Fast X - Exit
Category
🎥
Short filmTranscript
00:00:00 (dramatic music)
00:00:02 - All right, pay attention.
00:00:13 This guy's a dangerous killer.
00:00:16 He's ruthless.
00:00:19 So I want everything done by the book.
00:00:22 He's killed at least eight women and three agents.
00:00:24 - Let's see our rules of engagement here.
00:00:27 - I told you, he's dangerous.
00:00:29 Agent Boyd, you know him better than anyone.
00:00:33 Can we take him alive?
00:00:34 - Well, we definitely have to take him seriously.
00:00:38 - Wait, Boyd.
00:00:39 - Declare voyant.
00:00:42 - Boyd, the psychic, yeah, yeah.
00:00:44 I mean, so tell me about psychics, right?
00:00:47 I mean, if you are so psychic,
00:00:48 why don't you have a million dollars by now, huh?
00:00:50 - Okay, knock it off.
00:00:51 - Look, you better take this guy seriously
00:00:55 or he's gonna eat you alive.
00:00:57 - No, I mean really.
00:00:59 - Okay, I said that's enough.
00:01:00 All right, now we know he's in here
00:01:05 because this is the only way out.
00:01:07 And I wanna get him with the fresh blood on him
00:01:10 from this last kill.
00:01:11 - Andy Niles, he loves you.
00:01:15 - All right, but none of that cowboy shit
00:01:16 you two are noted for, okay?
00:01:18 If you find him, you signal us.
00:01:22 We take him together, the four of us.
00:01:24 - Got it, by the book.
00:01:27 - All right.
00:01:28 Let's go.
00:01:31 - Unit two to one, we've completed sweep of west one.
00:01:45 Still no sign.
00:01:46 - No sign here either.
00:01:50 Continue on to west two, out.
00:01:54 - Hey, you know we can cover a lot more ground
00:01:56 if we just split up.
00:01:58 - We were told to stick together.
00:01:59 - Come on, Andy, don't pull this wussy crap on me now.
00:02:03 - Wuss?
00:02:04 Fine, watch your back.
00:02:06 - You know, maybe we ought to wait for backup.
00:02:11 - By the time they get here, Mercer will be gone.
00:02:14 - Yeah, well, you know I'm not a field agent.
00:02:19 In case you haven't noticed,
00:02:20 I'm getting a little old for this.
00:02:21 - Come on, Dad, half the bureau thinks you're crazy
00:02:24 since you told them your most wanted serial killer
00:02:27 is a vampire.
00:02:28 - Well, he is a vampire.
00:02:29 - Hey, gotta admit, sounds pretty nuts.
00:02:34 Why you ask for my help?
00:02:37 - Yeah, well, now I'm starting to regret it.
00:02:41 (suspenseful music)
00:02:46 (suspenseful music)
00:02:49 (grunting)
00:02:58 - Jella!
00:03:11 - Contact made, west two, I'm engaging.
00:03:13 - No, Andy, stand down.
00:03:15 - Andy, Andy!
00:03:17 - Let's go.
00:03:18 (grunting)
00:03:28 - Wuss.
00:03:34 (suspenseful music)
00:03:39 (suspenseful music)
00:03:42 - Let him go.
00:03:57 - Why is this species so arrogant?
00:04:03 Would a mouse hunt a snake?
00:04:06 Would a deer hunt a lion?
00:04:09 You are the prey.
00:04:11 - I am the predator.
00:04:13 - Well, I don't know if you've noticed,
00:04:15 but this little mouse is holding a big-ass gun.
00:04:18 I'd like to think that evens the odds a little.
00:04:21 - Perhaps someone should have told you
00:04:23 that your bullets have no effect on me.
00:04:26 - That'd be why I dipped him in holy water,
00:04:28 just to add a little sting.
00:04:29 (gun firing)
00:04:32 - Who's the predator now, asshole?
00:04:34 (suspenseful music)
00:04:37 - Marie?
00:04:43 Marie?
00:04:46 Marie!
00:05:04 (Marie screaming)
00:05:05 Marie!
00:05:06 Marie!
00:05:16 (suspenseful music)
00:05:22 (suspenseful music)
00:05:25 (suspenseful music)
00:05:28 - Jesus Christ!
00:05:40 (Marie screaming)
00:05:43 (suspenseful music)
00:05:54 (car door opening)
00:05:57 (tires screeching)
00:06:07 (car horn honking)
00:06:16 (upbeat music)
00:06:18 (upbeat music)
00:06:21 (upbeat music)
00:06:23 (upbeat music)
00:06:26 (upbeat music)
00:06:29 (upbeat music)
00:06:31 (upbeat music)
00:06:34 (car engine roaring)
00:06:57 (upbeat music)
00:07:00 (car horn honking)
00:07:09 (car engine roaring)
00:07:18 (car engine roaring)
00:07:21 (upbeat music)
00:07:37 (upbeat music)
00:07:40 - Morning.
00:07:55 My name is Caitlin.
00:07:57 Can I dance for you?
00:07:58 You don't look so good.
00:08:02 - I had a rough night.
00:08:04 (upbeat music)
00:08:07 I need food.
00:08:09 - Feed?
00:08:10 Oh, well the breakfast buffet hasn't opened
00:08:13 for another hour.
00:08:14 I know a way to pass the time, though.
00:08:16 (upbeat music)
00:08:19 So, what's your name?
00:08:27 - Marcia.
00:08:30 - No touching.
00:08:33 (upbeat music)
00:08:36 That costs extra.
00:08:39 So, what are you doing in town?
00:08:43 - Killing time.
00:08:46 - What are you waiting for?
00:08:50 - Equinox.
00:08:52 - Oh, I've heard of that before.
00:08:55 That's been day and night of the same length.
00:08:57 Happens twice a year, right?
00:09:00 What are you?
00:09:03 Like an astronomer or something?
00:09:04 I can touch you, but you can't touch me.
00:09:10 You don't want me to call the manager, do you?
00:09:13 - I will touch you.
00:09:17 - Okay.
00:09:18 200 bucks.
00:09:21 You can do anything you want.
00:09:23 You're hurting my arm.
00:09:25 Let go!
00:09:27 (Marcia screaming)
00:09:31 - What the hell?
00:09:33 (Marcia gasping)
00:09:35 Much better.
00:09:36 Still weak, though.
00:09:38 - I'd like another girl.
00:09:41 - Don't just stand there, get the bastard!
00:09:45 - Is he dead?
00:09:46 - I said I'd like another girl.
00:09:48 - This is a grand way to start the day.
00:09:52 She was my best moneymaker.
00:09:54 What the hell did you do to her?
00:09:55 - She's just feeling a little bit drained.
00:09:59 (dramatic music)
00:10:02 - Bring me another girl, I'll finish her off.
00:10:04 - Oh, this is my club, you psycho.
00:10:07 You're into some weird blood shit,
00:10:08 and I don't want that here.
00:10:10 - Oh my God, look at this.
00:10:13 (Marcia gasping)
00:10:15 - This club is under new management.
00:10:31 (dramatic music)
00:10:34 (Marcia laughing)
00:10:38 (dramatic music)
00:10:40 (dramatic music)
00:10:43 (dramatic music)
00:10:46 (dramatic music)
00:10:49 (dramatic music)
00:10:51 (dramatic music)
00:10:54 (dramatic music)
00:10:57 (dramatic music)
00:11:00 (dramatic music)
00:11:02 (dramatic music)
00:11:05 (car door slamming)
00:11:31 (car engine roaring)
00:11:34 - Hello, I'm Sheriff Jimmy.
00:11:47 Who are you?
00:11:48 - I'm Pat, this is Chris.
00:11:49 - What are you doing here?
00:11:51 - We're just passing through town.
00:11:52 - A lot of people passing through town here
00:11:54 with drugs on them.
00:11:55 You wouldn't have any drugs on you, would you?
00:12:00 (phone ringing)
00:12:02 Yeah, what do you want?
00:12:06 What do you mean another girl's missing?
00:12:12 All right, hold your shirt.
00:12:15 I'll be right down.
00:12:16 All right, for your information,
00:12:21 that club downtown, it's off limits.
00:12:24 I'll see you around.
00:12:26 (car engine roaring)
00:12:29 - All right, so what do we do from here?
00:12:32 - How much money do we have left?
00:12:34 - Oh, let's see.
00:12:35 $16.52, not even enough money to get a Greyhound ticket.
00:12:46 Fuck.
00:12:54 - I don't like that look.
00:12:56 Whenever you get that look,
00:12:57 it means you're about to suggest something crazy.
00:12:59 - You know what I was thinking about that club
00:13:02 we passed the other day?
00:13:03 - I knew it.
00:13:06 - They had a now hiring sign outside.
00:13:08 - Pat, we're not strippers.
00:13:10 - Did I mention to you I was a classically trained ballerina?
