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00:09:43 Twist!
00:09:44 [Music]
00:09:51 Come here!
00:09:53 [Music]
00:10:01 Make a bow to the gentleman.
00:10:03 You ought to come along with me, boy.
00:10:06 You ought to be presented to the board.
00:10:09 Gentlemen,
00:10:11 it is my considered opinion that our charity is being presumed upon.
00:10:15 Hear, hear.
00:10:16 Hear, hear.
00:10:17 This workhouse has become a regular place of entertainment for the poorer classes.
00:10:22 [Sound of water]
00:10:34 Gentlemen, it is our duty to set this to rights.
00:10:37 We'll stop it in no time.
00:10:39 Hear, hear.
00:10:40 Come in.
00:10:42 Case number six.
00:10:51 Bow to the board.
00:10:53 What's your name, boy?
00:10:59 Oliver.
00:11:01 Oliver Twist, sir.
00:11:03 You know it's your birthday?
00:11:05 No, sir.
00:11:07 The boy's a fool.
00:11:09 Boy, listen to me.
00:11:11 You know you're an orphan?
00:11:13 What's that, sir?
00:11:15 The boy's a fool.
00:11:16 I thought he was.
00:11:17 Hush.
00:11:18 You know you've got no father or mother and were brought up by the parish, don't you?
00:11:23 Yes, sir.
00:11:25 I hope you say your prayers every night.
00:11:28 Yes, sir.
00:11:30 And pray for the people who feed you and take care of you.
00:11:33 Yes, sir.
00:11:34 Well, you're going to be educated and taught a useful trade.
00:11:38 You'll begin to pick oakum tomorrow morning at six o'clock.
00:11:41 [music playing]
00:11:45 [music playing]
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00:12:20 For this abounding provision, O Lord, we thank thee.
00:12:23 Amen.
00:12:24 [thunder]
00:12:27 [thunder]
00:12:31 [chewing]
00:12:34 [chewing]
00:12:37 [chewing]
00:12:40 [chewing]
00:12:48 [chewing]
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00:13:06 [chewing]
00:13:09 [gasp]
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00:13:24 [chatter]
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00:14:46 [chatter]
00:14:50 Please, sir.
00:14:51 I want some more.
00:14:54 What?
00:14:55 What?
00:14:56 I want some more.
00:14:59 [music playing]
00:15:18 Ah, good morning, Mr. Bumble, sir.
00:15:21 Good morning.
00:15:22 I've just taken the measure of the two women that died last night.
00:15:25 Coffins are looking up, Mr. Savere.
00:15:28 [claps]
00:15:29 Ah, thank you.
00:15:31 You'll make your fortune, Mr. Savere.
00:15:33 The prices allowed by the board are very small, Mr. Bumble.
00:15:36 So are the coffins.
00:15:37 [laughs]
00:15:38 Well, well, Mr. Bumble, there's no denying that.
00:15:40 But we must have some profit, Mr. Bumble.
00:15:42 Oh, yes, sir.
00:15:43 By the way, you don't know anybody who wants a boy, do you?
00:15:46 We poor, rookial plinters.
00:15:49 Liberal terms, Mr. Savere.
00:15:51 Liberal terms.
00:15:53 I'll take him.
00:15:55 [music playing]
00:15:58 Holler, then.
00:16:10 Yes, sir.
00:16:11 Pull that cap off your eye.
00:16:14 And hold your head up, sir.
00:16:16 Be good enough to tell Mr. Savere that the beadle is here.
00:16:23 Oh, pleased to come in, sir.
00:16:25 Is that you, Mr. Bumble?
00:16:30 No one else, Mr. Savere.
00:16:32 Here, I brought the boy.
00:16:34 Ah.
00:16:35 So this is the boy, is it?
00:16:41 Yes, sir.
00:16:44 Who's that?
00:16:45 My dear, this is the boy from the workhouse I told you of.
00:16:49 He's very small.
00:16:54 He is rather small, isn't he?
00:16:57 He is small, there's no denying it.
00:16:59 But he'll grow, Mrs. Arbery.
00:17:01 Oh, yes, sir, he will.
00:17:03 On our food and our drink.
00:17:05 There, get downstairs, little bag of bones.
00:17:08 Charlotte!
00:17:12 Yes, ma'am?
00:17:13 Give the boy some of the cold bits put by for trip.
00:17:16 Yes, ma'am.
