Young And Beautiful
Category
📺
TVTranscript
00:00:00 [Music]
00:00:06 [Music]
00:00:12 [Music]
00:00:18 [Music]
00:00:24 [Music]
00:00:30 [Music]
00:00:36 [Music]
00:00:42 [Music]
00:00:48 [Music]
00:00:54 [Music]
00:01:00 [Music]
00:01:06 [Music]
00:01:12 [Music]
00:01:18 [Music]
00:01:24 [Music]
00:01:30 [Music]
00:01:36 [Music]
00:01:42 [Music]
00:01:46 History does repeat itself.
00:01:48 That famous organization of motion picture publicity men, known as the Wampanoag,
00:01:52 again presents the world's 13 most talented girls.
00:01:56 Each year this contest...
00:01:58 Just a moment, folks.
00:02:01 Here comes one of Hollywood's most successful producers, Herman Klein,
00:02:05 president and guiding genius of superba pictures.
00:02:08 Mr. Klein, won't you please tell the folks about them this thing by not attending this banquet?
00:02:12 Indigestion.
00:02:14 [Music]
00:02:17 [Laughter]
00:02:18 Folks, Mr. Klein will have his little joke.
00:02:23 You shouldn't talk like that, Herman. It isn't refined.
00:02:26 Can I help it if I make sense of it?
00:02:28 But millions of people are listening into that microphone.
00:02:31 Why didn't you tell me that?
00:02:33 Oh, good evening, Mrs. Klein.
00:02:37 How do you do, everybody?
00:02:40 If it's a superba picture, it's a...
00:02:44 It's a superba picture.
00:02:46 I am the president, Herman Klein.
00:02:49 I'm much obliged.
00:02:53 Check up on those flowers.
00:02:54 Bunt up and get a cameraman, and after that you...
00:02:56 But, Bob, I only got one pair of feet.
00:02:58 That's all Napoleon had on Caesar or Alexander the Great.
00:03:00 So hop on it. You worry about your feet later.
00:03:02 All right.
00:03:04 Pierre, I want that speaker's table set up right.
00:03:07 Put your soul into this, Pierre. It's a big moment.
00:03:09 We wish you best, sir.
00:03:11 [music]
00:03:16 Jake, keep those newspaper men from falling asleep, will you?
00:03:19 Right.
00:03:21 Burn these over the wires, baby, to Miss June Dale, care of the Walpurgis Hotel.
00:03:24 Will Rogers, Senator Borough, Wallace Beardy, Jimmy Walker, Mary Pittsburgh, Paul Meunier, and Mussolini.
00:03:30 They sure are a nice bunch of telegrams.
00:03:32 They ought to be precious. I wrote them myself.
00:03:38 Come on, come on. Get the letter or you'll lose it.
00:03:40 Gee, boy, she's been running me ragged all day.
00:03:42 Let me take a breather, will you?
00:03:44 Ah, breathe on your day off. Take those music cues with Ted Fiorito.
00:03:47 And Sammy, keep all the girls in the dressing room.
00:03:52 Hey, Preston.
00:03:53 Hey, come here. I want to see you.
00:03:55 Hi, boss.
00:03:58 Hello, Miss Klein. Did you call me, boss?
00:04:00 Sure, boss.
00:04:02 And as I understand it, you're still working for me, ain't it?
00:04:04 Why, certainly. Just because I've been a little busy with the wampus, I don't see why you're busy with the wampus.
00:04:08 You know your desk is already covered over with cobwebs.
00:04:11 Now, what harm can a few cobwebs do?
00:04:13 You let me worry about that, Mr. Klein.
00:04:15 Tomorrow at the crack of dawn, I'll be back at the studio giving my all for Superba.
00:04:18 You know, I got a good mind to fire you.
00:04:20 This time permanently.
00:04:22 Suppose we talk about you for a change, Mrs. Klein.
00:04:25 If I may say so, you're looking exceedingly well, and the bloom of youth still lingers in your cheeks.
00:04:29 Hey, Preston, I pay you to soft-soak the public, not my wife.
00:04:33 Carmen, don't aggravate yourself.
00:04:35 Remember your acidosis.
00:04:37 A true old word was never spoken, Mrs. Klein.
00:04:40 There's nothing like aggravation to encourage acidosis.
00:04:43 Tickets, please.
00:04:49 When you get an eyeful of these wampus baby stars, I'll guarantee your mind won't be on your stomach.
00:04:55 I must join the gentlemen of the press.
00:04:57 I want to make sure they give Superba Films a plug into Morris Paper.
00:05:01 Good.
00:05:02 Remember, Mr. Klein, the interests of Superba Pictures are always closest to my heart.
00:05:07 I go to sleep figuring out new ideas to glorify our product.
00:05:11 I wake up in the morning figuring out new ways to spread the name of Superba over the world.
00:05:16 Morning, noon, and night at Superba.
00:05:18 Pictures, please.
00:05:19 So?
00:05:20 I'm getting sick of these banquets.
00:05:26 Ah, gentlemen!
00:05:27 Hello, loudspeaker.
00:05:28 Well, what's new at that mecca of the arts, Superba Pictures?
00:05:31 Oh, why bother me about that, Tensai Patrick.
00:05:33 But there's the girl here tonight that's the biggest thing since Garbo.
00:05:36 Get a load of her. Her name is June Dale.
00:05:38 And take a tip from me, Uncle Abner.
00:05:40 Keep your eyes on June Dale tonight.
00:05:42 Never heard of her.
00:05:43 Ah, but you will.
00:05:44 Boss!
00:05:45 Boss!
00:05:46 Boss, one of the girls hasn't shown up yet.
00:05:48 We think something's happened to her.
00:05:50 Which one is it?
00:05:51 I forgot to ask.
00:05:54 Don't forget to remind me to punch you in the nose.
00:05:56 All right.
00:06:00 Two to one, the dizzy dame went to the wrong hotel.
00:06:03 Mr. Pratt, there's one of my specialty numbers.
00:06:15 All right, say this.
00:06:18 Who hasn't shown up?
00:06:19 June Dale.
00:06:20 June? Where's Catherine?
00:06:21 Here I am.
00:06:22 Did you call her house?
00:06:23 No, she left before I did, right after she got her note.
00:06:26 My note? I didn't send any note.
00:06:27 Maybe something's happened to her.
00:06:29 She's been kidnapped.
00:06:30 Kidnapped? Let me get out of here.
00:06:32 Did you see the note?
00:06:34 No, but she said it was from Bob.
00:06:36 What's her address?
00:06:37 One, one thirty-eight.
00:06:39 June Dale's disappeared.
00:06:41 No, it shouldn't be.
00:06:42 June Dale's disappeared.
00:06:45 Get the police. June Dale's been kidnapped.
00:06:48 Who's been kidnapped?
00:06:50 June Dale, yes.
00:06:51 Disappeared.
00:06:58 White satin gowns.
00:06:59 Ladies and gentlemen, sorry to interrupt,
00:07:01 but Miss June Dale, popular Wampus Baby star, has disappeared.