00:13:13 - Yeah, your teachers would be really proud.
00:13:17 - You know what?
00:13:22 I'm willing to do whatever it takes.
00:13:25 - Whatever it takes would have been blowing that guy
00:13:27 so he'd drive us to California.
00:13:30 - Okay, so I'm not gonna go as far as prostitution.
00:13:33 A girl's gotta drive a line somewhere,
00:13:35 but there's nothing wrong with taking off your clothes.
00:13:38 - Easy for you to say.
00:13:40 You're a beautiful girl.
00:13:41 - You have a beautiful body too.
00:13:43 - Better be, I'm still paying for it.
00:13:48 - This is what I'm talking about.
00:13:49 You pay all this money for all these surgeries
00:13:51 and you don't wanna show off the end result.
00:13:54 - Chris, we work a few nights at the club,
00:13:56 do what we have to do and get up out of there.
00:13:58 (dramatic music)
00:14:04 - Please, just talk to me, please.
00:14:22 Please.
00:14:23 (screaming)
00:14:39 - Not again.
00:14:45 I want no part of this.
00:14:47 I can't do this anymore.
00:14:48 (dramatic music)
00:14:51 - You ready?
00:15:03 - Don't you think I need some dance lessons first?
00:15:08 - No, let's get hired
00:15:09 and then I'll worry about giving you dance lessons.
00:15:11 - Evening, ladies.
00:15:12 - Hi, we saw the sign outside
00:15:14 that said you guys were looking for dancers.
00:15:17 - You two are dancers?
00:15:18 - That's right, I'm Pat, this is Chris.
00:15:22 Can you point us to whoever's doing the hiring?
00:15:24 - The owner's quite busy at the moment
00:15:25 but he trusts my opinion.
00:15:27 - Oh, well, we're both over 18.
00:15:31 - Show me what you got.
00:15:45 - Dad, it's me, don't be scared.
00:15:50 - Marie?
00:15:51 - You had a vision tonight
00:15:53 and no amount of drinking is gonna make that go away.
00:15:56 - I don't wanna see these things anymore, Marie.
00:15:59 - You're the only one who can stop Mercer.
00:16:03 You saw a book in your vision, right?
00:16:05 - I don't know, it could have been.
00:16:08 - Don't lie to yourself so you don't have to get involved.
00:16:11 You have to stop him before he completes the ritual.
00:16:15 - No, there's nothing I can do about it.
00:16:17 - Yes, you can.
00:16:19 You have to stop him.
00:16:21 Do it for me, Dad, please?
00:16:25 Do it for me, do it for me, do it for me, do it for me.
00:16:30 (upbeat music)
00:16:33 (upbeat music)
00:16:36 - I like them.
00:16:49 Especially the shy ones.
00:16:54 - You're hired, both of you.
00:17:02 - Arese, it's Boyd.
00:17:03 Listen, I gotta get back on the Mercer case.
00:17:06 He sacrificed a girl last night in some kind of ritual
00:17:09 and I think it's just the beginning.
00:17:11 - Boyd, you don't have to chew my ear off on this.
00:17:13 If you remember, I'm the only one who backed you up
00:17:15 on this whole vampire story here at the office.
00:17:17 Now, I think you have a rare gift
00:17:20 and you've helped me crack a lot of high profile cases.
00:17:24 But I think you pissed your life away.
00:17:25 - I need to be back on this case.
00:17:27 I've had about as much therapy as I can handle.
00:17:30 - Yeah, half scotch is a great shrink.
00:17:33 - Well, all right, I won't drink anymore, I promise.
00:17:36 - Look, you just can't quit.
00:17:38 - Mercer is becoming so powerful
00:17:40 that nobody will be able to stop him
00:17:41 if we don't do something.
00:17:42 - If I put you back in this case, I won't be alone.
00:17:46 - Now, Reese, I--
00:17:46 - You're in no position to make any demands,
00:17:48 okay, my friend?
00:17:49 You're gonna have to work with a partner.
00:17:54 - All right, but it better not be who I think it is.
00:17:57 - And I hope you don't embarrass me.
00:18:00 - I'll talk to you.
00:18:01 (phone ringing)
00:18:05 (knocking)
00:18:13 - Just couldn't wait till the morning, boss.
00:18:15 - Bureau never sleeps, kid.
00:18:17 - Well, I know you like to night shift, but I don't.
00:18:19 I got transferred back to days.
00:18:21 I don't sleep any better, though.
00:18:24 - Well, you can get used to it because right now,
00:18:27 you're back on this case.
00:18:29 - There's no one who wants to bring this son of a bitch
00:18:35 down worse than I do, but the lead's dried up
00:18:37 and we lost it.
00:18:38 I'm trying to move on.
00:18:40 - With Boyd's help, you'll find it.
00:18:42 - Are you kidding?
00:18:43 Boyd's drunk off his ass in a gutter somewhere.
00:18:45 Is this your idea of a family reunion?
00:18:47 'Cause it ain't gonna happen.
00:18:49 - Boyd called me an hour ago.
00:18:50 He had a vision of Mercer.
00:18:52 - I need you to work with him.
00:18:54 - He got my wife killed.
00:18:55 There's no way I'm gonna work with him.
00:18:56 I'll turn in my badge.
00:18:58 - Lee, I want you on this case because you know him.
00:19:01 You can keep an eye on him for me.
00:19:03 - Listen, Lee, you're the only agent I got.
00:19:06 They won't think he's crazy
00:19:07 when he start talking about vampires.
00:19:09 - I bet you Marie would want this.
00:19:13 - How you doing, Boyd?
00:19:21 You still driving yourself in cheap scotch?
00:19:25 (grunting)
00:19:27 - I've been sober for about six hours now.
00:19:36 Thanks for reminding me.
00:19:38 To what do I owe the pleasure of this visit?
00:19:40 - Can't your former son-in-law stop by just to say hello?
00:19:47 - Oh, so this is just a friendly visit then.
00:19:50 - You know damn well I'm here because Reese sent me.
00:19:53 I don't need your help.
00:19:55 - If you would have waited on me last time,
00:19:57 Marie would still be alive.
00:19:58 - You don't spend the rest of your life
00:20:02 blaming me for this.
00:20:04 Don't you think I blame myself enough?
00:20:06 (grunting)
00:20:10 - Oh, you see, you didn't even get a proper burial.
00:20:14 - Look, I had a team of men out there for two weeks.
00:20:19 We combed the area and we found nothing.
00:20:23 - What the hell kind of clairvoyant are you
00:20:24 if you can't even see that your own daughter
00:20:26 was gonna be killed?
00:20:27 (knocking)
00:20:31 - Who the hell is that?
00:20:32 - Mr. Boyd, Dr. Shen wants you
00:20:44 to come see him immediately.
00:20:46 - Of course.
00:20:47 Why don't you come in while we get ready?
00:20:51 - I'll wait in the car.
00:20:52 (dramatic music)
00:21:00 (dramatic music)
00:21:02 (dramatic music)
00:21:05 (dramatic music)
00:21:08 (dramatic music)
00:21:11 (dramatic music)
00:21:13 (dramatic music)
00:21:16 (dramatic music)
00:21:19 (dramatic music)
00:21:22 (dramatic music)
00:21:24 (dramatic music)
00:21:27 (dramatic music)
00:21:30 (dramatic music)
00:21:33 (dramatic music)
00:21:36 (dramatic music)
00:21:39 - Miss.
00:22:04 Miss, where the hell are you taking us?
00:22:06 - Leave her alone, Lee.
00:22:07 She knows what she's doing.
00:22:09 - Yeah, but do you know what you're doing?
00:22:10 You don't even know her.
00:22:12 And at a time like this.
00:22:13 - She's the daughter of Dr. Shen.
00:22:16 He was my commander when I was in the Marines.
00:22:18 He's a historian of Western and Asian studies.
00:22:21 He's why I'm a clairvoyant.
00:22:23 - Well, what kind of clairvoyant are you
00:22:24 if you can't even see that your own daughter
00:22:25 was gonna be killed?
00:22:27 Areece said you had a wrong vision of Mercer.
00:22:30 - Now, what I saw wasn't one of Mercer's attacks.
00:22:32 I can't explain it.
00:22:33 That's why I've got to see Dr. Shen.
00:22:35 - Dr. Shen.
00:22:41 Good to see you again.
00:22:44 - Boy, ni hao, ni hao.
00:22:45 - This is Agent Lee Jones.
00:22:49 How you doing?
00:22:50 - Yes, yes. - Pleasure.
00:22:51 - A pleasure, sir.
00:22:52 And what is this?
00:22:53 - Oh, you know, sir.
00:22:55 - Rice streets.
00:22:57 You never forgot.
00:22:59 You were a fine student.
00:23:00 - Thank you.
00:23:01 - Listen, we must cut to the chase.
00:23:04 Time is very short.
00:23:07 Describe to me this book.