00:17:18 I suppose you're the new boy, aren't you?
00:17:25 Yes, sir.
00:17:26 Here you are.
00:17:29 Oh, thank you, ma'am.
00:17:31 On the box, workhouse, on the box.
00:17:34 Yes, sir.
00:17:35 Workhouse, do you know who I am?
00:17:46 No, sir.
00:17:48 I'm Mr. Noah Claypole, and you're under me, so don't you forget it.
00:17:53 No, sir.
00:17:55 Have you done?
00:18:02 Then come with me.
00:18:04 Come on, get up.
00:18:06 Your bed's under the counter. You don't mind, I suppose?
00:18:09 No, ma'am.
00:18:10 Doesn't much matter whether you do or you don't, for you can't sleep anywhere else.
00:18:15 Here, take this.
00:18:18 Get in here.
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00:19:21 [music]
00:19:24 A very good-looking boy, that, my dear.
00:19:32 He need be. He eats enough.
00:19:35 There's an expression of melancholy in his face, my dear, which is very interesting.
00:19:44 Well?
00:19:45 He'd make a delightful mute, my love.
00:19:47 I don't mean a regular mute to attend grown-up people, my dear, but only for children's practice.
00:19:53 Depend upon it. It would have a most superb effect.
00:19:57 [music]
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00:20:13 [music]
00:20:42 [music]
00:20:45 Do you want a coffin? I'll fetch the missus.
00:20:57 No. No, no.
00:21:00 I want to see the boy.
00:21:10 Oh, worthless. He's out on a job.
00:21:13 Who are you?
00:21:15 I knew his mother.
00:21:17 Nursed her when she died.
00:21:20 Died in the workhouse, eh?
00:21:22 I haven't got much time.
00:21:24 I've got to see him.
00:21:27 Missus! Charlotte! Missus!
00:21:33 [music]
00:21:36 Come in.
00:21:47 How is she this evening?
00:21:52 There's much strength left in her.
00:21:54 She's troubled in her mind.
00:21:56 And when the fits aren't on, and that's not often,
00:22:00 she keeps saying she's got something to tell.
00:22:03 She wants to see the matron.
00:22:06 You'd better fetch her.
00:22:09 [knock on door]
00:22:15 Come in.
00:22:18 Yes?
00:22:21 If you please, mistress. Oh, Sally's a-going fast.
00:22:24 What's that to me? I can't keep her alive, can I?
00:22:27 She says she's got something to tell that you must hear.
00:22:30 She'll never die quiet until you come, mistress.
00:22:34 Did she say any more, Marta dear?
00:22:41 Not a word.
00:22:42 Cold tonight, Missus Corny.
00:22:44 Very cold indeed, sir.
00:22:46 If you have to wait long, I shall be surprised.
00:22:49 Put the light on the floor.
00:22:51 She won't see it there.
00:22:53 Good night, sir. Good night.
00:22:56 [footsteps]
00:23:00 [footsteps]
00:23:03 [snoring]
00:23:16 [footsteps]
00:23:28 [footsteps]
00:23:31 It won't be long, mistress.
00:23:37 None of us have to wait long.
00:23:39 It'll come soon enough for us all.
00:23:42 [music]
00:23:55 Who's that?
00:23:58 Lie down, dear. Lie down.
00:24:01 Ah.
00:24:03 Come here.
00:24:05 Come here.
00:24:08 Listen.
00:24:13 Yes?
00:24:15 In this very room, in this very bed,
00:24:20 once must a pretty young creature,
00:24:24 she gave birth to a boy and died.
00:24:29 Go on. Yes.
00:24:31 They would have treated him better if they'd known it all.
00:24:36 Known what?
00:24:38 I think...
00:24:41 it was the year...
00:24:42 Never mind about the year. What about him?
00:24:45 Ah, what about him?
00:24:48 What about...
00:24:52 him now?
00:24:55 Turn him away.
00:24:59 This is Annie, dear. My gosh.
00:25:01 Get out. Get out. Go on, both of you.
00:25:03 Get out. Hurry.
00:25:06 Get out.
00:25:10 Right. Go on.
00:25:16 [music]
00:25:19 What?
00:25:25 Stone dead.
00:25:40 What was it, mistress?
00:25:42 Nothing. Nothing to tell after all. Nothing.
00:25:46 Come out, Mr. Butterfire, Noah dear.
00:25:57 Oliver, shut that door behind Mr. Noah's back.
