“Ça n’était pas facile” Guillaume Canet confie avoir très mal vécu les critiques contre Astérix et

  • last year
Lanta Star: Merci beaucoup d'avoir regardé!
Si vous souhaitez plus de nouvelles, abonnez-vous à la chaîne!
CLIQUEZ ICI POUR INSCRIRE: http://bit.ly/LantaStar

“Ça n’était pas facile” : Guillaume Canet confie avoir très mal vécu les critiques contre Astérix et Obélix : L'Empire du Milieu

Musique est protégé des droits d'auteur par: https://www.ntmediastudio.com/
Musique de fond utilisée dans vidéo de cette chaîne: https://www.youtube.com/channel/UCIZ8_Xpxgn_lONAp32IEJqA

Category

🗞
News
Transcript
00:00 [typing]
00:02 [typing]
00:04 [typing]
00:07 [typing]
00:09 [typing]
00:11 [typing]
00:13 [typing]
00:15 [typing]
00:18 [typing]
00:20 [typing]
00:22 [typing]
00:24 [typing]
00:26 [typing]
00:29 [typing]
00:31 [typing]
00:33 [typing]
00:35 [typing]
00:37 [typing]
00:39 [typing]
00:41 [typing]
00:43 [typing]
00:45 [typing]
00:47 [typing]
00:49 [typing]
00:51 [typing]
00:53 [typing]
00:55 [typing]
00:57 [typing]
00:59 [typing]
01:01 [typing]
01:03 [typing]
01:05 [typing]
01:07 [typing]
01:09 to pick up his director, Guillaume Canet.
01:12 There was such a vehemence, Guillaume Canet responded to the critics of Asterix and Obelix,
01:20 the empire of the middle, the companion of Marion Cotillard.
01:23 Sen is moved by a portrait that he dedicates to liberation and in which he returns on the third welcome,
01:29 not to say Glacial, that his last super production was suffered by the press.
01:34 "I knew I was taking a risk by doing this kind of movie",
01:37 he explains without concession, "there was such a vehemence that it was not easy".
01:42 A difficulty that he finally quickly put behind him, as he confirms on a daily basis,
01:50 "I switched to something else by keeping only good memories".
01:54 Today, Guillaume Canet is at the Castinacid, in which he embodies a father in a world devastated by a deadly rain.
02:06 If it is still produced by Pathé, the film benefits from a much more adequate budget with its ambitions,
02:14 making the pressure of this ecological and apocalyptic fresco much easier to live for the actor.
02:20 Asterix and Obelix, the empire of the middle, a non-profitable film despite its 4.6 million entries.
02:29 If throughout the beginning of the year, the Castin Asterix and Obelix, the empire of the middle,
02:35 came to call on the audience to go to the theater to save French cinema,
02:39 at the end of its exploitation, the success is half fig, half raisin.
02:44 With 4.6 million entries, we can say that he managed to convince,
02:51 but for all that, faced with the huge box of Asterix de Chabat and its 14 million entries,
02:57 not counting the release this summer of a remastered version,
03:01 this last episode of the adventures of the two Gauls does not make the figure.
03:05 With 65 million euros of budget, and despite its large number of entries,
03:13 the film is therefore not profitable, so Pathé put on exploitation abroad,
03:18 in DVD, VOD and on the channels, to fill the deficit, if there is an operation in the long term.
03:27 Asterix, the franchise, is one of the films that sells extremely well throughout their lives.
03:35 "If it is a film that will enter its price at some point through television sales,"
03:43 said the ABFM TV studio.
03:47 "If it is a film that will enter its price at some point through television sales,
03:51 it is a film that will enter its price at some point through television sales."
03:55 "I just need some that will wake me up to fight 'cause you let me down,
04:17 and for me to let me condom it, and I just need some new make me come up."
04:30 "The words that we had to defer, why did we have to make it so come?"
04:42 (upbeat music)

Recommended