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Short filmTranscript
00:00:00 [Music]
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00:00:56 [Music]
00:01:04 [Radio Chatter]
00:01:09 Yes sir, Wrigley Field, front of stadium.
00:01:12 Correct. We'll take her.
00:01:14 Los Angeles Police Department.
00:01:16 Captain Anderson, just a minute please.
00:01:18 Just a minute, I'll connect you.
00:01:20 [Radio Chatter]
00:01:23 [Phone Ringing]
00:01:27 Cordell Homicide.
00:01:30 Wrigley Field. 561. Check.
00:01:36 Don't tell me somebody held up the ballpark.
00:01:38 They're in shooting.
00:01:41 They don't even give you a chance to digest your lunch.
00:01:44 Fine, you work better on a full stomach.
00:01:49 [Cheering]
00:01:58 [Radio Chatter]
00:02:00 It's going to be close. There goes Williams. He slides.
00:02:04 He's in there. Safe.
00:02:09 Desmond with the play.
00:02:13 Hudson pitches. It's going outside.
00:02:16 There's the throw to second base. Trying to pick off Williams, but he's back in plenty of time.
00:02:22 Desmond steps out of the battering box.
00:02:25 Third on the pan.
00:02:28 Back in the box.
00:02:31 All set.
00:02:34 Here comes Hudson's next pitch.
00:02:36 Desmond swings. He hits it far right.
00:02:38 It's a hit. Here comes Williams.
00:02:41 He's routing third. He's heading for home.
00:02:44 Here comes the throw. It's going to be close, but it's cut off.
00:02:47 The throw is at the second. Trying to get Desmond.
00:02:49 He slides. He's out.
00:02:52 That makes two outs and three runs in.
00:02:55 What's happened, Evans?
00:02:57 Nothing. It was a false alarm.
00:03:00 I'll get that another one.
00:03:01 Some crank is sure having fun with the taxpayers' money.
00:03:04 Rowley swings. It's a grounder. A grounder to shortstop.
00:03:07 He's up with a throw to first. He's out.
00:03:10 Sides retired.
00:03:12 The Bijoux Theater on Main Street.
00:03:14 Four hits and one error.
00:03:16 [music]
00:03:45 Woo! Woo!
00:03:47 [music]
00:04:07 [applause]
00:04:11 [music]
00:04:17 Hello, Dave.
00:04:18 I figured I'd find you here.
00:04:21 I thought you told me that you were all washed up with this thing.
00:04:24 Ah, it's the other way around.
00:04:25 And what do you hang around for?
00:04:27 Look, Dave, I know she's strictly high rent and I'm broke, but I can't forget her that easy.
00:04:31 You really got it bad, haven't you?
00:04:33 Yeah, bad. I loved her enough to marry her.
00:04:36 I still do. You blame me?
00:04:39 I suppose some guys might go for her.
00:04:42 Some guy did behind my back.
00:04:44 I don't know who the creep is, but I'd sure like to lay my hands on him.
00:04:47 Yeah, I know. You better lay your hands on some money first.
00:04:51 That'll take care of some of your problems anyway.
00:04:53 That'll take care of all of my problems.
00:04:55 Come on, I want to talk to you.
00:04:57 She comes high, but she's worth it.
00:04:59 Yeah, let's go.
00:05:01 [music]
00:05:11 How about those guys you were going to line up?
00:05:13 I got them. Two of the best.
00:05:16 How much did you tell them?
00:05:18 Nothing. Just that it's big.
00:05:21 Good.
00:05:23 Have them at your place tomorrow night, ten o'clock.
00:05:26 Okay. I'll try to set it up.
00:05:28 If anything goes wrong, I'll call you.
00:05:30 I'll have a new number.
00:05:32 You gonna move again?
00:05:33 Yeah, tonight. The Valley Motor Court.
00:05:36 Sunset 72131.
00:05:39 I'm registered under the name of Martin Bell.
00:05:41 Don't write that down.
00:05:43 I'm gonna forget it. You move so often.
00:05:46 I don't like things written down.
00:05:48 Memorize it. Sunset 72131.
00:05:52 Okay. Okay.
00:05:56 Hey, Vonn. Wait a minute, Dave.
00:05:58 Baby, I want you to meet a friend of mine. Dave Purvis.
00:06:01 Hello.
00:06:02 How are you? The wife.
00:06:03 I've got to get right back, Benny.
00:06:04 Nice to have met you.
00:06:05 Oh, don't rush on my account.
00:06:07 I was just leaving anyway. See you later.
00:06:09 So long, Dave. Oh, please, baby. I want to talk to you.
00:06:13 Sit down.
00:06:14 I told you it's no use, Benny. Talk's no good.
00:06:16 No? What would you say if I hit the jackpot?
00:06:19 I wouldn't know what to say. It'd be such a shock.
00:06:22 Well, I'm on to something real big.
00:06:25 If you'll just be a little patient.
00:06:27 You know what I mean. Talk, talk, talk.
00:06:29 For Pete's sake, Benny, why don't you stop bothering me?
00:06:31 Just a minute.
00:06:33 You seem to forget that we're still married.
00:06:36 As if I could forget.
00:06:39 [indistinct chatter]
00:06:41 [music playing]
00:07:02 [door buzzer]
00:07:04 Mind if I come in, honey?
00:07:17 What do you think?
00:07:19 I see you're moving again.
00:07:29 That's right, tonight.
00:07:31 Why do you move so often?
00:07:34 It's a habit with me.
00:07:36 Like you are.
00:07:38 Say, these are good-looking shirts.
00:07:41 Why do you cut the labels off?
00:07:43 Same reason I keep moving.
00:07:45 I don't like labels.
00:07:47 No loose ends, baby.
00:07:49 You're the careful type guy, aren't you?
00:07:51 Yeah, real careful.
00:07:53 And clean as a whistle.
00:07:55 No record, baby. Not even a parking ticket.
00:07:58 And this time, I'm going to be extra careful.
00:08:01 This is the big one.
00:08:03 I think I like the careful type.
00:08:05 What are you doing about Benny?
00:08:13 At the moment, I happen to need him.
00:08:16 But he's expendable.
00:08:18 You're not.
00:08:20 I'm sorry I can't stay, Dave.
00:08:22 I'm late for the show now.
00:08:24 I'd better leave.
00:08:26 Okay.
00:08:28 It won't be long until we're leaving together.
00:08:32 Getting impatient?
