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Why Wrestling Is Fake, Explained

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Professional wrestling is a noble art founded on some very ignoble practices designed to part 'marks' with their hard-earned money. But just how did freestyle wrestling contests of old convert to sports entertainment we watch now. Laurie is here to Explain how wrestling turned fake and the birth of kayfabe.
Transcript
00:00 Wrestling is fake!
00:18 There is a contentious phrase.
00:20 Because for most of its existence the noble sport of professional wrestling has been locked
00:24 away behind the wall of kayfabe, this illusion of realness that has been upheld by everyone
00:31 in the business.
00:32 So much so that walking right up to a wrestler and asking them if what they do for a living
00:37 is fake is going to get you one of these.
00:43 After Vince McMahon blew the lid off the whole thing in 1989 to get out from under the various
00:47 state athletic commissions, which is a tale for another video, we now live in a post-kayfabe
00:53 era, where the audience has been enlightened to the fact that the people on screen are
00:57 performers and these are characters taking part in this weird athletic morality play.
01:06 But even now calling the whole thing fake is still going to get you in trouble with
01:11 Randy Orton on Twitter.
01:12 Back up for a second, because in case you've been living under a Dwayne Johnson, wrestling
01:16 is predetermined.
01:18 The winner is decided by the booker and the competitors work together to tell a story
01:22 about good guys and bad guys and deliver moves that look painful and awe-inspiring and are
01:28 actually as safe as possible or they just cover each other in dog food.
01:32 Not all art is high art.
01:36 Prior to the revelations about kayfabe, the media was obsessed with this notion that wrestling
01:41 was a fixed sport, with endless articles and exposés trying to uncover the truth about
01:47 it, which the wrestlers and promoters rightly viewed as someone trying to put them out of
01:52 business.
01:53 And they went to absurd lengths to protect it.
01:57 Dr David D. Schultz essentially ended his own career with that slap we saw earlier to
02:01 2020 reporter Jon Stossel.
02:03 Lou Albano took a televised lie detector test and failed and in years prior performers would
02:09 invite punters into the ring to get a right good stretching and double check how fake
02:16 the whole thing is.
02:17 So something that evolved out of legitimate amateur wrestling, let's look at how professional
02:21 wrestling actually became one big work.
02:25 I'm Laurie Hailing from partsFUNknown and this is how wrestling is fake explained.
02:37 Before we get on with the video please do consider giving this channel a subscribe.
02:41 We know a lot of you guys regularly watch all of our content but a lot of you aren't
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02:52 Which also means we can make more videos like this, Luke's Actually Good series, Adam's
02:56 booking videos and the lists.
03:01 The origins of kayfabe and pro wrestling share a knotted history as the sport evolved out
03:06 of freestyle wrestling in Europe during the 1800s and other native forms of competition
03:11 in North America and Japan.
03:13 Kayfabe, with the appearance of realness, became more integral to the performance because
03:18 of how the business was run.
03:20 Professor Dan Glenday from the Department of Sociology at Brock University calls wrestling
03:25 a "culturally embedded spectacle" and said "Commonly known as catch-as-catch-can,
03:30 the early wrestling contests in the 19th and early 20th century normally included side
03:36 bets or gambling.
03:38 Most historians of professional wrestling look to Great Britain as the cradle of catch
03:41 wrestling while Germany and France receive honourable mention."
03:45 Wrestling was a carnival act, starting sometime in the 1860s and 70s.
03:51 Amateur wrestlers would basically compete to entertain the crowd whilst carnival workers
03:56 would act as their promoters and bookers.
04:00 Carnival razzmatazz, a lot of guys wore colourful costumes and created fictional backstories
04:05 to their characters, adding some much needed drama to proceedings.
04:09 Curiously these were legitimate athletic contests, though we're going on the word of the performers
04:15 and carnival workers of the time and that's what they would say.
04:19 But these competitions did used to last hours, so you would think that if you were working
04:24 it you would make it snappy, give them a tight 8 minutes with three restarts just like Raw.
04:28 Professor Glenday explains that the purity of the competition got corrupted when money
04:33 became involved.
04:35 The link between the evolution of freestyle wrestling with gambling, side bets, carnivals
04:40 and entertainment in Europe and North America probably explains the branching to professional
04:45 wrestling from its freestyle roots.
04:48 Money became the name of the contest, deception became the means to make more money.
