The Witch's Mirror (1962)
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00:01:06 - What?
00:01:25 - It's some kind of dark shadow.
00:01:26 - It's there.
00:01:27 Helen, you're looking at a sinister sign,
00:01:31 and it forecasts tragedy.
00:01:33 Watch that black stain.
00:01:36 It's a bell, Helen.
00:01:37 It tells us you're surrounded by danger.
00:01:41 - Oh.
00:01:42 - Death walks around the rooms
00:01:45 and waits in hiding in this old house.
00:01:47 Now, my dear, now we must discover
00:01:52 just who the person is who plans this murder.
00:01:54 - Murder me?
00:01:56 What, who wanted?
00:01:57 - Quiet, dear.
00:01:59 Come.
00:02:02 Come.
00:02:03 - Oh, great general, king of the dark world,
00:02:13 Satan, the omnipotent.
00:02:14 Let the magic mirror tell us all.
00:02:17 Let the magic mirror speak.
00:02:20 Who is the person who intends to harm my godchild?
00:02:23 (dramatic music)
00:02:29 (dramatic music)
00:02:32 - The spirits are with us.
00:02:59 They will answer the question.
00:03:01 - But I don't...
00:03:02 - And now we'll find out who it is.
00:03:05 My dear, behold.
00:03:17 - It's Edward, my husband.
00:03:20 - Your husband is a man, then.
00:03:22 - No, it's impossible, Pharaoh.
00:03:25 - Now, Helen, you know that he is omnipotent, this spirit.
00:03:30 He doesn't joke.
00:03:31 He doesn't jest.
00:03:32 He is the spirit that speaks the truth.
00:03:36 - But he loves me so much.
00:03:37 So why would he try to murder me?
00:03:39 I adore my husband.
00:03:40 No, no, it's impossible.
00:03:42 - You're mistaken, child.
00:03:44 His face is appearing in the mirror.
00:03:47 Pay strict attention.
00:03:50 (dramatic music)
00:03:52 - Can you tell me who that girl is?
00:04:07 - Your rival.
00:04:08 - She's a stranger.
00:04:09 I don't even know her.
00:04:10 - That's absolutely true.
00:04:12 But just the same, she can hurt you without wanting to.
00:04:16 - Please, Pharaoh, help me.
00:04:16 I don't know what to do.
00:04:18 - It won't be easy.
00:04:19 Your destiny is written, and it's hard to change.
00:04:22 - You're my only recourse.
00:04:23 Help me.
00:04:24 - I'll do all I can, child.
00:04:26 Within the limits of Lucifer's power,
00:04:28 there is no strength.
00:04:29 (Helen gasps)
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00:04:34 (Helen screams)
00:04:41 (dramatic music)
00:04:44 - Great one, are you there?
00:04:59 Can you hear me?
00:05:00 I implore you, I beg of you.
00:05:04 Please lend an ear to my cry.
00:05:05 I, your servant, faithful always to your dictates.
00:05:09 Help me to save that poor child.
00:05:10 Do not make her die the way it is written.
00:05:12 Save her, do not make her die.
00:05:15 - Your godchild cannot be saved.
00:05:18 - At last he has revealed your fate, Helen.
00:05:26 I'm afraid now just as you are.
00:05:28 You poor child, death threatens and follows every minute.
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00:06:34 - Why do you insist on that melody?
00:07:01 Don't you like it?
00:07:02 - No, to tell you the truth, it bores me.
00:07:04 - You used to make me play it continually.
00:07:07 - That's possible, but now things are different.
00:07:10 - Yes, it's true, now things are different.
00:07:13 I think I'll go to bed.
00:07:17 (fire crackling)
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00:07:37 (door creaking)
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00:07:45 - Oh, great one.
00:08:13 You who know all, hear my petition.
00:08:16 I implore you, please give me valor.
00:08:18 Give me strength, the decision.
00:08:20 I need to protect and save Helen from the horrifying
00:08:24 and unjust act her husband has planned.
00:08:26 Oh, do make me strong and give me sufficient power
00:08:29 to protect that poor helpless creature.
00:08:31 Great one, hear her godmother's cry.
00:08:33 - No one has sufficient power to stop or to change destiny.
00:08:40 Your godchild must die.
00:08:42 Do not try to interfere unless you want to suffer
00:08:45 the punishment that will be doled out by your masters.
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00:10:21 - Thank you, darling.
00:10:22 - Flowers need oxygen, you know.
00:10:27 I'll take them out, the aroma might harm you.
00:10:29 It's almost toxic at night.
00:10:31 - But you know I like these flowers.
00:10:33 Don't be mean, darling.
00:10:40 - If you insist.
00:10:46 (fire crackling)
00:10:48 - Are you mad, Edward?
00:10:54 - Don't be foolish, Helen.
00:10:57 You know you're most lovely this evening, Helen.
00:11:01 - I could have sworn you'd forgotten how to use flattery.
00:11:05 - Well, good night, sweetheart.
00:11:07 Milk is a sedative.
00:11:08 You'll sleep well tonight, I assure you.
00:11:10 (gentle music)
00:11:14 (fire crackling)
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00:12:02 - Edward, I, why do you hate me so?
00:12:05 Edward, dear, you know how much I adore you,
00:12:15 and you hate me.
00:12:16 Why must you resort to destruction?
00:12:20 You.
00:12:20 Why, dear?
00:12:22 What is it?
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00:13:33 - Hear my plea, all powerful spirits
00:13:36 that lurk in the shadows of the night.
00:13:38 Permit me to make contact with Helen's soul.
00:13:42 Helen, Helen, listen.
00:13:51 Can't you see me?
00:13:53 I couldn't avoid it.
00:13:55 The finger of destiny was pointing at you.
00:13:58 But if I could not help you while you're alive,
00:14:01 I promise that you will enjoy revenge in death.
00:14:03 (dramatic music)
00:14:06 - Good evening, Sarah.
00:14:24 - Good evening, sir.
00:14:27 (door opening)
00:14:29 - You waited up for us, thank you so much.
00:14:34 You must have guessed already that this marvelous creature
00:14:36 is Deborah, my bride.
00:14:38 - I certainly hope to serve you
00:14:39 so you'll be happy in this house.
00:14:41 It'll be a great privilege, you know.
00:14:42 - Why, thank you, Sarah.
00:14:44 Edward's spoken so much about you.
00:14:46 - My competent servant.
00:14:47 She makes things run around this house.