00:07:04 If there's any hint you can give the police from our city-wide search,
00:07:06 it would be greatly appreciated.
00:07:08 Look, June.
00:07:10 June Dale.
00:07:11 Where have you been?
00:07:13 Oh, it was frightful.
00:07:14 Two men jumped into my car.
00:07:16 I screamed and I bought them, but they hit me.
00:07:20 What did they look like?
00:07:21 Oh, I don't remember.
00:07:23 It was so dark.
00:07:24 I was so confused.
00:07:27 I'll leave her alone. Can't you see she's upset?
00:07:29 June, June.
00:07:32 Miss Dale has faded.
00:07:33 There's a way.
00:07:35 There's a way, folks.
00:07:36 There's a way.
00:07:38 Come on, there's a way.
00:07:39 Sorry, we'll have to get out of the way then.
00:07:41 What a story.
00:07:44 Do you have any idea who they were?
00:07:48 Have a drink.
00:07:49 Give her a chance.
00:07:50 Get everybody out of here.
00:07:51 Yeah, get out of here.
00:07:52 Get out of here.
00:07:53 Get out of here.
00:07:54 Get out.
00:07:55 Get out.
00:07:56 You too.
00:08:00 Me?
00:08:01 Yes, you.
00:08:02 How was I?
00:08:05 You were terrific.
00:08:06 This is front page stuff, June.
00:08:11 You'll have your pretty face in every paper.
00:08:13 You'll be in the newsreel with the president, Max Bear and Amy.
00:08:16 Oh, I was scared stiff all through.
00:08:18 You gave a marvelous performance.
00:08:19 Bernhard couldn't have done better.
00:08:23 Do I have to keep on with these crazy publicities, Dunn?
00:08:26 Of course.
00:08:28 It's part of the movie merry-go-round.
00:08:30 Stars aren't born, they're made.
00:08:32 And it's headlines that make them.
00:08:33 You can do anything with a headline.
00:08:35 Oh, I'm not underrating you, June.
00:08:37 You're a great little trooper.
00:08:39 All you need is a break and your name will be on every marquee from Maine to California.
00:08:44 You make it sound so easy, but I'm kind of worried.
00:08:49 You let me do the worrying, will you?
00:08:51 How about turning on a little of that sunshine personality?
00:08:54 You're a little bit tired, aren't you, sweetie?
00:08:57 No, I'll be all right, dear.
00:08:59 You need a little stimulant?
00:09:00 Mmm, mmm.
00:09:07 How's about a little chaser?
00:09:09 No time to get tanked up.
00:09:11 You have work to do.
00:09:12 Come on.
00:09:13 You girls go on a few minutes and remember, you don't know what happened.
00:09:16 Oh, but June, I don't see how you can go ahead with all this now.
00:09:20 Aren't you too upset?
00:09:22 No, I feel all right.
00:09:23 No, I feel all right, Catherine.
00:09:24 I wish I did.
00:09:27 Oh, darling, don't do that.
00:09:29 You'll spoil your makeup.
00:09:30 I can't help it.
00:09:32 It's like, like I'd live my whole life for this one night.
00:09:37 There's nothing to be afraid of.
00:09:39 What if I didn't make good?
00:09:43 Oh, don't be silly.
00:09:45 That hit town?
00:09:47 Certainly not.
00:09:48 I was Miss Portland, Oregon.
00:09:50 Oh, Portland.
00:09:51 Keep away from doorknobs, Fanny.
00:09:53 How about it, Wampus, is it ready to go?
00:09:55 Yes.
00:09:56 Now gather around, poppies, some business to tell you.
00:09:58 Come on, hurry up.
00:09:59 Get around.
00:10:00 Now listen, girls, face this in your turban.
00:10:03 You're starting up that rickety ladder to success.
00:10:06 As Wampus stars, you're halfway there already.
00:10:09 But how far you'll get is up to nobody but your own sweet selves.
00:10:13 Now go down there tonight and start those producers thinking about contracts.
00:10:16 You're on your way.
00:10:18 In just a minute, you'll be hearing Ted Fiorito say--
00:10:21 This is Ted Fiorito speaking from the banquet
00:10:24 given in honor of the Wampus Baby Stars.
00:10:27 Hello, Laurie.
00:10:39 Ah, old man money-banking stuff.
00:10:41 Where'd you park your polo for?
00:10:42 Here, glad to see you.
00:10:43 How are you, Bob?
00:10:44 Miss Baton, Mr.--
00:10:46 Mr. Preston.
00:10:47 The repressible good list surrounded by beauty.
00:10:49 Well, what do you think of this year's Wampus elections?
00:10:52 I'll make it simple.
00:10:53 Well, look, conservatively speaking,
00:10:55 these 12 girls handing compounds are the loveliest,
00:10:58 the most gorgeous bunch of kids you've ever seen.
00:11:01 Mr. Preston is a publicity man, and he never makes an understatement.
00:11:04 Why 12 girls?
00:11:05 I thought there were 13.
00:11:06 Ah, the 13th super extra special colossal.
00:11:10 That's one of Bob's mild recommendations.
00:11:12 The name, June Dale.
00:11:14 Goodbye.
00:11:15 Goodbye.
00:11:16 Shall I make a note of that, Gordon?
00:11:18 It won't be necessary.
00:11:19 I'll remember it.
00:11:20 June Dale.
00:11:21 Sit down, Sammy.
00:11:26 No.
00:11:27 Yes.
00:11:29 Well, boss, how are you enjoying our little affair?
00:11:33 I know that came straight from the heart.
00:11:40 Ladies and gentlemen, I'm here in the guise of a fortune teller.
00:11:45 I see 13 girls.
00:11:48 I predict a marvelous, glorious future for them all.
00:11:51 And after Don Raymond sings you a song especially written for this occasion,
00:11:55 I shall interrupt from time to time.
00:11:57 Take it, maestro.
00:12:09 In my memory, I see a garden, a moonless garden, and the one I love.
00:12:23 How I love to paint this pretty picture.
00:12:28 Oh, you're the one, dear, that I'm dreaming of.
00:12:38 A pretty girl, a lovely evening, two dreamy eyes like stars above.
00:12:53 Two loving arms beyond conceiving, two willing lips that crave for love.
00:13:07 Just try to picture this pretty picture, a world of romance so full of bliss.
00:13:21 A pretty girl, a lovely evening, what could be sweeter, as sweet as this?
00:13:36 Miss Jean Carman, Oregon's answer to the beauty problem.
00:13:39 Wait until you see June Dale, boss.
00:13:41 The way I feel, I ought to see a doctor.
00:13:43 Miss Judith Arlen, the homemade star from Hollywood.
00:13:51 Miss Dorothy Drake, Samoa, California sunshine.
00:13:54 Miss June Dale, as fresh and fair as the day in June.
00:14:01 That was a mild recommendation.
00:14:13 Miss Lucia Lund, as radiant as a flower from the hills of Washington.
00:14:20 Miss Leoma Judge, society's contribution to the art.
00:14:23 Miss Betty Bryson, another California flower.
00:14:29 Miss Ann Hubby, of the Indiana hubby.