00:08:34 You bet I am.
00:08:36 So am I.
00:08:38 Come in.
00:08:53 Hello, Benny.
00:08:55 Benny?
00:08:57 Meet the boys.
00:08:59 These are the guys I was telling you about.
00:09:01 Al Mapes, Ace Foster.
00:09:03 How are you?
00:09:05 Have a seat. Let's get acquainted.
00:09:07 Come on over here, fellas.
00:09:09 How do you take it?
00:09:11 Straight or with soda?
00:09:13 I like it straight.
00:09:15 Okay.
00:09:17 I think we'd all like it straight.
00:09:19 He doesn't mean no whiskey.
00:09:21 I've been a little stingy with the words.
00:09:23 The stake we're going for is about a half a million bucks cash.
00:09:26 Only it's a one-shot deal.
00:09:28 All or nothing in three minutes after the strike.
00:09:30 Never mind the build-up Benny gave us, Ed.
00:09:33 You planning on grabbing this dough from a bank?
00:09:36 You might call it that.
00:09:38 Only this bank happens to have wheels under it and very few guards.
00:09:41 Sounds like an armored car job.
00:09:43 I could be wrong.
00:09:45 You happen to be right.
00:09:47 Doesn't sound good.
00:09:50 I don't like the odds.
00:09:52 You can count me out too.
00:09:54 I'm not ready for a fast 60-buck funeral.
00:09:56 Just a minute, Ace.
00:09:58 The guy got away with it back in Chicago about three years ago.
00:10:00 Yeah, I remember that.
00:10:02 But that happened to be Chicago.
00:10:04 And that was a Dave Purvis job.
00:10:06 Let me ask you a question.
00:10:08 Supposing it was Dave Purvis figuring this strike, would it sound better?
00:10:11 All right, so what would sound better coming from a guy who knows the ropes or what?
00:10:14 Don't you get it, you clucks?
00:10:16 Dave Purvis is figuring this job.
00:10:18 How about the odds now, Maves?
00:10:21 They sound much better.
00:10:26 Keep talking.
00:10:28 First, you better know that I'm taking half of everything we get.
00:10:30 The rest of you go on equal shares.
00:10:32 Is that clear?
00:10:34 Check.
00:10:36 Where do we go from there?
00:10:38 I can show you better than I can tell you.
00:10:40 In here.
00:10:42 [knocking]
00:10:44 This is the layout. Wrigley Field, where we pull the strike.
00:11:01 Plenty neat.
00:11:03 Why Wrigley Field? They haven't got that kind of dough there.
00:11:06 That's a good question.
00:11:08 The dough we pick up at the ballpark's not important.
00:11:10 What we're after is the load on that truck.
00:11:13 The cash receipts from bank transfers, markets, and theaters.
00:11:16 Wrigley Field happens to be the last stop on their run.
00:11:19 Also, it's the easiest place for us to operate.
00:11:22 You can take my word for that. I checked them all.
00:11:24 We're still listening.
00:11:26 We've got three minutes to pull the whole deal.
00:11:29 Someone is going to spot us and send for the cops.
00:11:31 I've already timed that.
00:11:33 Suppose we haven't finished and there's still dough in the truck.
00:11:36 We leave it.
00:11:38 I don't want anybody to get sticky-fingered after the time is up.
00:11:41 Is that clear?
00:11:43 Yeah. Yeah. When do you figure on going on this?
00:11:46 Next Tuesday. We've got a lot of work to do.
00:11:49 You boys are going to study this routine till it comes out your ears.
00:11:53 Now, the armored car will be coming along here.
00:11:58 [chatter]
00:12:02 [chatter]
00:12:06 [chatter]
00:12:10 [chatter]
00:12:13 [chatter]
00:12:28 [chatter]
00:12:31 [chatter]
00:12:43 [chatter]
00:12:55 [chatter]
00:12:58 [chatter]
00:13:07 [chatter]
00:13:18 [chatter]
00:13:22 [chatter]
00:13:25 [explosion]
00:13:51 [tires screeching]
00:13:54 Police Department. I want to report a hold-up.
00:14:08 Wrigley Field.
00:14:10 Units 27 and 28, in 45 district, investigate a 561.
00:14:18 In 45 district, investigate a 561.
00:14:22 Ballpark again. You know what they say about lightning.
00:14:26 But I could be wrong.
00:14:28 Six will get you ten.
00:14:30 Cops! Something went wrong. Get out!
00:14:44 [gunshots]
00:14:48 [gunshots]
00:14:51 [gunshots]
00:14:54 [gunshots]
00:14:58 [gunshots]
00:15:07 [gunshots]
00:15:12 [sirens]
00:15:21 [groaning]
00:15:24 [tires screeching]
00:15:47 [tires screeching]
00:15:50 [gunshot]
00:15:57 [tires screeching]
00:16:02 Special Unit 12, Cordell.
00:16:15 Code 3. Officer needs help. Wrigley Field.
00:16:19 A 2-11 major.
00:16:21 Notify all units. Be on the lookout for black 46 sedan.
00:16:26 California. First three numbers, 5-J-8.
00:16:31 Heading east, 41st street at Sanford.
00:16:34 Instruct all units, these men wanted for armed robbery.
00:16:38 And set up immediate roadblocks on all main armories from city.
00:16:42 [tires screeching]
00:16:45 I'd like to see Lieutenant Phillips, if I may go in, please.
00:17:03 Are you a member of the family?
00:17:05 I'm from police headquarters. I'm Lieutenant Cordell. He's a friend of mine.
00:17:08 Just a moment, Lieutenant.
00:17:11 [door opens]
00:17:14 I'm Dr. Leslie.
00:17:24 Go ahead, tell me.
00:17:27 We couldn't save him, Lieutenant.
00:17:29 I'm sorry.
00:17:32 Was anyone with him?
00:17:34 His wife. She's in the waiting room. In there.
00:17:40 Thank you.
00:17:43 Tough break, Marsha.
00:18:02 For you, too?
00:18:06 Yeah.
00:18:09 I know how you feel, Jim. You were partners for years.
00:18:14 Yeah, you kind of get used to a guy.
00:18:21 I know.
00:18:25 Marsha, I just want to say...
00:18:29 I'm sorry.
00:18:32 Marsha, I just want to say...
00:18:35 Well, if there's anything you need, you know where I am.
00:18:43 Thanks, Jim.
00:18:46 How's she taking it, Lieutenant?