00:14:49 Such a woman is hard to find.
00:14:50 No one is more loyal.
00:14:52 - Sir, I find your flattery a little embarrassing.
00:14:54 I like the house.
00:14:55 I try to do my job.
00:14:56 I hope you and I will be good friends and companions.
00:14:59 - Well, I feel honored to try to create such a situation.
00:15:02 - Sarah, I'm sure you must have received our telegram
00:15:05 telling you that we were getting married.
00:15:06 - Yes, sir, but it wasn't necessary, really.
00:15:09 - It wasn't necessary, did you say?
00:15:11 - No, sir, I knew about the wedding already.
00:15:13 - In that case, you must have guessed it.
00:15:18 - No man with your character is happy without a woman.
00:15:21 He never likes to be alone.
00:15:23 (Edward laughing)
00:15:25 - You see, your housekeeper doesn't mince her words.
00:15:28 After all, she said it in front of me, Edward.
00:15:30 - Can I serve you a little dinner?
00:15:39 - No, it's getting late, Sarah.
00:15:40 Why don't you go to bed?
00:15:41 - That woman is strange, but I'm sure she's very kind.
00:15:48 - She's very pleasant and very efficient, dear.
00:15:50 (fire crackling)
00:15:53 - Well, good night, sir.
00:15:57 I'm so pleased to know you,
00:15:59 and I wish you happiness here in your new home.
00:16:01 - Thank you very much, Sarah.
00:16:02 - I wasn't completely happy with this woman
00:16:06 in the beginning, but then later I began to like her.
00:16:10 Well then, how about your new house?
00:16:12 Do you like it, yes or no?
00:16:13 - Of course, dear.
00:16:14 You don't know how anxious I've been to see it.
00:16:16 - Mm, and you don't know how I wanted you to be here.
00:16:20 - Oh, I love you, Deborah.
00:16:22 And there's nothing in this world
00:16:23 that could have varied my decision.
00:16:25 I started out to make you Mrs. Hanley,
00:16:27 and that's who you are.
00:16:29 - And I'm delirious with joy.
00:16:32 However, in spite of what you used to say before,
00:16:35 I just couldn't and wouldn't believe
00:16:37 you were married to another woman.
00:16:39 - Oh, that all belongs in the past, though.
00:16:41 Let's not talk about what's gone before,
00:16:43 rather what there will be in the future.
00:16:45 Come on, I'm going to show you the house.
00:16:46 I want you to know all about your new home.
00:16:49 - Well, actually, all the rooms here are about the same,
00:16:51 as you'll soon see.
00:16:52 - Why, I could swear that this one here is ours.
00:16:56 - No, it isn't.
00:16:58 She used to use it.
00:17:00 - Please let me look around.
00:17:02 - No, well, that is tomorrow.
00:17:03 - Oh, my darling, don't be afraid.
00:17:05 Do you really think I could be affected by this?
00:17:07 Look, I'm not a jealous person, you know it.
00:17:09 Anyway, it's pointless now because the poor girl is...
00:17:12 Forgive me, Edward.
00:17:15 (wind whistling)
00:17:17 What's the matter?
00:17:26 - Nothing, but this breeze that started to blow.
00:17:29 Suddenly I crossed a current of cold air.
00:17:32 - The window is closed, darling.
00:17:42 No breeze could blow in here.
00:17:43 There's no logic to it.
00:17:45 - It could be, I just thought I felt it.
00:17:47 - Deborah, don't go there.
00:17:52 - This mirror is beautiful.
00:17:55 - Look, we'll come back some other time.
00:17:59 Come, come on, let's go.
00:18:01 - I've never seen such a beautiful mirror.
00:18:03 The room is so agreeable, I'd like to sleep here.
00:18:05 Someone must be caring for this room
00:18:11 because it seems to be in perfect order.
00:18:14 (wind whistling)
00:18:16 - Deborah, I should tell you,
00:18:20 these flowers were the kind she...
00:18:22 - Why don't you say it, dear?
00:18:23 She loved this kind.
00:18:25 Did you think that the facts could offend me?
00:18:27 How silly you are.
00:18:28 Nothing's wrong in telling the truth, don't you know that?
00:18:31 When a girl knows her husband loves her.
00:18:34 - Now, just what do you think?
00:18:38 Why do you suppose I married you?
00:18:41 - For always, till death do us part.
00:18:43 Forgive me.
00:18:46 No, we mustn't.
00:18:48 It isn't right, I'm acting like a complete idiot.
00:18:51 Can you forgive me, darling?
00:18:53 Is anything the matter?
00:18:56 - I don't know.
00:18:57 I don't know, come with me.
00:19:00 - This room got you down, didn't it?
00:19:07 It was hers once.
00:19:08 Hers and yours, am I right?
00:19:10 - You could be.
00:19:12 - Well, I'm proud to know that you are as you are, Edward.
00:19:14 That you show sentiment and haven't forgotten it.
00:19:16 You and she had a great love that...
00:19:18 I guess you're right.
00:19:18 We better try and forget her.
00:19:20 (dramatic music)
00:19:23 (bells tolling)
00:19:26 (dramatic music)
00:19:55 - Good morning, sir.
00:19:56 - Good morning, Sarah.
00:19:57 Is my wife around?
00:19:58 - Yes, she went downstairs,
00:20:00 but she said she'd wait to have her breakfast with you.
00:20:02 - Thank you.
00:20:03 (gentle music)
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00:20:16 (dramatic music)
00:20:29 (dramatic music)
00:20:32 - Morning, darling.
00:20:56 - You slept late today.
00:20:58 Where did you run across that musical score?
00:21:00 - This, it was on the piano.
00:21:01 Are you mad because I was playing?
00:21:04 - No.
00:21:05 It's only that this was her favorite song.
00:21:08 Helen, that is.
00:21:09 - I promised I'd never mention her again.
00:21:13 But now I'm going to ask you to do me a favor, Edward.
00:21:19 - Then let's hear it.
00:21:20 - I told you that I don't get jealous.
00:21:21 Do you remember that?
00:21:22 - Mm-hmm.
00:21:24 - I made a mistake.
00:21:25 You see, I find I'm not as practical a girl as I thought.
00:21:28 I did try to forget her, but I'm suffering now, Edward.
00:21:31 Because Helen's memory hangs in the air.
00:21:33 She dominates this household.
00:21:34 I'm constantly reminded she was the first woman here.
00:21:37 - I promise you that you'll have your way.
