Oppenheimer - Dilemma
Category
🎥
Short filmTranscript
00:00:00 (dramatic music)
00:00:02 (dramatic music)
00:00:05 (dramatic music)
00:00:08 (dramatic music)
00:00:11 (dramatic music)
00:00:13 (gunshot)
00:00:20 (dramatic music)
00:00:28 (leaves rustling)
00:00:37 (dramatic music)
00:00:40 - Yo, I've been standing in these goddamn heels
00:00:47 for over three hours.
00:00:49 If he offers me 200 bucks to lay down, I'm gonna take it.
00:00:53 - Just be patient, it'll happen.
00:00:57 (dramatic music)
00:01:00 (dramatic music)
00:01:03 - Hi babe, I'm looking for a good time.
00:01:26 - Get the fuck back in the car.
00:01:28 (laughing)
00:01:31 (engine starting)
00:01:38 (dramatic music)
00:01:53 (dramatic music)
00:01:56 - Okay guys, this is it.
00:02:06 - Excuse me!
00:02:08 - Wait, stay back.
00:02:09 - You got a little something?
00:02:13 (gunshot)
00:02:15 - Oh shit, move in, move in!
00:02:17 - Freeze!
00:02:18 Hold it right there, you scumbag!
00:02:20 I said freeze!
00:02:22 (gunshot)
00:02:26 (dramatic music)
00:02:53 - You shoot another man like that?
00:02:56 You got your vest?
00:02:57 - I got my vest.
00:02:58 - Oh, I got my vest.
00:03:00 (laughing)
00:03:02 - I thought I lost you, man!
00:03:05 - You ain't gonna lose me!
00:03:06 - God!
00:03:07 - You ain't gonna lose me, man!
00:03:08 (dramatic music)
00:03:11 - Quinn, look man, you gotta do me a favor.
00:03:19 You gotta wear that vest all the time, man.
00:03:21 You know, I saw you get hit back there.
00:03:23 I almost lost it, man.
00:03:24 I don't wanna go through that no more, man.
00:03:29 You know, sad thing is, I think if I get hit,
00:03:35 my ex-wife will probably enjoy it.
00:03:37 - You ever gonna get married again?
00:03:42 - If I ever think about getting married again,
00:03:47 I think I'm gonna find the person I hate the most
00:03:50 and buy her a house.
00:03:52 (laughing)
00:03:54 - Oh man, don't make me laugh, it hurts.
00:03:56 You wanna get some breakfast after we book these guys?
00:03:59 - I'm ready.
00:04:00 - I know this place, man.
00:04:02 They make these big pancakes, man.
00:04:05 It's like the size of a plate.
00:04:08 (dramatic music)
00:04:20 - Lydia Cantrell is here to see you.
00:04:22 - Who is she?
00:04:25 - The department's community liaison.
00:04:27 - All right, send her in.
00:04:29 - I'm sorry to come unannounced,
00:04:40 but this is an urgent matter
00:04:41 regarding police community relations.
00:04:43 - Please, sit down.
00:04:49 - I felt obligated to come in person
00:04:51 because of the instrumental role
00:04:52 that your office has played
00:04:53 in the apprehension of Rudy Salazar.
00:04:56 - Salazar?
00:04:58 - That's correct.
00:04:59 You might have read in the paper
00:05:00 about Salazar being the one and only
00:05:02 perfect bone marrow transplant donor for Delfina Juarez.
00:05:06 - Yeah, but I never thought that anyone
00:05:07 would actually follow through on that.
00:05:09 - Well, it's taken us a lot of work, sir.
00:05:11 With the help of the community,
00:05:12 we've been able to convince the governor
00:05:14 to allow us to take Salazar off of death row
00:05:18 in exchange for the transplant
00:05:20 that will enable us to save Delfina's life.
00:05:22 - Look, I can't say I'm happy about this.
00:05:26 I'm sure you've gone through his charts
00:05:27 and know that he killed two of my best officers.
00:05:30 - Yes, sir, I'm fully aware of that,
00:05:32 and that's exactly why it's important
00:05:34 for me to come down here and to speak to you in person.
00:05:37 And also, I wanted to invite you
00:05:39 to meet Delfina personally
00:05:40 as well as oversee the procedure.
00:05:43 - When is this taking place?
00:05:44 - Unfortunately, Delfina does not have a lot of time.
00:05:47 - It's going to have to be today.
00:05:48 - Today?
00:05:49 - I'm afraid so.
00:05:50 (sighing)
00:05:56 (chattering)
00:06:00 - I'm definitely getting too old for this.
00:06:13 How's those beautiful women on this planet?
00:06:15 - Robbery, assault, assault with a deadly weapon,
00:06:18 and resisting arrest.
00:06:19 (grunting)
00:06:21 Take care of this, Johnny.
00:06:21 Good job, Kowalski.
00:06:23 - Wow.
00:06:27 (coughing)
00:06:30 Excuse me.
00:06:37 - Kitty got the mouse, Charlie.
00:06:43 (chattering)
00:06:46 - Hey, sit down, Quinn, I got some bad news.
00:06:53 - Fantastic.
00:06:54 - You remember Rudy Salazar?
00:06:56 - How could I forget?
00:07:00 - Well, you're not gonna believe it,
00:07:02 but the governor himself has just commuted
00:07:04 Salazar's sentence from death row to life in jail.
00:07:07 - What?
00:07:08 - Yeah, some community liaison was just in here
00:07:10 to let me know.
00:07:12 - Does anybody know what we went through
00:07:13 to put this guy away?
00:07:14 - Of course, I do.
00:07:15 - All right, listen.
00:07:24 This guy needs to be guarded or transported.
00:07:26 I wanna know.
00:07:27 I wanna be assigned to him.
00:07:28 - I wish I could, but the governor's gone over the files
00:07:31 and has specifically requested that you not take part
00:07:33 in the hospital transfer.
00:07:35 You know, because of that bullshit police brutality report
00:07:38 that Salazar's lawyer filed when he arrested him.
00:07:42 (dramatic music)
00:07:44 - This guy's kooky.
00:07:46 All right, I'm the only guy I know
00:07:47 that can even handle him.
00:07:48 - Well, not anymore.
00:07:49 As of now, you're off the case.
00:07:51 (dramatic music)
00:07:53 the police.
00:07:54 (dramatic music)
00:07:57 (dramatic music)
00:08:00 (dramatic music)
00:08:03 (dramatic music)
00:08:05 (dramatic music)
00:08:08 (dramatic music)
00:08:11 (dramatic music)
00:08:14 (dramatic music)
00:08:16 (dramatic music)
00:08:19 (gun firing)
00:08:31 (dramatic music)
00:08:34 (dramatic music)
00:08:37 (gun firing)
00:08:49 (dramatic music)
00:08:52 (dramatic music)
00:08:55 - Hi, Delphina.
00:09:18 Don't you look pretty today for your big day?
00:09:21 Now, I know you're a little bit scared, but...
00:09:26 It's okay, sweetheart.
00:09:33 I promised your mother I'd take really good care of you
00:09:36 before she died.
00:09:37 And I always keep my word.
00:09:44 - Thank you, Lydia, for saving my life.
00:09:47 (dramatic music)
00:09:50 (dramatic music)
00:09:53 (dramatic music)
00:09:55 (dramatic music)
00:10:23 - This is a special live report from Channel 8 News.
