Moore, Seyfried Steam Up 'Chloe'

Transcript

00:00 What's your name?

00:02 It's Chloe.

00:05 I think Catherine feels disenfranchised in her own marriage.

00:11 She feels that she's not able to communicate.

00:13 They're not able to communicate anymore without a degree of antagonism, obviously.

00:18 And she believes that he's paying an inordinate amount of attention to young, beautiful women.

00:25 He feels, I think, that his flirting is harmless and she feels humiliated.

00:29 So she no longer feels that she has an actual partner.

00:33 I think he feels like, you know, maybe even adversarial.

00:37 Most of my clients are married.

00:42 He's not the client.

00:45 This was clearly more, you know, just completely not what I expected

00:52 because girls at 21, actors, don't get many opportunities to play crazy women.

00:58 And it was great. God, it was amazing.

01:02 I was terrified, but it was the best role by far.

01:06 For me, it was just the most challenging and fulfilling.

01:27 With something like that, you have to be very well prepared.

01:29 Like I said, you have to build all the other things in the film

01:32 and then you also have to know what you're doing when you get there.

01:34 And we knew what we were doing.

01:36 It was all rehearsed. It was choreographed.

01:38 So in that sense, it makes it easier.

01:40 Being intimate is so difficult and can be so awkward in real life.

01:47 When you're doing it with a woman, with a fellow actor, in front of a group of people,

01:53 it heightens it so much where it's almost too much to bear.

01:57 And you have to just get through it, so you have to know exactly what you need to do.

02:01 And the choreography, all the technical bits of it have to be in line.

02:06 And that's what we did.

02:08 We definitely knew when it was coming and I think we definitely tried to get through it as fast as we could.

02:13 Because what this was, is over.

02:16 [Music]