00:21:39 I won't speak about her again.
00:21:40 - Thank you, Edward.
00:21:41 (rain pattering)
00:21:44 (gentle music)
00:22:06 (rain pattering)
00:22:09 - Sarah?
00:22:30 (gentle music)
00:22:32 Sarah, who put these flowers here?
00:22:41 - I really couldn't tell you.
00:22:43 - Now you listen to this.
00:22:44 I don't care who's responsible
00:22:45 for putting the flowers in the room, Sarah.
00:22:47 But as long as I'll be living here, it won't happen again.
00:22:50 So try to understand me.
00:22:51 These are another woman's flowers.
00:22:53 I don't want them in here.
00:22:54 - Very well, I'll take them.
00:22:56 (gentle music)
00:22:58 (dramatic music)
00:23:17 (phone ringing)
00:23:20 (dramatic music)
00:23:31 - You look nervous and scared.
00:23:42 - I don't know why, but I don't like it in here.
00:23:45 - The room is like all the others.
00:23:47 But look, they all wilted in just a few seconds.
00:23:50 This is absurd, it can't be true.
00:23:53 - Since Mrs. Hanley died,
00:23:54 some strange things have occurred here.
00:23:56 Unexplainable things, I'd say.
00:23:58 And frankly, many things happened in this room.
00:24:00 - I wouldn't doubt it at all, Sarah.
00:24:02 Those wilting flowers are enough for me.
00:24:04 Look, we'll be decorating this room again,
00:24:06 so burn all her things.
00:24:08 - As you wish, I'll start today.
00:24:10 But there is one thing I ought to ask.
00:24:12 Do you think your husband will agree?
00:24:13 - He'll agree with me.
00:24:15 I'll make sure that he does, Sarah.
00:24:17 - Respect my orders and don't forget now.
00:24:19 You are not to put more flowers in this room.
00:24:21 - I quite understand.
00:24:22 Oh, Great One, this is Jupiter's day.
00:24:45 And the moon will shine on the horizon tonight.
00:24:48 And all the aromatic plants in the earth
00:24:50 exude their delicious perfume.
00:24:52 Their blood will wet the decaying flesh
00:24:54 that once housed its immortal souls.
00:24:57 To you, father and ruler of all the dark shadows,
00:25:01 I do implore now and adjure.
00:25:03 Please permit me to talk to her once more.
00:25:07 Put me in contact with the soul
00:25:09 of my innocent godchild, Helen.
00:25:11 (thunder rumbling)
00:25:14 Thanks to the dark master and to the spirits, you are here.
00:25:32 I invoked your presence.
00:25:34 My purpose in calling you here was only to say
00:25:37 that no one can harm you now or touch you.
00:25:41 And he who is to blame will surely repent, Helen.
00:25:44 He'll wreak your revenge and torment Deborah
00:25:47 since he loves her the most.
00:25:49 (thunder rumbling)
00:25:57 (thunder rumbling)
00:26:00 (rain pattering)
00:26:03 (rain pattering)
00:26:05 - Sarah, do you know where my husband went?
00:26:32 - No, he didn't say.
00:26:33 - Know what time he'll be back?
00:26:34 - I'm sorry, I don't.
00:26:36 (rain pattering)
00:26:44 (dramatic music)
00:27:13 - Are you all right?
00:27:15 I have the impression that you're worrying about something.
00:27:17 What's the matter, dear?
00:27:18 - It's, this is something important,
00:27:20 so I think we'd better face it.
00:27:22 Undoubtedly, you'll be interested in hearing about it, dear.
00:27:25 - But what?
00:27:26 What?
00:27:27 - She kept a diary.
00:27:28 Did you know that or didn't she tell you?
00:27:30 - A diary?
00:27:32 No.
00:27:33 - Come here.
00:27:34 (dramatic music)
00:27:37 Now that's impossible, it can't be true.
00:27:40 Look, I remember distinctly, I put it right here.
00:27:42 I spoke to you for just a moment.
00:27:43 - Well, now calm down, you're getting nervous.
00:27:45 - Strange things occur in this place and I'm getting scared.
00:27:49 Darling, I don't break down easily,
00:27:51 but this disappearance is just too much.
00:27:53 Well, all right, you think it's a hallucination.
00:28:06 That wasn't any hallucination.
00:28:08 Right before my very eyes,
00:28:09 the fire went out for no logical reason.
00:28:11 - Now, Deborah, calm down.
00:28:13 It's a closed room and there's little oxygen to boot,
00:28:15 so obviously the flames were extinguished suddenly.
00:28:18 - But I laid a diary down a second ago and now it's gone.
00:28:20 - All right, then you laid it down someplace else.
00:28:22 Sooner or later, you'll find it.
00:28:23 - You don't believe that.
00:28:24 I can see in your face that you don't.
00:28:26 - I'd certainly like to, I can tell you that.
00:28:29 How about a cognac?
00:28:32 It'll help to steady your nerves.
00:28:33 (fire crackling)
00:28:36 - Come on.
00:28:46 Know what, Deborah?
00:28:53 I've been thinking lately that the best solution
00:28:55 is to buy us a smaller house in the city.
00:28:57 - No, moving won't do any good and it's cowardly.
00:28:59 The house doesn't scare me, really.
00:29:00 - Your conduct doesn't show me that, darling.
00:29:02 - You may be right.
00:29:03 - And another thing, darling.
00:29:07 Did you start to read the diary?
00:29:10 - No, there wasn't time to.
00:29:12 At that moment, I heard you come in and I couldn't.
00:29:14 - Well, why don't we forget the whole thing now?
00:29:18 (gentle music)
00:29:27 (fire crackling)
00:29:55 - Listen, do you hear it playing too?
00:29:57 - It's just impossible, Deborah.
00:30:10 It's just our imaginations because we're nervous.
00:30:13 - Edward, you and I are not alone in this house.
00:30:16 - Yes, this is a trick by some enemy of mine.
00:30:19 But I know a way that I can find the trickster.
00:30:25 (dramatic music)
00:30:28 - There's no one in here.
00:30:35 - Don't get impatient, I'll find the idiot.
00:30:54 (thunder rumbling)
00:30:58 - There's nothing to fear now.
00:31:00 You and I are behaving like a couple
00:31:01 of scared children, darling.
00:31:03 - Yes, possibly.
00:31:04 But why are all these strange things
00:31:06 starting to happen this very night?
00:31:09 The fire suddenly went out, then the diary disappeared.