00:10:26 Convicted police murderer, Rudy Salazar,
00:10:30 is being transported now from his cell on Death Row--
00:10:32 - Wait, what's up?
00:10:33 - To Long Beach Hospital,
00:10:34 where the governor has arranged for Salazar
00:10:36 to give a life-saving-- - This guy.
00:10:38 - Transplant in exchange for computing his sentence--
00:10:40 - He kills Ryan Holt and Pulcini,
00:10:42 and now he's gonna see the light of day.
00:10:43 - Most of you will remember last year,
00:10:45 Salazar's high-profile criminal trial,
00:10:48 where Salazar was convicted
00:10:49 in the brutal execution-style murders
00:10:52 of two highly-decorated LA police officers.
00:10:55 (dramatic music)
00:10:57 (dramatic music)
00:11:00 (dramatic music)
00:11:03 (dramatic music)
00:11:06 (dramatic music)
00:11:08 (dramatic music)
00:11:11 (dramatic music)
00:11:14 (dramatic music)
00:11:17 - Come on!
00:11:36 Hey!
00:11:42 Ma'am, step back, step back!
00:11:45 - Aren't you Pearl Johnson, Rudy's girlfriend?
00:11:51 - Back, get back!
00:11:53 (dramatic music)
00:11:56 (dramatic music)
00:11:58 - I gotta take a piss.
00:12:20 - Why didn't you do it in your cell, scumbag?
00:12:24 - I did, but I got a weak bladder.
00:12:27 - I bet you were a real charmer with the ladies, Salazar.
00:12:31 - Only with your mother, punk,
00:12:33 but I still gotta go to the bathroom.
00:12:37 - Come on, let's go!
00:12:38 (door slams)
00:12:41 (dramatic music)
00:13:04 I'll be right back to get you, okay?
00:13:08 - Thank you.
00:13:09 Captain Ross.
00:13:14 - How's she doing?
00:13:15 - They're bringing her to pre-op in just a few minutes.
00:13:20 Thank you for coming.
00:13:22 - Sure.
00:13:22 (dramatic music)
00:13:31, (dramatic music)
00:13:36 (dramatic music)
00:13:39 - Let's go, Salazar, that's enough!
00:14:02 (dramatic music)
00:14:05 - Are you ready?
00:14:13 (guns firing)
00:14:20 - Go!
00:14:25 (guns firing)
00:14:32 - Let me go, please!
00:14:34 - Freeze, police!
00:14:35 - Let me go!
00:14:44 - Let the girl go!
00:14:46 - Please, please, let me go!
00:14:53 - Oh, no, please!
00:14:55 - Let me go, please!
00:14:57 - Oh, please!
00:14:58 - Hit him up, hit him up!
00:14:59 Go upstairs, go upstairs!
00:15:00 - Go get him, come on!
00:15:01 - Move, move!
00:15:02 - Move it, move it!
00:15:04 - Let me go, please, no!
00:15:08 Oh, no, oh my God, no!
00:15:10 - Come on, let's go!
00:15:14 (screaming)
00:15:16 - Let the girl go, Salazar!
00:15:23 - Freeze!
00:15:24 (guns firing)
00:15:24 - Check your fire, don't hit the girl!
00:15:28 - Let me go!
00:15:29 - Don't worry, darling, they should be here any moment
00:15:34 to take you to the operating room, okay?
00:15:37 - Okay.
00:15:38 (screaming)
00:15:44 - Help me!
00:15:47 - No, no, please, don't!
00:15:49 Let me!
00:15:50 - Come on, guys, we're out!
00:15:52 - Move it, move it!
00:15:54 (screaming)
00:15:58 - Move, move!
00:15:59 - Help me!
00:16:00 - Get behind him, get behind him!
00:16:06 Cut him off!
00:16:07 - Help me!
00:16:12 (guns firing)
00:16:19 (screaming)
00:16:21 - Shit, come on.
00:16:36 (dramatic music)
00:16:39 - What do we got?
00:16:55 - I was watching some of the video playback
00:16:57 and it looks like Salazar's girlfriend passed him the key.
00:17:01 But I have no idea how they got him the gun.
00:17:05 - Earl Johnson.
00:17:07 She got a speeding ticket last summer,
00:17:08 but the address is bogus.
00:17:10 - Don't worry your little mind about that.
00:17:12 I'll take care of it.
00:17:13 - No, it's just a thing, hot blood.
00:17:15 If you kill him, that little girl dies.
00:17:18 - It's no concern of mine, I'm a cop, not the Red Cross.
00:17:24 - Quinn!
00:17:25 - Hey, Quinn, what do you wanna do first?
00:17:33 Look for his girlfriend?
00:17:35 - I think we oughta go dig up his cronies.
00:17:40 He's bound to hook up with them again.
00:17:42 - Sergeant Quinlan?
00:17:59 - It's Quinn.
00:18:02 - I'm Lydia Cantrell.
00:18:04 I'm the department's community liaison.
00:18:07 And I'm the one who arranged the bone marrow transplant.
00:18:09 - Good.
00:18:14 Good for you.
00:18:15 Let's go, Earl.
00:18:18 - Look, I know that Salazar's killed
00:18:20 two of your closest friends,
00:18:21 and I'm sure this must be very hard for you,
00:18:23 but this is no time for vengeance, Sergeant.
00:18:26 Salazar needs to be taken in alive
00:18:29 before little Delfina dies.
00:18:31 - Listen, I promised her mother before she passed away
00:18:33 that I would take care of her little girl.
00:18:34 She has no one else.
00:18:36 Sergeant, please think with your heart.
00:18:41 - I am thinking with my heart.
00:18:43 And my heart says kill the bastard.
00:18:47 - Come on, baby.
00:18:58 - How did you do, boy?
00:18:59 Thank you for our kids.
00:19:00 - You're the one who's building up the habitat.
00:19:02 - You mean all the habitat.
00:19:03 - You're the one.
00:19:05 - All right, man, we got the fucking gold behind us.
00:19:07 - She was a dancer, too.
00:19:08 - Come on, baby.
00:19:09 Come on, baby.
00:19:10 Here we go.
00:19:11 Come on.
00:19:12 - Whoa, whoa.
00:19:13 - Let go.
00:19:14 - Excuse me, partners.
00:19:21 You gotta get the East Bumbly's luck, huh?
00:19:25 - What the fuck you say?
00:19:28 - That's her.
00:19:29 - She's gonna take the Grand Canyon, take a ride.
00:19:31 - Yes.
00:19:32 (laughing)
00:19:34 - Yeah, that's funny.
00:19:37 (laughing)
00:19:39 - Hey, man, it's the FDA in Beverly Hills.
00:19:50 You better shut the fuck up.
00:19:51 Give me it.
00:19:54 - What the fuck?
00:19:58 - Hey, Tex.
00:19:59 Did you hear that?
00:20:01 You better watch out for Captain Jack.
00:20:03 His daddy's a DA.
00:20:04 DA's boy.
00:20:11 You got three seconds to run.
00:20:15 - Move.
00:20:17 (gunshot)
00:20:20 - Now you got three seconds to run, punk.
00:20:25 - Look, man, it's my dad's car.
00:20:26 He's gonna fucking kill me if...
00:20:28 (gunshot)
00:20:30 (laughing)
00:20:32 - Here, kitty, kitty, kitty, kitty.
00:20:38 Oh, come on, kitty.
