Vadivel விஷயத்துல கேப்டன் பெரிய மனுஷனா நடந்துக்கிட்டார் | மீசை ராஜேந்திரன்
#Chandramuki2 #Ragavalarance #Kanganaranaut #PVasu
~PR.46~ED.66~HT.74~
~PR.46~ED.66~HT.74~
Category
🗞
NewsTranscript
00:00 You said that Vettaiyaraja is a character who is full of anger.
00:07 We feel like hating him but we can't hate him completely.
00:10 We feel like having a lot of love for him but we can't have love for him.
00:13 When we see that character, we feel like how can we get emotionally attached to him.
00:19 When you were given the role of Vettaiyaraja, what were you thinking?
00:22 How do you think you should handle this ghost? How was the preparation?
00:27 When we were preparing for Vettaiyaraja, we were going to take a character with a big image like Rajini.
00:38 But when Vasu told the story, he did something different.
00:42 You can see that in the movie.
00:44 But he was a character who we grew up watching.
00:49 It was very difficult to take him out of the character.
00:52 But Sar helped us a lot to take him out of the character.
00:56 He told me that he could see the head.
01:00 I told him in the last interview that he could see the head.
01:05 He told me to walk like this.
01:09 I told him that I could see the head in this too.
01:14 I told him that I could see it with you.
01:16 He said that it was the same blood.
01:18 He told me to do it differently.
01:23 After the shot, he told me to reduce the laughter.
01:31 I had a big problem with acting with Kangana madam.
01:36 Because it was a huge build up.
01:41 Is that a word you're saying in English?
01:43 Yes. It was a huge build up from the start.
01:48 The set would be very vibrant.
01:51 There would be turbulence in the set.
01:53 Madam left for Bombay.
01:55 She left from Bombay.
01:57 She left for Bombay.
01:59 She got down at the airport.
02:01 She was next to the Gunstart and Manstart.
02:03 She was like...
02:05 We were recording before we went to Mumbai.
02:07 Actually, the laughter is the character.
02:14 Is that so?
02:15 It's like what you think.
02:17 That's why I came.
02:19 There would be that build up.
02:21 When I came into the set,
02:23 I asked her what her name was.
02:25 I said, "I'm Lawrence Raghavan, sir."
02:27 "Can I shake your hand?"
02:29 "If you shake my hand, I'll shoot you."
02:31 I was so embarrassed.
02:37 If a gunman laughs, he laughs.
02:39 If he's tough, he's an Indian.
02:41 When she came,
02:43 "Hello, sir."
02:45 I was like, "Oh, my God!"
02:47 I thought, "This is different."
02:49 She would sit next to me and talk.
02:51 "Madam...
02:55 Get me...
02:57 Hello, madam."
02:59 I told her to let the gunmen go.
03:01 I couldn't talk much.
03:03 I told her to let them go.
03:05 Then she started talking to me.
03:07 I was happy.
03:09 I was a kid.
03:11 We could play.
03:13 We didn't play.
03:15 We just laughed.
03:17 The boss would come and say,
03:19 "Master!"
03:21 Or an assistant would come.
03:23 I told him to stop laughing.
03:25 They would fall down and laugh.
03:27 I asked if they had played in other sets.
03:31 They said they hadn't.
03:33 They didn't laugh or talk much.
03:35 But they became like a child in our set.
03:37 When they left,
03:41 I missed them a lot.
03:43 They were so friendly.
03:45 He didn't know how to cry.
04:01 I've never seen anybody
04:03 make so much fun of
04:05 almost everything that I did.
04:07 I was his subject.
04:11 He was cracking all the jokes on me.
04:13 Roasting me left, right, center.
04:15 I've never laughed so much.
04:17 You thought they'd laugh when you roast them.
04:19 But they were laughing.
04:21 You were always happy and jolly.
04:23 You had a lot of swag.
04:25 He's a comedian.
04:27 He wouldn't talk or say anything.
04:29 He'd just laugh.
04:31 One day, he asked me to come.
04:33 I went.
04:35 Kiruvani sir is a big name.
04:37 He's going to get a tune.
04:39 He's going to get tunes like Chintamani.
04:41 I went.
04:43 He told me that he'd bless me.
04:45 He said that two people
04:47 were going to start a tune.
04:49 His father was a makeup artist for MJ sir.
04:53 He loved music.
04:57 He was sitting there silently.
04:59 He was singing a song.
05:01 He said that
05:07 the tea in this hotel
05:09 would be really good.
05:11 The masala tea would be really good.
05:13 Mind-wise.
05:15 Masala tea?
05:17 He's talking about the masala tea
05:19 because he's going to get a tune.
05:21 There's a chilli bunjee nearby.
05:25 It's really tasty.
05:27 He said that the chilli bunjee
05:29 would be really good.
05:31 I was like, "Chilli tea?
05:35 Bonda?
05:37 How can you say that?
05:39 You're talking like a kid.
05:41 Suddenly,
05:43 the two of them looked at each other.
05:45 They were lovers.
05:47 They were like, "Let's start a tune."
05:49 Until then, the two of them
05:51 were laughing and smiling.
05:53 I thought that
05:55 he was going to start a tune.
05:57 Then, I thought that
06:03 he was going to fix his throat.