04:55 Just like how pay to play carnival games are rigged in favour of the house, so too were
05:01 the wrestling contests.
05:03 To a degree.
05:04 Wrestlers like George Hackenschmidt distinguished himself from other wrestling competitors with
05:08 his version of the bear hug.
05:10 However by 1904 in Great Britain, Hackenschmidt had learned showmanship from Tom Cannon and
05:17 Charles Cochran in order to make money wrestling as a variety act during the popular bodybuilding
05:22 strongman contests.
05:24 These talents he brought with him to the USA the following year when he lost his first
05:29 match against Frank Gotch.
05:31 Prior to Hackenschmidt and Gotch, the sport of wrestling evolved because of the competing
05:36 interests of three factions, the impresarios, the carnies and the barnstormers.
05:43 All united in the search of one thing.
05:46 Honesty.
05:47 Money.
05:48 It's money.
05:49 It was money.
05:50 Impresarios are managers who would help craft the personas for the wrestlers to make them
05:54 more appealing and book matches to make them more interesting.
05:57 The carnies developed dangerous wrestling moves known as hooks that were illegal on
06:02 the amateur wrestling scene but not in carnival competition, which gave themselves a high
06:07 win rate.
06:08 But also they worked in tandem with the barnstormers, who were guys who competed like travelling
06:13 wrestlers but often would work with the carnies in order to stage matches and hoover up all
06:18 the profits made through betting.
06:21 And it was this focus on squeezing as much cash as possible out of each performance that
06:26 fundamentally changed the way people approached wrestling.
06:30 The DNA is there, you've got booked matches, outlandish personalities, moves you wouldn't
06:36 see on the amateur circuit.
06:38 This era is also where the term 'mark' originates.
06:42 You take your carnival, your rigged games, your ring toss, your balloon dart, your duck
06:46 pond - which all sound like drop retribution names - but the goal of all of them was to
06:50 attract people susceptible to spending their money on a pay to play basis.
06:57 It's a similar model to how free to play mobile games and the like work.
07:00 Some people are just whales and they're much more likely to spend money than others,
07:04 whether that's through frustration, bravado or gullibility.
07:07 And when the game operators found someone who was easily enticed into playing the game
07:14 back to back and had a fair amount of dough, they would literally mark them with chalk.
07:20 Here's Al Snow explaining to some trainees.
07:43 So then all the folks manning the games have to do is look for the marked mark and entice
07:49 them over to throw their money at a rigged game.
07:52 Wrestling in this early evolutionary period before the last vestiges of true sport were
07:56 drummed out of it, marks are there to lose their money on the bets for a rigged competition.
08:01 Let's hop back to Hackenschmidt and Gotch as the pair had two of the most significant
08:06 matches in early wrestling history in 1908 and 1911 over the World Championship which
08:12 Gotch came out on top of.
08:15 We talked about Hackenschmidt's showmanship earlier, what a tongue twister that is, and
08:20 that was essentially to play with his opponents to give the illusion that they might be able
08:26 to beat this dominant wrestler.
08:27 Because then the stakes are higher and people will come back to see the matches.
08:33 Though those tables were turned when he met Frank Gotch.
08:38 Because at his peak, good ol' Gotch was described as utterly peerless and was a talented
08:43 technical wrestler, but even this championship match, this defining moment in Gotch's career,
08:50 is overcast with the shadows of trickery.
08:53 Because during the 1908 match with Hackenschmidt for the World Championship, George complained
08:57 to the referee about Gotch's foul tactics, including thumbing and headbutting which left
09:03 Hackenschmidt bleeding and Gotch was also reportedly covered in oil, which Hackenschmidt
09:10 asked for him to have a shower before they continued the match.
09:13 Interestingly, the referee ruled that he should have pointed that out before the match started.
09:17 Hey, this guy's cheating.
09:20 You should have said that before the match started.
09:22 What is your job again?
09:23 The whole thing got so bad that after a two hour battle to the first fall, Hackenschmidt
09:28 just refused to return to the ring for a second fall and relinquished his world title to Gotch.
09:34 They then met again in 1911, but even greater controversy hung over this meeting as Hackenschmidt
09:39 had injured his knee training against partner Dr. Ben Roller, though years later Ad Santel
09:45 would tell Lou Thesz that he was paid $5,000 by Gotch's backers to injure Hackenschmidt.