00:20:39 Come on.
00:20:40 - Meow.
00:20:43 - Ow!
00:20:46 Kitty cat, kitty cat.
00:20:48 Kitty cat, kitty cat.
00:20:49 (phone ringing)
00:21:01 - Russ here.
00:21:02 Another carjacking.
00:21:09 (radio chatter)
00:21:12 - Well, we got a partial on the license plates.
00:21:32 - That blue van?
00:21:33 - Yeah, the last three letters are ADP.
00:21:35 Adam David Paul.
00:21:37 - Great, give it to me.
00:21:39 I'll get it to AD.
00:21:40 Hopefully we'll find the owners by tomorrow.
00:21:43 Area secured?
00:21:44 - Yeah.
00:21:45 - Good work, Herb.
00:21:46 (gunshot)
00:21:54 - Get the bitch out.
00:21:56 - Ow, ow!
00:21:59 - Shut up, shut up!
00:22:03 - Please don't hurt me.
00:22:03 - Shut up!
00:22:04 - Please!
00:22:06 - Shut up!
00:22:07 (dramatic music)
00:22:10 - Hey, you okay, Quinn?
00:22:30 - Yeah.
00:22:36 I just had a bad day.
00:22:38 (upbeat music)
00:22:51 - Oh man, oh man.
00:23:00 (breathing heavily)
00:23:03 (upbeat music)
00:23:06 - Partial license plate on the blue van
00:23:22 brought up 32 Los Angeles addresses.
00:23:25 Take a look at 'em.
00:23:25 - Ramsey's auto body?
00:23:29 - Yeah, what about it?
00:23:30 - I hear this guy's fencing luxury cars,
00:23:32 but we don't have any leads on him.
00:23:35 - Hey, will this partial plate get us a wiretap?
00:23:37 - I'll give it my best shot.
00:23:39 (dramatic music)
00:23:48 - So what's happening?
00:23:58 - We gotta lay low with them.
00:24:02 Vipers and vets.
00:24:03 They're drawing more attention than Demi Moore and them all.
00:24:07 - So you want another Lexus?
00:24:09 - I don't know.
00:24:11 - Let's find out.
00:24:12 - Hey, compadre, what's happening?
00:24:22 What do you need?
00:24:23 - Yeah, I need a Mercedes 560 convertible, black,
00:24:26 and try to make it one with the real wood dashboards,
00:24:29 you know, none of that plastic shit.
00:24:31 Yeah, get a fucking plastic shit,
00:24:33 I wanna shove it up your ass, it drives me nuts.
00:24:35 - Okay.
00:24:36 How about I come over and give you a blow job too?
00:24:38 All right.
00:24:41 Black Mercedes, 560, convertible, wood dash.
00:24:49 No plastic shit.
00:24:50 - You wanna jet wax with that too?
00:24:53 - Yeah, yeah, yeah, yeah, get me a jet wax.
00:24:57 (dramatic music)
00:24:59 - We're getting a black Mercedes, convertible.
00:25:13 - I'd like a Rolls Royce myself.
00:25:15 - And let's take two cars,
00:25:16 'cause I'm tired of babysitting you guys all night.
00:25:20 Alex, Slick, come with me, the rest of you guys do anal.
00:25:22 (dramatic music)
00:25:25 t's like our big lead's gonna be a black Mercedes.
00:25:31 (engine starting)
00:25:34 - Looks like our big lead's gonna be a bust.
00:25:56 You wanna get something to eat up here?
00:25:58 Just be patient, huh?
00:26:00 (dramatic music)
00:26:03 I don't know about you, but I haven't eaten.
00:26:11 I'm no good if I haven't eaten.
00:26:13 Hey, shut up and stop complaining.
00:26:14 (dramatic music)
00:26:17 - Look alive, fellas.
00:26:20 Coming up on your right is a souped up van.
00:26:22 - Let's go, man.
00:26:24 - Yeah, okay.
00:26:27 - Now get ready, Irv, and stay back.
00:26:29 We don't wanna scare 'em off.
00:26:30 - Sir, roger, big fella.
00:26:33 (tires screeching)
00:26:44 - Get off, bucket car, now!
00:26:53 (gunshots)
00:26:55 (tires screeching)
00:26:58 - Remember, we need to take the line.
00:27:03 (gunshots)
00:27:05 - Hold right there.
00:27:09 - Where's the cover?
00:27:12 - Watch out!
00:27:18 - Somebody's going around.
00:27:24 (gunshots)
00:27:27 - Damn!
00:27:31 - Hold it, hold it!
00:27:35 (gunshots)
00:27:37 - Go!
00:27:38 - This is unit 12, we're in pursuit of a blue van,
00:28:04 licensed Adam, David, Tom.
00:28:06 - Roger that.
00:28:07 (dramatic music)
00:28:10 - Hey, hang in there, chap.
00:28:22 Hang in there, we'll get an ambulance here.
00:28:26 Next time I say we wanna go eat, you listen to me.
00:28:28 Charlie, can you give me some help here?
00:28:30 Charlie, let's go!
00:28:33 (dramatic music)
00:28:35 (gunshots)
00:28:38 - Freeze, asshole!
00:28:49 - It's cool, man, you got me, don't shoot.
00:28:51 You got me, you got me.
00:28:55 (gunshots)
00:29:02 (dramatic music)
00:29:05 - [Operator] Reaching Dr. Stateman, Dr. Stateman, please.
00:29:19 Dr. Benditch is in a mental ward.
00:29:21 - Hey, look, patch him up,
00:29:23 but I'm not taking the cuffs off, man.
00:29:25 He's a fucking animal.
00:29:27 - All right, let's move it.
00:29:29 - Give him a 50-gallon enema.
00:29:31 - You want some of me?
00:29:32 - I got you, buddy.
00:29:33 Hey, how's Ross?
00:29:35 - No word yet.
00:29:37 You having fun with Elo, huh?
00:29:39 - Unfortunately.
00:29:41 Hey, do you know him?
00:29:42 - Last time I busted him,
00:29:44 he had a rap sheet as long as the Sunday Times.
00:29:45 Did he give you anything?
00:29:46 - No, he knows the routine.
00:29:48 He's gonna play mute until his attorney comes, you know.
00:29:51 Mr. Bakken?
00:29:53 - Who's that?
00:29:57 - He's a twin brother of the victim from last night.
00:30:00 - Is Salazar in there?
00:30:01 I'm hung up by his fucking balls.
00:30:05 - Mr. Bakken, this is Detective Quinn.
00:30:07 Look, we got Salazar's accomplice,
00:30:09 but Salazar got away.
00:30:11 - Shit.
00:30:12 I don't believe this.
00:30:14 - Does Elo know that Bakken died?
00:30:19 - You kidding me?
00:30:20 Not unless he read the Beverly Hills Society
00:30:22 column this morning.
00:30:23 - Mr. Bakken.
00:30:27 - Hey, Quinn, what's up?
00:30:28 - Come with me for a second, please.
00:30:30 - Where you going?
00:30:30 - Shit.
00:30:33 - Ow.
00:30:40 - Raise your hand.
00:30:43 No, not your head.
00:30:46 Thank you.
00:30:49 - That's not a very happy man.
00:30:56 You blew a hole in his head while you raped his wife.
00:31:00 Now I can smell the gas from the pellets already.
00:31:02 - Hey, it wasn't me, man.