00:14:37 Miss Jean Gale, San Francisco's glory in the Golden State.
00:14:46 Miss Jean Gale, San Francisco's glory in the Golden Gate and Jean.
00:14:50 Miss Hazel Hayes, golden voice, beauty from Paris.
00:14:54 Miss Kansas.
00:14:56 Miss Leona Keith, fresh breeze from Indianapolis.
00:15:01 Miss Catherine Williams, a budding star from Seattle.
00:15:07 Miss Luann Meredith, the southern peach from Dallas, Texas.
00:15:13 [applause]
00:15:16 [music]
00:15:20 [music]
00:15:23 [music]
00:15:26 [music]
00:15:29 [music]
00:15:32 [music]
00:15:35 [music]
00:15:46 [music]
00:15:52 [music]
00:15:55 [music]
00:16:01 [music]
00:16:05 [music]
00:16:09 One of them looks like our Hilda.
00:16:12 Where?
00:16:14 [singing]
00:16:19 [singing]
00:16:22 [singing]
00:16:26 [singing]
00:16:30 [singing]
00:16:34 [singing]
00:16:38 [singing]
00:16:42 [singing]
00:16:47 I may not go until after June.
00:16:49 [singing]
00:16:53 [singing]
00:16:57 You signed them all, they thought I spoke a genius.
00:17:00 Ah, you mean a stroke of ababletics.
00:17:03 [singing]
00:17:07 [singing]
00:17:11 [singing]
00:17:16 [singing]
00:17:19 [singing]
00:17:23 [singing]
00:17:27 [singing]
00:17:31 [singing]
00:17:35 [singing]
00:17:39 [singing]
00:17:44 [singing]
00:17:47 [singing]
00:17:51 [singing]
00:17:55 [singing]
00:17:59 [singing]
00:18:03 [singing]
00:18:07 [singing]
00:18:12 [singing]
00:18:15 [singing]
00:18:19 [singing]
00:18:23 [singing]
00:18:27 [singing]
00:18:31 [singing]
00:18:35 [singing]
00:18:40 [singing]
00:18:43 [singing]
00:18:47 [singing]
00:18:51 [singing]
00:18:55 [singing]
00:18:59 [singing]
00:19:03 [singing]
00:19:08 [singing]
00:19:11 [singing]
00:19:15 [singing]
00:19:19 [singing]
00:19:23 [singing]
00:19:27 [singing]
00:19:31 [singing]
00:19:36 [singing]
00:19:39 [singing]
00:19:43 [singing]
00:19:47 [singing]
00:19:51 [singing]
00:19:55 [singing]
00:19:59 [singing]
00:20:04 [singing]
00:20:07 [singing]
00:20:11 [singing]
00:20:15 [singing]
00:20:19 [singing]
00:20:23 [singing]
00:20:27 [singing]
00:20:32 [singing]
00:20:35 [singing]
00:20:39 [singing]
00:20:43 [singing]
00:20:47 [singing]
00:20:51 [singing]
00:20:55 [singing]
00:21:00 [singing]
00:21:03 [singing]
00:21:07 [singing]
00:21:11 [singing]
00:21:15 [singing]
00:21:19 [singing]
00:21:23 [singing]
00:21:28 [singing]
00:21:31 [singing]
00:21:35 [singing]
00:21:39 [singing]
00:21:43 [singing]
00:21:47 [singing]
00:21:51 [singing]
00:21:56 [singing]
00:21:59 [singing]
00:22:03 [singing]
00:22:07 [singing]
00:22:11 [singing]
00:22:15 [singing]
00:22:19 [singing]
00:22:24 [singing]
00:22:27 [singing]
00:22:31 [singing]
00:22:35 [singing]
00:22:39 [singing]
00:22:43 [singing]
00:22:47 [singing]
00:22:52 [singing]
00:22:55 [singing]
00:22:59 [singing]
00:23:03 [singing]
00:23:07 [singing]
00:23:11 [singing]
00:23:15 [singing]
00:23:20 [singing]
00:23:23 [singing]
00:23:27 [singing]
00:23:31 [singing]
00:23:35 [singing]
00:23:39 [singing]
00:23:43 [singing]
00:23:48 [singing]
00:23:51 [singing]
00:23:55 [singing]
00:23:59 [singing]
00:24:03 [singing]
00:24:07 [singing]
00:24:11 [singing]
00:24:16 [singing]
00:24:19 [singing]
00:24:23 [singing]
00:24:27 [singing]
00:24:31 [singing]
00:24:35 [singing]
00:24:39 [singing]
00:24:44 [singing]
00:24:47 [singing]
00:24:51 [singing]
00:24:55 [singing]
00:24:59 [singing]
00:25:03 [singing]
00:25:07 [singing]
00:25:12 [singing]
00:25:15 [singing]
00:25:19 [singing]
00:25:23 [singing]
00:25:27 [singing]
00:25:31 [singing]
00:25:35 [singing]
00:25:40 [singing]
00:25:43 [singing]
00:25:47 [singing]
00:25:51 [singing]
00:25:55 [singing]
00:25:59 [singing]
00:26:03 [singing]
00:26:08 [singing]
00:26:11 [singing]
00:26:15 [singing]
00:26:19 [singing]
00:26:23 [singing]
00:26:27 [singing]
00:26:31 [singing]
00:26:36 [singing]
00:26:39 [singing]
00:26:43 [singing]
00:26:47 [singing]
00:26:51 [singing]
00:26:55 [singing]
00:26:59 [singing]
00:27:04 [singing]
00:27:07 [singing]
00:27:11 [singing]
00:27:15 [singing]
00:27:19 [singing]
00:27:23 [singing]
00:27:27 [singing]
00:27:32 [singing]
00:27:35 [singing]
00:27:39 [singing]
00:27:43 [singing]
00:27:47 [singing]
00:27:51 [singing]
00:27:55 [singing]
00:28:00 [singing]
00:28:03 [singing]
00:28:07 [singing]
00:28:11 [singing]
00:28:15 [singing]
00:28:19 [singing]
00:28:23 [singing]
00:28:28 [singing]
00:28:31 [singing]
00:28:35 [singing]
00:28:39 [singing]
00:28:43 [singing]
00:28:47 [singing]
00:28:51 [singing]
00:28:56 [singing]
00:28:59 [singing]
00:29:03 [singing]
00:29:07 [singing]
00:29:11 [singing]
00:29:15 [singing]
00:29:19 [singing]
00:29:24 [singing]
00:29:27 [singing]
00:29:31 [singing]
00:29:35 [singing]
00:29:39 [singing]
00:29:43 [singing]
00:29:47 [singing]
00:29:52 [singing]
00:29:55 [singing]
00:29:59 [singing]
00:30:03 [singing]
00:30:07 [singing]
00:30:11 [singing]
00:30:15 [singing]
00:30:20 [singing]
00:30:23 [singing]
00:30:27 [singing]
00:30:31 [singing]
00:30:35 [singing]
00:30:39 [singing]
00:30:43 [singing]
00:30:48 [scream]
00:30:50 [music]
00:30:54 Oh, Catherine!
