 I don't think I've cared about her much.
24:39 See? I know what I'm telling you.
24:41 Look at me.
24:43 I may seem like a superficial girl because I'm a regia,
24:48 the guys die for me, sometimes I feel shy,
24:51 but deep down I'm a very sensitive girl.
24:55 And I know you know that I like you,
24:59 but I also know that you'd be great with a girl like me.
25:03 What do you think?
25:06 Cristobal!
25:09 Guys like you have to be with a fun, happy, smart girl.
25:21 Like me.
25:23 [Music]
25:28 [Music]
25:56 [Music]
26:00 [Music]
26:03 [Music]
26:17 [Music]
26:20 [Message notification]
26:31 I spoke to my dad and told him everything.
26:40 See you tomorrow?
26:42 [Music]
26:45 Can I sleep with you? I feel lonely.
26:54 And does my daughter want to come with us?
26:57 I'm going to ask her.
26:59 Do you want to sleep with your dad?
27:01 Yes.
27:02 Well, my mom and I are a little wet with you.
27:07 But if you want, I'll leave you here high up so you can take care of yourself and you're not afraid.
27:13 Thank you very much.
27:15 There it is.
27:17 I'm just taking care of my doll.
27:23 Perfectly understandable.
27:25 Come here, here, here, here, higher, to hug you.
27:29 [Music]
27:32 Moncho!
27:51 Hey Moncho, you never told me you were in love.
27:55 No, don't worry, it's nonsense without importance.
27:58 What nonsense without importance or what nonsense, man.
28:01 If it's the first time you admit that you like someone after the death of ...
28:04 After Susy's death.
28:06 Susy.
28:07 Now tell me.
28:08 No, it's that ... no, not now.
28:10 Not now, no, no, no, no, no.
28:12 Also, every time I want to tell you, Jorge comes and interrupts everything.
28:15 Yesterday, for example, I was about to tell you and you didn't even tell me.
28:20 Oh well, it's that when Jorge comes, oh, I forget everything.
28:25 The world is paralyzed, but before I get jealous,
28:28 because there will always be a place for you here.
28:31 Don't make me crazy, tell me who it is.
28:33 I know her, I don't know her, she's from around here, she's very pretty, she's a hipster.
28:38 Let's go eat now.
28:40 Oh, they're together.
28:44 They live together, they work together.
28:46 That they are going to return.
28:47 Cut it out, one thing is to live together and be friends, another thing is to return.
28:51 The percentage of couples who give themselves a second chance and get married is 47%, it's pretty high.
28:56 You have all the possibilities of marrying my brother.
28:58 In the end, it's not so bad, I think.
29:00 Hey, how is it not so bad that it happens to you?
29:02 Look, let's see, Julieta, where are you going to get a guy cuter than me?
29:05 Look at him.
29:06 Do you think they're serious? No.
29:08 Mati is made by hand.
29:09 Look, those cat eyes, you look horrible in the mirror.
29:12 I have to meet with the gringa.
29:15 Yes?
29:16 Enjoy and see you later.
29:20 [Music]
29:25 You see, they scared me.
29:27 Next time don't get involved.
29:29 [Music]
29:32 Pass me.
29:33 I'm going to forget what you did.
29:35 No.
29:36 [Music]
29:37 [Knock on door]
29:38 Come in.
29:39 Hi dad.
29:42 Dad.
29:43 And you, what are you doing here?
29:45 We wanted to have breakfast with you.
29:47 Like before?
29:48 Like when my mom was here.
29:49 I even fulfilled some of her needs.
29:50 Everything looks delicious, but I'm going to eat the first bread.
29:54 Me, me, me.
29:55 Dad, me.
29:56 I cut it.
29:57 Dad, we wanted to talk to you about Natalia.
30:01 Yeah?
30:02 What's up with Natalia?
30:03 Well, we've been talking and we've decided that ...
30:07 We accept that she is your girlfriend.
30:10 How?
30:11 I mean, we accept it, but I hope she doesn't come a lot.
30:14 I mean, she can come, she can come to the house, but not so much, dad.
30:18 And please don't ask us to love her.