00:31:06 - He just made you the trigger man.
00:31:08 Now how does a nice, relaxing stay on death row sound?
00:31:12 - Look, I told you, it wasn't me.
00:31:15 I never wasted anyone.
00:31:17 It's not my style.
00:31:20 - You got exactly one minute to give me the addresses
00:31:23 for Rudy Salazar and those three goons.
00:31:25 (laughing)
00:31:28 - You know what you're asking me to do, man?
00:31:30 - Huh?
00:31:31 You want me to snitch them out?
00:31:32 Oh, gee.
00:31:36 I want a witness protection program, all right?
00:31:40 I want a deal with the DA.
00:31:42 Yeah?
00:31:45 - We got a deal.
00:31:46 - All right.
00:31:47 - I want you to take Yilo down to the station
00:31:51 and run these addresses.
00:31:53 If you track him down, I suggest you use backup.
00:31:55 There's no telling what these crazy bastards will do.
00:31:57 - Any word on Ross?
00:31:58 - Nothing.
00:31:59 - Hang in, man.
00:32:00 (sighing)
00:32:05 - Michael Crawford, 340.
00:32:08 Michael Crawford, please call 340.
00:32:11 - Doc, how's Captain Ross?
00:32:17 - I'm sorry, but Captain Ross didn't make it.
00:32:20 Will you notify next of kin?
00:32:23 - Yes, sir.
00:32:24 (dramatic music)
00:32:30 (dramatic music)
00:32:33 - For as much as it has pleased Almighty God
00:32:55 to take out of this world the soul of John Ross,
00:32:58 we therefore commit his body to the ground,
00:33:00 earth to earth, ashes to ashes, and dust to dust.
00:33:05 We commit your body back onto the earth from whence it came
00:33:08 to rise again when Jesus Christ shall return for his church.
00:33:12 In the name of the Father and the Son
00:33:15 and the Holy Spirit, amen.
00:33:17 (dramatic music)
00:33:21 (dramatic music)
00:33:24 - He was a good man.
00:33:42 We're all sorry, Cor.
00:33:44 - Don't worry, we're gonna get Salazar.
00:33:51 - Thanks, Charlie.
00:33:52 - Sergeant Quinlan.
00:34:10 - Quinn, whatever.
00:34:12 - Listen, I just wanted to express my condolences
00:34:16 to you regarding Captain Ross.
00:34:18 I know that he meant a lot to you,
00:34:20 but just try to remember to keep things in perspective here.
00:34:25 There's a little girl whose life depends--
00:34:27 - Why don't you stop feeling so sorry
00:34:29 for that little girl and start feeling
00:34:30 a little responsibility for the death of these cops?
00:34:33 They have families too.
00:34:36 (dramatic music)
00:34:41 (dramatic music)
00:34:44 (dramatic music)
00:34:47 (dramatic music)
00:34:49 (dramatic music)
00:34:52 (dramatic music)
00:34:55 - Not big mamas again.
00:35:17 I still can't believe Jag lives here, man.
00:35:21 - Well, why shouldn't he?
00:35:22 Big mama has more cons living here than in San Quentin.
00:35:25 (car horn honking)
00:35:34 (gun clicking)
00:35:38 - Come on, Alex, let's do this, man.
00:35:44 - Shut the fuck up, Jag, I'm getting the money.
00:35:50 (dramatic music)
00:35:53 - I just can't believe you two.
00:36:06 Getting me up out of my bed,
00:36:08 telling me his name is Salazar,
00:36:10 but he's registered under the name of Lopez.
00:36:13 You must be confusing me with someone who gives a shit.
00:36:20 Let me ask you two something.
00:36:21 Why is it that you two assholes
00:36:23 always got to come get my ass up out of my bed
00:36:26 in the middle of the night
00:36:28 when you two feel like playing Starsky and Hutch,
00:36:30 cops and robbers?
00:36:33 Now look at here.
00:36:34 The keys, the room is right over there,
00:36:37 and don't go shooting up the goddamn place
00:36:39 like you did the last time.
00:36:41 Toothpaste does okay on thumbtack hoes,
00:36:43 but it ain't doing nothing on bullet hoes.
00:36:49 - How about those curves you got?
00:36:51 (knocking)
00:37:03 - Shit.
00:37:04 - Police department, we have a search warrant.
00:37:07 - Fuck you, copper.
00:37:12 (gunshots)
00:37:14 Go to hell, copper.
00:37:18 (gunshots)
00:37:20 - Let's go, let's go, let's go.
00:37:28 Shit.
00:37:30 (gunshots)
00:37:34 (suspenseful music)
00:37:37 - Come on, man, hurry up.
00:37:52 I'm going, I'm going.
00:37:53 (glass shattering)
00:38:02 What the fuck?
00:38:05 (tires screeching)
00:38:07 - Hey, did you hear Captain Dent replaced Captain Ross?
00:38:18 Have you ever met him?
00:38:19 He's a nice guy.
00:38:19 - Herb, we got one job right now.
00:38:22 That's to find Rudy Salazar.
00:38:23 Can you help me with that?
00:38:24 - Sure, no problem.
00:38:25 - I appreciate it, man.
00:38:27 - Okay.
00:38:28 (suspenseful music)
00:38:31 - Quentin.
00:38:43 Sorry about Ross.
00:38:45 - Thank you, sir.
00:38:48 - Listen, we may have a possible lead
00:38:52 on one of Salazar's accomplices.
00:38:54 - What is it?
00:38:55 - Vice got an address off of an escort service bus
00:38:59 last night.
00:39:00 - What's that got to do with Salazar?
00:39:02 - Well, girl told him that the client had a tattoo
00:39:04 on the arm of a Harley Davidson.
00:39:07 One that matches the description of that guy Tex.
00:39:11 Now, Officer Deva said she would go undercover again.
00:39:15 Are you ready to roll?
00:39:16 - Let's do it.
00:39:17 - Herb, we're up.
00:39:22 (suspenseful music)
00:39:25 - Where the fuck is she?
00:39:33 Yeah, right.
00:39:35 You're running some fucking escort service, man.
00:39:36 She's a half an hour late.
00:39:38 (traffic humming)
00:39:46 (suspenseful music)
00:39:49 (suspenseful music)
00:39:52 (suspenseful music)
00:39:55 (door banging)
00:40:13 - About fucking time, bitch.
00:40:20 Get your sorry ass in here.
00:40:23 Freeze!
00:40:24 Pass, don't hit it.
00:40:29 (guns firing)
00:40:39 (suspenseful music)
00:40:42 - Okay.
00:40:58 I got a little good news and I got some bad news.
00:41:02 Good news is I'm the designated police negotiator.
00:41:07 The bad news is negotiations are over.
00:41:11 Now, you got about 10 seconds to give yourself up
00:41:13 or I'm gonna send in my little poochie friend over here.
00:41:15 His name's Arnold, but I call him Hot Dog
00:41:18 'cause he likes to eat.
00:41:19 Well, I guess you'll see.
00:41:22 One, two, 10.
00:41:30 All right, all right.
00:41:31 Just don't send in that fucking money.
00:41:33 (suspenseful music)
00:41:36 Send in the pooch.
00:41:41 (dog barking)
00:41:47 (dogs growling)
00:41:50 - Here, boy.
00:42:01 (dog barking)
00:42:03 - Atta boy.
00:42:06 I'll take care of the rest.
