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KATIE MELUA — Crawling Up A Hill – (Batt) | Katie Melua: The Arena Tour 2008 - Live at Rotterdam | The Katie Melua Collection
Artist: Katie Melua

Writer: Batt
Publishers: Dramatico/Sony/ATV Music Publishing (UK) Ltd

The Arena Tour 2008
Live Show fimed in Rotterdam during Katie's 2008 tour

The Katie Melua Collection
Album: Katie Melua - The Arena Tour 2008 - Live at Rotterdam
Original Release Date: 2008
Manufacturer: Bmg Rights Management (rough trade)
Label: Bmg Rights Management (rough trade)
© DRAMATICO
℗ 2008 Dramatico Entertainment Limited. © 2008 Dramatico Entertainment Limited.
DRAMCD0040 LC13350
SPARS Code: DDD
Country of origin: Germany
The Katie Melua Collection
Item model number: DRAMCD0040

Guitars: John Parricelli, Steve Donnelli, Chris Spedding, Jim Cregan, Luke Potashnick
Piano: Mike Batt ( except tracks 15, 16, 17, - Jim Watson)
Bass: Tim Harries
Drums: Henry Spinetti, Michael Kruk
Orchestra: The Irish Film Orchestra, Conductor: Mike Batt
Solo Trumpet: Dominic Glover
Solo Violin: Mike Darcey
Ethnic Flute: Adrian Brett (Nine Million Bicycles)
Mandolin: Peter Knight (Thank You, Stars)
Penny Whistle: Frank Gallagher (Toy Collection)
Percussion: Martin Ditchman, Chris Karan, Ray Cooper, Rob Farrer
Organ: Frank Gallagher (Tracks 15, 16, 17)

Produced and arranged by Mike Batt
Except Track: 3 Mike & Chris Biondo
'What A Wonderful World' licensed by Blix Street Records Inc. from Hugh and Barbara Cassidy
℗ & © Blix Street Inc./Dramatico Entertainment Ltd.

Engineered by Steve Sale
Additional Engineering by Brian Masterson and Rupert Coulson

Design by www.wearetourist.com
Photography: Simon Fowler, Jo De Banzie, Andreas Terlaak and Michael Halsband

Run Time: 4:24

Category

🎵
Musique
Transcription
00:00 [MUSIC - "I'M NOT GOING TO BE LATE"]
00:03 Every morning 'bout half past eight,
00:22 my mama wakes me, says, don't be late.
00:25 I get to the office trying to concentrate my life.
00:30 It's just a slow train crawling up a hill.
00:34 So I stop one day to figure it out.
00:37 I quit my job without a shadow of a doubt
00:40 to sing the blues that I know about.
00:44 My life is just a slow train crawling up a hill.
00:48 Minute after minute, second after second,
00:52 hour after hour goes by.
00:56 Working for a rich girl, staying just a poor girl,
00:59 never stop to wonder why.
01:03 So here I am in London town, a better scene
01:08 I'm going to be around.
01:10 The kind of music that will bring me down.
01:14 My life is just a slow train crawling up a hill.
01:22 [MUSIC - "I'M NOT GOING TO BE LATE"]
01:25 Every morning 'bout half past eight,
01:36 my mama wakes me, says, don't be late.
01:40 I get to the office trying to concentrate my life.
01:44 It's just a slow train crawling up a hill.
01:48 So I stop one day to figure it out.
01:51 I quit my job without a shadow of a doubt
01:54 to sing the blues that I know about.
01:58 My life is just a slow train crawling up a hill.
02:03 Minute after minute, second after second,
02:07 hour after hour goes by.
02:10 Working for a rich girl, staying just a poor girl,
02:14 never stop to wonder why.
02:18 So here I am in London town, a better scene
02:22 I'm going to be around.
02:24 The kind of music that will bring me down.
02:28 My life is just a slow train.
02:48 So here I am in London town, a better scene
02:52 I'm going to be around.
02:54 The kind of music that will bring me down.
02:58 My life is just a slow train crawling up a hill.
03:10 [APPLAUSE]
03:13 Thank you.
03:27 We're going to do a song now, which is called "Mary Pickford."
03:36 And it was quite an interesting way how it was written.
03:42 I was in the studio with my producer Mike Batt.
03:45 And we were having a recording session
03:48 and looking around to write songs and to record
03:52 songs on this last album.
03:54 And Mike had this calendar, which
03:56 had lots of strange and silly facts on them.
04:01 And on that particular day, the fact
04:03 that was written on this calendar
04:05 said that Mary Pickford used to eat roses.
04:09 And he turned to me and said, that's
04:11 a really good song title.
04:14 And I was like, oh yeah, you're right.
04:17 But to my surprise, I came in the next day into the studio
04:20 and he had it written.
04:21 And this is what it sounded like.

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