00:26:01 I saved a nice bit of bacon from the master's breakfast for you, Noah dear.
00:26:09 Oliver, here's your tea. And take them bits.
00:26:12 And make haste, 'cause they want you to mind shop.
00:26:16 Julia?
00:26:18 Julia, workers.
00:26:21 What now? Where's your mother?
00:26:32 She's dead.
00:26:33 What did she die of, workers?
00:26:36 They said she died of a broken heart.
00:26:40 What's so serious, Neville?
00:26:44 Not you.
00:26:45 Oh, not me, eh?
00:26:47 No, not you. You'd better stop saying things about my mother.
00:26:51 Better stop. Workers don't be impudent.
00:26:55 You know, workers, your mother must have been a regular right down Baden.
00:27:04 What did you say?
00:27:06 A regular right down Baden, workers.
00:27:10 And it's a great deal better, workers, that she died when she did.
00:27:14 Or else she'd have been doing hard labour in Bridewell.
00:27:17 Or transported. Or owned. Which is more likely than either, isn't it?
00:27:22 Oliver! Oliver!
00:27:28 You're mad!
00:27:30 You're a murderer!
00:27:32 Oliver! Oliver!
00:27:34 You murderer!
00:27:37 You murderer!
00:27:51 No!
00:27:52 Yes!
00:27:53 You murderer!
00:27:55 You're a villain!
00:27:59 I'll kill you!
00:28:01 No, no!
00:28:03 Noah?
00:28:13 Yes, Mum?
00:28:16 Fetch the badle.
00:28:19 [music]
00:28:35 Well, then.
00:28:37 Where is this audacious young savage?
00:28:45 Let me out! Let me out! Let me out!
00:28:49 Oliver?
00:28:55 Yes?
00:28:57 Do you know this here voice, sir?
00:28:59 Yes.
00:29:01 Ain't you afraid of it, sir? Ain't you a-trembling while I speak, sir?
00:29:06 No.
00:29:08 Let me out! Let me out!
00:29:12 The boy must be mad!
00:29:14 It's not madness, ma'am. It's meat.
00:29:17 What?
00:29:19 Meat, ma'am. Meat.
00:29:21 If you'd kept the boy on gruel, this would never have happened.
00:29:24 What's the meaning of this?
00:29:26 Young Twist has turned vicious, sir.
00:29:29 -Try to murder me, sir. -He nearly killed her, missus!
00:29:32 You're a nice young fella, ain't you?
00:29:39 He said things about my mother.
00:29:41 By all accounts, she deserved them.
00:29:43 That's a lie!
00:29:45 Don't spare him, ma'am. Don't spare him.
00:29:49 Get up to bed.
00:30:08 Get up.
00:30:10 He comes from a bad family, sir.
00:30:24 Excitable natures, Mrs. Sarvery.
00:30:27 That mother of his made her way here against difficulties and pain...
00:30:31 that would have killed any well-disposed woman weeks before.
00:30:35 My parochial apologies, sir.
00:30:39 (door slams)
00:30:41 (sobbing)
00:30:50 (sobbing)
00:30:52 (sobbing)
00:30:54 (sobbing)
00:30:56 (sobbing)
00:31:25 (sobbing)
00:31:27 (sighs)
00:31:55 (snores)
00:31:57 (snores)
00:32:00 (birds chirping)
00:32:02 (rooster crowing)
00:32:07 (rooster crowing)
00:32:09 (crowd cheering)
00:32:33 (crowd cheering)
00:32:35 (buzzer)
00:32:53 (buzzer)
00:33:00 (crowd cheering)
00:33:29 (rooster crowing)
00:33:31 Staying in London?
00:33:54 Yes.
00:33:56 Got any lodgings?
00:33:58 No. Money?
00:34:00 No.
00:34:02 Hungry?
00:34:04 Yes.
00:34:06 Well, I'm late.
00:34:09 (horse whinnies)
00:34:12 (horses whinnying)
00:34:15 (horses whinnying)
00:34:18 (horses whinnying)
00:34:21 (horses whinnying)
00:34:24 (horses whinnying)
00:34:26 (horses whinnying)
00:34:28 (horses whinnying)
00:34:30 (horses whinnying)
00:34:32 (horses whinnying)
00:34:35 (horses whinnying)
00:34:38 (horses whinnying)
00:34:40 (dramatic music)
00:34:43 (dramatic music)
00:34:45 (dramatic music)
00:34:47 (dramatic music)
00:34:49 (dramatic music)
00:35:18 Come here!