00:42:08 - All right, hey, all right.
00:42:11 (grunting)
00:42:12 - Fuck!
00:42:12 (gun firing)
00:42:13 I am looking for Salazar.
00:42:14 - I don't know nothing, man.
00:42:16 (gun firing)
00:42:17 - Fuck!
00:42:18 I wanted an address and I wanted an--
00:42:19 - He calls me, man.
00:42:20 I don't call him.
00:42:21 Watch Dr. Zolay.
00:42:23 - Was that Pearl?
00:42:24 - Yeah.
00:42:25 - Well, it's funny because we can't find her either.
00:42:26 - Hey, man, I've only met her once.
00:42:28 I just know that they're tight.
00:42:31 (gun clicking)
00:42:33 - I am getting tired of your ass.
00:42:35 - Okay, man, talk to that chick
00:42:38 that did that shit with the governor, man.
00:42:39 The set that up.
00:42:40 She knows where Pearl is, man.
00:42:41 - Yeah?
00:42:42 - Yeah.
00:42:43 - I've seen her.
00:42:44 Where the hell was she?
00:42:45 - What the fuck?
00:42:46 - Okay, we're over here.
00:42:48 Pack it up, guys.
00:42:50 (men chattering)
00:42:53 - I need you to go talk to the manager
00:42:59 and see if he can really try to chill him out a little.
00:43:00 Okay?
00:43:01 - Cool.
00:43:02 - All right, guys, I'll see you back.
00:43:04 (somber music)
00:43:07 - Please don't be sad, Lydia.
00:43:09 I've prayed to the saints.
00:43:11 They said the angels are waiting for me.
00:43:13 - Will you just tell them that they're going to have to wait
00:43:15 a little bit longer?
00:43:17 Because I don't plan on letting you go so easily.
00:43:20 I promise.
00:43:21 (knocking)
00:43:23 (somber music)
00:43:26 - Sorry about this, little girl,
00:43:33 but the fact is I got a cold-blooded killer
00:43:35 on the streets of L.A.
00:43:36 Now, if you know something about Salazar or his sister,
00:43:39 now is the time for you to mess out.
00:43:41 - Sergeant Quinlan?
00:43:42 - It's Quinn.
00:43:44 - Quinn, it is true that Pearl did help me
00:43:47 with a bone marrow transplant,
00:43:48 but I can assure you that had I known
00:43:50 that she was going to help him escape,
00:43:51 I never would have allowed her to help me.
00:43:53 - Just let me ask you one thing.
00:43:55 How could anybody let a murderer off a death row,
00:43:58 even if it's going to save a little girl?
00:43:59 - Easy.
00:44:01 They both happen to be half Mexican and half Greek.
00:44:03 It's the perfect match.
00:44:07 I mean, Salazar even went as far as having his bone marrow
00:44:09 tested when he decided--
00:44:10 - Lydia, you don't understand me.
00:44:11 - No, Quinn.
00:44:13 You're not understanding me.
00:44:15 The odds of us finding him were the equivalent
00:44:19 of Delfina winning the lottery.
00:44:20 He's her only hope.
00:44:23 (dramatic music)
00:44:26 - Just, just wait until you see her, okay?
00:44:31 Come on.
00:44:33 You're really gonna love her.
00:44:37 - [Operator] Ringing Dr. Stateman.
00:44:39 Dr. Stateman, please.
00:44:40 (beeping)
00:44:50 - Delfina, I'd like for you to meet someone.
00:44:53 This is Officer Quinn.
00:44:54 He's the one who's going to help us.
00:44:56 - Nice to meet you, sir.
00:44:59 You're a policeman?
00:45:00 - Yes, I am.
00:45:01 - Did you catch any bad guys today?
00:45:04 - Well, to tell you the truth, today's been kind of slow.
00:45:10 But I plan to make up for it tomorrow.
00:45:12 - Good, me too.
00:45:15 (dramatic music)
00:45:17 - How much time does she have?
00:45:29 - I don't know, maybe a week or two
00:45:31 before she becomes inoperable.
00:45:32 It doesn't look good.
00:45:33 - I'm sorry.
00:45:35 Wait, I need to use the phone.
00:45:38 - Sure.
00:45:39 - I gotta call my partner and tell him
00:45:40 I came up short here.
00:45:41 Are you sure you don't have any information
00:45:43 you can leave us to, to Pearl?
00:45:45 - No, but I'll check my files to make sure.
00:45:48 - Her?
00:45:49 No, no, I got nothing here.
00:45:51 You did?
00:45:53 All right, I'm on my way.
00:45:56 I gotta go.
00:45:58 It looks like they may have found him.
00:46:00 - Great.
00:46:01 Hey, Quinn, make sure you bring him in alive.
00:46:05 That little girl's life depends on it.
00:46:07 Good luck.
00:46:10 (dramatic music)
00:46:12 (dramatic music)
00:46:15 (dramatic music)
00:46:18 (dramatic music)
00:46:21 (dramatic music)
00:46:23 (dramatic music)
00:46:26 (dramatic music)
00:46:29 (dramatic music)
00:46:31 (dramatic music)
00:46:34 (dramatic music)
00:46:37 (dramatic music)
00:46:40 (dramatic music)
00:46:42 (dramatic music)
00:46:45 (dramatic music)
00:46:48 (dramatic music)
00:47:16 - You positive about this?
00:47:18 - Fucking scared me shitless.
00:47:21 - This guy's a bad man, he killed three cops.
00:47:25 - Fucking rainbow trick is what he fucking is.
00:47:28 - Excuse me?
00:47:30 - A guy who likes variety.
00:47:31 He told me to go out and get him a Chinese girl
00:47:34 for his morning BJ, or as he put it,
00:47:37 a Chinese chick who could suck the skin off a snake.
00:47:39 He said Mexican food for breakfast
00:47:42 would fuck up his whole day.
00:47:44 - That's fascinating.
00:47:46 Do you know if he was packing?
00:47:47 - For another fucking Gulf War, babe.
00:47:51 (dramatic music)
00:47:55 - All right, come to the back, take positions.
00:48:03 No mistakes, this guy's a killer.
00:48:07 (guns firing)
00:48:11 (dramatic music)
00:48:14 - Cover fire, cover fire!
00:48:20 - Please!
00:48:21 - Watch the girl, watch the girl!
00:48:23 - Please let me go!
00:48:24 - Fire!
00:48:26 - Let me go!
00:48:27 Help, please let me go!
00:48:29 (gun firing)
00:48:33 - Shut up!
00:48:34 - Head down the hall.
00:48:38 - Shut up, bitch!
00:48:40 - Get around, move, move!
00:48:42 - Head around, head around!
00:48:43 - Somebody get downstairs!
00:48:45 Move it, move it!
00:48:48 - Come on, bitch, shut up!
00:48:53 - Come on, come on, come on, come on!
00:48:54 - Cover, cover, watch the angles!
00:48:56 (gun firing)
00:48:58 - I'm clear, wait!
00:49:00 - Come on!
00:49:01 (gun firing)
00:49:08 - Cover fire, cover fire!
00:49:10 - Come on, come on!
00:49:12 - Get me off!
00:49:13 - Blow your fucking brains out, bitch!
00:49:15 - Come on, get in the car, let go!
00:49:17 - Hold it, get in the car!
00:49:18 - Come on!
00:49:18 - Please, please, please!
00:49:19 - Shut up!