00:23:09 - Oh, it has a leathery cover.
00:23:13 And it's got an emblem of a solar eclipse in the middle.
00:23:17 - Tell me about the pages inside.
00:23:22 - There were instructions on how to build
00:23:24 some type of artifact.
00:23:27 - A decanter such as this?
00:23:31 - Yes, that is it, Dr. Shen.
00:23:32 - Stop talking in Yiddish and tell me what's going on.
00:23:45 - There's a vampire tome, a book.
00:23:48 Some call it the vampire Bible.
00:23:51 It was written in human blood by the original sect,
00:23:56 bound by human flesh.
00:23:58 Chronicles of vampire lore.
00:24:01 Only one copy.
00:24:02 And inside it is a secret ritual.
00:24:05 Vampires have been fighting over it for thousands of years.
00:24:09 - It has spent time on cross continents.
00:24:12 Africa, Europe, Asia, and back.
00:24:16 But now is the only time that ritual
00:24:18 can be performed successfully.
00:24:21 Executed by one man only.
00:24:23 That's why you must stop that man.
00:24:27 - You mean the solar eclipse that coincides
00:24:30 with the equinox?
00:24:31 - The equinox?
00:24:32 - Yes.
00:24:33 The night breed who holds the book
00:24:36 at the time of the equinox.
00:24:37 It's horrible.
00:24:41 The master vampire must sacrifice
00:24:43 five women of childbearing age.
00:24:47 The final sacrifice at the moment of the eclipse.
00:24:51 - That is horrible.
00:24:54 - Yes.
00:24:55 This deed will make this one vampire indestructible.
00:24:59 - Digging?
00:25:02 Invincible?
00:25:03 - Precisely capable of giving that vampire
00:25:07 all the attributes Dr. Stocker told you about in his book.
00:25:12 Do you remember?
00:25:13 - Well, yes.
00:25:14 No reflection.
00:25:15 The ability to take animal form.
00:25:17 Even to fly.
00:25:19 But most importantly, none of the weaknesses.
00:25:23 - So this super vampire would be able to lay out
00:25:25 on the beach and get a suntan?
00:25:27 - Sure, dad.
00:25:29 - Tong.
00:25:30 - Tong. - Tong.
00:25:31 - Tong. - Tong.
00:25:32 - You guys cut it out, you two.
00:25:34 Take it easy on this young man.
00:25:36 Your clamborant power has been diminishing lately.
00:25:41 I must now replenish you with more supply.
00:25:44 Your Yan Jing power, vision.
00:25:46 Come.
00:25:48 (dramatic music)
00:25:51 - That doesn't give us much time, does it?
00:25:58 - No.
00:25:59 You know what we have to do?
00:26:00 We have to go back where we last saw Mercer.
00:26:03 We need to find clues.
00:26:04 - Where Maria died.
00:26:07 - Exactly.
00:26:17 - I searched every inch of that area, boy.
00:26:19 There's nothing there.
00:26:20 There's no clues.
00:26:21 Forget it.
00:26:22 - Look, I'm going back to the woods with you or without you.
00:26:25 - What are they doing in there?
00:26:32 - Well, he's preparing a ritual
00:26:34 to give me more vision power.
00:26:36 And to link my visions to him.
00:26:38 He'll see everything I see and more.
00:26:41 (dramatic music)
00:26:45 (chanting)
00:26:47 (dramatic music)
00:26:50 (chanting)
00:26:52 (dramatic music)
00:26:55 (chanting)
00:26:59 (dramatic music)
00:27:02 (chanting)
00:27:05 (dramatic music)
00:27:08 (chanting)
00:27:10 (dramatic music)
00:27:13 (chanting)
00:27:15 (dramatic music)
00:27:18 (chanting)
00:27:20 (dramatic music)
00:27:23 (chanting)
00:27:25 (dramatic music)
00:27:28 - Haven't seen you around here in a long time, Sheriff.
00:27:41 - I'm here to see Ted.
00:27:42 Go get him for me.
00:27:43 - Ted's not here anymore, Sheriff.
00:27:46 - What do you mean he's not here anymore?
00:27:47 He owns the damn place, doesn't he?
00:27:49 - Well, as a matter of fact, he does not.
00:27:51 - Who are you?
00:27:52 - Well, I'm the new proprietor of this establishment.
00:27:55 - What happened to Ted?
00:27:56 - On a greener pasture, I'm afraid.
00:28:00 What can I do for you?
00:28:03 - I've had reports of girls disappearing from your club.
00:28:09 - Well, the turnover rate at a place like this
00:28:11 is quite high.
00:28:12 - Not that high.
00:28:13 You've had that "Now Hiring" sign out there for months.
00:28:17 - I see a lot of girls pass through here
00:28:18 on their way to LA.
00:28:19 - Don't bullshit me.
00:28:22 Except for this bouncer here,
00:28:24 he's the only face I recognize.
00:28:25 Ted kept some of the girls around here for years.
00:28:29 Why are they disappearing now that you're in charge?
00:28:32 - Now, how's that your business, Sheriff?
00:28:36 - Everything in this town is my business.
00:28:40 Like I said, I've had reports of girls disappearing.
00:28:43 This seems to be the last place they were at.
00:28:46 Maybe we need to continue this chat down at the station.
00:28:51 - Can't leave during the day, Sheriff.
00:28:52 Sorry.
00:28:53 - That's not an option.
00:28:57 Get your ass in the back of my cruiser.
00:28:59 - Used to come here all the time, Sheriff.
00:29:02 'Til your wife got suspicious
00:29:03 you were sleeping with one of the dancers.
00:29:06 - How'd you know that?
00:29:08 - Imagine what your wife might do
00:29:13 if she knew what you've done to some of the girls.
00:29:15 What you've done to some of the girls at the high school.
00:29:17 - I don't know what you're talking about.
00:29:21 - Of course you do, Sheriff.
00:29:22 Just last week you pulled over a couple of girls
00:29:24 for running a stop sign.
00:29:26 Took 'em back to the station and strip searched them.
00:29:30 - I did no such thing.
00:29:32 - Don't lie to me, Sheriff.
00:29:34 You planted drugs on one of them.
00:29:38 Made her perform sexual acts on you
00:29:39 so you wouldn't put her in jail.
00:29:42 - I've been doing that kind of thing for years.
00:29:45 - Who the hell do you think you are?
00:29:47 - My name is Mercer.
00:29:58 I can read your mind.
00:30:01 Not only can I read your mind,
00:30:05 I can control your mind.
00:30:07 (dramatic music)
00:30:10 - You know, missing girls here, Sheriff.
00:30:30 Everything's just perfectly normal
00:30:35 in this pathetic little town of yours.
00:30:40 - Should you dispose of the last of the body, Mr. M,
00:30:42 we're running out of room out back.
00:30:45 - I'll do anything you want.
00:30:46 Don't go into my mind again.
00:30:50 - There's a couple of kids parked under this light pole
00:31:01 the night Maria died.
00:31:04 They must have been stoned out of their mind, though,
00:31:06 because they took them to the next morning report
00:31:08 their car stolen.
00:31:09 - Did they say who took it?
00:31:11 - Description matched Mercer to a T.
00:31:15 Unfortunately, the car was never recovered.
00:31:20 The local cops say that they found
00:31:24 some tracks over in this area.
00:31:25 (dramatic music)
00:31:28 - All the detective work in the world's
00:31:48 not worth one good vision.
00:31:50 - Keep patting yourself on the back.
00:31:52 What did you see?
00:31:54 You ever heard of a town called Loveland?
00:31:56 - I can't say that I have.
00:31:58 - Well, I just saw Mercer passing through the town limits
00:32:00 in the stolen car.
00:32:02 - Well, maybe they were just passing through.
00:32:04 - Look, when I see things, it's for a reason.
00:32:10 I just don't see people brushing their teeth
00:32:12 and wiping their asses.
00:32:14 If I saw it, it's important.
00:32:15 - Are you sure it wasn't an alcohol-induced hallucination?
00:32:21 - Now, get in the car.
00:32:22 (dramatic music)
00:32:25 (upbeat music)
00:32:34 (people chattering)
00:32:37 - Thank you. - Wow, how about that?
00:33:02 - That was amazing, huh?
00:33:04 - They really loved you.
00:33:05 - Thanks.
00:33:06 - Now, let's welcome Angelica to the stage.
00:33:08 - That's you.
00:33:09 - Come on, what are you waiting for?
00:33:10 - I'm Angelica.
00:33:11 - Everybody needs a strip of me, would you go?
00:33:13 - Go.
00:33:14 It's too busy, I'm not ready to go.
00:33:17 - Girl, this way.
00:33:18 - I've got some interesting stuff on this town, Loveland.
00:33:25 - Yeah, what do you got?
00:33:26 - Read my mind.
00:33:27 - Yeah, you're a regular comedian, aren't you?