00:31:13 And the piano played by itself
00:31:14 as if invisible fingers were playing the music.
00:31:16 You heard it too, Edward, you were here.
00:31:23 - Deborah, I don't swallow these stories about spirits.
00:31:27 - Why are you speaking about the dead?
00:31:29 - Because undoubtedly we're both thinking
00:31:30 that a spirit was in here
00:31:32 and that it started playing the piano.
00:31:35 - Then why must we talk about her and referring to the dead?
00:31:38 You really think she didn't?
00:31:39 - No, I was only associating ideas
00:31:42 because she's dead and buried and...
00:31:45 - I wonder, do you really think she was here a while ago
00:31:49 with her fingers on the piano?
00:31:51 (Deborah gasps)
00:31:54 - Deborah, you know I'm a scientist to the end,
00:31:58 a doctor of medicine.
00:32:00 I must deny all this about spirits.
00:32:02 Who's that out there in the hall?
00:32:06 - I heard you talking,
00:32:08 so I came to see if you needed anything.
00:32:10 - No, nothing.
00:32:14 - Good night, then.
00:32:20 - You and I were so frightened just a moment ago,
00:32:22 but you can see that there's a logical explanation
00:32:25 for all this.
00:32:26 - Edward, when you were there tonight in Helen's room,
00:32:29 just what did you think you'd see?
00:32:31 - I don't know.
00:32:32 I admit that it was silly to go in there
00:32:34 looking for her or her ghost
00:32:35 when I knew that I wasn't going to find anything.
00:32:39 - Did you hear that?
00:32:43 (Deborah gasps)
00:32:46 - It's just natural, Deborah.
00:32:56 All these sounds are normal.
00:32:57 They're caused by rain and thunder.
00:32:59 - Only that scream we heard came from her room.
00:33:02 I know it.
00:33:03 - We must be calm, dear.
00:33:04 Try not to lose control.
00:33:05 - You're just wasting your time with that talking.
00:33:07 You know it, don't kid me.
00:33:09 You're as afraid as I am, Edward.
00:33:11 (rain pattering)
00:33:13 - What's there to be afraid of?
00:33:14 Nothing.
00:33:15 - Listen.
00:33:18 (ghostly moaning)
00:33:29 Do you hear it now?
00:33:37 I bet that's her, Edward.
00:33:40 - Yes, it's her.
00:33:41 - It is her!
00:33:42 - Quiet, shut your mouth.
00:33:43 It's crazy.
00:33:44 - No, Edward, no!
00:33:44 It is Helen.
00:33:46 I know she hates me and she isn't going to let me go.
00:33:49 - Deborah, come with me, dear.
00:33:51 - No.
00:33:52 It's something she's asking from us.
00:33:54 I know it now.
00:33:55 She hates me.
00:33:56 She wants to keep you only she can't
00:33:58 because you're mine.
00:33:59 - No!
00:34:00 Deborah, no!
00:34:05 No!
00:34:06 (eerie music)
00:34:19 - You're in here, so speak.
00:34:24 I know you're in here.
00:34:25 I heard your scream downstairs.
00:34:28 (eerie music)
00:34:31 (screaming)
00:34:41 - Deborah!
00:34:52 Deborah!
00:34:55 Deborah!
00:34:58 (eerie music)
00:35:00 (screaming)
00:35:26 (screaming)
00:35:28 - Deborah!
00:35:30 (screaming)
00:35:32 - Helen, you're free to rest now.
00:35:36 Your vengeance has at last been carried out.
00:35:41 You must try to eat something.
00:35:46 Your body needs strength.
00:35:48 You can't go on without food.
00:35:49 - Take it away.
00:35:50 I don't want anything.
00:35:52 - I'm sorry.
00:35:53 - Excuse me, please, sir.
00:35:59 - I'm very grateful.
00:36:00 No one could have looked after my wife
00:36:02 as well as you've been doing.
00:36:04 - Please, Edward.
00:36:15 I don't want any light in the room.
00:36:17 - I can easily understand your motives, Deborah.
00:36:20 It's a normal way to react.
00:36:22 You don't believe me, but you--
00:36:23 - Edward, I beg of you, don't turn on the lights.
00:36:25 - You must have willpower, dear.
00:36:27 You're not hopeless.
00:36:29 - You don't think so, but I do.
00:36:32 - Deborah, I'll cure you.
00:36:38 I know plastic surgery.
00:36:40 - Don't be so cruel, Edward.
00:36:44 Even plastic surgery can't help me now.
00:36:47 - But I know that I can make you a new face over this one.
00:36:49 I'll restore the beauty you had originally.
00:36:52 - Are you trying to deceive me?
00:36:54 - Now listen, Deborah.
00:36:59 After many long days and nights of sweat and hard work,
00:37:02 I think I've found an effective formula.
00:37:05 Frankly, I can say it's nothing short of marvelous.
00:37:07 I'll reform your face structure and give you new skin.
00:37:11 And once again, I'll have the most beautiful wife
00:37:12 in the world.
00:37:13 - Please don't talk like that.
00:37:14 How can you make me suffer this way?
00:37:17 No one is capable of bringing about such a miracle,
00:37:19 not even you.
00:37:20 - Deborah.
00:37:21 - Don't torture me.
00:37:22 You know very well who was the cause of all this evil.
00:37:24 It was she.
00:37:26 From the depths of her grave, she wanted to punish me.
00:37:29 - Look, I'm a man who has complete faith in science.
00:37:32 My knowledge is the master of my soul.
00:37:33 I must try to find a cure.
00:37:35 - No, Edward.
00:37:37 Let's forget the whole thing.
00:37:38 What you're saying is impossible.
00:37:40 It can't be.
00:37:41 - Deborah, let me show you that I love you
00:37:46 more than ever now.
00:37:48 I can prove it to you.
00:37:50 (dramatic music)
00:37:52 My faith is hideous.
00:37:57 Can you love me like this?
00:38:01 - Have faith in me, because soon, very, very soon,
00:38:07 we'll be seeing your old beauty.
00:38:10 (dramatic music)
00:38:13, (dramatic music)
00:38:18 (dramatic music)
00:38:20 (dramatic music)
00:38:23 (dramatic music)
00:38:26 (dramatic music)
00:38:29 (dramatic music)
00:38:40 (dramatic music)
00:38:43 (phone ringing)
00:39:03 - Deborah.
00:39:04 Deborah.
00:39:07 Deborah.
00:39:07 Deborah.