00:49:20 - Let go of me!
00:49:21 - Please, excuse me!
00:49:26 - Shut up!
00:49:26 - Please, excuse me!
00:49:28 (gun firing)
00:49:31 - Shit!
00:49:35 - Hold your fire, hold your fire!
00:49:37 - Shit!
00:49:37 (Rudy crying)
00:49:40 - Freeze, asshole!
00:49:43 (dramatic music)
00:49:45 - Okay, Rudy, don't be stupid here, huh?
00:49:55 I don't wanna play any games with you!
00:49:58 - One move, and the little girl dies with all of us!
00:50:02 (Rudy crying)
00:50:04 - Come on, come on, let me drop you, man.
00:50:06 - I'm gonna run the eggs like it's from World War I, man.
00:50:08 It's probably a deal.
00:50:09 - Shut up, I gotta take 'em alive.
00:50:12 Okay, Rudy!
00:50:15 Just take it easy, all right?
00:50:20 Shit, cover up!
00:50:24 - It's a dud!
00:50:27 - Watch his hands, watch his hands!
00:50:29 - Going pretty good!
00:50:31 (gun firing)
00:50:33 (dramatic music)
00:50:36 (guns firing)
00:50:39 (dramatic music)
00:50:41 (guns firing)
00:50:44 (dramatic music)
00:50:51 (people shouting)
00:50:53 (dramatic music)
00:50:56 (people shouting)
00:50:59 (dramatic music)
00:51:02 (people shouting)
00:51:05 - So how we doing today, Quinn?
00:51:32 - Herb got shot.
00:51:33 - Oh, shit.
00:51:34 - I'm sorry.
00:51:40 - How did you find me here?
00:51:44 - I'm a cop, like you.
00:51:47 All we have to do is make two phone calls,
00:51:48 we can find anyone we want.
00:51:50 - Except Rudy Salazar.
00:51:53 - Listen, I'm really sorry about everything,
00:51:58 about Captain Ross, about Herb,
00:52:00 about everything.
00:52:02 But I did tell you that I was gonna go through my files,
00:52:06 but while I was looking, I found this number for you.
00:52:10 I called it once, I made a few phone calls,
00:52:14 and I came up with this address.
00:52:17 - That's very kind of you, thanks.
00:52:21 I gotta go.
00:52:22 - Hey, wait a minute, Quinn,
00:52:23 where do you think you're going?
00:52:24 I said I'm sorry, remember?
00:52:26 - What do you want me to do?
00:52:28 How can I help the community liaison?
00:52:31 - You know what, I was a cop for three years
00:52:34 before I became Miss Community Liaison, all right?
00:52:38 I'm going with you if that's okay with you.
00:52:40 All right, let's go.
00:52:42 - Good cop.
00:52:46 (suspenseful music)
00:52:49 - Okay, I'm gonna wait here, she knows what I look like.
00:53:08 (suspenseful music)
00:53:11 - Police, open up.
00:53:18 (suspenseful music)
00:53:21 - Sorry I missed you guys at the hospital.
00:53:42 - You rushed off a little quick there.
00:53:46 Forget something in the oven?
00:53:48 - I ain't saying shit.
00:53:54 As soon as you're done tossing the place,
00:53:57 get your little slimy balls out of here.
00:54:00 - Okay, let's do this real quick.
00:54:13 I gotta call Pearl soon so she can book us a plane.
00:54:17 - May I help you, gentlemen?
00:54:20 - Give me the keys to your car.
00:54:21 - Yes, sir.
00:54:22 May I help?
00:54:27 (grunting)
00:54:29 (gunshots)
00:54:34 (suspenseful music)
00:54:43 (phone ringing)
00:54:45 - Pearl, it's Rudy, call Greenlee.
00:55:06 Reserve us a plane tomorrow for 3 p.m.
00:55:10 (suspenseful music)
00:55:13 - What do you mean engine trouble, you miserable prick?
00:55:23 Alex paid you a lot of scratch.
00:55:25 Just get the goddamn plane there
00:55:29 by the time he gets there, Greenlee.
00:55:31 Otherwise, you are fucked.
00:55:33 (suspenseful music)
00:55:36 Come on, Quinn, get a court order.
00:55:43 Bullshit.
00:55:44 Why should I stick my neck out for you?
00:55:48 Okay, okay.
00:55:50 But nothing in writing.
00:55:53 I'll give you a verbal only check.
00:55:56 This never happened.
00:55:57 You got that?
00:55:58 (suspenseful music)
00:56:01 Need a VO check on a number.
00:56:10 (phone ringing)
00:56:19 Quinn here.
00:56:21 - Chris.
00:56:21 Yeah, give it to me.
00:56:28 Okay, man, you are saint.
00:56:29 I owe you one, okay?
00:56:30 Thank you.
00:56:31 All right, looks like they made a call to Central
00:56:34 to a business there.
00:56:35 Greenlee Chartered Flights.
00:56:38 I got the number, I'll call them now.
00:56:41 Good morning.
00:56:47 Couple of my buddies,
00:56:50 we wanna go down and get drunk and kill some fish.
00:56:52 Can you help us with that?
00:56:54 We'd like to charter a flight.
00:56:56 Is Mr. Greenlee available?
00:56:57 Yeah, he has a 10 o'clock schedule for this.
00:57:02 You know what, he's not gonna be back 'til this afternoon.
00:57:05 Do you happen to know his destination?
00:57:08 Destination.
00:57:09 I know three guys, they wanna, damn it.
00:57:14 I can't find, wait, hold on.
00:57:16 Hold on.
00:57:17 Okay, I found it.
00:57:18 Huh.
00:57:21 You know what, it doesn't say where they're being picked up,
00:57:23 but their destination is Devil's Point.
00:57:27 Bingo, I don't know.
00:57:28 Don't ask, all our clients go there.
00:57:31 Okay.
00:57:35 You know what, I'll call you back.
00:57:40 Thank you for everything.
00:57:42 One last one.
00:57:43 Greenlee is in Central, by the Nevada border.
00:57:48 Let's go.
00:57:49 Let's go.
00:57:50 (speaking in foreign language)
00:57:56 (laughing)
00:57:59 I love you, sweetheart.
00:58:01 Me too, Lydia, come back soon.
00:58:04 All right, well, I'll do my best.
00:58:07 Take care.
00:58:08 How's she doing?
00:58:11 She's not doing so well, we really need to hurry.
00:58:15 Where in the hell are we?
00:58:19 Are we in Nevada?
00:58:21 Pull over, you don't know what you're doing.
00:58:24 I'm getting directions.
00:58:26 Hey, yo, Barber John.
00:58:39 What?
00:58:40 Which way's the hotel?
00:58:43 Half a mile that way.
00:58:45 Happy milking.
00:58:48 the hell?
00:58:49 (tires screeching)
00:58:52 (engine rumbling)
00:58:55 I'm on my way right now.
00:59:18 That's good news.
00:59:20 Look, it's good that we got the Nevada police
00:59:21 on our side.
00:59:22 You sure he's in Nevada?
00:59:24 Yeah.
00:59:25 The farmer felt certain it was them.
00:59:28 They asked where the nearest motel was.
00:59:32 Right.
00:59:33 Well, the deputies want to meet you
00:59:34 at a nearby pizza joint.
00:59:36 Don't worry about it, I'll find him.
00:59:37 I'll call you when I get down there, okay?