00:33:30 - Well, it appears that several women
00:33:32 between the ages of 18 and 25
00:33:34 have disappeared from Loveland in the past few months.
00:33:37 So?
00:33:40 - I bet you anything Mercer's behind it.
00:33:42 - Well, possibly.
00:33:45 Then again, the town's in the middle of Nevada Desert.
00:33:48 It's about 20 minutes off the highway
00:33:49 going towards California.
00:33:51 - So?
00:33:52 - So, you're in the middle of nowhere.
00:33:55 It's 120 degrees in the summertime.
00:33:57 You're young and you're beautiful.
00:33:59 I mean, sooner or later, LA's gonna look
00:34:01 like a nice change of pace.
00:34:02 You know, maybe they packed up and moved to LA
00:34:05 and didn't bother to tell anybody.
00:34:07 - You really believe that?
00:34:09 - I was playing the devil's advocate.
00:34:11 - Yeah.
00:34:12 (audience cheering)
00:34:13 All right.
00:34:14 (audience applauding)
00:34:15 Come on.
00:34:15 (audience cheering)
00:34:17 Come on, baby.
00:34:18 Take it off, take it off.
00:34:19 Get on with it, show us what you got.
00:34:21 Come on.
00:34:22 Okay, show us some more of what you got.
00:34:24 (audience chattering)
00:34:26 Do something.
00:34:27 (upbeat music)
00:34:30 - She looks nervous.
00:34:38 - Maybe she should consider another line of work.
00:34:40 - No.
00:34:43 The next time I have her up on that stage, she'll be fine.
00:34:46 - Come on.
00:34:47 - Yeah, come on, woman.
00:34:48 - Take something off.
00:34:49 - Yeah, take that off.
00:34:51 Take it all the way back.
00:34:53 (audience chattering)
00:34:56 (upbeat music)
00:34:59 - Mr. Mercer.
00:35:01 You're not upset with me, are you?
00:35:06 Marie said you wanted to see me.
00:35:08 Is it about the music I'm playing?
00:35:13 I don't have to play the music.
00:35:15 I know you don't like it, so.
00:35:16 (suspenseful music)
00:35:20 I mean.
00:35:21 What are you doing?
00:35:28 Please don't do this.
00:35:37 Please don't do this.
00:35:38 I can't do this, please.
00:35:40 What are you doing?
00:35:47 Mr. Mercer, please.
00:35:49 You're scaring me.
00:35:50 You're really scaring me.
00:35:52 I want you to talk to me.
00:35:56 No, please don't.
00:36:00 I can't do this.
00:36:01 Please, no.
00:36:02 (Marie screaming)
00:36:08 - Damn, boy.
00:36:14 What the hell?
00:36:15 It's like you're drunk even when you're sober.
00:36:18 - Mercer just killed another girl.
00:36:20 - Where is he?
00:36:21 - I didn't get a clue to his whereabouts.
00:36:23 - Or you want me to take the wheel
00:36:26 apparently driving and clairvoyance don't mix.
00:36:29 - You know, Mercer's killing women of childbearing age
00:36:31 because their life energy is stronger.
00:36:34 - But what's he doing to 'em?
00:36:35 How's he sacrificing 'em?
00:36:37 - I can't tell.
00:36:38 He's binding 'em to something,
00:36:39 but he's not feeding on them.
00:36:42 I just can't tell how he's killing 'em.
00:36:43 - Well, why don't I take the wheel and drive for a while
00:36:46 and you concentrate on seeing some of the answers
00:36:48 to our questions instead of raising new questions?
00:36:50 - You know it doesn't work that way.
00:36:51 - Well, it'd be nice if it did.
00:36:53 (suspenseful music)
00:36:56 (suspenseful music)
00:36:59 (suspenseful music)
00:37:02 (suspenseful music)
00:37:05 - My 5th of a cent.
00:37:25 You should have known I would.
00:37:30 - Had to try.
00:37:31 (suspenseful music)
00:37:34 - How did you find me?
00:37:36 - Wasn't easy.
00:37:38 Took three months of looking.
00:37:40 - I don't believe you.
00:37:42 - I'm telling you the truth.
00:37:44 The only reason I came after the book
00:37:46 is because it seemed to be what every vampire wants.
00:37:49 (suspenseful music)
00:37:52 I swear my allegiance to you.
00:37:56 In a few days,
00:37:57 I'll be the most powerful creature in the world
00:38:01 and I wanna be on your side.
00:38:02 - Understandable.
00:38:12 However the real question is,
00:38:16 what can I get from you?
00:38:20 - Many would love to get their hands on the book
00:38:24 before you complete the ritual.
00:38:27 - If I found you,
00:38:28 so can they.
00:38:31 I can protect you better than anybody.
00:38:34 (suspenseful music)
00:38:37 - Protect me?
00:38:42 (suspenseful music)
00:38:56 - Give me my next sacrifice.
00:38:58 (suspenseful music)
00:39:01 (suspenseful music)
00:39:04 (suspenseful music)
00:39:07 (suspenseful music)
00:39:10 - Don't touch me.
00:39:36 Don't try to play young and innocent with me.
00:39:38 We've had a lot of trouble
00:39:41 with you youngsters passing through town with drugs.
00:39:44 - Trust me, I don't have any drugs.
00:39:46 - Trust me, I know every place
00:39:48 you can hide those narcotics.
00:39:50 (laughing)
00:39:51 Why don't you drop those panties
00:39:55 and let me have a look around down there.
00:39:57 (phone ringing)
00:40:01 What do you want?
00:40:04 I'm busy fighting crime.
00:40:06 - Sheriff.
00:40:08 - I'll be right there.
00:40:09 - I have a gift for you.
00:40:19 - I think I could be good for him.
00:40:31 (suspenseful music)
00:40:35 (rock music)
00:40:37 (rock music)
00:40:40 - Have you said your goodbyes?
00:41:07 (rock music)
00:41:10 - Why?
00:41:12 I could do this forever.
00:41:13 (rock music)
00:41:16 - Forever's too long.
00:41:31 (rock music)
00:41:33 (heavy breathing)
00:41:36 (suspenseful music)
00:41:39 (rock music)
00:41:41 (heavy breathing)
00:41:48 (suspenseful music)
00:42:09 (rock music)
00:42:11 - Can I help you?
00:42:32 - I'm here to see Sheriff.
00:42:33 - Sheriff Jimmy.
00:42:37 - Hey Jimmy, these boys want to see you.
00:42:39 - Well, why don't you go ahead
00:42:42 and finish lining up the two girls in the back
00:42:44 and get those handcuffs with you.
00:42:45 What can I do for you boys?
00:42:53 - I'm Special Agent Parker, this is Special Agent Jones.
00:42:56 - FBI.
00:43:00 - Yes we are.
00:43:01 I'd like to take a look at your missing persons report.
00:43:05 (suspenseful music)
00:43:08 - Sure.
00:43:10 Violent gander, drop the door, two questions.
00:43:15 - Oh thank you Sheriff.
00:43:16 (suspenseful music)
00:43:20 - Hey, what are you doing with that chewing gum?
00:43:31 Get it out of your mouth, put it in the trash.
00:43:33 Right now, go out to Johnny's house, he's on vacation.
00:43:37 Check it out, make sure everything's okay down there.
00:43:39 Go on out there.
00:43:40 (door creaking)
00:43:46 You boys find what you're looking for?
00:43:48 - Well as a matter of fact, we're not Sheriff.
00:43:50 - It seems you have a whole bunch of files missing
00:43:52 dating back over the past several months.
00:43:54 - Well maybe you big city boys don't know how to handle
00:43:58 our small town filing system.
00:44:01 Let me see if I can help.
00:44:02 (door creaking)
00:44:11 Just what is it you're looking for?
00:44:13 - How many missing persons reports
00:44:15 have you had filed recently, Sheriff?
00:44:17 - None that I can remember.
00:44:21 - That doesn't make any sense.
00:44:23 The information I got online, you've had quite a few.
00:44:25 - Well, what it probably is,
00:44:29 some woman gets angry at her man, she takes off.
00:44:33 He gets worried, he files a report.
00:44:36 I investigate.
00:44:38 I find her across town sitting
00:44:40 and shacking with some other schmuck.
00:44:42 It happens more often than you realize.
00:44:46 - So those kind of reports you just don't keep around?
00:44:51 - Look at this station.
00:44:55 If I kept a report of every person in this station,
00:44:58 if I kept a report of every incident, every investigation,
00:45:01 I'd be so overwhelmed with paperwork
00:45:02 I couldn't even go from here to the john.
00:45:04 Believe me, if there's anything worth talking about
00:45:08 in this town, I'm the first to know about it.
00:45:12 I don't know why you boys are here.
00:45:14 I just think you're here on some wild goose chase.
00:45:18 - Well, thank you very much for your time, Sheriff.
00:45:21 Come on, let's go.