00:39:09 - The mysterious appearance of two cadavers
00:39:11 that were in the morgue here.
00:39:13 This case presents certain aspects
00:39:15 that have as yet to be explained.
00:39:17 The two cadavers were those of young and lovely girls.
00:39:21 - As we were saying, Gamble,
00:39:23 this case just doesn't add up at all.
00:39:25 Who would go to such lengths to carry off two cadavers?
00:39:28 - Well, who knows?
00:39:28 Someone might try to sell the bodies.
00:39:31 - What are you talking about?
00:39:32 (laughing)
00:39:33 I assure you, my dear Gamble,
00:39:35 that if you were to offer me a couple of bodies,
00:39:36 you'd get exhausted trying to make the sale.
00:39:38 - I know that you'd refuse, Inspector,
00:39:40 but suppose the doctor wants some data on anatomy,
00:39:43 for example.
00:39:44 - Well, that's fine, Gamble.
00:39:49 This case interests you,
00:39:50 so I want you to start an investigation.
00:39:52 Only please let me know how you get along.
00:39:54 - Very well, Inspector.
00:39:55 I'll be back later.
00:39:58 (wind howling)
00:40:00 - Who would suspect that the remains are in this furnace?
00:40:07 (door slams)
00:40:08 - Since that unfortunate accident, I can't stand fire.
00:40:11 But under the circumstances, I have no choice but to use it.
00:40:15 This other corpse will also have to be cremated.
00:40:18 But I think it will last a long time.
00:40:20 - I'm afraid it's too late.
00:40:22 - I'm afraid it's too late.
00:40:24 This other corpse will also have to be cremated.
00:40:27 But I think it will last about three days more.
00:40:30 You know, my friend, it's a crime to stop this unusual treatment
00:40:33 when it's starting to bear fruit.
00:40:35 I'm positive that we are within the possibility of an extraordinary success.
00:40:38 - But, Doctor, you mean to say you're thinking about abandoning this new treatment now?
00:40:43 Only because you lack the material that's necessary?
00:40:45 You've made successful grabs.
00:40:48 But now let's be frank.
00:40:50 You'd better lay it on the line.
00:40:52 - I lay it on the line, my friend, just as you say.
00:40:54 I don't have faith in anyone.
00:40:56 But on the other hand, I'm sure you can help me to solve my problem.
00:41:00 Now that our treatment has begun to work,
00:41:03 we must get new material. Our success hinges on it.
00:41:06 Do you agree with me?
00:41:07 - Sure I do.
00:41:08 I'll work as long as you pay well for the risk I run.
00:41:11 - Mm-hmm.
00:41:12 Double the salary you've been getting, Charles.
00:41:14 That all right?
00:41:15 - Thanks, Doc.
00:41:16 And don't worry, I promise not to fail you.
00:41:18 (knocking)
00:41:19 - Someone's there.
00:41:20 - Who is it?
00:41:22 Who is it?
00:41:23 - It's me, Edward.
00:41:25 - Darling, I'm finishing a preparation just now.
00:41:28 Hold on just a moment.
00:41:30 - Should I...
00:41:36 - Hide, Charlie.
00:41:37 It's better that you aren't seen here.
00:41:39 - Deborah.
00:41:49 Deborah, I have forbidden you to come to my laboratory.
00:41:52 Why have you come here?
00:41:53 - I know that it upsets you, but I haven't seen you all day long.
00:41:57 Is my next operation going to be tomorrow, as you said?
00:42:00 - Why, yes, dear.
00:42:01 And I'll start in on the next graft.
00:42:03 - Hope is all that keeps me alive.
00:42:06 I'll be going now.
00:42:08 - I'll be with you shortly.
00:42:11 (door opening)
00:42:13 - Out there a moment ago, I began to think about what we've been working on.
00:42:21 And I thought of an ideal place to find some bodies.
00:42:24 Where?
00:42:25 (ominous music)
00:42:27 (thunder rumbling)
00:42:31 (ominous music)
00:42:33 (thunder rumbling)
00:42:39 (ominous music)
00:42:41 (ominous music)
00:42:48 (thunder rumbling)
00:42:50 (thunder rumbling)
00:42:56 - And now they carry off another body.
00:43:01 There's more than just a simple coincidence, no doubt about it.
00:43:04 - That's just what I was thinking, Inspector.
00:43:06 And the important fact to take into account is in both cases, they carried off the bodies...
00:43:10 - Of pretty girls, right, Inspector?
00:43:12 This criminal has a motive for stealing bodies, so find it.
00:43:15 These aren't ordinary robberies.
00:43:17 There are inclinations here that don't exist in the general run of crooks.
00:43:20 - But these crooks also confine the robberies to pretty young women, Inspector.
00:43:24 - It's an uncommon case. You as an expert must admit it.
00:43:29 - Yes, that's true.
00:43:31 The case has certain strange angles.
00:43:35 I don't think the criminal is normal.
00:43:37 He could be a paranoic.
00:43:40 (thunder rumbling)
00:43:45 (ominous music)
00:43:50 (thunder rumbling)
00:43:54 (ominous music)
00:44:00 (ominous music)
00:44:02 (thunder rumbling)
00:44:11 (ominous music)
00:44:16 (thunder rumbling)
00:44:24 - I'm sorry, Doctor, am I intruding?
00:44:29 - No.
00:44:30 Deborah is still sleeping because of the anesthesia.
00:44:33 So talk freely.
00:44:35 I've just finished operating on her, at least for tonight.
00:44:37 - Were you successful?
00:44:38 - Yes.
00:44:39 Luckily, I operated without any difficulty.
00:44:42 - Doctor, I have good news tonight.
00:44:44 - Let's hear it, then.
00:44:46 - A little while ago, a young woman died.
00:44:48 A penis, Doc.
00:44:49 - About 20 years old.
00:44:50 What a face.
00:44:52 - Bad heart, you know, and it finally failed her.
00:44:54 That's how the death certificate reads.
00:44:56 - That's good news, all right. Where is she?
00:44:58 - In the apartment opposite mine.
00:45:00 We were friends.
00:45:01 Today is the wake, Doctor.
00:45:03 - Yes, but we won't be able to--
00:45:04 - Not there, Doc.
00:45:05 That'll be later, when she's underground,
00:45:08 in the cemetery, Doc.
00:45:10 - Cover those remains and take them out.
00:45:13 I'll take Deborah up to her room.