09:52 Weirdly, Hackenschmidt himself denied any involvement from Santel and maintained that
09:57 it was Roller who caused the injury.
09:59 Either way, Gotch discovered the injury mid-match and took advantage of the entire thing to
10:04 walk out with the World Championship.
10:05 With the World Championship around his waist, Gotch became a national sensation in the US
10:10 and reigned until his retirement in 1913, but the sport was gaining a different sort
10:16 of notoriety as the critical eye of the media sought to expose wrestling's secrets.
10:23 One of those brazen fakes which has soured the people of this city on travelling professional
10:27 wrestlers has said that the match was not on the square, that it was a fake, pure and
10:32 simple.
10:33 It's fair to say that 99% of all wrestling matches where an admission fee is charged
10:37 and where professionals take part have been pre-arranged.
10:40 As the media began to draw back the curtain on kayfabe and expose the business, interest
10:45 in wrestling began to wane throughout the 1910s and the death knell was almost heard
10:50 after Old Oily himself Frank Gotch retired in 1913.
10:54 By 1920 in the US things were looking bleaker than staring down the barrel of a three hour
11:00 Raw.
11:01 It was the Great White North and evolution was underway, as Dan Glenday explained.
11:06 The Northeastern US, Ontario and Quebec became a centre for professional wrestling when promoters
11:11 Toots Mont, Ed Strangler-Lewis and his manager Billy Sandow, also known as the Gold Dust
11:17 Trio, developed most of the features associated with professional wrestling today, including
11:22 a time limit to matches, more acrobatic moves such as the dropkick and unlikely submission
11:28 holds.
11:29 Suddenly here was this move away from the plodding pacing of the matches of yore which
11:34 would drag on for hours.
11:36 Mont called this blend of Greco-Roman wrestling, freestyle, lumber camp fighting and theatre
11:42 slam bang western style wrestling.
11:46 Which you are correct, sounds like a grill house.
11:49 With Slam Bang the trio took wrestling out of the carnivals and into burlesque theatres
11:54 and eventually sporting arenas, creating the first real promotion in the process.
11:59 It helped that Ed Strangler-Lewis was legitimately an elite shoot wrestler and the world's
12:05 champion so he alone could draw a large crowd, but with the greater take they made on the
12:10 gate at the sports venues, they made the smart move of signing performers to exclusive contracts
12:16 and becoming the only game in town.
12:19 Eventually and with this ultimate control over how wrestling was presented, they were
12:23 able to mould it like clay into a new form.
12:27 They gave matches a shorter, snappier structure, invented the concept of finishing moves and
12:32 tag team wrestling.
12:33 They also began to pair teams and rivals up for extended periods, basically creating storylines
12:40 that evolved throughout the matches and advanced the chemistry between the combatants.
12:44 We're now seeing this taken to its ultimate conclusion as WWE moves into its Groundhog
12:49 Day phase and gives us the same match week in and week out.
12:54 News of this new style of wrestling travelled on the breeze or through a shared connection
12:59 to the Queen to the UK where a one-upping of that format was created called All In Wrestling
13:05 which added foreign weapons like steel chairs and apparently women wrestling in mud.
13:12 That sounds bad doesn't it?
13:15 But that's just what we called the North back then.
13:17 I can say that because I live here.
13:28 So wrestling was on the rise again and now had the added hook of these flashy moves.
13:34 Flashy moves, a dropkick.
13:36 Who am I, Jim Cornette?
13:37 That's too flashy for me.
13:39 Storylines which kept the fans returning.
13:42 But it was a fragile business still and one that still lived in fear of being exposed
13:47 for the pseudo competition that it was.
13:49 Which happened in New York in 1933 after this coalition of promoters decided to share their
13:55 profits, but in the process burned one Jack Pfeiffer.
14:00 Pfeiffer was a promoter himself, but he was now on the outside of the business looking
14:05 in, so he took his revenge by organising an interview with Dan Parker, the sports editor
14:10 of the New York Daily Mirror and telling all.
14:14 This is the thing, fans had long suspected that wrestling wasn't a true competition
14:18 and they'd likely made up their minds that they liked it anyway.
14:22 But this revelation fundamentally changed wrestling's relationship with the press.
14:28 It engendered a feeling of bitterness amongst sports writers who felt as if they were being
14:32 taken for fools and used as mere promotional tools when reporting the results of fixed
14:38 matches.