00:45:22 Come on, come on.
00:45:23 Let's go.
00:45:25 (light music)
00:45:27 - That Sheriff's full of shit.
00:45:31 - I got that feeling myself.
00:45:33 There's a dead stripper in the trunk of the Sheriff's car.
00:45:37 - Are you kidding me?
00:45:38 - No, there's a dead stripper in the trunk
00:45:40 of the Sheriff's car, open it up.
00:45:42 (papers rustling)
00:45:44 - Oh.
00:45:57 Wait, wait, wait.
00:46:01 I think the Sheriff's looking for Mercer.
00:46:04 Let's not tip our head, come on.
00:46:10 - I just don't have the confidence that you have
00:46:13 or that any of these other girls have.
00:46:16 I can't do it.
00:46:17 - Chris, imagine the life that we're gonna have
00:46:25 when we get to L.A.
00:46:26 Don't think about all those sweaty, nasty,
00:46:30 drunk guys out there.
00:46:32 Forget them.
00:46:33 When you're up on that stage,
00:46:38 think about Malibu Beach and sunsets.
00:46:42 - Is that what you think about?
00:46:44 - This all just means to an end.
00:46:47 Our shift is over now.
00:46:50 But when we come back tomorrow,
00:46:52 you have to give 'em all you got.
00:46:54 - I'll try.
00:46:57 - And remember, you can make more in one night here
00:47:02 than you can in some diner.
00:47:04 (laughing)
00:47:06 - I know, I don't wanna let you down, pal.
00:47:09 - You two girls better watch out for yourselves.
00:47:11 - What is that supposed to mean?
00:47:13 - A lot of girls have awfully been missing.
00:47:16 - What do you mean by missing?
00:47:19 - What do you think I mean?
00:47:21 Here one day and gone the next?
00:47:23 - Well, do you blame 'em in a dump like this?
00:47:27 - I don't mean picking up and moving on.
00:47:30 I'm talking about disappearing.
00:47:32 One girl was here, she disappeared, her purse was here.
00:47:36 An hour later, her purse was gone and it disappeared too.
00:47:38 (laughing)
00:47:42 - That doesn't sound very mysterious to me.
00:47:44 It sounds like she forgot her purse
00:47:46 and then she came back and got it.
00:47:48 - She was my friend.
00:47:49 She would've never left without telling me goodbye.
00:47:52 - Maybe she's right, Pat.
00:47:58 Maybe we're in danger.
00:47:59 - Chris.
00:48:01 Come on.
00:48:04 She's just worried about us stealing her regular customers.
00:48:07 She's hating.
00:48:09 Are you ready?
00:48:10 - Yeah. - Let's go.
00:48:11 - Come on.
00:48:12 Maurice said that you wanted to see me.
00:48:19 What is this all about?
00:48:20 Hmm.
00:48:23 Do you wanna play?
00:48:26 I don't think you're as scary as they all say you are.
00:48:33 (dramatic music)
00:48:35 Oh, you wanna get down like that.
00:48:39 Well, come on then.
00:48:47 Don't you wanna have some fun?
00:48:51 What are you waiting for?
00:48:57 (dramatic music)
00:49:00 (screaming)
00:49:13 (phone ringing)
00:49:19 - What do you need, Lee?
00:49:24 - We think we found Mercer at a strip club
00:49:26 in some town called Loveland.
00:49:28 - Well, do you think you found him
00:49:32 or are you sure you found him?
00:49:35 - We haven't actually seen him yet,
00:49:36 but Boyd's superpowers is telling him
00:49:39 that we're in the right place.
00:49:40 It'd probably be a good time to send some backup.
00:49:42 - Well, I can't do that until you're absolutely sure
00:49:44 that you got Mercer.
00:49:46 We can't afford to look like a bunch of assholes
00:49:48 to the Bureau.
00:49:49 If they think that we're chasing
00:49:51 the invisible vampires again,
00:49:54 well, we'll all be looking for a job.
00:49:57 Call me back when you got something more complete.
00:50:00 - Yeah.
00:50:01 - Who's Pat?
00:50:10 I'm supposed to take her to see the boss.
00:50:12 - Who the hell are you?
00:50:14 You're not a stripper, are you?
00:50:16 Man, the quality of this club is going downhill.
00:50:19 - No, I'm not a stripper.
00:50:20 I'm gonna be in charge of you girls from now on.
00:50:23 - Whatever.
00:50:24 Just make sure my schedule stays the same
00:50:26 and you stay out of my way.
00:50:28 I'm Pat.
00:50:29 - Good luck.
00:50:33 You know, the girls that have private meetings with Mr. M,
00:50:40 they never come back.
00:50:42 - That's not funny.
00:50:43 - I'm not kidding.
00:50:46 Am I the only one thinking something's weird around here?
00:50:50 (dramatic music)
00:50:53 - You know what, I forgot my cell phone in the back.
00:51:00 - You don't need it.
00:51:02 - What are you doing to me?
00:51:17 - It'll be okay.
00:51:18 (dramatic music)
00:51:21 - Jimmy.
00:51:26 - What are you doing here?
00:51:28 - Nothing.
00:51:28 - In that outfit?
00:51:31 Where's Pat?
00:51:32 I know you didn't come up here by yourself.
00:51:34 - I don't.
00:51:34 - I don't, come on.
00:51:36 I know you're not stupid enough to come up here.
00:51:44 Everyone in town knows this place is off limits.
00:51:46 - I'm sorry.
00:51:47 - Now where is Pat?
00:51:49 - She's with Miss Jones.
00:51:51 - Good, that takes care of her.
00:51:53 Now let me take care of you.
00:51:55 - Sheriff, looking for somebody?
00:51:58 Still looking for something for nothing, huh?
00:52:02 - That smart mouth's gonna get you in trouble.
00:52:04 (laughing)
00:52:06 - Yeah, maybe, but not tonight.
00:52:08 Go ahead and go.
00:52:12 I got this.
00:52:13 I can't leave you.
00:52:16 Go.
00:52:17 - Okay, are you sure?
00:52:20 - Go.
00:52:21 And shut the door behind you.
00:52:25 We don't wanna be interrupted.
00:52:27 (gunshot)
00:52:28 (dramatic music)
00:52:30 Hey, how about a private dance?
00:52:38 - That guy really wants to dance.
00:52:39 - Good, you can get over your fear.
00:52:41 Let's go.
00:52:42 - Yeah.
00:52:44 (dramatic music)
00:52:46 - Yeah.
00:52:49 Yeah, okay.
00:53:01 Come on, don't tease me.
00:53:06 - No tease.
00:53:13 - Huh?
00:53:14 Come on.
00:53:17 Ooh.
00:53:22 - I said no tease.
00:53:24 - Okay, okay, no hands.
00:53:25 At least show me what you got.
00:53:30 - You know what, why don't you take a look at these?
00:53:32 - I ain't seen those, bitch.
00:53:34 (grunting)
00:53:35 - You know what?
00:53:36 (grunting)
00:53:39 - Hey.
00:53:39 (grunting)
00:53:40 Hey!
00:53:42 What are you doing?
00:53:44 Why are you scaring me?
00:53:46 God, was that good for you?
00:53:50 You killed him.
00:53:56 Did you like that?
00:54:01 (dramatic music)
00:54:04 (static)
00:54:09 (dramatic music)
00:54:12 - Pat, you're acting strange.
00:54:14 - What are you talking about?
00:54:16 I'm gonna go have a smoke.
00:54:18 (static)
00:54:20 You take the young one,
00:54:31 I've always had a thing for older men.
00:54:34 Welcome to Loveland, gentlemen.
00:54:36 Would you like a dance?
00:54:37 - Oh yeah, I would.
00:54:38 - Oh, okay.
00:54:39 - I mean, I,
00:54:41 I have to go to the restroom.
00:54:43 - Oh, well, you know where to find me.
00:54:47 - Can I buy you a drink and talk?
00:54:49 - Talking I can handle.
00:54:51 (dramatic music)
00:54:54 (screaming)
00:54:56 (dramatic music)
00:54:59 (screaming)
00:55:11 (screaming)
00:55:13 - Relax.
00:55:15 Moments.
00:55:16 (dramatic music)
00:55:18 Shh.
00:55:21 (dramatic music)
00:55:25 (static)
00:55:27 (dramatic music)
00:55:29 - Mercy.
00:55:50 No, no, you can't kill her.
00:55:53 (dramatic music)
00:55:56 I'm gonna stop you if it's the last thing I do,
00:56:04 you son of a bitch.
00:56:05 (screaming)
00:56:09 (dramatic music)
00:56:12 - Looking for this?
00:56:20 (dramatic music)
00:56:23 I'm not drunk, am I?
00:56:25 - No, Daddy, it's me.
00:56:28 - Marie, you're alive?
00:56:29 - Oh, that depends on your definition of being alive.