00:45:15 (ominous music)
00:45:25 (thudding)
00:45:27 - What exquisite hands.
00:45:47 She must have been a great pianist.
00:45:50 (rain pattering)
00:45:52 They're very similar to other exquisite hands I remember.
00:46:02 - Yeah, I can see.
00:46:04 Her hands before the accident.
00:46:06 - No.
00:46:07 The hands of my wife that fell sick, Helen.
00:46:10 She had hands fully as lovely as these.
00:46:13 - I need these now and without telling you why.
00:46:16 I think you understand.
00:46:18 - In that case, make a decision as to what to do.
00:46:21 - I just decided now.
00:46:23 - The burial.
00:46:25 Tomorrow at six o'clock, they inter.
00:46:27 - Oh, great spirit in the dark dominions,
00:46:33 listen to my cry now and come to tell me
00:46:36 how I, Sarah, should go about destroying
00:46:38 the evil art of this ruthless man.
00:46:40 You know the man.
00:46:42 He is called Edward Hanley.
00:46:44 He's putting new life into the hands and feet of the people.
00:46:47 He's putting new life into the hands and face
00:46:49 of that woman he married.
00:46:51 You always lend your ears to my complaints and cries.
00:47:05 I shall sit here listening for your sage counsel.
00:47:09 All that belongs to death must return
00:47:16 to the commanders herd and when the moon is full.
00:47:19 Tuesday night is Mercury's night of shadow.
00:47:22 Tell me now, oh great one, is that when I'll have my revenge?
00:47:26 Thank you, oh noble spirit down in the dark dominions.
00:47:40 I know that your promises are infallible.
00:47:44 (dramatic music)
00:47:47 - I hope the watchman's keeping a sharp eye out.
00:47:49 With all the money he got,
00:47:50 he should be willing to work for a whole week.
00:47:52 - Did you say the poor girl died of a heart attack?
00:47:57 - Uh-huh, a coronary thrombosis according to the death certificate.
00:48:01 We better hurry up and make it snappy.
00:48:03 Not much further to go now, doc.
00:48:13 (grunting)
00:48:15 - Hey, what's that?
00:48:18 - Did you hear it too?
00:48:20 - Yes, I heard a sound.
00:48:22 - Come on, we better hurry.
00:48:24 - No.
00:48:25 - It's coming from that coffin, doc.
00:48:27 - Can't you hear it?
00:48:28 It's coming from that coffin!
00:48:29 - Don't shout, Charlie.
00:48:30 - I distinctly hear something.
00:48:32 And there's no doubt that it comes from down there.
00:48:34 Can't you hear anything?
00:48:35 - Yes, I can.
00:48:36 - But don't you think it comes from down there in that hole?
00:48:39 - Naturally I think it comes from down there.
00:48:40 - Good Lord.
00:48:41 - Come on, try to get hold of yourself.
00:48:42 - But I...
00:48:43 - Keep digging, use your shovel.
00:48:44 - But you can't...
00:48:45 - Shh, be still.
00:48:46 - I can't take anymore.
00:48:58 I can't take anymore.
00:49:00 - Charlie, stop you fool, give me that crowbar.
00:49:03 Give me the bar, Charlie.
00:49:06 Give me the bar, Charlie.
00:49:07 - She's alive.
00:49:35 She's alive, do you understand?
00:49:36 Apparently her doctors thought she'd suffered from a heart attack
00:49:38 when in reality it was only a cataleptic trance.
00:49:41 - You mean...
00:49:42 - That's right, she's alive.
00:49:43 Here in my powers is the body of a woman that's alive, my friend.
00:49:46 And there's no danger that they'll come to us to claim her
00:49:49 because for all those others, this poor girl is dead.
00:49:51 And those hands,
00:49:53 the hands that I needed so much.
00:49:55 Lovely, beautiful little hands.
00:49:58 For Deborah.
00:50:00 We'd better get her home as fast as possible.
00:50:03 I don't want to wake her up here.
00:50:04 Come on.
00:50:05 - This injection will keep her in a continual cataleptic trance,
00:50:16 but she'll be safe.
00:50:18 - But doctor,
00:50:19 this girl is still living.
00:50:21 You mean you'll amputate her hands without getting her permission?
00:50:23 - Yes, that's my intention.
00:50:25 - But that's just monstrous, you can't be serious.
00:50:27 - Listen, she won't feel a thing,
00:50:28 so there's no need to concern yourself.
00:50:30 The girl will be in a deep sleep now.
00:50:33 And she won't go through agony when I start to amputate.
00:50:35 Not many men enjoy such a privilege in the art of medicine.
00:50:39 Just think, Charlie, I'm going to transplant real living flesh.
00:50:42 Lovely hands.
00:50:52 They're just like Helen's, Charlie.
00:50:55 Such fantastic hands beyond compare.
00:50:58 What a surprise for Deborah.
00:51:00 - No, please don't.
00:51:01 I can't stand to watch.
00:51:03 - Well, go on then.
00:51:05 But get here early tomorrow, I want you to witness my work.
00:51:08 I want to share with you this fabulous success,
00:51:11 in reality a miracle of medicine.
00:51:13 - I'll be here, doc.
00:51:14 Bright and early.
00:51:15 - The dead contribute to a new body.
00:51:26 And the living contribute to a new body.
00:51:30 And this great success is mine alone.
00:51:32 This is my success.
00:51:36 (dramatic music)
00:51:38 - Earn your salvation, young man.
00:52:01 Go directly to the police station
00:52:04 and denounce the doctor for the horrible crimes he is committing.
00:52:06 - Listen, you're his housekeeper, aren't you?
00:52:10 Your name is Sarah.
00:52:11 In that case, why do you want me to do such a thing?
00:52:14 - I just told you.
00:52:15 For your salvation, young man.
00:52:17 (dramatic music)
00:52:24 (yells)
00:52:31 (dramatic music)
00:52:34 (dramatic music)
00:52:36 (dramatic music)
00:52:49 (dramatic music)
00:53:02 (dramatic music)
00:53:04 - You senseless fool.
00:53:11 Don't you realize your plan will surely fail?
00:53:14 Slowly but surely, I'm bringing you toward death
00:53:17 with black magic.
00:53:18 (dramatic music)
00:53:30 (dramatic music)
00:53:32 (dramatic music)
00:53:36 (dramatic music)
00:53:54 (dramatic music)
00:53:56 (dramatic music)
00:54:11 - Helen, this is your hour.