00:18:58 She'll be all right. What do you want, Ryan?
00:19:00 We found the getaway car. They ditched it underneath the Slauson Avenue bridge near the riverbed.
00:19:05 Good.
00:19:06 And, uh, I better tell you the rest of it.
00:19:09 Well?
00:19:10 I've been assigned to work with you on the case.
00:19:13 So you're replacing Phillips, huh?
00:19:16 Yes, sir.
00:19:18 That's just dandy.
00:19:22 [car engine]
00:19:25 [radio chatter]
00:19:33 When did they leave us beside the getaway car?
00:19:40 Quite a bit. Gas masks, painter's coveralls. Looks like they changed clothes down here.
00:19:45 What about fingerprints?
00:19:46 Some smudgy ones that nobody can read. But whoever was wearing this got flood. Note the hole.
00:19:51 I see it. I put it there.
00:19:53 Hey, Lieutenant, you better take a look in here. Somebody lost a lot of blood.
00:19:57 Not enough to suit me.
00:19:59 We found some more blood over here, Lieutenant.
00:20:01 Apparently, whoever got shot rested against that wall.
00:20:05 It's bloodied up all right. Somebody must have lifted him.
00:20:08 There's two sets of prints.
00:20:10 Footprints end over there, where they had another car stashed.
00:20:14 71 and 78 clear.
00:20:17 Numbers one and two, no warrant.
00:20:19 Did we get a rundown on the second car?
00:20:22 178, Sanchez and Cloverdale.
00:20:25 Tread quite worn. Front and rear wheels 116 inches apart.
00:20:30 Measuring the indentations on the ground, I'd say the weight was around 3,000 pounds.
00:20:34 That's a small car.
00:20:37 [car engine]
00:20:41 [car engine]
00:20:44 We got to do something about him. He's gawking out.
00:20:52 How is it now?
00:20:54 Got to get patched up, Dave. Can't we stop someplace?
00:20:58 We'll stop when we get to the shack in about 10 minutes.
00:21:01 Hey, there's something up ahead.
00:21:04 That's a roadblock. Slow down.
00:21:08 I'm not going through any roadblocks. Keep going.
00:21:11 You get nailed, not me. I'm turning around.
00:21:14 [car engine]
00:21:17 What's the idea? You can't turn around here.
00:21:21 I didn't want to get mixed up in that traffic.
00:21:24 See, we're a little late for our shift.
00:21:26 Get in that line and keep moving.
00:21:29 Okay.
00:21:31 [car engine]
00:21:36 Nice going, you knucklehead. Now keep in line.
00:21:39 If I ever get through that blockade, they'll spot Vinnie in a minute.
00:21:42 Come on, snap out of it.
00:21:45 We're all in a jam, do you hear me?
00:21:47 It's no use, Dave. It's no use.
00:21:49 Come on, pull yourself together.
00:21:52 We got to bluff this out, all of you.
00:21:56 [car engine]
00:21:59 [announcement over PA]
00:22:02 [announcement over PA]
00:22:05 He perversed. He's fooled.
00:22:10 Vinnie, hang on.
00:22:13 Okay.
00:22:16 [announcement over PA]
00:22:19 What's the matter?
00:22:23 Where are you heading? Terminal shipyards.
00:22:25 Trunk open? I don't know.
00:22:27 Let's have the key.
00:22:30 [car engine]
00:22:33 Anything wrong?
00:22:38 16T, Ponyo Station.
00:22:41 134, OK7.
00:22:44 What's this all about, officer? You looking for something?
00:22:47 132T, notification has been made.
00:22:52 13, come in.
00:22:54 All right, move along. Thanks.
00:22:57 [car engine]
00:23:00 [car engine]
00:23:14 [car engine]
00:23:17 [car engine]
00:23:20 [car engine]
00:23:24 [car engine]
00:23:27 Come on, step on it.
00:23:33 [car engine]
00:23:38 [announcement over PA]
00:23:53 Hey, Roe, what's that on your leg?
00:23:56 Must have come off that last car we checked.
00:23:59 Say, that's blood. How do you like that?
00:24:02 Hey, Chandler, that black sedan is the one we want.
00:24:05 Heading south.
00:24:08 [car engine]
00:24:12 [siren]
00:24:16 [siren]
00:24:19 [siren]
00:24:22 [siren]
00:24:25 [car engine]
00:24:31 [car engine]
00:24:38 Unit 11, roger.
00:24:44 That's your seventh cup of coffee. You'll be awake for a year.
00:24:47 Just put some fire under the pot. This is cold.
00:24:50 Unit 16, okay.
00:24:53 Unit 13, roger.
00:24:55 - Lieutenant Cordell? - Yes?
00:24:57 My name is Bronson. I represent Pacific State's insurance company.
00:25:00 I looked for you over the headquarters, but they told me I could find you down here.
00:25:03 What's on your mind, Mr. Bronson?
00:25:05 Well, you see, my firm has the policy on the L.A. Armored Car Company.
00:25:08 - And we stand to take a big loss... - You're worried about your money, is that it?
00:25:11 That's it exactly. If they collect their insurance,
00:25:14 it'll be the biggest claim that my company has ever had to pay.
00:25:17 You know, that's quite a coincidence.
00:25:20 A friend of mine, a police officer, he had insurance, too.
00:25:23 His widow is gonna collect it.
00:25:25 I heard about that. I'm sorry.
00:25:27 But as I was saying, my company stands to put out over $400,000.
00:25:31 So, you see, we're more than anxious to cooperate.
00:25:34 Isn't there something that we can do?
00:25:37 Yeah, come to think of it, there is something you can do.
00:25:40 - Really? What is it? - Get out of our hair and let us work.
00:25:42 We're doing everything we can.
00:25:44 Anything develops, we'll let you know.
00:25:47 - Well, if there's anything... - Good night, Mr. Bronson.
00:25:49 - Good night, Lieutenant. - Sorry I brought it up.
00:25:52 Yeah, that makes two of us.
00:25:54 144A, initials O.
00:25:57 - What's his trouble? - Money. What's yours?
00:26:02 - Lack of it. - 131G, clear.
00:26:05 They're bottled up inside that circle. There's no way out.
00:26:08 Not unless the car sprouts wings.
00:26:11 I'm sure they couldn't get through San Pedro or Long Beach.
00:26:14 Or north or east.
00:26:17 Well, the next move's up to them.
00:26:20 It's all right.