00:59:41 Damn.
00:59:44 Right.
00:59:45 All right.
00:59:47 (dramatic music)
00:59:50 Damn.
00:59:56 What's up?
01:00:10 Shh.
01:00:11 I want everybody to spread out
01:00:15 and lock down their positions.
01:00:18 Fuck.
01:00:19 This man is armed and dangerous.
01:00:21 I need to take him alive, okay?
01:00:23 If he aims a weapon at you,
01:00:25 use your better judgment.
01:00:27 Let's go.
01:00:28 You be careful, okay?
01:00:33 You be careful.
01:00:43 There's a fucking cop convention out there.
01:00:47 Let's go.
01:00:49 In the back, in the back.
01:00:55 Let's rock.
01:01:04 (guns firing)
01:01:12 (guns firing)
01:01:14 (guns firing)
01:01:17 (guns firing)
01:01:19 (guns firing)
01:01:22 (guns firing)
01:01:31 Go.
01:01:38 (tires screeching)
01:01:49 (guns firing)
01:01:52 Fuck you, fuck you, fuck you.
01:01:56 Somebody call paramedics.
01:02:06 Take care of this man, call paramedics.
01:02:09 (guns firing)
01:02:12 (guns firing)
01:02:14 Hey, Doc, don't leave me like this, man.
01:02:30 You're no good to me now, kid.
01:02:41 Let's go, let's go.
01:02:42 Let's go, go, go, hurry.
01:02:51 (guns firing)
01:03:09 (guns firing)
01:03:12 (guns firing)
01:03:14 (tires screeching)
01:03:17 (tires screeching)
01:03:20 (tires screeching)
01:03:23 (dramatic music)
01:03:26 (dramatic music)
01:03:28 (dramatic music)
01:03:31 (dramatic music)
01:03:34 (dramatic music)
01:03:37 (dramatic music)
01:03:40 (dramatic music)
01:03:42 (dramatic music)
01:03:45 (dramatic music)
01:03:48 (dramatic music)
01:03:50 (dramatic music)
01:03:53 (tires screeching)
01:04:09 (dramatic music)
01:04:12 (siren blaring)
01:04:20 (siren blaring)
01:04:23 - Talk about your secrecy.
01:04:42 Hope you guys aren't drug runners.
01:04:45 - Shut the fuck up and fly.
01:04:47 (dramatic music)
01:04:50 - No, I need to get a message to Captain Dent.
01:05:09 Tell him I'm looking for him.
01:05:11 I'll call you back.
01:05:13 You all right?
01:05:17 - Yeah, I'm just sorry that they got away, that's all.
01:05:21 - Don't worry about it, okay?
01:05:22 We're gonna find him.
01:05:24 We're gonna find Greeley,
01:05:30 and I think the best place to start is at the airport.
01:05:34 (phone ringing)
01:05:37 (dramatic music)
01:05:39 (dramatic music)
01:06:01 (dramatic music)
01:06:04 (dramatic music)
01:06:07 (dramatic music)
01:06:09 - Salazar?
01:06:35 I thought his name was Zamora.
01:06:37 - Guadalupe Zamora.
01:06:38 Really, I didn't get me his name.
01:06:40 - Harboring felons, that's some serious business.
01:06:43 Don't you read the papers?
01:06:44 - Sure do, the weather reports.
01:06:46 - You are lucky I don't bust your ass, Greeley.
01:06:47 - Hey, he pulled a gun on me.
01:06:48 What could I do?
01:06:49 - I don't wanna hear about it.
01:06:51 How long does it take to drive down to Punta Diablo?
01:06:54 - Punta Diablo?
01:06:55 You mean Mexico?
01:06:57 I thought those guys at Devil's Point in Nevada.
01:07:01 (dramatic music)
01:07:04 (footsteps)
01:07:06 - That's where I took you.
01:07:25 (phone ringing)
01:07:32 - Better luck tomorrow, Sheriff.
01:07:33 (phone ringing)
01:07:36 - Sheriff Lobo here.
01:07:39 Uh-huh.
01:07:41 Uh-huh.
01:07:43 Mm-hmm.
01:07:45 I don't know Rudy, but I know his Uncle Jesse.
01:07:48 That old boy died back about '82.
01:07:51 Family still owns a house.
01:07:53 It's usually vacant.
01:07:55 Uh-huh.
01:07:56 Mm-hmm.
01:07:58 Sure, mm-hmm.
01:08:02 (dramatic music)
01:08:05 (car engine revving)
01:08:08 (dramatic music)
01:08:11 - I ain't miserable.
01:08:32 I work for him real cheap, okay?
01:08:35 - You're hired.
01:08:36 Find me some aspirin.
01:08:37 - Consider it done.
01:08:39 - Iron Quinn?
01:08:45 - That's me.
01:08:47 - I'm Lydia Cantrell, Sheriff.
01:08:49 Very nice to meet you, sir.
01:08:50 - Pleasure's all mine, man.
01:08:53 Now, this is Jesse Salazar's farmhouse.
01:08:56 Got that from a retired realtor.
01:08:58 Sold it to him right after the Korean War.
01:09:01 - This is Rudy Salazar.
01:09:02 - Mm-hmm.
01:09:05 - This is the fella you're looking for, huh?
01:09:07 - Yes.
01:09:08 - Yeah, but Sheriff, it's really important
01:09:10 that you bring this guy in alive.
01:09:12 - Kinda takes the fun out of it, I know,
01:09:13 but we'll do our best, right, Sheriff?
01:09:16 - So when can we go and see this place?
01:09:22 - Well, not for a little bit.
01:09:23 My deputies had to go pick up some city hiker
01:09:27 that got stranded up in Monroe Flats,
01:09:28 but they'll be along presently.
01:09:31 (dramatic music)
01:09:34 - Well, I know it ain't fancy, man,
01:09:58 but I see it's both manager and cook.
01:10:01 - Hey, this Salazar's a pretty tough number.
01:10:03 How many deputies do you have?
01:10:06 - Two.
01:10:07 - Two.
01:10:09 (dramatic music)
01:10:20 (door squeaking)
01:10:22 - You want a room?
01:10:34 For two?
01:10:35 - Yeah, a room for two would be fine.
01:10:40 Thanks.
01:10:40 - I never read in here myself, Miss Cantrell,
01:10:47 so I cannot recommend the food.
01:10:50 - That's all right, Sheriff.
01:10:51 I'm really not that hungry anyway.
01:10:55 - You sure you don't wanna get separate rooms?
01:10:59 - Thanks a lot, Sheriff.
01:11:16 - Ma'am.
01:11:17 (sighs)
01:11:19 - You ever eat in that place?
01:11:24 - Sometimes.
01:11:26 But stay away from Garcia's chili beans.
01:11:28 One bowl of that,
01:11:30 equals about five trips to the toilet.
01:11:34 - That's an important safety tip.
01:11:36 It's cute, huh?
01:11:42 - Uh-huh.
01:11:43 (door squeaking)
01:11:46 - All right.
01:11:50 The presidential suite.
01:11:52 - So, it's really charming, isn't it?
01:11:55 Hey, do you mind if I actually take a shower?
01:12:01 'Cause I'm a little wet.
01:12:02 - Help yourself.
01:12:03 (water running)
01:12:12 (suspenseful music)
01:12:15 - Yeah.
01:12:18 Right.