00:54:23 (dramatic music)
00:54:25 Hear my call.
00:54:26 (dramatic music)
00:54:29 (dramatic music)
00:54:44 (dramatic music)
00:54:52 (dramatic music)
00:54:54 - I was quite sure you'd gone to bed, dear.
00:55:16 - I can't sleep a wink, Edward.
00:55:17 It's no use trying.
00:55:21 - I think I can stop your suffering very soon, Deborah.
00:55:23 - But when, Edward, when?
00:55:25 - Now.
00:55:26 Tonight we finish.
00:55:28 In just a little while, you'll be well again.
00:55:30 First I'll finish your face,
00:55:32 and then I'll work on your hands.
00:55:33 - Do you mean it?
00:55:35 You're not filling my head with a lot of false hopes?
00:55:37 - No.
00:55:38 And tonight's session will last for hours.
00:55:40 Many hours.
00:55:42 - I have complete confidence in you, Edward.
00:55:44 But if anything were to happen,
00:55:46 some strange phenomenon,
00:55:48 suppose she were to return again.
00:55:50 (dramatic music)
00:55:52 Edward, come quickly!
00:56:00 Look, she's out there!
00:56:01 (dramatic music)
00:56:04 It's Helen.
00:56:06 She's out in the garden.
00:56:07 - No, Deborah.
00:56:09 You're imagining things.
00:56:10 There's no one out there.
00:56:12 - But I saw her out in the garden.
00:56:15 - Well, take another look,
00:56:17 and you'll realize who made a mistake.
00:56:19 (dramatic music)
00:56:21 - Well, that's incredible.
00:56:32 There's no one out there.
00:56:34 But I'm sure I saw her.
00:56:36 I can almost swear it.
00:56:37 - No.
00:56:39 Just your imagination.
00:56:40 But don't worry.
00:56:42 Well, come on, dear.
00:56:44 (dramatic music)
00:56:47 (wind blowing)
00:56:48 (dramatic music)
00:56:50 - I've been here waiting.
00:57:15 - Your husband is going to put these hands on Deborah,
00:57:17 my dear.
00:57:18 But I'll change that right now.
00:57:20 There are other hands for her,
00:57:24 young and lovely hands, Helen.
00:57:26 (dramatic music)
00:57:32 (dramatic music)
00:57:45 (dramatic music)
00:57:46 - Now then, you put yours right down here
00:57:59 where he laid the others.
00:58:00 (dramatic music)
00:58:12 (dramatic music)
00:58:13 - You'll be avenged by your own hands in a while, Helen.
00:58:17 You'll find tranquility at last.
00:58:21 But please, go back there.
00:58:23 (dramatic music)
00:58:25 (dramatic music)
00:58:35 (dramatic music)
00:58:37 (dramatic music)
00:58:38 (dramatic music)
00:58:39 (dramatic music)
00:58:41 (dramatic music)
00:58:42 (dramatic music)
00:58:44 (dramatic music)
00:58:46 (dramatic music)
00:58:48 (dramatic music)
00:58:50 (dramatic music)
00:58:52 (dramatic music)
00:58:54 (dramatic music)
00:58:56 (dramatic music)
00:58:58 (dramatic music)
00:59:00 (dramatic music)
00:59:02 (dramatic music)
00:59:04 (dramatic music)
00:59:06 (dramatic music)
00:59:09 (dramatic music)
00:59:10 (dramatic music)
00:59:12 (dramatic music)
00:59:14 (dramatic music)
00:59:16 (dramatic music)
00:59:18 (dramatic music)
00:59:20 (dramatic music)
00:59:22 - Darling, can I see them now?
00:59:24 - Yes.
00:59:26 (dramatic music)
00:59:27 (dramatic music)
00:59:29 (dramatic music)
00:59:31 (dramatic music)
00:59:33 (dramatic music)
00:59:35 (dramatic music)
00:59:37 (dramatic music)
00:59:39 (dramatic music)
00:59:41 (dramatic music)
00:59:43 (dramatic music)
00:59:45 (dramatic music)
00:59:47 - My hands.
00:59:49 Then it's true.
00:59:51 You weren't deceiving me.
00:59:53 Edward, I have my hands again.
00:59:55 - Now, there's one thing I want to see.
00:59:56 Try to move your hands slowly.
00:59:58 (dramatic music)
01:00:00 The other one.
01:00:02 (dramatic music)
01:00:04 - Nothing that I could do for you
01:00:06 would show my gratitude.
01:00:08 - And there won't be any scar.
01:00:10 The red line here where I sewed
01:00:12 will disappear slowly.
01:00:14 You won't feel a thing.
01:00:16 (dramatic music)
01:00:18 - Oh.
01:00:20 At last I can caress you again.
01:00:22 (dramatic music)
01:00:24 - Deborah!
01:00:25 Deborah!
01:00:27 - Edward, all I wanted to do was caress you.
01:00:29 But suddenly these hands started
01:00:31 to act on their own impulse.
01:00:33 I couldn't control them.
01:00:35 It's as if they were trying to make decisions by themselves.
01:00:37 - I suppose the reaction is only natural.
01:00:39 Besides, it'll take time to get accustomed.
01:00:41 - What an extraordinary sensation.
01:00:43 It's as if they were responding to some other brain.
01:00:46 I don't want them to move
01:00:48 and yet they move just the same.
01:00:50 I just can't see them.
01:00:53 - Don't worry about it.
01:00:54 In just a few days,
01:00:56 you'll begin to control all the movements.
01:00:58 Now force yourself, dear.
01:01:00 Steady your hands.
01:01:02 (dramatic music)
01:01:06 They're obeying you.
01:01:08 - Yes.
01:01:10 Now I want to touch this head bandage.
01:01:13 (dramatic music)
01:01:17 Then I'll slowly lower my hands.
01:01:21 (breathing heavily)
01:01:24 Edward, when can you take off this horrible bandage?
01:01:28 - Tomorrow night.
01:01:30 And when I do,
01:01:32 I'm sure I'll see the prettiest face in all existence.
01:01:35 Run along, darling.
01:01:37 Get a little rest.
01:01:39 You must be tired.
01:01:41 (dramatic music)
01:01:45 (rain pattering)
01:01:48 (rain pattering)
01:02:16 (dramatic music)
01:02:19 - Deborah!
01:02:36 Why are you playing again?
01:02:38 (dramatic music)
01:02:42 - Edward, I can't help myself.
01:02:45 It's these hands, I lost control of them again.