00:26:23 (HORSE SNORTING)
00:26:51 Take it easy.
00:26:54 - How's Benny? - Not so good.
00:27:01 Come on, let's take a look at him.
00:27:04 He's worse, Purvis. He needs a doc.
00:27:12 I don't care if he needs a hospital.
00:27:14 All he's gonna get is first aid. Let's get out of here.
00:27:17 Dave, listen to me. I can't go with you like this.
00:27:20 - You've got to get me a doc. - I told you that was out.
00:27:23 Forget about it. We'll get you patched up later.
00:27:27 Get him a slug of whiskey. We're wasting time.
00:27:30 Here, Benny. Have a drink of this.
00:27:36 Al, talk to Dave.
00:27:42 - Make him get me a doc. - Yeah, I will.
00:27:44 - Make him. - You take it easy. I'll be back.
00:27:48 I don't think he's gonna pull through, Purvis.
00:27:50 That's his tough luck. He knew the chance he was taking.
00:27:53 We stalled long enough.
00:27:55 We could have been halfway to Mexico and out of trouble if it hadn't been for him.
00:27:59 - I'll light up the boat. - Will you quit holding the weight for the guy?
00:28:02 If he kicks off, we'll bury him at sea. You can do your moaning then.
00:28:05 Don't move. Any of you.
00:28:08 I want to get me a doc.
00:28:10 Don't try to stop me, Dave.
00:28:15 Hand over my share of the dough.
00:28:18 - Hand it over. - You're making a bonehead play, Benny.
00:28:21 They'll pick you up shore. You'll get us all in a jam.
00:28:24 I'm in a jam now. I'm dying.
00:28:27 Hurry up. Hurry up.
00:28:29 Okay, Benny. Anything you say.
00:28:32 You'll get everything you're entitled to.
00:28:36 What are you staring at? Pick him up.
00:28:39 - What'll I do with him? - Put him in the car.
00:28:42 We gotta get rid of it anyhow. It's hot and so is he.
00:28:45 No loose ends, boys.
00:28:47 You gonna ditch the car with him in it?
00:28:49 Maybe you'd rather bring him along for company.
00:28:52 Come on. Don't be all night about it.
00:28:55 - You got any money? - I got a lot.
00:29:00 - You got a lot of money? - Yeah.
00:29:03 I got a lot of money.
00:29:06 I got a lot of money.
00:29:09 You better stay out. Purpose has got all the dough.
00:29:28 Okay, but get back as fast as you can.
00:29:32 ( engine starts )
00:29:35 What are you doing here? I thought you were gonna help Foster.
00:29:51 He can handle that alone. Besides, I wanna find out something.
00:29:54 - Yeah? - What about Benny's cut?
00:29:57 What about it?
00:29:59 Well, he's out, so I figured we'd split three ways.
00:30:02 - Well, you figured wrong. - No, I did.
00:30:04 - Maybe you can give me a good reason. - I can give you two good reasons.
00:30:07 First, Benny had a wife. I'm gonna see that she gets his whole share.
00:30:11 Well, ain't that just dandy? Big-hearted Purpose playing Santa Claus to his pal's widow.
00:30:16 - A burlesque queen. - You got a big mouth, Mapes.
00:30:19 - I don't like your conversation. - Oh, I hit the bullseye.
00:30:23 You know, she is a pretty slick number.
00:30:26 I understand her heart didn't exactly belong to Benny.
00:30:29 Maybe you owe her that dough, huh, Purpose?
00:30:32 I told you how it's gonna be. Get used to the idea.
00:30:35 Wait a minute. You said there was another reason.
00:30:38 There is.
00:30:40 Want any more reasons?
00:30:49 ( sighs )
00:30:52 ( engine rumbling )
00:30:56 ( engine turns off )
00:31:00 ( engine turns off )
00:31:03 ( water splashing )
00:31:19 ( water splashing )
00:31:22 Dorchester Avenue, in the alley of 307.
00:31:35 573 Dorchester Avenue, in the alley of 307.
00:31:41 137A, no make.
00:31:46 874577 Hamilton Way.
00:31:49 Need an officer.
00:31:51 4577 Hamilton Way.
00:31:54 Need an officer.
00:31:56 - Car 6 to Control. Car 6 to Control. - Go ahead, Car 6.
00:32:01 We're down at Pier 5. A car just went off the pier.
00:32:05 - Can you describe the car? - A small black sedan.
00:32:09 Stand by. We'll be right down.
00:32:11 Special Agent 11, repeat to 2nd Street only.
00:32:16 - Do they match? - For my money, they do.
00:32:20 What do you think?
00:32:22 Well, they turned in here.
00:32:25 Follow these tire marks. Not too fast.
00:32:28 Listen. Kill the lights.
00:32:31 ( door opens )
00:32:34 ( car horn honks )
00:32:53 ( car horn honks )
00:32:56 Come on.
00:33:06 ( car horn honks )
00:33:18 ( car horn honks )
00:33:21 ( car horn honks )
00:33:48 ( car horn honks )
00:33:51 We gotta make a run for it, one at a time.
00:34:04 You go first, Mavis. Get to the boat.
00:34:06 Foster, you go next. Now, be ready.
00:34:08 The minute you see me, start the motor.
00:34:10 Get going.
00:34:16 ( car horn honks )
00:34:19 ( car horn honks )
00:34:28 ( car horn honks )
00:34:39 ( car horn honks )
00:34:42 ( car horn honks )
00:34:56 ( car horn honks )
00:35:07 ( car horn honks )
00:35:10 ( car horn honks )
00:35:20 ( car horn honks )
00:35:31 Notify the Harbor Patrol.
00:35:35 ( car horn honks )
00:35:38 ( car horn honks )
00:35:45 Morning, Big Bird. Read all about the big robbery.
00:36:04 Morning, Big Bird. Read all about the big robbery.
00:36:08 Just came in, Miss Ledoux. It's the midnight.
00:36:10 Thanks.
00:36:11 Morning, Big Bird.
00:36:13 Paper, mister.
00:36:14 Read all about the big robbery.
00:36:17 Morning, Big Bird.
00:36:20 ( music playing )
00:36:24 ( music playing )
00:36:50 ( door opens )
00:36:53 Hello, baby.
00:36:56 Everything all right, Dave?
00:36:58 Yes and no. Did you read the papers?
00:37:00 Was it anybody I know?
00:37:02 One of them was.
00:37:04 I'm afraid to guess.