01:12:23 (crying)
01:12:28 Yeah.
01:12:35 Call me as soon as they leave.
01:12:40 (phone clicking)
01:12:43 (sighs)
01:12:47 - Captain Dent, please.
01:12:52 Captain Dent, it's Quinn.
01:12:56 No, we just got here.
01:12:59 Everything's fine, other than the fact
01:13:02 they got two deputies.
01:13:04 - Only two deputies?
01:13:06 Oh, Jesus Christ, what a nightmare.
01:13:09 (laughing)
01:13:12 - Look, you are going to have to wait
01:13:15 for reinforcements, all right?
01:13:17 - No, we're gonna be fine.
01:13:20 No, sir, that wouldn't be a good idea.
01:13:21 I wanna hit him before he knows what's happening.
01:13:24 - Okay, well, look.
01:13:26 You keep me posted, all right?
01:13:29 - Oh, of course.
01:13:31 I'm gonna keep in touch with you.
01:13:33 Okay, I'll call you back.
01:13:37 All right, boss.
01:13:38 (phone clicking)
01:13:41 - I, um.
01:13:42 - I, I just wanna.
01:13:44 - I don't want you to worry about this, okay?
01:13:49 I'm gonna take care of everything.
01:13:51 - Well, I really appreciate that,
01:13:53 but actually, I wanted to thank you
01:13:55 for helping me with Delvina's life.
01:13:57 I really couldn't have done this without you.
01:13:59 Thank you.
01:14:00 - My pleasure.
01:14:01 (kissing)
01:14:05 (dramatic music)
01:14:07 (phone ringing)
01:14:26 - One sec.
01:14:31 Hello.
01:14:34 Uh.
01:14:35 All right, all right.
01:14:38 10 minutes.
01:14:39 - Um.
01:14:41 You better get dressed.
01:14:44 - Okay.
01:14:45 (sighing)
01:14:49 - Ma'am, deputies Hank and Mitch.
01:15:02 - How you doing, gentlemen?
01:15:05 - Yeah, they just left.
01:15:22 Four of 'em, plus the girl.
01:15:24 Yeah.
01:15:30 (sighing)
01:15:32 Okay.
01:15:33 - So far, so good, young man.
01:15:44 Now why don't you just mosey on over here
01:15:46 and lean up against this patrol car?
01:15:49 (dramatic music)
01:15:52 Spread 'em.
01:16:07 (phone ringing)
01:16:18 - Hello?
01:16:19 - Hello, my little angel.
01:16:22 How are you doing?
01:16:24 - Not so good.
01:16:26 Here, the doctor wants to talk to you.
01:16:28 - All right, then, put him on.
01:16:31 - Hello, Dr. Barlow.
01:16:42 - Dr. Barlow.
01:16:43 Yes, how's she doing?
01:16:47 - She's not doing very well at all.
01:16:49 We're doing what we can, but...
01:16:54 - Right.
01:17:00 All right.
01:17:05 - Just one more thing.
01:17:10 You never heard of Rudy Salazar?
01:17:12 Who gave you the keys to this place?
01:17:14 - His brother-in-law, Carlos Lopez.
01:17:16 He used to do some construction work for him.
01:17:19 Most of the time we come up here together,
01:17:20 but he got hurt last week.
01:17:21 - Yeah, I know about that.
01:17:24 Lopez got a construction company Reno.
01:17:26 He fell off a ladder and messed up his back.
01:17:30 - Satisfied?
01:17:31 - Not yet.
01:17:34 (dramatic music)
01:17:40 (footsteps)
01:17:42 (dramatic music)
01:17:45 (footsteps)
01:17:47 (dramatic music)
01:17:50 (footsteps)
01:17:53 (dramatic music)
01:17:55 (dramatic music)
01:17:58 (dramatic music)
01:18:01 (car engine starts)
01:18:04 (dramatic music)
01:18:08 (car beeps)
01:18:10 (dramatic music)
01:18:15 (car honks)
01:18:25 (car honks)
01:18:29 (dramatic music)
01:18:32 (dramatic music)
01:18:35 - Did you run a check on Carlos Lopez?
01:18:43 - Yeah, I found out he's refurbishing a mansion
01:18:45 over in the heel of Flats,
01:18:47 but he ain't seen Rudy since he got sent away.
01:18:50 - Refurbishing?
01:18:51 I thought they were into construction.
01:18:52 - Not anymore.
01:18:53 Make more money.
01:18:54 He's just gutting the insides and remodeling.
01:18:56 (dramatic music)
01:18:59 - Hey, I told you it would work.
01:19:01 That cop Quinn is dumber than shit.
01:19:03 - I wonder what they're doing
01:19:14 with all that dynamite back there
01:19:15 if they're not into construction.
01:19:17 - What dynamite?
01:19:18 - Prasco had some dynamite in the house.
01:19:20 - Mm-hmm.
01:19:21 - You got that photo on you?
01:19:24 - Mm-hmm.
01:19:31 - Where's the wishing well?
01:19:32 - Old man Salazar's wife made him build it over the shelter.
01:19:37 - What shelter's that?
01:19:40 - Jesse built himself a air raid shelter
01:19:43 back during the atomic bomb scare in the early '50s.
01:19:46 Miss Salazar hated the damn thing, called it an eyesore.
01:19:49 - What'd they do, cover it up?
01:19:52 - Well, I don't know.
01:19:53 - It's a hell of a place for a hideout.
01:20:00 (dramatic music)
01:20:03 - We got company.
01:20:15 (water rushing)
01:20:29 (dramatic music)
01:20:32 - By the way, Sheriff?
01:20:44 - We know, we know, Miss Cantrell,
01:20:46 Salazar has to be taken alive.
01:20:48 - Just making sure.
01:20:51 (guns firing)
01:20:58 (dramatic music)
01:21:01 (guns firing)
01:21:04 (dramatic music)
01:21:06 (guns firing)
01:21:09 (dramatic music)
01:21:12 (guns firing)
01:21:14 (dramatic music)
01:21:17 (guns firing)
01:21:19 (dramatic music)
01:21:22 (guns firing)
01:21:24 (dramatic music)
01:21:27 (guns firing)
01:21:30 (grunting)
01:21:48 - Come on, come on, come on.
01:21:57 (grunting)
01:21:59 Come on, pretty boy.
01:22:08 (grunting)
01:22:13 (guns firing)
01:22:25 (grunting)
01:22:28 (dramatic music)
01:22:30 (grunting)
01:22:33 (dramatic music)
01:22:35 (beeping)
01:22:39 (grunting)
01:22:41 (guns firing)
01:22:48 (beeping)
01:22:55 (grunting)
01:22:57 (beeping)
01:23:01 (grunting)
01:23:03 (explosion)
01:23:06 (dramatic music)
01:23:19 - How is she?
01:23:25 - I think she's gonna be okay.
01:23:29 - She's gonna be okay.
01:23:31 - Oh yeah. - Thank you so much.
01:23:33 (laughing)
01:23:35 Thank you.
01:23:36 - Hey, hey, how's she doing?
01:23:38 - She's gonna be fine.
01:23:40 - Doc, what's up with Salazar, how's he doing?
01:23:44 - Salazar, on the other hand, isn't doing very well.
01:23:47 He's in a lot of pain.
01:23:49 - Good. (laughing)
01:23:54 (dramatic music)
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01:27:09 [BLANK_AUDIO]