01:02:48 (dramatic music)
01:02:52 - Forgive me, Deborah.
01:02:54 But that particular piece is maddening.
01:02:57 It's maddening, do you hear?
01:02:59 - I'm the one that should ask for forgiveness, Edward,
01:03:02 but I swear I couldn't help myself.
01:03:04 - Can you swear you'll never play that song again?
01:03:06 - How could I do anything like that
01:03:08 under the circumstances?
01:03:13 (dramatic music)
01:03:16 - You must go straight to the police
01:03:28 and denounce the doctor.
01:03:30 If you want salvation.
01:03:32 If you want to save your soul.
01:03:35 You must go straight to the police
01:03:39 and denounce the doctor's crimes.
01:03:42 If you want salvation.
01:03:43 If you want to save your soul,
01:03:45 go to the police and denounce the doctor's crimes.
01:03:49 (dramatic music)
01:03:57 (dramatic music)
01:04:10 (eerie music)
01:04:13 - Helen, this is the night.
01:04:21 The night of mercury stained with black shadows.
01:04:25 (eerie music)
01:04:29 Helen, Helen, can you hear me?
01:04:38 It's Tuesday night.
01:04:39 Helen.
01:04:41 Helen, you've got to listen to me.
01:04:45 This is your night.
01:04:47 This is our night.
01:04:49 There's a full moon in the sky.
01:04:51 (eerie music)
01:04:53 The forces of evil are on our side this night.
01:04:56 They will destroy our enemies
01:04:58 and they will send back to death
01:05:00 whatever belongs to death.
01:05:02 Hear me, Helen, and awaken from your deep sleep.
01:05:07 (dramatic music)
01:05:10 Forces of evil, great ruler of the dark dominions,
01:05:19 show me your infinite power.
01:05:21 (dramatic music)
01:05:25 (eerie music)
01:05:28 Your fire that burns all.
01:05:45 I hear you, Satan.
01:05:48 (eerie music)
01:05:53 Open the doors and demonstrate his infamy.
01:05:55 (dramatic music)
01:05:59 (Helen screams)
01:06:20 (dramatic music)
01:06:23 I've told you the whole story, sir.
01:06:27 That's all there is.
01:06:29 This confession is the most monstrous thing
01:06:31 that anyone has related to me in all my years.
01:06:34 I told you just a few days ago
01:06:36 that this strange criminal undoubtedly was a maniac.
01:06:38 Well, come on then.
01:06:40 We've got to do something in a hurry
01:06:42 to bring that butcher's career to an end.
01:06:44 And you're coming along too.
01:06:46 I want all the men well armed and ready to fight.
01:06:49 (dramatic music)
01:06:52 (eerie music)
01:06:56 (dramatic music)
01:07:00 (eerie music)
01:07:04 (dramatic music)
01:07:08 (eerie music)
01:07:12 (dramatic music)
01:07:17 I've just seen the despicable things you've done.
01:07:18 Look! - Deborah!
01:07:20 Now look! - You see what you've done?
01:07:22 You amputated that poor girl's hands and sewed them on me
01:07:24 and you put the skin of a dead woman on my face!
01:07:26 - Deborah! - Don't touch me!
01:07:28 You're a killer, you monster! - Deborah!
01:07:30 (eerie music)
01:07:34 (eerie music)
01:07:37 (eerie music)
01:07:41 (eerie music)
01:07:45 (eerie music)
01:07:49 (eerie music)
01:07:53 (eerie music)
01:07:57 Deborah!
01:07:59 Deborah!
01:08:02 Deborah!
01:08:03 Deborah!
01:08:05 Deborah!
01:08:07 Deborah!
01:08:09 Deborah!
01:08:11 Deborah!
01:08:13 Deborah!
01:08:15 Deborah!
01:08:17 Deborah!
01:08:19 Deborah!
01:08:21 Deborah!
01:08:23 Deborah!
01:08:25 Deborah!
01:08:27 Deborah!
01:08:29 Deborah!
01:08:31 Deborah!
01:08:32 Deborah!
01:08:34 Deborah!
01:08:36 Deborah!
01:08:38 Deborah!
01:08:40 Deborah!
01:08:42 Deborah!
01:08:44 Deborah!
01:08:46 Deborah!
01:08:48 Deborah!
01:08:50 Deborah!
01:08:52 Deborah!
01:08:54 Deborah!
01:08:56 Deborah!
01:08:58 Deborah!
01:09:00 Deborah!
01:09:01 Deborah!
01:09:03 Deborah!
01:09:05 Deborah!
01:09:07 Deborah!
01:09:09 Deborah!
01:09:11 Deborah!
01:09:13 Deborah!
01:09:15 Deborah!
01:09:17 Deborah!
01:09:19 Deborah!
01:09:21 Deborah!
01:09:23 Deborah!
01:09:25 Deborah!
01:09:27 Deborah!
01:09:29 Deborah!
01:09:30 Deborah!
01:09:32 Deborah!
01:09:34 Deborah!
01:09:36 Deborah!
01:09:38 Deborah!
01:09:40 Deborah!
01:09:42 Deborah!
01:09:44 Deborah!
01:09:46 Deborah!
01:09:48 Deborah!
01:09:50 Deborah!
01:09:52 Deborah!
01:09:54 Deborah!
01:09:56 Deborah!
01:09:58 Deborah!
01:09:59 Deborah!
01:10:01 This is incredible, Gamble.
01:10:11 Let's hurry and get our hands on that monster.
01:10:14 But I know.
01:10:15 Deborah!
01:10:16 No!
01:10:33 Deborah!
01:10:35 Deborah!
01:10:37 Why this?
01:10:38 I didn't want to do it, Edward. I swear I didn't.
01:10:41 I'm not the one.
01:10:44 My hands.
01:10:45 They stabbed you.
01:10:47 These terrible hands stabbed you.
01:10:50 Whatever belongs to death must return to death.
01:11:03 Must return to death.
01:11:06 No!
01:11:34 No, it's not you.
01:11:35 This is too incredible.
01:11:37 [Music]
01:11:39 [Music]
01:11:41 [Music]
01:11:42 [Music]
01:12:12 [Music]
01:12:24 I see it, but all my logic says that it cannot be true.
01:12:27 [Music]
01:12:34 Since the beginning of humanity up to and including the present time,
01:12:38 witchcraft and black magic have existed as well as their practitioners,
01:12:43 magicians, witches, and sorcerers.
01:12:46 [Music]