00:35:20 Who's the other one?
00:35:28 A new pal.
00:35:30 Come in.
00:35:32 Wait here.
00:35:46 Do you want him?
00:35:48 Come on in.
00:35:52 Here he is, Fagin.
00:35:59 My friend Oliver Twist.
00:36:01 They glad to see you, Oliver, they?
00:36:04 Aren't we, my dears?
00:36:06 (all agreeing)
00:36:08 How far have you come?
00:36:10 I've been walking for seven days.
00:36:12 Walking for seven days?
00:36:14 Do you know what a beak is, my dear?
00:36:16 A bird's muscle.
00:36:18 (all laughing)
00:36:20 Sit down, all of you.
00:36:22 A beak is a magistrate, my dear.
00:36:24 Dodger, take off the sausages.
00:36:26 Sit down, Oliver.
00:36:28 There are a great many of them, ain't there, my dear?
00:36:34 Yes, sir.
00:36:36 We've just looked them out, ready for the wash.
00:36:38 I hope you've been at work, Dodger.
00:36:42 Odd.
00:36:44 Good boy, good boy.
00:36:51 And free warps.
00:36:53 Ingenious worker, ain't he, Oliver?
00:36:56 Very indeed, sir.
00:36:58 You'd like to make pocket handkerchiefs
00:37:02 as easily as the artful Dodger,
00:37:04 wouldn't you, my dear?
00:37:06 Yes, if you teach me, sir.
00:37:08 We will, my dear, we will.
00:37:10 To work, Terry, quick.
00:37:12 To work, Terry, quick.
00:37:14 Quick.
00:37:16 (upbeat music)
00:37:18 (upbeat music)
00:37:20 (upbeat music)
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00:38:08 (upbeat music)
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00:38:50 (upbeat music)
00:38:57 (upbeat music)
00:39:04 (upbeat music)
00:39:07 (bell ringing)
00:39:15 - Oliver.
00:39:21 Oliver.
00:39:24 (gentle music)
00:39:27 (gentle music)
00:39:29 (gentle music)
00:39:32 (gentle music)
00:39:35 (door creaking)
00:39:38 (gentle music)
00:39:40 (gentle music)
00:39:43 (gentle music)
00:39:46 (gentle music)
00:39:49 (gentle music)
00:39:53 (gentle music)
00:39:55 (gentle music)
00:40:25 - Liver dogs.
00:40:26 Liver dogs.
00:40:28 Never blow, don't overthink it.
00:40:33 Why are you awake?
00:40:43 Speak up, boy, quick.
00:40:46 - I couldn't sleep any longer, sir.
00:40:48 - What have you seen?
00:40:49 - Nothing, sir.
00:40:51 - You were not awake an hour ago.
00:40:53 - No, no, indeed, sir.
00:40:55 - Are you sure?
00:40:56 - Yes, sir.
00:40:57 - Search her, my dear.
00:41:01 I only tried to frighten you.
00:41:05 Did you see any of those pretty things, dear?
00:41:11 - Yes, sir.
00:41:12 - They, they're mine, Oliver.
00:41:17 All I have to live on in my old age.
00:41:22 They call me a miser.
00:41:24 - May I get up now, sir?
00:41:28 - Certainly, dear, certainly.
00:41:30 (gentle music)
00:41:33 They've gone to work, Oliver.
00:41:39 Make 'em your models.
00:41:41 Do everything they bid you do.
00:41:43 Take their advice in all things,
00:41:45 especially the artful dodgers.
00:41:47 You'll be a great man himself one day
00:41:49 and we'll make you one too.
00:41:51 Is my handkerchief hanging out of my pocket, dear?
00:41:54 - Yes, sir.
00:41:55 - See if you can take it without my feeling it.
00:41:59 Is it gone?
00:42:04 - Yes, here it is.
00:42:06 - Ah, you clever boy.
00:42:08 Here's a shilling for you.
00:42:11 - Thank you, sir.
00:42:13 - If you go on this way,
00:42:14 you'll be the greatest man of the time.
00:42:18 (upbeat music)
00:42:20 - He'll do.
00:42:40 (upbeat music)
00:42:43 (footsteps thudding)
00:42:46 (upbeat music)
00:42:48 - Stop, thief!