00:30:57 [music]
00:31:01 Local girl gets break in Hollywood.
00:31:09 There it is, Hollywood.
00:31:11 We've got to get out of here, Bob.
00:31:15 Away from all this.
00:31:17 Okay, honey.
00:31:19 Tomorrow we'll drive to Yuma and get married.
00:31:21 Then it's just Mr. and Mrs. Preston against the whole cockeyed world.
00:31:26 I won't be afraid.
00:31:28 As long as we're together, I don't care what happens.
00:31:31 Beginning right now, it's just us.
00:31:33 The army with banners.
00:31:36 Don't forget that.
00:31:39 I won't.
00:31:40 In the morning we'll clear our stuff out of that cheap studio,
00:31:44 and then it's just you and me.
00:31:47 On the open road.
00:31:49 Come in.
00:31:59 Oh, hello, Dick.
00:32:01 Is, um, is this on the level?
00:32:09 As level as a ruler.
00:32:10 But you've been fired before and you never left.
00:32:13 I worked plenty hard for that time in Le Green.
00:32:15 All I ever got was abuse.
00:32:16 What you could use is a good stiff drink.
00:32:18 Yeah.
00:32:19 Why, if it wasn't for me, his junk would still be playing in the sticks.
00:32:22 I'd built up all the talent he's got.
00:32:24 I'll come back Wednesday when you give this with slides.
00:32:27 You'll never get this act again at these prices.
00:32:29 Talk about an act!
00:32:31 You ought to get a load of yourself reading the riot act to his nibs.
00:32:34 What do you mean?
00:32:35 Well, when the fireworks broke loose yesterday, they kept the cameras running.
00:32:39 And your pay off the client came through like a second act climax.
00:32:43 Well, let me get a look at that, Horatio.
00:32:45 I want to hear myself telling that old hyena where he gets off.
00:32:51 Come on.
00:32:52 See how you feel now, huh?
00:32:58 I feel high.
00:32:59 Oh, boy, is that something.
00:33:01 Listen, Dick, has Client seen those russies yet?
00:33:04 If he ever takes a squint at that, all our heads are dropping the basket.
00:33:08 Penises.
00:33:09 Where are you taking that film?
00:33:10 Sure, and I'm burning it up.
00:33:11 I have a wife and six kids.
00:33:13 I'll get you a job for life if you run that the next time the client comes to the projection room.
00:33:17 I can get you set tomorrow with Hofstangle for twice the dough.
00:33:20 Well, I don't know.
00:33:22 Here's the cash bonus.
00:33:24 My lad, I'm beginning to think there's something stirring in that dynamic brain of yours.
00:33:33 That's the file O'Vance sent you.
00:33:35 Come, my lad.
00:33:36 Hello, Mr. Client.
00:33:38 Sure, this is Hanishus speaking from projection room number eight.
00:33:41 Mike, why do you bother me in the middle of the day?
00:33:44 The director didn't show up, Mr. Client, so I'll be wanting an okay on the scenes we took yesterday.
00:33:49 Also, does a black face act, my horny child?
00:33:52 Sure, right away, Mr. Client. Thank you.
00:33:55 Come on, Dick, let's go.
00:33:57 I want to get a peek at that old button while the show goes on.
00:34:00 If I don't get a job soon, I won't have any shoes left.
00:34:05 Can you imagine me looking for work in my bare feet?
00:34:08 Your bare feet again?
00:34:10 I went to the world yesterday.
00:34:12 Well, I guess there's some stuff following that you ought to see.
00:34:16 Pancakes, this is not Kansas. This ain't a night in school. Get out!
00:34:20 Outside! Go on, outside!
00:34:23 You're both part of it.
00:34:27 You part of it.
00:34:28 You don't give anyone a chance.
00:34:31 Standing there, criticizing and ridiculing.
00:34:33 All of you looking on and daring someone to make good.
00:34:37 Meowing, laughing behind our backs.
00:34:40 There's nothing decent or human about any of you.
00:34:43 Stop it! Stop it!
00:34:45 It's wonderful.
00:34:47 It's magnificent. She's terrific.
00:34:50 By chimney, I've discovered another half-bird.
00:34:53 He couldn't discover a horn in his pants.
00:34:56 She's got everything. Voice, fire.
00:34:58 I've never seen such an acting.
00:35:00 Get me Bob Preston, quick.
00:35:02 He's been fired.
00:35:03 Fired? Who fired him?
00:35:05 Never mind. Where is he now?
00:35:07 He's in his office, packing.
00:35:09 Packing?
00:35:10 Hello, Bob.
00:35:21 You going for a little weekend trip somewhere?
00:35:24 I have my pride. You find me for the last time, Mr. Klein.
00:35:27 I fired you before for the last time.
00:35:30 Bob, you take everything so serious.
00:35:33 You got to remember, you know, sometimes I'm a little...
00:35:36 What do you call it? Eccentric.
00:35:38 There's another name for being eccentric.
00:35:40 And to put people like that in a bug house.
00:35:42 You will have your little joke.
00:35:45 You can always make me laugh.
00:35:47 You know, yesterday, I guess I was a little angry.
00:35:53 You know, all day my stomach was growling.
00:35:55 But that made me cross.
00:35:58 Well, I want to apologize to you.
00:36:02 Because I want to make it up to you.
00:36:04 Tell you what I do.
00:36:05 You send for that...
00:36:07 What's that girl's friend of yours name?
00:36:09 Who are you talking about?
00:36:11 June Dale.
00:36:12 You send for June Dale.
00:36:14 And to show you my heart's in the right place,
00:36:17 I sign her up for a long contract at $150 a week.
00:36:22 $150 a week.
00:36:25 I say at $175 a week.
00:36:31 Didn't you hear me say something?
00:36:37 I heard you say something, but it wasn't enough.
00:36:39 $200.
00:36:41 There's no use wasting time.
00:36:42 Hoffstang is no pike.
00:36:43 He'll pay real money.
00:36:44 Hoffstang?
00:36:46 You spit your attitude.
00:36:47 You're selling me out to my worst competition.
00:36:50 You're the producers in town.
00:36:51 You've got to pick Hoffstang.
00:36:54 Bob, I didn't thought you'd do such a thing like that to me.
00:36:58 Listen, Bob.
00:37:02 Let's be reasonable.
00:37:04 How do you spell reasonable?
00:37:06 How do you spell reasonable?
00:37:08 Oh, right.
00:37:10 T-H-R-W-H-U-N-D-R-E-D.
00:37:14 The wrong spelling.
00:37:17 Sit.
00:37:19 Now, listen, Bob.
00:37:23 We're old friends.
00:37:25 Let's sit down and talk it over.
00:37:28 Here you are, Bob.
00:37:30 Have a perfecto.
00:37:34 Now...
00:37:43 Try them tears, gal.
00:37:45 The old homestead saved.
00:37:46 I got the papers.
00:37:48 You're now a contract player with featured billings for superb pictures at 500 smathers per week.
00:37:53 Bob!