00:37:06 How does it feel to be a free woman?
00:37:08 Just the same.
00:37:10 Where will I meet you, Dave?
00:37:12 The new place.
00:37:14 Take good care of yourself, honey.
00:37:17 ( door opens )
00:37:20 ( door closes )
00:37:26 ( door opens )
00:37:35 ( engine rumbles )
00:37:38 ( engine rumbles )
00:37:41 ( music playing )
00:37:58 ( knocking )
00:38:01 ( music playing )
00:38:05 ( door opens )
00:38:08 Good to see you, baby.
00:38:14 Tell me what happened, honey.
00:38:18 I guess we got a little more excited than we planned.
00:38:20 As long as you're here, that's all I care about.
00:38:22 I brought a little something back with me.
00:38:25 Sort of a souvenir.
00:38:27 ( music playing )
00:38:31 ( music playing )
00:38:34 Well.
00:38:36 Pretty, aren't they?
00:38:38 These are the prettiest pictures I've ever seen.
00:38:43 Yeah, and there's an awful lot of them, too.
00:38:45 You certainly made up well with your end of the deal.
00:38:47 As a matter of fact, that was the only end of the deal.
00:38:50 Don't tell me there wasn't a split.
00:38:52 We planned to have one.
00:38:54 We just didn't seem to get around to it.
00:38:56 And you know, I completely forgot to give Mapes my forwarding address.
00:38:59 Who's Mapes? One of your partners?
00:39:02 Yeah, you might say he's my only remaining partner.
00:39:05 I sure feel sorry for him.
00:39:09 Yeah, I bet your little heart is breaking.
00:39:12 Well, here's to money.
00:39:16 And time to spend it.
00:39:18 Too bad Betty won't be around for the big payoff, huh?
00:39:24 Yeah.
00:39:27 Yeah, isn't it?
00:39:29 What's the matter, honey? You look worried.
00:39:31 We've got to be awful careful.
00:39:33 They've got nothing on me,
00:39:35 but you might have a few uninvited guests,
00:39:37 the kind that wear badges.
00:39:39 You mean they might check up on me through Benny?
00:39:41 They probably will.
00:39:43 I can't risk seeing you anymore till we leave town together.
00:39:45 When do you get through with the theater?
00:39:47 Two weeks. I have to get them notice.
00:39:49 Don't. Wait till the last minute.
00:39:51 I'll tell you when.
00:39:53 I hate to say this,
00:39:55 but you better start getting used to being lonesome.
00:39:57 Hi, Lieutenant.
00:40:15 Here's the stuff you wanted to see.
00:40:17 Criminal record of the late Benjamin McBride,
00:40:19 now cooling his heels in the county morgue.
00:40:21 Meet Benny.
00:40:23 Age 35, born in Seattle.
00:40:25 Grand theft daughter, born in Portland.
00:40:27 Robbery warehouse, two priors, same city.
00:40:29 Warrant issued, San Diego. Assault with deadly weapon.
00:40:31 Suspect?
00:40:33 You want the rest of the stuff, we'll be here all night.
00:40:35 Spare me.
00:40:37 You'll be interested in this, too.
00:40:39 Willie Mace Foster, before he was air-conditioned.
00:40:41 Well, that's two out of the running.
00:40:43 This one's still running.
00:40:45 Albert Mapes, alias Rocky.
00:40:47 Benny's sidekick, Foster's pal.
00:40:49 They served time together, worked on jobs together.
00:40:51 He'd be worth questioning.
00:40:53 Okay, send out an all-points on him, pick him up right away.
00:40:57 You don't seem very pleased, Lieutenant.
00:41:01 I thought my hunch on Mapes was pretty good.
00:41:03 If you want to call an obvious conclusion a hunch, that's your business.
00:41:05 -But I figured... -Look, Sonny, these are petty hoodlums.
00:41:07 It's Benny Foster, Mapes.
00:41:09 A job like this was over their heads.
00:41:11 They need somebody to think for them.
00:41:13 That somebody's our fourth man.
00:41:15 Yeah, I guess you're right, but he's a complete blank.
00:41:19 Yeah, he's liable to remain one unless we get lucky.
00:41:21 Start with Benny.
00:41:25 -Local boy, huh? -Yes, sir.
00:41:27 Let's check some of these addresses.
00:41:31 Aged in a glass bourbon.
00:41:45 These friends of his, how many would you say there were?
00:41:47 Couldn't say.
00:41:49 This last week, the place was full of them.
00:41:51 Talking and drinking till all hours.
00:41:53 Hey, Lieutenant!
00:41:55 Can you step in here a minute, please?
00:41:57 Looks like Benny really was living.
00:42:07 -You're a loving baby. -Nice, huh?
00:42:10 Ever see her around here?
00:42:14 No. Never seen anybody.
00:42:16 Never seen any women here.
00:42:18 Theatrical photos. Should be easy to trace.
00:42:20 -Gimme. -That's my department.
00:42:22 Okay, give it a rundown with the casting offices and the booking agencies.
00:42:25 I guarantee good results.
00:42:27 Wait a minute.
00:42:29 Yes, sir?
00:42:31 Put in a call for the fingerprint crew. Get 'em up here right away.
00:42:33 Yes, sir.
00:42:35 What happened to the shave? It's gone.
00:42:44 Oh, that's funny.
00:42:46 He never told me it was busted.
00:42:48 He never told you a lot of things, Mrs. Page. I wish he had.
00:42:50 Well, I asked him a couple of times what he'd done for a living, but he never told me.
00:42:54 He was awful private about his business.
00:43:11 I'm sorry, Lieutenant. The place is so untidy.
00:43:14 You wouldn't let me in lately or I'd have cleaned it up.
00:43:16 Cleaned it? Mrs. Page, I'm glad you didn't.
00:43:20 -Valley Motor Court. -Valley Motor Court?
00:43:23 Thank you. Thank you very much.
00:43:26 Thank you very much.
00:43:28 Thank you.
00:43:31 (car horn honking)
00:43:34 (car horn honking)
00:43:36 (car horn honking)
00:43:39 (car horn honking)
00:43:42 (car horn honking)
00:43:44 (car horn honking)
00:44:11 I think he's in. I didn't see him go out anyhow.
00:44:14 Mr. Bell? Mr. Bell, are you in?
00:44:24 There's a gentleman out here who wants to see you.
00:44:26 -Here's your pass key. -Yes, sir.
00:44:31 Here's your pass.