00:56:35 (dramatic music)
00:56:38 Daddy, you have to leave.
00:56:40 Mercer can't know you're here.
00:56:42 - Don't let me forget Mercer for two seconds.
00:56:44 I mean, you're right here in front of me
00:56:46 and I can't believe my eyes.
00:56:49 - Is Lee with you?
00:56:51 - Yeah, Lee's right outside, yeah.
00:56:53 You can't imagine the hell we've been through.
00:56:55 - Yeah, Dad, I know I got a lot of explaining to do,
00:57:00 but not now.
00:57:01 You have to go and take Lee with you.
00:57:05 It's too dangerous.
00:57:06 - Look, Mercer just killed the fourth girl.
00:57:09 We've got to stop him before he can complete the ritual.
00:57:13 - And we will, the three of us, together,
00:57:17 with a plan, not like last time.
00:57:21 - I can't lose you again.
00:57:26 - That's why you have to trust me.
00:57:30 - All right, I trust you.
00:57:33 - Check into the motel down the road.
00:57:36 I'll come when it's dark and I'll explain everything.
00:57:39 - Okay.
00:57:41 (dramatic music)
00:57:44 (phone buzzing)
00:57:47 - There's no way it was her.
00:58:13 - You're drunk, confused, or both.
00:58:15 - Well, she'll be here any minute.
00:58:17 - I'm going back to the club.
00:58:21 - Exit out, Lee.
00:58:23 Look, we've got to work together on this.
00:58:25 - Get out of my way.
00:58:27 - Lee, I know we haven't been the best of friends lately,
00:58:30 but we are family.
00:58:31 - We were family.
00:58:32 - Well, tell that to your wife when you see her again.
00:58:34 - No, I'm not.
00:58:35 - She's dead, she's dead!
00:58:36 - Not if she was a vampire first.
00:58:38 (dramatic music)
00:58:41 - Where the hell have you been?
00:58:52 - Well, when I woke up, I was disoriented and lost,
00:58:55 but most of all hungry.
00:58:58 - Why didn't you call us?
00:58:59 Why didn't you come find us?
00:59:00 Don't vampires have cell phones?
00:59:01 - I didn't know if I would hurt you.
00:59:04 And then my mission was to find Mercer and to kill him.
00:59:09 So I could return to human form.
00:59:12 So I could be with you.
00:59:14 - Well, leave that to me, he's dead.
00:59:18 - And then I found out he has the book.
00:59:21 It has to be destroyed.
00:59:23 - All right, what's your plan?
00:59:25 And we know the last time that the bullets
00:59:27 dipped in holy water hurt him.
00:59:30 - We'll wait till morning.
00:59:31 That way we've got him cornered in the club with sunlight.
00:59:34 You'll sneak in through the back door,
00:59:36 which I'll leave open for you.
00:59:39 - We need to torch the place.
00:59:41 Let's burn it right to the ground.
00:59:42 - All we need are some canisters of gasoline.
00:59:45 - But we've gotta have the element of surprise.
00:59:47 He can know absolutely nothing.
00:59:50 - Exactly, and that's why I need to head back.
00:59:53 - No, I'm not letting you go.
00:59:55 - I have to, there's no other way.
00:59:57 This way he will be dead a full day before the equinox.
01:00:01 - Look, I've gotta get some things ready.
01:00:02 I'm going back to my room.
01:00:05 (door opens)
01:00:08 - I still wear my wedding ring.
01:00:11 - So do I.
01:00:12 - This is gonna work.
01:00:16 - It better.
01:00:17 (suspenseful music)
01:00:22 (door creaks)
01:00:25 (suspenseful music)
01:00:28 (knocking)
01:00:44 - Hi, I'm sorry to bother you.
01:00:52 I'm locked out of my room.
01:00:53 My friend's gone, the manager's not in the office.
01:00:55 Do you mind if I stay here with you a little bit,
01:00:57 just until she gets back?
01:00:58 - No, yeah, yeah.
01:01:00 - Please, I sure, thank you so much.
01:01:03 - Woo.
01:01:04 - Oh, it gets cold in the Loveland.
01:01:07 - Oh, yes it does.
01:01:09 Yes it does.
01:01:10 - Thank you so much.
01:01:12 You should be back in a second.
01:01:14 It shouldn't take her long.
01:01:15 - We met earlier at the club, didn't we?
01:01:18 - You're right.
01:01:19 That's why you look so familiar.
01:01:21 - Oh, yeah, you're right.
01:01:23 Yeah.
01:01:24 Well, what brings you to the Loveland?
01:01:26 - Business.
01:01:28 I let you know I noticed you work at the club
01:01:29 and you live in a hotel.
01:01:31 - Well, I'm not gonna be here long.
01:01:32 I'm a professional dancer.
01:01:33 - Oh, really?
01:01:34 - Yeah, a ballerina.
01:01:35 - Ah.
01:01:36 - Yeah, you wanna see?
01:01:37 - Sure.
01:01:38 Okay.
01:01:41 - Yeah.
01:01:42 I'm a professional dancer.
01:01:43 I don't, you know, do all the stripping.
01:01:45 Just to get by for right now.
01:01:47 But...
01:01:50 - That's very impressive.
01:01:51 - Thank you.
01:01:52 Do you dance?
01:01:53 - Oh, no, no, no.
01:01:53 I've got two left feet.
01:01:55 - Oh, come on.
01:01:56 Let me show you.
01:01:57 Anybody could do it with just a little practice.
01:01:58 - Yeah.
01:01:59 - It comes up like that.
01:02:00 - Uh-huh.
01:02:01 - You know, when somebody moves their hand.
01:02:03 - Uh-huh.
01:02:04 - And...
01:02:05 Just dance.
01:02:07 - Yeah?
01:02:07 - A woman likes to be in the corner.
01:02:09 Are you married?
01:02:11 - No, I'm a widower.
01:02:12 - Oh, really?
01:02:13 - Yeah.
01:02:13 - That's good.
01:02:14 I mean...
01:02:16 You know what I mean.
01:02:17 - Yeah, I do.
01:02:17 I'm also a detective.
01:02:19 - Are you?
01:02:20 - Yes, and I noticed the way you're looking at my gun.
01:02:22 And I don't think you're here because you're locked out of your fucking box.
01:02:25 - Oh, my God.
01:02:26 - Ah!
01:02:27 - Hmm.
01:02:35 I like that.
01:02:37 - Well, kind of like younger women.
01:02:39 - That's true.
01:02:40 - Oh.
01:02:47 - Ah.
01:02:48 - Ah.
01:02:51 - Ah.
01:02:55 - Ah.
01:02:58 - Ah.
01:03:06 - Ah!
01:03:08 - Hey!
01:03:10 - Get the fuck back!
01:03:13 No, no! Get back!
01:03:14 I need to get my precious at the club!
01:03:16 Get the fuck back! Get back!
01:03:18 - Look, we're the only ones that can stop Mercer.
01:03:20 That's why we're here.
01:03:21 You don't want to do this.
01:03:23 You really don't want to do this.
01:03:24 - Get back.
01:03:25 - No, it's okay.
01:03:26 - No, you get back.
01:03:27 - It's okay.
01:03:28 I'm not gonna hurt you.
01:03:29 I'm gonna help you.
01:03:30 Here, let me have the gun.
01:03:32 That's it.
01:03:34 That's it.
01:03:34 It's okay.
01:03:35 - I'm sorry. My emotions.
01:03:36 - You're all right.
01:03:38 It's okay.
01:03:38 - I'm so sorry. I'm sorry.
01:03:42 - Oh, I think it's a little more than your emotions.
01:03:46 - [sighs]
01:03:48 - I don't have to be a clairvoyant to tell you that's not a hickey.
01:03:59 Okay. You got your room key?
01:04:03 Okay, now. Can you make it to your room?
01:04:10 - Yeah.
01:04:11 - All right.
01:04:11 Why don't you go to your room.
01:04:13 I'm gonna get my partner.
01:04:15 We're gonna get our stuff together.
01:04:16 We'll go take care of Mercer and get your friend, okay?
01:04:19 - Okay.
01:04:20 - All right.
01:04:21 Now go to your room now, okay?
01:04:22 - Okay.
01:04:24 - I'll come back.
01:04:26 [footsteps]
01:04:28 - Well, there it is.
01:04:52 You know, he's gonna be expecting something.
01:04:55 Especially since she didn't come back to me.
01:04:57 - Yeah.
01:04:58 - Okay.
01:04:59 [sighs]
01:05:01 [sighs]
01:05:03 - Are you ready?
01:05:05 - Well, do you--
01:05:07 do you wanna go around to the back?
01:05:09 - No, I think we should go right through the front.
01:05:12 - Don't you think they'll be waiting for us on the front?
01:05:16 - No, I think they'll be waiting for us on the back.
01:05:19 - [sighs]
01:05:21 Yeah.
01:05:22 - Okay, I'll go through.