00:37:54 Here it is in black and white, sealed with the Empress crest.
00:37:57 Now, watch out, smoke baby.
00:37:58 A new star flashes across the heavens.
00:38:00 June Dale.
00:38:03 Bob, all this is very wonderful, but...
00:38:06 What's that dark cloud on your unfair brow?
00:38:09 Well, how about you, and you and me, and the open room?
00:38:15 That'll have to wait a little while, my sweet.
00:38:19 Now, relax, darling, and close those bright eyes of yours.
00:38:23 Come on, close them.
00:38:26 Now, open your eyes and say, "Oh, Bob!"
00:38:31 Oh!
00:38:32 Is it pretty?
00:38:33 Oh, lovely.
00:38:35 That's to show you I really mean business.
00:38:39 You'll have to work hard.
00:38:50 I won't mind, as long as we're together.
00:38:54 But I'll turn on that fertile Preston imagination, and before I'm finished,
00:38:57 they'll be naming streets after you.
00:38:59 Lipsticks, powder, and even a good bicycle.
00:39:02 Let's get going, baby.
00:39:05 I want a crack that night edition.
00:39:08 [music playing]
00:39:11 [music playing]
00:39:14 [music playing]
00:39:17 [music playing]
00:39:20 [music playing]
00:39:23 [music playing]
00:39:26 [music playing]
00:39:29 [music playing]
00:39:33 [music playing]
00:39:59 Hold it, Miss Dale.
00:40:01 Thanks.
00:40:02 This is heavy-hoarding for the housewives, honey.
00:40:04 Now we'll get just one more, dropping the--
00:40:06 Oh, Bob, I'm so tired.
00:40:09 All right, buddy, wrap it up.
00:40:11 OK, Bob.
00:40:14 You tire out awfully fast lately, whenever I want to put over a publicity stunt.
00:40:18 Well, it's not just that, Bob.
00:40:20 But if you'd look in your memo book, you'd see that we had a date this afternoon to go to the beach.
00:40:25 Sure, I know, but--
00:40:26 Oh, darling, we'll have such fun.
00:40:28 We'll buy some weenies and find a quiet spot, light a fire, and--
00:40:32 Bob!
00:40:33 Bob!
00:40:34 Say, what's the matter that you're here yet?
00:40:36 You're going to be at the airport at 2 o'clock.
00:40:38 We were just about to barge out.
00:40:40 Mr. Kline, what was that you said about an airport?
00:40:44 Didn't he tell you?
00:40:46 Why, Henry Brion arrives, the new French star, bigger than Chevalier.
00:40:50 Relax, Mr. Kline.
00:40:51 We'll be there on time.
00:40:52 Well, never mind the poetry.
00:40:54 You get down to the airport.
00:40:55 You had no intentions of taking me to the beach this afternoon, and you know it.
00:40:59 But this is big, June.
00:41:00 Every foreign paper will have it.
00:41:01 Come on, honey, now.
00:41:02 Come on.
00:41:03 Don't get nervous.
00:41:04 All right, Mr. Preston.
00:41:06 Let's go, June.
00:41:07 Don't move.
00:41:20 Hold it right where you are.
00:41:22 All right, June.
00:41:24 I extend you the greeting of the superb picture.
00:41:26 We want you to feel that you have come to France.
00:41:28 We'll do everything to make your stay with us both enjoyable and memorable.
00:41:32 Welcome to Hollywood.
00:41:34 Praise!
00:41:36 Praise!
00:41:38 Praise!
00:41:40 My dear, thank you.
00:41:41 You are my first impression of Hollywood, and I like it very much.
00:41:47 Praise!
00:41:51 Praise!
00:41:53 Praise!
00:41:55 And then you go to the Friday morning breakfast club.
00:41:57 That's at 8 o'clock in the morning.
00:41:59 8 o'clock, my dear?
00:42:00 I do not know such an hour.
00:42:02 You get to know it very well.
00:42:05 OK, let's take it.
00:42:06 All right.
00:42:07 Deal?
00:42:08 Now, on Tuesday, you go to the Pacific Golf Championship Tournament.
00:42:12 But I do not play golf.
00:42:13 Doesn't matter.
00:42:14 You can wear knickers.
00:42:15 No one will ever know the difference.
00:42:16 At what time does this golf start?
00:42:19 At 7 AM.
00:42:20 Maison impossible.
00:42:22 When do you find time to leave in this place?
00:42:25 You do not.
00:42:26 Unless you can find a few minutes between work and advertising.
00:42:30 People who can not take it should not be in this game.
00:42:32 And someone told me it was an art.
00:42:35 Just one more, Harry.
00:42:36 Make it fast.
00:42:37 I have to make an advertising reel with Miss Dale and the heavyweight champion back at the studio.
00:42:42 Look, the champ!
00:42:47 Hi, champ!
00:42:48 It is a champ!
00:42:49 What a man!
00:42:50 Hi, kid. You're lucky to work with me. You know that, right?
00:42:53 Champ, this is Mr. ...
00:42:54 Oh, never mind. Everyone knows me.
00:42:56 What was that?
00:42:58 Just the Indian love call.
00:43:00 I thought it was something else.
00:43:02 Come on, let's go. I'm not good all day.
00:43:05 I have to write a story about all the ladies who are crazy about me.
00:43:08 Oh, so you're a Casanova.
00:43:10 Oh, that guy. He's a pushover.
00:43:14 I knocked him out and left him alone last week.
00:43:18 We're ready any time you are, champ.
00:43:20 I want that back.
00:43:22 Come on, let's go, baby. And don't pull your punches.
00:43:24 That's the stuff, June. This is the honey.
00:43:28 The public will eat this up.
00:43:30 Movie star takes boxing lessons from champ.
00:43:33 Now, watch out. Watch this.
00:43:36 Whoa!
00:43:37 What is this, Petrushki? Where are you going?
00:43:40 Well, you see, we were told to deliver this guy to this studio.
00:43:44 Now, where do you want it?
00:43:45 Oh, I don't want it. Suppose you ask over at the...
00:43:47 Oh, get out of here, will you?
00:43:49 Come on, Atlas, and pick up your feet.
00:43:52 Hey, wait a minute.
00:43:55 Hey, what's the matter with you? Can't you see where you're going?
00:43:57 Can we get on with this, please?
00:43:59 Don't be in a rush, babe. I like your comfort.
00:44:02 Okay, let's have the action. Camera.
00:44:04 Cut.
00:44:07 Now, in the next one, champ, you put your arm around the waist like that.
00:44:10 I'm beginning to like this an awful lot.
00:44:13 I got a good one. How about one of those quintets where I'm giving you that Clark Gable business?
00:44:18 Hey, that's no way to treat a champ.
00:44:21 No.
00:44:22 Hey, by the bell.
00:44:26 Well, LaDale is certainly letting her hair down these days.
00:44:33 Maybe she'd like to play Tarzan.
00:44:36 Maybe.
00:44:37 You're coming along, June. That was a great display of temperament.
00:44:48 This has worked for me, too, you know. I can't figure out why you have any score coming.