00:44:33 Is this guy just checking in or just checking out?
00:44:45 Neither. He's been here about three days and he's paid up for a week.
00:44:49 (car engine rumbling)
00:44:51 -Did he have a car? -No.
00:45:03 Said he didn't drive. Always used cabs.
00:45:05 -Say he checked in about three days ago. -I think so, but I can look it up.
00:45:15 Yeah, do that. I want to look at the register.
00:45:17 -You can get that while I'm looking the room over. -Yes, sir.
00:45:19 Man who wore this stuff is about five feet ten or 11 inches tall,
00:45:39 blonde, curly hair, weighs around 175 pounds,
00:45:42 wears a size 9C shoe.
00:45:44 Pretty good dresser.
00:45:46 Doesn't mind putting out for shirts and socks at any rate.
00:45:49 What about this lipstick smear?
00:45:51 From its grease content, it looks like a theatrical brand.
00:45:53 (phone ringing)
00:45:54 There are only a few makes.
00:45:55 I'll try to identify the manufacturer.
00:45:57 Marshall speaking.
00:46:00 Yes, he's here.
00:46:02 -For you, Lieutenant. -Thanks.
00:46:04 -This Cordell? -Way hit pay dirt, Lieutenant.
00:46:08 The gal in question is Yvonne Ledoux, a barbecue queen working out of the Bijoux Theater.
00:46:12 But that's not all.
00:46:13 She's also the widow of the late Benny McBride.
00:46:16 -Benny's wife, huh? -Yeah, you should see her in her working clothes.
00:46:19 Imagine a dish like this married to a mug like Benny McBride.
00:46:23 -The naked and the dead. -Very funny.
00:46:26 Okay, Marshall, I guess that's it.
00:46:31 -So you think it's theatrical lipstick, huh? -Mm-hmm.
00:46:36 You know, that's an interesting idea.
00:46:39 -See you later. -All right.
00:46:41 (door opening)
00:46:43 (car horn honking)
00:46:46 (whistling)
00:46:53 (whistling)
00:47:09 -Well, there she is with bells on. -Very few bells.
00:47:13 That's a lot of woman.
00:47:16 (whistling)
00:47:18 She'll be on another five minutes. You want to kill time here?
00:47:24 You twisted my arm, Lieutenant.
00:47:26 (applause)
00:47:28 (whistling)
00:47:30 (car horn honking)
00:47:45 (car horn honking)
00:47:47 (applause)
00:48:12 (applause)
00:48:14 (whistling)
00:48:27 -Ben? -Yeah?
00:48:29 -Isn't that our mapes? -Where?
00:48:31 Easy, take it easy.
00:48:36 Don't move till I get to the other end of the aisle.
00:48:41 (whistling)
00:49:08 Excuse me, you got the time, Mike?
00:49:10 Yeah, five minutes.
00:49:13 -Hello, Mapes. -You're making a mistake, mister.
00:49:17 You make one sound, I'll break your arm.
00:49:19 -Take it easy. -Yes, boy.
00:49:21 (whistling)
00:49:28 The penalty in this state for murder is death.
00:49:36 When you kill a cop, they cut a few corners to see that you get there in a hurry.
00:49:39 How many times do I have to tell you I didn't kill anybody?
00:49:43 This cop that was killed was knee-deep in friends.
00:49:46 Just so happens I was one of his best.
00:49:48 I made myself a promise.
00:49:51 I'd go all out to see that the murderer got paid off.
00:49:54 This face familiar?
00:50:03 Yeah, he's the guy that drove the getaway car.
00:50:06 -You're sure? -Positive.
00:50:08 The other fellows were wearing painter's outfits.
00:50:11 Thanks.
00:50:12 Well, that does it, Mapes.
00:50:19 His identification, plus your fingerprints and Benny's apartment's all we need.
00:50:24 You just took your first step to that gas chamber.
00:50:27 Why don't you knock it off and stop saying that?
00:50:29 What do you want from me? You want me to say I was in on a hold-up? Okay, I was.
00:50:32 That you can pin on me. But I didn't kill the cop.
00:50:34 Well, who did?
00:50:36 Who killed him?
00:50:39 Purvis.
00:50:42 Dave Purvis.
00:50:44 Purvis, did he ever go by the name of Bell?
00:50:46 I don't know. He could have had a million handles.
00:50:48 I know him by the name of Purvis. He's the guy you're looking for.
00:50:51 Where is he?
00:50:52 I don't know.
00:50:53 You think I'd have been hanging around that theater if I did?
00:50:56 I was looking for his dame, the Burlesque Queen, hoping maybe she could tell me.
00:50:59 You mean Benny's wife, don't you?
00:51:00 Listen, copper, let me tell you something.
00:51:02 Maybe it was Benny's wife, but there was plenty going on between her and Purvis.
00:51:06 Else, why did he want to give her Benny's cut of the dough?
00:51:09 How do you know he did?
00:51:10 I don't, but that's what he said.
00:51:12 Look, that's the only line I had on Purvis.
00:51:15 I thought maybe I'd introduce myself and beat the truth out of her where he was.
00:51:18 I earned that dough fair and square.
00:51:20 There's some question of that, Mapes, but I see your point.
00:51:24 Take him out, boys.
00:51:26 Poor Dale, that's the truth. If I knew where he was, I'd tell you and be happy for the chance.
00:51:28 Get him out of here.
00:51:29 (Footsteps)
00:51:30 (Sighs)
00:51:37 What's our next move, Lieutenant?
00:51:41 Anybody here know Purvis?
00:51:45 The girl does, that's for sure.
00:51:48 You want to pick her up?
00:51:49 No, no, no, no good. She'd never crack, none of it involved Purvis.
00:51:52 Gotta catch her off base.
00:51:54 Johnson?
00:51:57 Yes, sir.
00:51:58 Send a dictograph crew up here ready to work.
00:52:00 I want her followed day and night.
00:52:04 Right.
00:52:05 (Train whistle)
00:52:26 (Tapping)
00:52:27 It's okay.
00:52:29 Testing, testing.
00:52:43 Mobile unit 12 to relay car.
00:52:45 Picking us up okay?
00:52:47 You're coming in strong.
00:52:49 We're a block away on Flower Street, moving south.
00:52:52 You got your microphone covered?
00:52:54 I'll put it behind the fabric.
00:52:56 (Mobile phone vibrates)
00:52:57 Now how do I sound?
00:53:00 Great. We'll be right back. Stand by.