01:05:23 - Wait.
01:05:23 Jesus Christ, what the hell are you doing here?
01:05:26 - I'm coming with you guys.
01:05:27 - Oh, no, you're not.
01:05:28 - Look, we're going in there for a fight.
01:05:30 We can't be worried about trying to protect you.
01:05:33 And anyway, we've got our--
01:05:34 - Wait.
01:05:35 No, I'm stronger and I'm faster than I've ever been in my life.
01:05:39 Please.
01:05:41 My friend is in there.
01:05:43 I'm going with you guys.
01:05:45 - Well, you know, she is pretty damn strong.
01:05:48 She kicked my ass.
01:05:51 - Okay.
01:05:53 Just stay out of my way.
01:05:56 - Okay, let's go.
01:05:57 - Well, what about a gun?
01:05:58 I need a weapon or something.
01:06:01 - I don't have a second piece.
01:06:02 Do you?
01:06:03 - No, this is it.
01:06:05 - This ought to work.
01:06:10 Here, try that.
01:06:12 - Whoa.
01:06:13 Be careful with that thing.
01:06:14 It's loaded.
01:06:16 [dramatic music]
01:06:19 ♪ ♪
01:06:26 - Oh, shit.
01:06:32 - Split up. I'm going this way.
01:06:33 You go that way.
01:06:34 - Oh, wait a minute. I'll draw his fire.
01:06:36 - Whoa.
01:06:38 - Ah!
01:06:39 - [screams]
01:06:42 [screaming]
01:06:45 - What are you doing?
01:06:46 - I'm trying to save you.
01:06:47 - I'm trying to save you.
01:06:48 - I'm trying to save you.
01:06:49 - I'm trying to save you.
01:06:50 - I'm trying to save you.
01:06:51 - I'm trying to save you.
01:06:52 - I'm trying to save you.
01:06:53 - I'm trying to save you.
01:06:54 - I'm trying to save you.
01:06:55 - I'm trying to save you.
01:06:56 - I'm trying to save you.
01:06:57 - I'm trying to save you.
01:06:58 - I'm trying to save you.
01:06:59 - I'm trying to save you.
01:07:00 - I'm trying to save you.
01:07:01 - I'm trying to save you.
01:07:02 - I'm trying to save you.
01:07:03 - I'm trying to save you.
01:07:04 - I'm trying to save you.
01:07:05 - I'm trying to save you.
01:07:06 - I'm trying to save you.
01:07:07 - I'm trying to save you.
01:07:08 - I'm trying to save you.
01:07:09 - I'm trying to save you.
01:07:10 - I'm trying to save you.
01:07:11 - I'm trying to save you.
01:07:12 - I'm trying to save you.
01:07:13 - I'm trying to save you.
01:07:14 - I'm trying to save you.
01:07:15 - I'm trying to save you.
01:07:16 - I'm trying to save you.
01:07:17 - I'm trying to save you.
01:07:18 - I'm trying to save you.
01:07:19 - I'm trying to save you.
01:07:20 - I'm trying to save you.
01:07:21 - I'm trying to save you.
01:07:22 - I'm trying to save you.
01:07:23 - I'm trying to save you.
01:07:24 - I'm trying to save you.
01:07:25 - I'm trying to save you.
01:07:26 - I'm trying to save you.
01:07:27 - I'm trying to save you.
01:07:28 - I'm trying to save you.
01:07:30 - I'm trying to save you.
01:07:31 - I'm trying to save you.
01:07:32 - I'm trying to save you.
01:07:33 - I'm trying to save you.
01:07:34 - I'm trying to save you.
01:07:35 - I'm trying to save you.
01:07:36 - I'm trying to save you.
01:07:37 - I'm trying to save you.
01:07:38 - I'm trying to save you.
01:07:39 - I'm trying to save you.
01:07:40 - I'm trying to save you.
01:07:41 - I'm trying to save you.
01:07:42 - I'm trying to save you.
01:07:43 - I'm trying to save you.
01:07:44 - I'm trying to save you.
01:07:45 - I'm trying to save you.
01:07:46 - I'm trying to save you.
01:07:47 - I'm trying to save you.
01:07:48 - I'm trying to save you.
01:07:49 - I'm trying to save you.
01:07:50 - I'm trying to save you.
01:07:51 - I'm trying to save you.
01:07:53 - Being right all the time is excessively boring.
01:07:56 - I dropped your guns.
01:07:58 - Impossible.
01:08:00 - Statue two.
01:08:10 - Christina, kill them both.
01:08:21 - I command you.
01:08:23 - Christina, no!
01:08:30 - No, Christina, fight him off!
01:08:32 - No, Christina!
01:08:35 (gunshots)
01:09:03 - Come on, nice try, bitch.
01:09:05 - Until it falls.
01:09:29 - So you can destroy me?
01:09:32 (grunting)
01:09:34 - Goddamn!
01:09:48 (screaming)
01:09:52 (growling)
01:09:55 (screaming)
01:09:57 - Are you okay?
01:10:23 - Pat.
01:10:24 Pat.
01:10:27 Are you okay?
01:10:31 Girl, girl.
01:10:33 Come on.
01:10:34 - Souvenir, asshole.
01:10:45 - Chris, stop it.
01:10:50 Go ahead, I'll catch up with you.
01:10:53 - And all the excitement I almost forgot.
01:10:55 You guys feeling all right?
01:10:57 - I'm fine, I feel great.
01:10:59 - Dad, I'm fine.
01:11:00 - All right, stick out your arms.
01:11:02 - Now what are you doing?
01:11:04 - You know, the more I know about these vampires,
01:11:06 the more amazed I get.
01:11:08 You know, the myth says that holy water will burn a vampire.
01:11:14 - Feels like water.
01:11:17 It's a little cold.
01:11:19 - But can we go now?
01:11:21 - Yeah, but look, I want you to call Reese.
01:11:24 Let him know that we got Mercer.
01:11:26 And you know, when that sheriff gets up
01:11:28 and finds those dead bodies in the club,
01:11:30 he's gonna be all over us.
01:11:32 We'll need all the help we can get.
01:11:34 So have him get a team down here as quick as you can.
01:11:37 Yeah, let's go to the motel.
01:11:38 I need a drink.
01:11:40 - Whoa, whoa, whoa, don't joke about that.
01:11:42 You're finally sober.
01:11:44 - Yeah, you're right.
01:11:45 Okay, no more jokes.
01:11:48 (eerie music)
01:11:50 - So, what is it like to be a vampire?
01:11:59 - Well, it's like the worst PMS that you've ever had in your life.
01:12:02 I mean, you find yourself hornier than ever
01:12:04 and hungrier than ever.
01:12:06 - What about now?
01:12:07 - I have guts.
01:12:09 My emotions under control a little bit.
01:12:11 I mean, I'm still horny, though.
01:12:15 - Do what you want.
01:12:16 Go.
01:12:18 - What are you talking about?
01:12:19 - You wanna go to his room.
01:12:21 - You wouldn't be mad?
01:12:23 - One of us has the chance to get laid.
01:12:25 I'd be mad if you didn't.
01:12:27 - That's why I fucking love you.
01:12:29 All right, I'll be back.
01:12:32 - Have fun.
01:12:34 (eerie music)
01:12:37 (thudding)
01:12:39 (grunting)
01:12:48 (groaning)
01:13:05 - Let's burn it.
01:13:07 - I'm burning for you.
01:13:10 (eerie music)
01:13:17 (phone ringing)
01:13:19 - Hi. - Oh, hi.
01:13:43 - I'm in the room next door and I was wondering
01:13:45 if I could come stay here for a little bit
01:13:47 until my roommate gets back.
01:13:48 - Oh, well--
01:13:49 - Would you mind if I came in for a little bit?
01:13:50 - Well, no, not at all.
01:13:51 Hey, now, wait a minute.
01:13:53 We don't have to fight again, do we?
01:13:54 - No, we can just get to the making of sex.
01:13:57 (sighing)
01:14:00 - Boy.
01:14:03 Boy.
01:14:06 Sometimes we're wrong.
01:14:12 You know, you may be waking a sleeping giant.
01:14:15 Well.
01:14:19 Tora, Tora, Tora, baby.
01:14:27 I cannot get it up.
01:14:32 (eerie music)
01:14:34 (groaning)
01:14:38 (eerie music)
01:14:40 (speaking in foreign language)
01:14:56 (eerie music)
01:14:58 (knocking)
01:15:11 - Boyd, open up.
01:15:13 I don't care if you're butt naked.
01:15:16 Open the door now.
01:15:23 - What time is it?
01:15:25 - It's 11 in the morning.
01:15:26 We're in the middle of a solar eclipse.
01:15:28 - You mean you woke me up so that I could see this eclipse?
01:15:31 - No, Maria's gone.
01:15:32 - What?
01:15:33 - Yeah, she took the book and the decanter.