06:05 He took a chair and sat down.
06:09 He had a keyboard.
06:11 As soon as he sat down,
06:13 the assistant took the mic and
06:15 started playing the tune.
06:21 The boss was confident.
06:23 He said, "Superb!"
06:25 He came back.
06:27 He gave it to me.
06:29 The tune was really easy.
06:31 It was playful.
06:35 It was happy.
06:37 There's a story about a kid
06:39 who was running upstairs.
06:41 His father was watching him.
06:43 He kept running for a hundred times.
06:45 He forgot his glasses.
06:47 He asked his father to get them.
06:49 He had to get his glasses.
06:51 His face turned into a kid's face.
06:53 He said, "You're running for a hundred times.
06:55 Go and get my glasses."
06:57 He said, "I run for a hundred times.
06:59 You give me work.
07:01 I'll do anything to have fun.
07:03 But I'll only get paid if I work."
07:05 I understood that he was having fun.
07:07 He was happy.
07:09 He was asking me to lose weight.
07:11 They were both very happy.
07:15 There was something even happier.
07:17 I'll tell you about him.
07:19 When we finish a film...
07:21 There's a producer.
07:23 If we want to get a balance from him,
07:25 what do we do?
07:27 We say, "Sir, I've finished my work.
07:29 Please send me my money."
07:31 That's what we do.
07:33 He was talking to a producer.
07:35 He'd finished his work.
07:37 He took his phone and said, "Hello?"
07:39 "Sir, have you ever been on a train?"
07:41 He asked.
07:45 I said, "No, sir. I've only been on a flight."
07:47 He said, "Have you ever been on a train?"
07:49 I said, "Yes, I have."
07:53 He said, "Let's assume that you've been to our place."
07:55 "Yes."
07:57 "Sir, what we do on the train is...
07:59 We keep coming here.
08:01 When we reach the Basin Bridge,
08:03 we take all the bags.
08:05 We come to the door and stand there.
08:07 We keep waiting for the station to come.
08:09 When the station comes,
08:11 we take all the bags.
08:13 Now, I've reached the Basin Bridge."
08:15 He said, "What?"
08:17 "I've finished my work."
08:19 "We're going to land in the city center."
08:21 "You haven't come yet?"
08:23 This is a good keyword, sir.
08:27 I'm laughing at everyone.
08:29 I'm laughing at everyone.
08:31 Just see how I remember this
08:35 and ask everyone.
08:37 If everyone doesn't get their salary
08:39 by the 30th,
08:41 I'll go to the owner and say,
08:43 "I've reached the Basin Bridge.
08:45 I didn't get my bag. I have to get down at the center."
08:47 This is a different level.
08:49 I've been getting such incidents.
08:51 It's a huge comedy.
08:53 You're truly blessed.
08:57 I was about to tell that.
08:59 If you want me to sacrifice music or humor,
09:01 I'll sacrifice music.
09:03 Because humor is my life.
09:05 That's the main thing.
09:07 You don't have to sacrifice anything, sir.
09:09 You're more blessed.
09:11 I wish you more success, more praise,
09:13 more music, and more happiness.
09:15 Thank you.
09:17 Thank you very much.
09:19 What is so special about Chandramukhi 2?
09:21 Everything is special.
09:25 There's fear.
09:27 There's fear in the first part.
09:29 The fear in the climax
09:31 is likely to come in the intro.
09:33 The fear in the climax
09:35 is likely to come in the intro.
09:37 The fear in the intro is likely to come in the intro.
09:39 If you watch my films,
09:41 the fear is a comedy.
09:43 The comedy has worked well in this.
09:45 The fear has worked well.
09:47 The character of Vettaiyan is superb.
09:49 More than all this,
09:51 the Chandramukhi-Kangana madam character
09:53 in the intro...
09:55 The movie is...
09:57 It's a bounce.
09:59 Even if someone else had done it,
10:01 I don't know if it would have come to that level.
10:03 But when Kangana madam came in,
10:05 the value of the film,
10:07 the appearance,
10:09 the experience...
10:11 How many films have she done?
10:13 The performance, the way she did it...
10:15 When she came in,
10:17 Vettaiyan...
10:19 If Vettaiyan came in,
10:21 Rani should have been correct.
10:23 If there was someone like Kangana,
10:25 she would have been like, "Hey, Kangu!"
10:27 "Hey, Kangu!"
10:29 You could have called her that.
10:31 We can only do it
10:33 with the right people.
10:35 If we do it with someone else,
10:37 we can't do it.
10:39 So, Kangana madam is a huge plus for the film.
10:41 For this film,
10:43 Kangana madam is a huge plus.
10:45 Vadivelu sir is also a huge plus.
10:47 In comedy,
10:49 Lakshmiman, Mahima...
10:51 All the technicians who worked...
10:53 The music director...
10:55 He is a strength to us.
10:57 He is an Oscar winner.
10:59 He is a great pride.
11:01 He has won a National Award.
11:03 He has also got a son.
11:05 So,
11:07 this film is special
11:09 in all respects.
11:11 I thank Krishna Raghavendra Swamy
11:13 who arranged this special event.
11:15 Krishna Raghavendra Swamy ki thanks.