00:53:02 (Music)
00:53:04 (Door opens)
00:53:24 (Door closes)
00:53:25 I want to ask you what's new, I can tell.
00:53:28 She comes in, hangs up her coat, puts on her makeup, takes off her clothes.
00:53:35 How do you know that?
00:53:37 The zipper makes a noise.
00:53:39 She's back.
00:53:41 She just finished a show.
00:53:46 She's taken off her headdress now.
00:53:52 Here come the beads.
00:53:54 The clicking sound as her bracelet on the table.
00:53:58 Now she's going to put on her street clothes.
00:54:02 This is the kind of stuff you ought to televise.
00:54:04 (Knocking)
00:54:06 Open up Yvonne. It's me, Kimball.
00:54:07 Can you wait a minute?
00:54:09 Say, what's this I hear about you quitting the show?
00:54:15 Nobody told me about it. What's the idea?
00:54:17 I'm quitting, that's all.
00:54:18 As of tonight.
00:54:20 Can a girl quit if she wants to?
00:54:22 Now, wait a minute, Yvonne. Take it easy.
00:54:24 You can't just up and quit me with no notice or anything.
00:54:26 I'm on the spot.
00:54:27 Sorry, my contract's up tonight.
00:54:29 All right, let's talk about a new deal.
00:54:32 As of now.
00:54:33 You know me, Yvonne. I'm reasonable.
00:54:35 Are you? Well, I'm not.
00:54:37 Now, wait a minute, Yvonne. You can't do this to me.
00:54:40 There's our break. We'll follow her and she'll take us right to Purvis.
00:54:43 Maybe. Maybe not.
00:54:45 She starts traveling cross country.
00:54:49 We're going to have a pretty rough time tailing her.
00:54:51 What are you going to do? Walk out of here?
00:54:53 No, not exactly.
00:54:54 Maybe we can force her hand.
00:54:56 You can't hammer it out of her.
00:54:58 Mapes was going to, remember?
00:55:01 Yeah.
00:55:02 He had the same problem. Find Purvis.
00:55:04 Isn't that what you would do in the same spot?
00:55:06 Oh, sure, Lieutenant. But I'm not Mapes.
00:55:08 She doesn't know that.
00:55:10 I see what you mean. You want me to make like I'm Mapes. Go undercover.
00:55:14 Why not?
00:55:15 What do you think?
00:55:16 I think it's a great idea. I'd like to go whitewater.
00:55:18 Go ahead. What do we got to lose?
00:55:20 Nothing.
00:55:21 Only me.
00:55:24 What's the idea?
00:55:37 Take it easy.
00:55:38 I'm a friend of Dave Purvis.
00:55:41 I don't care who you are. Just let me alone.
00:55:45 Did you ever hear of Al Mapes?
00:55:47 He and Purvis and your husband pulled off a little deal together.
00:55:50 Why tell me about it?
00:55:51 I need your help to get in touch with Purvis.
00:55:53 He owes me dough.
00:55:55 I feel real sorry for you.
00:55:57 Where is he?
00:55:58 I don't know.
00:56:00 Okay, if that's the way you want it, I'll call him for you.
00:56:03 That's better.
00:56:05 Why the sudden change?
00:56:08 Maybe I really am sorry for you.
00:56:12 What do you think?
00:56:14 I don't know.
00:56:15 I'm not going to tell you.
00:56:16 I'm not going to tell you.
00:56:17 I'm not going to tell you.
00:56:18 I'm not going to tell you.
00:56:19 I'm not going to tell you.
00:56:20 I'm not going to tell you.
00:56:21 I'm not going to tell you.
00:56:22 I'm not going to tell you.
00:56:23 I'm not going to tell you.
00:56:24 I'm not going to tell you.
00:56:25 I'm not going to tell you.
00:56:26 I'm not going to tell you.
00:56:27 I'm not going to tell you.
00:56:28 What do you care?
00:56:29 You want me to call him or not?
00:56:31 Okay.
00:56:32 But look at me, good no tricks.
00:56:34 I'll be just as close to him.
00:56:36 I'll be just as close to him.
00:56:37 I'll be just as close to him.
00:56:38 I'll be just as close to him.
00:56:39 I'll be just as close to him.
00:56:40 I'll be just as close to him.
00:56:41 I'll be just as close to him.
00:56:42 I'll be just as close to him.
00:56:43 I'll be just as close to him.
00:56:44 I'll be just as close to him.
00:56:45 I'll be just as close to him.
00:56:46 I'll be just as close to him.
00:56:47 I'll be just as close to him.
00:56:48 I'll be just as close to him.
00:56:49 I'll be just as close to him.
00:56:50 I'll be just as close to him.
00:56:51 I'll be just as close to him.
00:56:52 I'll be just as close to him.
00:56:53 I'll be just as close to him.
00:56:54 I'll be just as close to him.
00:56:55 I'll be just as close to him.
00:56:57 Hello?
00:56:58 Dave, I'm glad I caught you home.
00:57:00 What's wrong, baby?
00:57:01 Well, there's a guy here who says you owe him money.
00:57:03 Al Mabes.
00:57:04 He wants to see you.
00:57:05 Listen, baby.
00:57:07 Don't lose your head.
00:57:08 That guy's not Mabes.
00:57:09 That's a cop.
00:57:11 What'll I do?
00:57:12 Now, listen.
00:57:13 Stall him as long as you can.
00:57:14 Then go out the back way and go fast.
00:57:16 There are probably cops out front.
00:57:18 You got it, baby?
00:57:19 Yes, I have it.
00:57:21 Okay.
00:57:22 Start stalling.
00:57:24 Start stalling.
00:57:26 But, Dave, I told him I didn't want to call you.
00:57:31 But he kept insisting.
00:57:33 Uh-huh.
00:57:35 All right.
00:57:37 He says it's okay.
00:57:38 He'll talk to you.
00:57:40 Here he is, Dave.
00:57:43 [door creaking]
00:57:45 I said no tricks.
00:57:57 I said no--
00:57:58 Oh, hey.
00:57:59 Up.
00:58:01 Turn around.
00:58:03 Around the car.
00:58:09 Get in the front seat.
00:58:10 Hey, look, Mac.
00:58:11 Shut up.
00:58:12 Keep your hands down.
00:58:14 Put your hands on the dashboard.
00:58:28 Take the alley.
00:58:29 Get going, baby.
00:58:31 Lieutenant.