00:44:52 Don't talk to me like that, Bob.
00:44:54 You've been mooning around for the last two weeks, giving me a bunch of dirty looks and acting like I was poison to you.
00:44:59 What if I have? We can't go anyplace without someone yelling at me for pictures.
00:45:04 I'm sick and tired of being mauled over, of being Queen of the May and Finkel's Diamond Girl.
00:45:10 Well, if it wasn't for all that, you'd be still playing bits.
00:45:13 Every stunt I pull meant more people went into the movies to see you.
00:45:16 That's just it. I'm not June Dane, your sweetheart, anymore.
00:45:20 I'm just a bunch of headlines. Nothing more than a Bob Preston creation.
00:45:25 Anything you've done for me has been a great big buildup for your own great talents as press agents.
00:45:31 That's a cute way of putting it.
00:45:34 That's all you've had in your mind, and you know it.
00:45:38 It's no sense trying to kid ourselves.
00:45:41 We've lost something, something that was really important to me.
00:45:46 We'll never get it back.
00:45:48 Maybe I have been a little rough on you.
00:45:50 Oh, let's forget all this and go somewhere tonight, just you and me.
00:45:59 I've heard that one before, Bob.
00:46:02 I'm through.
00:46:04 Come in.
00:46:14 Oh, hello, Gordon.
00:46:17 If you're busy, I'll turn around and walk out.
00:46:19 No, don't be silly. Come in.
00:46:21 Theorito's back at the Grove. How about going tonight?
00:46:28 And that, if my memory serves me, is the 21st time I've asked you.
00:46:33 All right, Gordon.
00:46:34 But I warn you, I won't be the life of the party.
00:46:37 There's not going to be a party. Just you and me.
00:46:40 I'd like that.
00:46:42 Call for me at nine.
00:46:44 Fine.
00:46:45 I'm sorry, but I have to get ready now.
00:46:48 Of course. Nine o'clock.
00:46:50 [Music]
00:47:11 It's a place to put this.
00:47:12 I could think of a good place.
00:47:14 Say, Stooge, where does this thing belong?
00:47:17 Stooge? Say, who do you...
00:47:20 Who are you, Stooge?
00:47:22 Stop drizzling, will you?
00:47:23 Where does this thing go?
00:47:25 Get out of here. Go on.
00:47:26 Get out of here. Get out, you loafers.
00:47:28 What are you arguing with the guy for?
00:47:30 Come on.
00:47:31 Now, listen. You better step on it, 'cause I got lots of work to do.
00:47:35 Come on, now. Take it easy. To the left.
00:47:39 That a boy, Atlas. That a boy. That a boy.
00:47:43 Hey, what are you trying to do, break the piano?
00:47:45 It pushed me.
00:47:47 It pushed you. It pushed you.
00:47:50 I never saw the likes of it in my life.
00:47:53 You know, you're getting away with murder.
00:47:57 The only reason you got the job is because you're my wife's first husband.
00:48:01 You?
00:48:02 Well, I...
00:48:03 But you didn't have to divorce her, did you?
00:48:07 Oh, Mr. Klein.
00:48:10 Well, well, well, what do you want?
00:48:12 A hundred dollars on account.
00:48:13 On account of what?
00:48:14 On account of the fact I'm gonna sell you a song.
00:48:17 Say, are your songs as good as your jokes?
00:48:20 I just pulled this one out of the fire. Boy, this is hot.
00:48:24 I call it "Hush Your Fuss."
00:48:26 Oh, get this.
00:48:28 ♪ Hush your fuss, hush your fuss ♪
00:48:31 ♪ Love and kisses were made for us ♪
00:48:33 Say, wait a minute. Wait a minute.
00:48:34 Did you pull that out of the fire?
00:48:36 Yes, sir.
00:48:37 Let's put it right back again.
00:48:38 ♪ Hush your fuss, hush your fuss ♪
00:48:43 Come on, hush your own fuss and get it...
00:48:45 Go ahead, pull out.
00:48:46 Mr. Klein, please hear it all the way through.
00:48:48 Say, girls, you want to hear my new song?
00:48:50 I just sold it to Mr. Klein.
00:48:52 He's crazy about it.
00:48:53 No, thanks.
00:48:55 Hey, boy, just a minute.
00:48:57 Put that piano down here. I want to run through a number.
00:48:59 Put her down, Atlas.
00:49:00 Now, take it easy.
00:49:03 Hold it. Let her to the left.
00:49:05 That a boy. Now, look out now.
00:49:07 Take it easy.
00:49:08 Fine. Now, let her down slow.
00:49:10 That a boy.
00:49:11 That a boy.
00:49:13 Now, you're getting there.
00:49:14 So, take it easy.
00:49:15 Little to the left.
00:49:17 That's fine.
00:49:19 Now, you did it, Atlas.
00:49:20 Open it up.
00:49:30 Where's the key?
00:49:34 I said, where is the key?
00:49:37 Oh, the key.
00:49:38 Yeah, I have it.
00:49:40 Look at that.
00:49:41 What am I looking for?
00:49:47 The key.
00:49:48 The key.
00:49:49 Yeah, the key.
00:49:50 I had a key when I...
00:49:51 The key.
00:49:52 I have to find out a key.
00:49:53 But I can't always...
00:49:54 I have to...
00:49:55 Yeah, I got to find the...
00:50:00 You let go of my hand, I want to find the key.
00:50:02 You know anything about my hand?
00:50:06 What's going on here?
00:50:08 Oh!
00:50:27 Oh!
00:50:28 Oh!
00:50:42 Oh!
00:50:49 Oh!
00:50:50 Oh!
00:50:52 Oh!
00:50:53 Oh!
00:50:58 Oh!
00:51:11 Oh!
00:51:12 Oh, I guess that's why I was limping.
00:51:26 Open her up.
00:51:28 Huh?
00:51:29 Open her up.
00:51:30 I got to...
00:51:31 I got to find out a way...
00:51:32 I got to find out a way...
00:51:33 This will kill you.
00:51:50 Johnny worked on a system
00:51:55 Gave each sweetie a tell
00:51:57 And whenever he kissed them
00:52:00 If they hollered he'd yell
00:52:02 You've got to listen to reason
00:52:04 The moon is shining above
00:52:07 That's the reason it's just a season for love
00:52:11 So hush your fun, hush your fun
00:52:15 Love and kisses were made for us
00:52:17 Love and kisses were true
00:52:19 Waiting for you and me
00:52:21 What a thrill, what a thrill
00:52:24 So you're thrilling against your will
00:52:26 You'll be made into great
00:52:28 Baby, you'll be and me
00:52:31 Oh, it's not so tough
00:52:32 When this love stuff gets into our hearts
00:52:36 Not so worse to just rehearse
00:52:38 The brim of both our truths
00:52:40 Listen, hush your fun, hush your fun
00:52:43 Love and kisses were made for us
00:52:46 Love and kisses were true
00:52:47 Waiting for you and me
00:52:50 Not bad, huh?
00:52:52 That topsy's hit it again.
00:52:54 Wait a second.
00:52:55 Hey, boy!