30:21 Because we are already a complete family and it is difficult to include someone else.
30:26 At least for now.
30:27 Well, well, okay, but ...
30:30 Look, I appreciate you, but I ask you please to try ...
30:35 That little by little, maybe she can feel a little part of the family.
30:39 And, and, and ...
30:40 In love, yes, but outside doors.
30:43 Here inside the house, don't ask us so much, please.
30:47 In this family we are already complete.
30:49 And that's what Cristobal is missing.
30:51 True, speaking of Cristobal, where is he?
30:53 Yesterday I didn't hear him arrive.
30:56 Good morning.
30:58 It's time to have breakfast.
31:01 I prepared a mix, a good one and a juice that I made myself.
31:04 Oh, I fell asleep.
31:06 Yes, we fell asleep, hugged.
31:09 Well guys, I have to go out to buy, so ...
31:12 You are alone, behave well.
31:14 Excuse me.
31:16 I just remember that you were talking to me and then I fell asleep.
31:22 And then I was hugged by your side.
31:24 But nothing else.
31:26 Oh, I bet you it's my mom.
31:28 She probably comes with the excuse that she has something left, but she comes to spy.
31:31 Give me a second.
31:37 Barbara, I have to talk to you.
31:39 No, Natalia pregnant?
31:47 Lower your voice.
31:48 How pregnant?
31:50 Lower your voice.
31:52 I don't want my children to find out about your screams.
31:54 Sorry, sorry, sorry.
31:55 I didn't know you were here.
31:57 Excuse me, but pregnant.
31:59 How about a baquero seminary?
32:01 It was true what was said, where you put your eye, the bullet hits.
32:04 Do you know what this means to me?
32:06 What it means for my family?
32:08 Nothing happens.
32:10 At this point in life, one more child, one less child.
32:12 What's going to happen?
32:14 No, no, it's not about that.
32:16 I had just talked to Julieta to start something serious.
32:18 Uy.
32:20 Uy, there if the thing gets complicated.
32:22 Look, the first thing you have to do is assume your paternity.
32:26 Take care of the creature that is on its way.
32:28 But you don't have to leave Julieta.
32:30 I mean, talk to her, sweeten her a little, paint her face, pretty.
32:34 And that's it, she will understand you.
32:36 It's not serious either, right?
32:38 Yes.
32:40 It shows that you do not waste time.
32:45 Stephanie, don't make a scene of jealousy.
32:47 It's Sunday, love and peace.
32:48 Jealousy? Jealousy?
32:50 Let's see, first you and I are done.
32:52 And second, with Barbara nothing happens.
32:55 If nothing happens, why do you stay to sleep at her house?
32:57 Just to bother me?
32:59 Stephanie, you are not the center of the universe.
33:01 I understand that you imagine things. I'm pretty, I'm regia, I'm full.
33:05 And I understand that you think that Cristobal came to stay with me.
33:07 But this time it is not like that.
33:09 You did not say that Cristobal was the last boy you were going to look at?
33:13 Well, that was before we got so close.
33:17 Are you together?
33:21 Obviously not.
33:23 What an ugly way to flirt.
33:25 And in any case, I can do whatever I want, right?
33:27 Sure, I don't care.
33:29 And you want them to believe you if you just made a tremendous scandal?
33:31 I don't care if you mess with any girl, Cristobal.
33:34 But not with Barbara.
33:36 How heavy.
33:39 She can go with Pedro from here to there,
33:41 but she doesn't give you any chance to be with me.
33:44 I'm leaving too.
33:46 No, but Cristobal, we haven't finished breakfast.
33:49 I'm not hungry anymore.
33:50 Thank you.
33:53 [Music]
33:56 I'm coming.
34:09 Mr. Martin, what a surprise.
34:12 Have you come to invite me out?
34:14 I can't.
34:15 Is Julieta here?
34:16 No, she's not.
34:17 But if you want, you can come in.
34:18 We'll have a drink while you wait.
34:20 Let's see, Mr. Martin.
34:22 What are you doing so often going around here?
34:24 Don't you miss your girlfriend?
34:26 That's not your problem, Matías.
34:27 No, I know.