00:58:40 The girl's car just started.
00:58:41 I'm picking up engine noises.
00:58:43 Must have gone out the back way.
00:58:48 This deal's really working.
00:58:50 You mind telling me where you're going, Purvis?
00:58:55 That's Purvis with him.
00:58:56 Something must have gone wrong.
00:58:57 It was a nice try, copper.
00:58:58 You almost got away with it.
00:59:00 Almost.
00:59:01 You beat that signal, it's gonna change.
00:59:03 In such a hurry, why'd you take Figueroa?
00:59:05 Shut up.
00:59:06 Nobody asked you.
00:59:07 Figueroa, that's for our benefit.
00:59:08 Hit it.
00:59:10 (car engine revving)
00:59:12 Next corner.
00:59:17 Follow that truck.
00:59:19 Why'd you take Jefferson?
00:59:20 You don't live down here.
00:59:21 No cracks, copper.
00:59:23 Jefferson East.
00:59:24 Kid's all right.
00:59:25 You think they're after us, Dave?
00:59:27 I don't know, but I don't trust this guy.
00:59:29 Or this car, either.
00:59:30 We're gonna get rid of 'em both.
00:59:32 Get off this street, and don't talk.
00:59:34 (car engine revving)
00:59:36 What'd you turn down the alley for?
00:59:52 (thudding)
00:59:54 If you cut this off, they've stopped.
01:00:04 Car 22, code 3.
01:00:07 All units, stand by.
01:00:09 What's the matter?
01:00:15 We gotta ditch your car and get a cab.
01:00:17 Where are we going?
01:00:18 Metropolitan Airport.
01:00:19 I got a plane chartered.
01:00:20 Sorry you won't be going with us, copper.
01:00:22 Walk.
01:00:23 Honey, don't do it.
01:00:24 Look, Purvis, you're over your head now.
01:00:25 This isn't gonna help you.
01:00:26 Shut up and walk.
01:00:27 (gunshot)
01:00:32 (thudding)
01:00:33 Dave, stop it, please.
01:00:37 No loose ends, baby.
01:00:39 Come on, let's get out of here.
01:00:51 (footsteps)
01:00:53 (coughing)
01:01:04 (car engine revving)
01:01:15 (footsteps)
01:01:17 Get him, bud.
01:01:30 Ryan, code 3.
01:01:38 City Lumber Company.
01:01:40 You heard him, get going.
01:01:41 Yes, sir.
01:01:42 (car engine revving)
01:01:45 (car engine revving)
01:01:47 (tires screeching)
01:01:53 (footsteps)
01:02:08 (gun cocks)
01:02:10 Danny.
01:02:19 Danny, it's me, Cordell.
01:02:23 Hi, Lieutenant.
01:02:27 An ambulance is on its way.
01:02:29 Don't talk.
01:02:30 Listen.
01:02:31 Purvis and the girl,
01:02:34 Metropolitan Airport.
01:02:38 Shattered plane.
01:02:40 Shattered.
01:02:41 I got it, kid.
01:02:43 I got it.
01:02:44 Stay with him.
01:02:46 (car door slams)
01:02:56 (car engine revving)
01:02:58 Car 22, a 221 Major.
01:03:05 Contact Metropolitan Airport.
01:03:08 Keep all private planes on the ground.
01:03:10 Dave Purvis attempting escape.
01:03:12 You clear the customs?
01:03:18 Yeah.
01:03:19 I could lose my license over this.
01:03:20 They'll never know we're aboard.
01:03:22 Anyway, you're getting paid to take the risk.
01:03:24 Come on, let's move.
01:03:26 (footsteps)
01:03:28 Fasten your seat belts, please.
01:03:41 (tires screeching)
01:03:47 (car engine revving)
01:03:52 (car engine revving)
01:03:54 Tower to 12 on runway.
01:04:06 Are you carrying passengers, a man and a woman?
01:04:09 Verify.
01:04:10 One-two to tower.
01:04:13 Yeah, I guess I am.
01:04:15 Something wrong?
01:04:16 They're wanted.
01:04:18 Police instructors to hold your plane.
01:04:20 Pull into the east runway.
01:04:22 Stand by for orders.
01:04:23 (car engine revving)
01:04:25 You stopped, what are you waiting for?
01:04:33 Orders from the tower.
01:04:34 You're taking orders from me.
01:04:36 Get in that runway and take off.
01:04:38 They're wise to you, mister.
01:04:40 I can't do it.
01:04:41 You heard what I told you, take off.
01:04:43 (car engine revving)
01:04:50 Tower to 12.
01:04:51 Craig, keep that plane off the runway.
01:04:52 You're disregarding orders.
01:04:54 (car engine revving)
01:04:56 Tower to 12, pull her up.
01:05:04 Another plane coming in on main runway.
01:05:06 Now what are you doing?
01:05:10 See for yourself.
01:05:11 You want a head-on crash?
01:05:13 Dave, look, the police.
01:05:16 (car engine revving)
01:05:19 (siren blaring)
01:05:21 (gunshots firing)
01:05:38 (gunshots firing)
01:05:47 Harris, look out!
01:06:16 Oh, Miss Paxton.
01:06:17 Oh, hello, Lieutenant.
01:06:18 How's he doing today?
01:06:19 You'll find him in there, on his own power, too.
01:06:21 We put him in a wheelchair this morning.
01:06:23 Oh, better and better.
01:06:24 He sure is, Lieutenant.
01:06:26 He gets more mileage out of that thing than I do on the bus.
01:06:29 (laughing)
01:06:30 Hello, Jim, what's doing?
01:06:41 I can see you're back to normal.
01:06:43 Well, I'm trying.
01:06:44 You got quite a write-up, Danny.
01:06:46 How's it feel to be famous?
01:06:47 What page?
01:06:48 37.
01:06:49 37.
01:06:50 It's not often they pay a police officer a tribute.
01:06:53 And a rookie at that.
01:06:55 Yeah, but I don't see your name.
01:06:56 I sure don't see mine.
01:06:57 Look, look, look, right here at the bottom of the page.
01:06:59 Oh, yeah.
01:07:00 This case was solved by Lieutenant James Cordell,
01:07:02 Los Angeles Police Department.
01:07:04 He was assisted by Officer...
01:07:05 Danny Ryan.
01:07:08 (laughing)
01:07:13 (laughing)
01:07:14 ♪ (theme music)
01:07:30 [BLANK_AUDIO]