00:52:56 Put that table down.
00:52:57 Come on, Jeannie.
00:52:58 Let's do that new routine.
00:53:02 Okay, Stevie.
00:53:03 "Rattle All His Bones."
00:53:06 [music]
00:53:08 [music]
00:53:10 [music]
00:53:13 [music]
00:53:16 [music]
00:53:19 [music]
00:53:22 [music]
00:53:25 [music]
00:53:28 [music]
00:53:31 [music]
00:53:34 [music]
00:53:37 [music]
00:53:40 [music]
00:53:43 [music]
00:53:46 [music]
00:53:48 [music]
00:53:50 [music]
00:53:52 [music]
00:53:55 [music]
00:53:58 [music]
00:54:01 [music]
00:54:04 [music]
00:54:07 [music]
00:54:10 [music]
00:54:13 [music]
00:54:17 (fiddle music)
00:54:19 ♪ Hush your fuss, hush your fuss ♪
00:54:41 ♪ Lowly chasers will wait for us ♪
00:54:43 ♪ Lowly chasers will go waiting for you and me ♪
00:54:46 ♪ What a thrill, what a thrill ♪
00:54:48 ♪ Though you're willing to lose your will ♪
00:54:50 ♪ You'll be playing great ♪
00:54:52 ♪ Maybe you'll wait and see ♪
00:54:54 ♪ It's not so tough when it's close up ♪
00:54:56 ♪ It's into your heart ♪
00:54:58 ♪ It's not so much to just rehearse ♪
00:54:59 ♪ The rhythm for fun ♪
00:55:01 ♪ Hush your fuss, hush your fuss ♪
00:55:03 ♪ Lowly chasers will wait for us ♪
00:55:04 ♪ Lowly chasers will go waiting for you and me ♪
00:55:09 (crying)
00:55:15 (crying)
00:55:17 - Well, that makes a perfect record.
00:55:21 Haven't hit a single number tonight.
00:55:24 - You must be lucky in love.
00:55:25 - You think so?
00:55:27 I'm the unluckiest man in the world.
00:55:29 I hitched my wagon to a star,
00:55:30 but the old crate broke down.
00:55:33 - Oh, I get it.
00:55:34 A beautiful lady gave you the ozone.
00:55:36 - Right you are, Mr. Bones.
00:55:38 Right she was.
00:55:40 I ruined her whole life.
00:55:42 I forgot she was just a kid
00:55:43 and I really wanted to have some fun.
00:55:46 I broke her heart.
00:55:47 I had it coming, all right.
00:55:50 - Who's the other guy?
00:55:51 - Don't say that, you hear?
00:55:52 There's no other guy.
00:55:53 There couldn't be.
00:55:54 I'm the only menace.
00:55:56 Don't you say anything about her.
00:55:57 Joondale's on the level, you understand?
00:56:00 Let's have another drink.
00:56:02 (upbeat music)
00:56:04 (upbeat music)
00:56:07 - And a villain still pursuing her.
00:56:16 - And a very nice villain, too.
00:56:19 - June, I feel I ought to tell you why
00:56:21 I've been so persistent the past few weeks.
00:56:24 I've noticed that you haven't been as happy
00:56:27 as a happily engaged girl ought to be.
00:56:29 Is there anything wrong between you and Bob?
00:56:33 - We've quarreled.
00:56:34 (upbeat music)
00:56:37 - Is there anything other than a three on these dice?
00:56:46 No, there he is.
00:56:48 Let's have a drink now, you hear?
00:56:49 - Oh, hello big boy.
00:56:51 Look who's here.
00:56:52 - Oh, how have you been, drink?
00:56:54 - Very happy to see all of you.
00:56:56 They're the new generation of the motion picture greats.
00:56:58 I congratulate every single one of you.
00:57:01 (laughing)
00:57:04 - I don't like this place.
00:57:05 - Oh, yes, Kay, yes.
00:57:07 - Come on, Pop, let's go someplace where we can dance.
00:57:09 - Oh, I don't want to dance.
00:57:11 I want to sit down.
00:57:12 - Would you like to sit down, Pop?
00:57:14 - Yes, if you don't mind.
00:57:16 - Enjoy yourself.
00:57:17 Come on, everybody, we're off.
00:57:18 - Come on, Bob.
00:57:19 It's been my life's ambition to dance with you.
00:57:22 - If you do, it's only because
00:57:23 I'm acting the part of a gentleman.
00:57:25 - Come on, let's have some fun.
00:57:27 (cheering)
00:57:28 - Let's travel, old pal.
00:57:29 - It's time to end again, old man.
00:57:32 - I'll take the responsibility,
00:57:33 and if I fail to make you happy,
00:57:35 it won't be for lack of effort on my part.
00:57:38 - I know that.
00:57:39 - Well, it's merely a question of you making up your mind.
00:57:43 - Gordon, I'd like to think about it.
00:57:46 I'm not quite sure.
00:57:48 - Oh, please understand.
00:57:51 I don't want to hurt you.
00:57:54 - But you see, well, right now,
00:57:58 the way I feel about Bob,
00:58:00 if he were to come back and tell me he's sorry,
00:58:04 and promise that things would be different,
00:58:06 well, I don't know just what I'd do.
00:58:09 - Well, let's leave it this way for the time being.
00:58:14 Of course, I'm not gonna stop loving you
00:58:16 or asking you to marry me.
00:58:17 - Did you see the picture of Harvard?
00:58:19 - Amos, play follow that leader.
00:58:22 - Oh boy, am I gonna have a good time.
00:58:24 - Outright, are you?
00:58:25 - Can't we have a better table?
00:58:27 - I don't like this place, it ain't noisy enough.
00:58:29 - I think it's swell.
00:58:30 - Well, let's have a little drink.
00:58:31 - Missus.
00:58:32 - Tell me, Bob, is it true?
00:58:34 - Is what true?
00:58:36 - A little bird in the studio restaurant this afternoon
00:58:39 happened to see a rising young star,
00:58:41 jilt, her handsome young lover.
00:58:43 - Let's not talk about that.
00:58:45 - Oh, don't be so downhearted.
00:58:48 I know a girl who would appreciate some good publicity.
00:58:51 - Oh, it's publicity you want, huh?
00:58:53 Well, I can give you plenty.
00:58:55 I can do anything with a headline.
00:58:57 I can even break your heart.
00:59:00 - Whatever you did, I wouldn't treat you the way June has.
00:59:03 - Lay off the incense, Sheila, I know you.
00:59:06 June's 100% and whatever she did, she did on the level.
00:59:10 - Well, I don't blame her.
00:59:17 I think I'd throw you over for a couple of million dollars.
00:59:21 - What are you saying?
00:59:24 - There's the reason you got your closing notice.
00:59:28 Get a picture of that, Bob.
00:59:31 It'll make great publicity.
00:59:33 Nice headlines, too.
00:59:36 Money wins again.
00:59:39 Or maybe it's just because you don't look well
00:59:42 in a high hat.
00:59:43 Must feel swell to have some other guy beat your time.
00:59:49 - Where are you going, Bob?