14:39 The Daily just stopped reporting the results because it wasn't legitimate competition.
14:43 Without that promotion in the press, the business in New York struggled for 15 years.
14:50 It feels like legitimacy has been the bone of contention with wrestling for the longest
14:55 time from 1895 when the sport was still mostly shoot all the way up to the most famous expose,
15:04 John Stossel's 2020 report on the business in 1984.
15:08 The overarching media narrative has been about whether or not wrestling is fake.
15:14 And you can see how that would lead an already clandestine industry to retreat even further
15:19 behind the barricade of kayfabe.
15:22 The few times the curtain had been peeled back, the house had all but burned down.
15:29 From the media's perspective it must be the brazenness of the lie, the doubling down
15:34 on the idea that it's all real, the slaps to reporters, the choking out talk show hosts
15:39 that just perpetuated this weird feud in slow motion between the two parties.
15:47 And it didn't even end after the veil was lifted, as Paul McArthur wrote for Wrestling
15:52 Perspective in 1998.
15:54 They are so blinded by the real vs fake issue that they keep their heads in the sand when
16:00 it comes to understanding pro wrestling.
16:02 The record ratings, the revenue, the drugs, the sex scandals, the premature deaths and
16:08 all the other important issues that surround this business are overlooked.
16:12 They're probably fake too.
16:14 It's almost as if kayfabe was so all-encompassing that the lines between fiction and reality
16:19 were so blurred that perhaps for the media it was better to just ignore the big stories
16:26 rather than be bitten on the arse if it turned out it was all just another work.
16:31 And unfortunately kayfabe certainly covered for its share of dodgy business practices
16:36 and shady dealings across the years.
16:39 But in 1989 the kayfabe wall was torn down.
16:44 That's the Berlin Wall, which also went in '89.
16:47 And Vince McMahon asked the New Jersey State Senate to consider wrestling an activity providing
16:52 entertainment to spectators rather than conducting bona fide athletic contests.
16:59 This was all to get out of paying the Athletic Commission fees and adhering to their legislation,
17:02 which is kind of complex to get into right now and likely the subject for a follow up
17:08 video.
17:09 Let me know if you want that in the comments.
17:11 But it's worth noting here that 30 years later wrestling is still on the telly.
17:17 Their biggest secret didn't exactly cause the business to explode.
17:21 I think Terry Funk put it well when he was on the Steve Austin show and said.
17:25 What is professional wrestling?
17:27 It was a parachute in 1905.
17:30 And it was total entertainment, Vince announced it total entertainment in 2010.
17:37 Well if you stretch a line along that, we all evolve somewhere along the line.
17:43 And what we evolve to is what the people wanted us to be.
17:50 What turned the turnstile.
17:52 That's what this business is.
17:54 What the people want it to be.
17:56 And that's what it always is.
17:58 And that is the thing about kayfabe, it kind of became the cover under which all of this
18:03 evolution could happen.
18:05 Narrowly avoiding the tricky question of why in the hell are you pretending to fight?
18:09 Because once you see it for what it is, pro wrestling just makes a sort of sense doesn't
18:15 it?
18:16 And your disbelief can be easily suspended as you're dragged into this wonderful, silly,
18:21 pantomime football match atmosphere and swept along by a story.
18:25 In his book Hooker, an authentic wrestler's adventures inside the world of pro wrestling,
18:29 the legendary Luther wrote "The reality or substance of professional wrestling is
18:35 the ability to perpetuate a fantasy.
18:38 It didn't matter to me that professional wrestling was a performance."
18:42 I hope that was published by Luther's press.
18:44 And I think that's it, because once the gambling rackets died out, did it ever matter
18:49 that it was a performance?
18:50 Because the biz was dying out when it was just two guys stretching each other out for
18:53 three hours at a time, and that little bit of showmanship, a little bit of fantasy, a
18:58 little bit of work is what has kept the business going strong all of these years.
19:09 Thanks for watching, I hope you enjoyed this look at professional wrestling's evolution
19:12 from fight to fraud.
19:14 Please do like, subscribe, comment and share this video around if you really liked it as
19:18 that would help us out.
19:19 And if you're in the mood for more explainers, why not watch this one about how championship
19:24 belts are made and why they even exist in the first place.
19:28 Thanks also to our lovely Patrons who are scrolling on the bottom of the screen, details
19:32 for that in the description down below.
19:34 See you next time, Jam That Jam.

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