34:28 Your girlfriend is not my problem.
34:29 But Julieta is.
34:31 It has cost her to be better.
34:33 And you keep breaking her head.
34:35 Look, I don't have to give you explanations.
34:38 Could you tell me where she is, please?
34:40 Why do I have to tell you where Julieta is?
34:42 She's not your friend.
34:43 Call her, right?
34:45 Yes.
34:46 You're right, don't worry.
34:48 I'm not worried.
34:50 I'll take care of that.
34:53 But, dear, the bathroom can't be above the kitchen.
34:55 It'll take up space.
34:56 No, Dad, it won't be above.
34:58 Imagine the kitchen here.
34:59 Then the bathroom comes here.
35:01 Then your room is on this side, my room on that side, and the living room.
35:04 Ah, I understand, of course.
35:05 Do you want us to have a good view everywhere?
35:07 Dad, there's Mr. Martin.
35:09 Julieta.
35:12 How nice you came.
35:13 I was looking for you everywhere because I need to talk to you.
35:16 You didn't answer my calls.
35:17 Yes, the thing is that the lady here is terrible.
35:20 But come, come so you can say hello to my dad.
35:22 Ramón.
35:25 I'm glad you're already cleaning the house.
35:27 There we go, little by little, moving forward.
35:30 Look, we're going to have a little patio here.
35:32 And I want to put flowers here.
35:33 And the flowers I'd like to have are the sunflowers, because it's my favorite flower.
35:37 It'll look great.
35:38 And, Julieta, can we talk for a moment?
35:41 We're looking at the house right now.
35:43 Do you think we can talk later?
35:44 Excuse me, Mr. Martin, can we help you with something else?
35:46 The teachers are waiting for us.
35:49 No, no, I just came to say hello.
35:51 But you can stay if you want, right, dad?
35:53 I think it's not a good time.
35:58 See you later.
35:59 Yes?
36:00 Bye.
36:01 Congratulations.
36:02 Thank you.
36:03 Thank you.
36:04 Dad, look.
36:05 Luna, I can't go to your house right away.
36:08 I'm your image advisor, not your slave.
36:10 Look, I'm going to take some time to go later, okay?
36:13 But right now I'm busy.
36:14 Bye.
36:15 Oh, Barbara!
36:17 I'm so glad to see you.
36:18 Run, run.
36:19 I have something to tell you that will make you happy in the afternoon.
36:22 But you can't tell anyone.
36:24 Oh, how mysterious.
36:26 What happened?
36:27 You have to promise me that you won't tell anyone.
36:29 Yes, I promise.
36:30 I love secrets.
36:31 Soon, very soon, we will be part of the Seminary family.
36:36 Oh, mom, how boring.
36:38 You always tell me that and we end up in the same apartment,
36:41 with the fridge empty and with the cards at zero.
36:43 Everything will change and forever.
36:46 Mom, don't scare me.
36:47 You're going to go again, infiltrated into the Seminary's house.
36:49 You see that doesn't work.
36:50 Barbara, please, focus and look at me.
36:53 You're going to have a little brother.
36:57 What?
37:00 [Music]
37:18 Macho!
37:19 Lili, how are you?
37:21 How are you? How did it go at home?
37:22 Good, good, moving forward little by little.
37:24 Oh, good. Come sit down. I brought you something.
37:26 Thank you.
37:27 [Music]
37:41 Don't get jealous.
37:43 I didn't know the gentleman also liked the soft one less.
37:46 I thought I was the only one here.
37:48 Oh, sure, but you're the jealous one.
37:52 Forget it, you're in another thing.
37:55 I've fallen in love with you.
37:56 Really?
37:57 Yes, I haven't told anyone yet, but you're going to tell.
37:59 Oh, that's fabulous.
38:01 We should meet. Why don't we go out to dinner?
38:04 The four of us.
38:06 I don't think that's a good idea.
38:08 No, no, I think it's an excellent idea.
38:10 Oh, yes, I think it's an excellent idea.
38:12 What do you think if the four of us go out tonight?
38:14 Don't worry, I'm going to talk wonderful things about you.
38:17 Me too.