00:59:51 - Don't leave us.
00:59:53 (somber music)
00:59:56 - So Douglas is the reason for the big farewell see, huh?
01:00:01 - Please, Bob, you're drunk.
01:00:03 - Sure I'm drunk.
01:00:04 That's the reason I see everything so clear.
01:00:06 You didn't have nerve enough to tell me
01:00:07 you wanted to marry a dodo, did you?
01:00:09 - I think you've said enough, Preston.
01:00:11 - You're an ideal pair and this is great.
01:00:14 Yes, sir, it's a great yawn.
01:00:16 Pasadena playboy wins movie star.
01:00:19 You're a great little actress, all right.
01:00:22 I really believe what you said this afternoon.
01:00:25 Sure, and I was seven up to fall for it.
01:00:27 I taught you a lot, didn't I?
01:00:29 There's no headline to just marrying a guy like me,
01:00:31 is there?
01:00:32 - Please, take me out of here.
01:00:34 - You're always running out on me, aren't you?
01:00:36 - Preston, that's enough.
01:00:37 - Wait a second, there's a lot more I want to say to you.
01:00:42 Where's your telephone?
01:00:48 I'm sober enough to know this is a great story.
01:00:53 (somber music)
01:00:55 - He's getting ready to leave.
01:01:15 He's on stage three.
01:01:17 (somber music)
01:01:19 - June, we've got to talk.
01:01:41 - There's nothing to say, Bob.
01:01:43 - Yes, there's so much.
01:01:45 - I've acted like a step, and I'm sorry for it.
01:01:49 June, you've got to listen to me.
01:01:52 Sweet, we've meant too much to each other.
01:01:55 You can't forget that.
01:01:56 - I'm going to marry Gordon.
01:01:58 We're flying to Yuma this afternoon.
01:02:00 - You're not fooling me for a minute, June.
01:02:02 You're not marrying him because you love him.
01:02:03 It's despite me.
01:02:05 - I'm marrying him for his money,
01:02:07 and for all the publicity I can get out of it.
01:02:09 - June, darling, please listen to me.
01:02:12 I'm pleading with you to forgive me for anything I've said.
01:02:15 - You can't marry him.
01:02:17 I love you too much.
01:02:19 And you love me.
01:02:20 There's no sense kidding yourself about that.
01:02:22 You can't run away and marry anybody
01:02:24 just because we've had a battle.
01:02:26 - I don't love you anymore, Bob.
01:02:28 - Oh, June.
01:02:29 - Now will you let me go?
01:02:30 - I won't let you go, do you hear?
01:02:32 - Please, Bob.
01:02:34 - June, I just want to ask you one question,
01:02:39 and I know you'll answer me on the level.
01:02:42 Do you love Gordon?
01:02:43 - Yes.
01:02:44 - Happy, dear?
01:02:54 I want you to be sure you know that.
01:02:57 - Yes, I know that.
01:02:59 And I am sure.
01:03:00 - Oh, here we are.
01:03:05 (men shouting)
01:03:13 - Yes, that's our plane over there.
01:03:16 - Oh, boy.
01:03:25 - Oh, Gordon.
01:03:35 He's in the Hollywood Hospital.
01:03:37 - All right.
01:03:41 - Oh, hurry, hurry.
01:03:42 - He's in the Hollywood Hospital.
01:03:43 - Please, John, hurry.
01:03:44 - I told you.
01:03:49 And you can tell it to your granddaughter
01:03:50 you didn't do anything with a headline.
01:03:52 Here you are, son.
01:03:53 Take the rest of those papers and burn them.
01:03:54 Come on, let's roll up.
01:03:55 I've got to get to the hospital before she does.
01:03:59 - I should have known he'd do something, Justin.
01:04:06 He's so stubborn.
01:04:08 - Handsome picked this up for me.
01:04:09 Ran a special front page.
01:04:10 200 bucks, but it's worth a million.
01:04:13 - Genius, I calls it.
01:04:14 Genius.
01:04:15 - This is Coffee Grinders.
01:04:33 You might recognize it.
01:04:35 (dramatic music)
01:04:38 - I'm a sick man, doctor.
01:04:44 Hurry up, give me a room.
01:04:45 Where do I go?
01:04:46 What do I do?
01:04:47 How do I know?
01:04:48 I'm only the painter.
01:04:50 Give me a room, quick.
01:04:57 I'm sick.
01:04:58 - Why, who's the doctor?
01:04:58 What is it?
01:04:59 - I've got a case of nervous exhaustion.
01:05:01 I've got to have a room.
01:05:02 Ow, ooh, quick.
01:05:05 - What room can we give him?
01:05:06 - Client, 231.
01:05:07 - Right this way.
01:05:08 - In case anybody calls, my name is Bob Preston
01:05:12 and I'm a very, very sick man.
01:05:14 You get him to bed.
01:05:28 I'll get the doctor.
01:05:30 - Bob Preston, what room is he in?
01:05:33 - 231, to your right.
01:05:34 - How is he?
01:05:35 - He's a very sick man.
01:05:37 (Bob groans)
01:05:42 - Bob, darling.
01:05:44 - I love you, June.
01:05:45 - Oh, Bob, my sweet.
01:05:47 There never was anyone but you.
01:05:50 - Kiss me, honey.
01:06:04 - Bob!
01:06:06 - I love you.
01:06:06 I'll admit it was just a stall to get you back.
01:06:08 I love you.
01:06:09 I didn't want to see you do anything
01:06:10 that you'd be sorry for.
01:06:11 Please forgive me.
01:06:12 I love you.
01:06:13 We'll get married right away.
01:06:14 - We'll--
01:06:15 - I love you.
01:06:15 Please give me a little smile
01:06:16 to tell me that you're not angry.
01:06:17 I love you.
01:06:18 - Bob, you're a madman.
01:06:20 An absolute raving lunatic.
01:06:23 But I love you.
01:06:24 - I love you.
01:06:27 - What about this marriage business?
01:06:30 - I have it all fixed up, darling.
01:06:31 I know just what you want.
01:06:32 Frank Antonato, moonlight, soft breezes,
01:06:36 beautiful music, just you and me.
01:06:39 - Oh, Bob.
01:06:40 I don't want one of these moving marriages.
01:06:42 - Sweetheart, it's just going to be a quiet little wedding.
01:06:46 - Oh.
01:06:47 (crowd shouting)
01:06:50 (crowd shouting)
01:06:52 - My Jiminy should be a star the first time I ever saw her.
01:07:13 - The first time you saw her, you fired her.
01:07:16 - Can I help it if I'm a little bit eccentric?
01:07:18 (laughing)
01:07:21 - That certainly was a quiet little wedding.
01:07:30 - But honey, you know we have a lot of friends.
01:07:34 - What's that, the convoy?
01:07:38 - Believe it or not, I made a tie up with the army.
01:07:46 - Bob, you're slipping.
01:07:47 - What do you mean?
01:07:48 - You forgot to let the baby in on this.
01:07:51 - You think so?
01:07:53 (upbeat music)
01:07:56 [Music]