01:15:35 - What about Chris?
01:15:37 - She's gone, too.
01:15:38 I need one of your visions, and I need it now.
01:15:44 - Well, it doesn't work that way, Lee.
01:15:46 - Well, here.
01:15:49 - She was wearing this?
01:15:52 - Yeah.
01:15:53 (eerie music)
01:15:57 - She's still a vampire.
01:16:08 - Well, how could she be a vampire?
01:16:09 We killed Mercer.
01:16:11 - That doesn't make any sense,
01:16:12 but that doesn't matter.
01:16:13 We gotta stop her.
01:16:14 Now, she can't be far off.
01:16:15 Now, let's go get her.
01:16:17 (eerie music)
01:16:20 (dramatic music)
01:16:22 - Pat, you know, you know it's dangerous in there.
01:16:36 You should stay.
01:16:37 - I'm not leaving you and Chris behind.
01:16:39 - Look, you mean more to me than you can imagine.
01:16:42 - Then we're in this together.
01:16:48 - Okay.
01:16:49 At least let me go in front.
01:16:53 - Wait.
01:16:56 - Okay.
01:17:01 - Hey.
01:17:03 Boy does not see what's coming.
01:17:06 The vampire will surely kill him.
01:17:10 We've gotta help him.
01:17:14 - No, no.
01:17:15 He'll die.
01:17:18 If the devil wins, we're all dead anyway.
01:17:22 - Hey, you drop it.
01:17:27 (gunshot)
01:17:29 (gunshots)
01:17:32 - Let me see.
01:17:45 - Okay.
01:17:46 - Okay, okay.
01:17:47 - Ah, you're all right.
01:17:48 It went right through you.
01:17:49 - It went right through me?
01:17:50 - Yeah.
01:17:51 - God, I'm bleeding.
01:17:52 - You're all right.
01:17:53 - I'm okay.
01:17:54 - He's all right.
01:17:55 Come on, let's get you up.
01:17:56 - I'm okay.
01:17:57 Are you all right?
01:17:58 - I'm fine.
01:17:59 - All right, just get me up then.
01:18:00 Come on, come on, baby.
01:18:02 - I'll save you for later.
01:18:04 Come on.
01:18:05 - Yeah, right.
01:18:06 - Oh.
01:18:07 (eerie music)
01:18:15 - See you on him, honey, boys.
01:18:18 (eerie music)
01:18:20 - Now, Marie, you're not quite yourself.
01:18:35 Let the girl go.
01:18:37 - Dad, do you really think you can talk me out of this?
01:18:41 After everything I've been through to get to this point?
01:18:44 - Baby, I love you, don't do this.
01:18:47 - What we were is in the past.
01:18:52 I have a whole new future I'm looking forward to now.
01:18:56 - So last night meant nothing to you?
01:19:01 - It was just sex.
01:19:03 I had to keep you from destroying the book
01:19:05 without blowing my cover.
01:19:07 Did I enjoy it?
01:19:11 Not really.
01:19:12 - Baby, I know you love me.
01:19:15 You're just confused.
01:19:19 I'll get you help, whatever you need.
01:19:22 Just let the girl go.
01:19:24 - I don't need your help, baby.
01:19:27 I have never felt more alive in my life.
01:19:31 Humans are so weak.
01:19:33 Wrestling with the morality.
01:19:35 I have no intention of ever turning back.
01:19:39 - Marie, I'm not gonna tell you again.
01:19:41 Let the girl go.
01:19:43 - Don't point your gun at her wife!
01:19:45 - She's my daughter too.
01:19:46 And right now she's not acting like either.
01:19:48 She's gotta be stopped.
01:19:50 - This is exactly what I'm talking about.
01:19:53 Humans, weakness, morality.
01:19:56 So Shakespearean.
01:19:59 To be or not to be.
01:20:02 To pull the trigger or not.
01:20:06 You make me sick.
01:20:11 (bell ringing)
01:20:13 - Up we go.
01:20:15 It's almost over for you.
01:20:17 - You hurt my friend and I swear
01:20:21 I'll give you newfound respect of how tough you are.
01:20:25 - Don't shoot my wife, either of you!
01:20:27 - Now Lee, don't make this any more difficult than it is.
01:20:30 We can't let--
01:20:31 (glass shattering)
01:20:34 - Ah shit, not again.
01:20:39 You're pathetic, all of you.
01:20:42 - Well done, Marie.
01:21:04 - You?
01:21:08 - Surprise, Boyd.
01:21:10 Boyd.
01:21:12 - Boyd, I thought you would have figured this out by now.
01:21:15 I've been under your nose the whole time.
01:21:20 Now I did put you and Lee back on the case.
01:21:24 You see, I needed you to find Mercer.
01:21:27 Because he was the only one in possession of the book.
01:21:31 And, well, I was there that night
01:21:36 when Marie was lost.
01:21:39 (Marie screams)
01:21:41 (Marie crying)
01:21:44 But you know, I never realized how Mercer feared you that night.
01:21:53 He couldn't care who turned Marie.
01:21:58 So, I gave her the gift of immortality
01:22:03 in exchange for her allegiance.
01:22:05 Which I gave freely.
01:22:07 - Oh, Marie.
01:22:09 Are you drinking these days?
01:22:13 Oh, Boyd.
01:22:20 - I was destined for this.
01:22:23 The world will crumble at its feet.
01:22:26 Because I will be indestructible.
01:22:29 (laughing)
01:22:31 - You don't know when to quit, Boyd.
01:22:50 My friend, you are dying.
01:22:54 Beg me to turn you.
01:22:56 - I'll never be what you are.
01:22:59 Don't let me go.
01:23:02 - What do you want, my friend?
01:23:04 This?
01:23:07 Here.
01:23:10 Or this?
01:23:16 - No!
01:23:18 - Ask me to change you.
01:23:22 Or I'll change her.
01:23:24 (dramatic music)
01:23:27 (screaming)
01:23:30 - If you ever love me, you'll let me go now.
01:23:36 - One by ten.
01:23:39 - Seven, two.
01:23:40 - Let me go!
01:23:41 - Then go quickly.
01:23:44 'Cause I can't hold it for long.
01:23:46 (growling)
01:23:48 (grunting)
01:23:51 (screaming)
01:23:53 (dramatic music)
01:23:56 (laughing)
01:23:58 (dramatic music)
01:24:01 (crunching)
01:24:04 (dramatic music)
01:24:07 (growling)
01:24:09 (dramatic music)
01:24:12 (growling)
01:24:14 (dramatic music)
01:24:17 (growling)
01:24:20 (dramatic music)
01:24:21 - How is this possible?
01:24:23 - Because Chris wasn't born a girl.
01:24:26 - You're kidding.
01:24:30 (dramatic music)
01:24:32 (growling)
01:24:34 (clock ticking)
01:24:37 - How come it still hurts?
01:24:45 - Boy, I'll give you some attention
01:24:48 when we get back to the room.
01:24:50 - You will?
01:24:51 - Yes, come on, you're okay.
01:24:53 (dramatic music)
01:24:56 - Here we go.
01:24:58 - Let me quit acting like a baby.
01:25:00 - Okay, okay.
01:25:01 (dramatic music)
01:25:04 (clock ticking)
01:25:07 (dramatic music)
01:25:10 (clock ticking)
01:25:13 (dramatic music)
01:25:16 (clock ticking)
01:25:19 (dramatic music)
01:25:22 (clock ticking)
01:25:25 (grunting)
01:25:26 - Oh shit, not again.
01:25:28 (dramatic music)
01:25:32 - It was just sex.
01:25:34 I had to keep you from destroying the book
01:25:36 without blowing my cover.
01:25:38 Did I enjoy it?
01:25:41 Not really.
01:25:43 - Believe me, if there's anything worth talking about,
01:25:48 in this town, I'm the first to know about it.
01:25:52 (dramatic music)
01:25:55 (growling)
01:25:57 (dramatic music)
01:25:59 - This quote is under new management.
01:26:02 (dramatic music)
01:26:05 - Well, that's like the worst PMS
01:26:07 that you've ever had in your life.
01:26:10 - Can't your former son-in-law stop by just to say hello?
01:26:16 (dramatic music)
01:26:19 - Whatever it takes would have been blowing that guy
01:26:22 so he'd drive us to California.
01:26:25 (dramatic music)
01:26:28 - This deed will make this one vampire indestructible.
01:26:32 (dramatic music)
01:26:35 (dramatic music)
01:26:38 - You're kidding.
01:26:40 (dramatic music)
01:26:43 (dramatic music)
01:26:46 (dramatic music)
01:26:49 (dramatic music)
01:26:52 (dramatic music)
01:26:55 (dramatic music)
01:26:58 (dramatic music)
01:27:01 (dramatic music)
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01:30:19 Won't it have to be you, won't it have to be me? Won't it have to be you, won't it have to be me?
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