38:19 [Music]
38:23 Oh, Stephanie, you don't know the big change I'm having in my life.
38:25 I have to tell you.
38:26 I don't care.
38:27 Stop making up things to get attention, Barbara.
38:29 I don't care about your excuses, your inventions, or your lies.
38:32 I'm tired of it.
38:33 But I'm telling you about a big family change I'm having.
38:36 And you keep thinking about the nonsense that Cristobal
38:38 fell asleep at my house.
38:39 You think I'm stupid, don't you?
38:41 I don't believe you, nothing, not you, not Cristobal.
38:43 And frankly, I'm not interested in you or your family matters.
38:46 Well, I'm interested.
38:47 And I believe, Stephanie, that the two of us should stop talking to Cristobal
38:50 because our friendship is going to the point.
38:52 What friendship are you talking about, Barbara?
38:54 Why do you want to be my friend if all you do is sabotage me all the time,
38:57 confront me with everyone, and tear my floor down?
39:00 Oh, but how can you say that to me?
39:02 You and I are best friends.
39:03 With friends like that, why do I want enemies?
39:05 Barbara, you and I are no longer friends.
39:07 We're just classmates and that's it.
39:10 You've been terrible to me.
39:11 So please leave me alone.
39:13 I don't want to see you ever again.
39:15 [Music]
39:36 [Music]
39:47 Can you tell me what's wrong with you, Martin?
39:50 The atmosphere here is terrible and that your girlfriend hasn't even arrived.
39:54 Emilia, could you please leave me alone?
39:58 You feel guilty.
40:00 Have you done something you haven't told me?
40:03 No matter what, you know you can trust me.
40:08 Everything went to hell.
40:11 That's right.
40:12 A lot of dreams, thinking about a different life, and it's all my fault.
40:19 What are you talking about, son?
40:22 Did you break up with Natalia?
40:23 No, no, no.
40:24 That was going to be it.
40:25 I was going to break up with her, but now it's impossible.
40:28 Martin, you're scaring me.
40:31 Emilia, Natalia is pregnant.
40:36 [Music]
40:51 [Music]
41:04 What happened, my queen? Why are you so thoughtful?
41:08 I have personal issues, Don Luis.
41:10 I'm also a woman, family, complications.
41:14 Let's see, let's see.
41:15 There is nothing that cannot be solved with a little breeze, Marlene.
41:19 Let me help you.
41:21 Help me, how?
41:23 Well, accompanying her, showing her the heart of this dock.
41:28 And why not, make that beautiful face smile, sculpted by the Greek gods themselves.
41:35 Oh, Don Luis, what you're telling me.
41:38 Why don't you recognize that the woman you're in love with is Victoria?
41:42 Recognize, recognize.
41:43 Yes, it's her, I recognize it, it's Victoria.
41:46 Happy?
41:47 [Music]
41:50 I'm sorry, Mr. Martin, but this is very important because we are talking about my daughter.
41:55 What she told me about you two wanting to be together, is it true?
41:59 [Music]
42:02 Hi, Jonathan. I thought you weren't coming anymore.
42:05 [Music]
42:07 What do these photos mean?
42:09 [Music]
42:11 They are photos that I took. I look pretty, right?
42:14 [Music]
42:16 What? What's wrong? Don't you like my photos?
42:19 [Music]
42:26 I just wanted you to be proud of us.
42:30 [Music]
42:32 But it seems that nothing I do is worth it for you.
42:35 [Music]
42:36 Bye, Jonathan.
42:38 [Music]
42:42 Well, which of the two are going to explain to me?
42:44 [Music]
42:46 Manuel, have a good reason if you don't want to stay here two weekends locked up.
42:49 [Music]
42:51 Ramón is to blame, sir.
42:53 Ramón?
42:55 [Screams]
43:07 Natalia is pregnant.
43:09 We are going to have a child.
43:11 [Music]
43:15 I don't want any more. I'm full.
43:18 Hey, one last spoon.
43:19 No, I'm full.
43:20 But you didn't eat anything. Eat more.
43:22 I don't want anymore.
43:24 [Silence]
43:29 [Sigh]