00:43:14 (upbeat music)
00:43:16 Stop, thief!
00:43:21 (children laughing)
00:43:24 Stop, thief!
00:43:28 Stop, thief!
00:43:29 Stop, thief!
00:43:30 (children laughing)
00:43:43 - Thief!
00:43:44 (children shouting)
00:43:47 - Stop, thief!
00:43:59 (dog barking)
00:44:02 (children shouting)
00:44:06 (upbeat music)
00:44:08 - Stop, thief!
00:44:19 (children shouting)
00:44:22 (upbeat music)
00:44:24 - Get him, now!
00:44:42 - Give it to him, now!
00:44:47 - He don't deserve it.
00:44:48 - That's right.
00:44:49 - Is this the boy, sir?
00:44:51 - Yes, I'm afraid it is.
00:44:53 - Afraid?
00:44:54 That's a good 'un.
00:44:55 - Poor little fellow, he's hurt himself.
00:44:58 - I did that, sir.
00:44:59 I stopped him.
00:45:00 I cut my knuckles against his mouth.
00:45:03 - Come on, get up!
00:45:05 - Make way there.
00:45:06 Make way!
00:45:07 Come on.
00:45:10 - Don't hurt him, officer.
00:45:11 - Oh, no, I won't.
00:45:13 (children laughing)
00:45:16 - Hold your noise!
00:45:17 Do you wanna get raped?
00:45:19 - I can't help it.
00:45:20 I can't help it.
00:45:22 (laughing)
00:45:23 - What old faggot say?
00:45:25 - Where's Ivor?
00:45:39 Where's the boy?
00:45:45 What's become of the boy?
00:45:49 - Speak or I'll throttle you!
00:45:51 - Let go of me!
00:45:53 The traps have got him, and that's all about it.
00:45:59 - Come on!
00:46:09 - What's it all about, faggot?
00:46:17 - It's lucky the pot didn't hit me,
00:46:19 or I might have settled someone.
00:46:21 - Come in, Mr. Sykes.
00:46:23 Come in.
00:46:24 - None of your mystery, and you know my name.
00:46:27 Come in, you sneaking cur.
00:46:28 What are you hanging about there for?
00:46:30 Go on, get in, will ya?
00:46:32 - Will you take a drink, Bill?
00:46:36 - See you don't poison it, neither.
00:46:39 Here.
00:46:40 What's he been up to?
00:46:42 Ill-treating the boys again, eh?
00:46:45 You avaricious old fence.
00:46:48 - You seem out of humor, Bill.
00:46:49 - Yeah, maybe I am.
00:46:51 And you seem kind of out of sorts, too.
00:46:55 What's in the wind, Fagin?
00:46:57 - It's the new boy.
00:46:58 The traps have got him.
00:46:59 - Well, what of it?
00:47:00 - I'm afraid, you see, he may say something
00:47:01 that'll get us into trouble.
00:47:03 - That's very likely.
00:47:05 You're blowed upon, Fagin.
00:47:07 - I'm afraid, you see, if the game was up with us,
00:47:11 it might be up with the good many more.
00:47:14 And it would come out rather worse for you
00:47:17 than it would for me, wouldn't it, my dear?
00:47:21 - Look here.
00:47:26 Somebody ought to go and find out
00:47:29 what's going on at the police court.
00:47:31 Somebody ought to go there, Fagin.
00:47:37 - I'm afraid so.
00:47:38 - Told you.
00:47:46 Surely.
00:47:50 (banging)
00:47:52 - About time, too.
00:48:10 - Ah, Nancy.
00:48:12 The very thing.
00:48:14 She's a clever girl.
00:48:16 - Here's to her.
00:48:17 - Nancy will go, won't you, my dear?
00:48:20 - Where's?
00:48:21 - Only just to the police court, my dear.
00:48:23 What do you say?
00:48:24 - But it won't do, Fagin,
00:48:25 so it's no use you trying it on.
00:48:26 - What do you mean by that?
00:48:28 - Well, what'd I say, Bill?
00:48:29 - Well, you'll have anyone for it.
00:48:31 No one around here knows anything about you.
00:48:33 - And as I don't want 'em to neither,
00:48:34 it's rather more no than yes with me, Bill.
00:48:37 - She'll go, Fagin.
00:48:38 - Oh, no, she won't, Fagin.
00:48:40 - Oh, yes, she will, Fagin.
00:48:44 (crying)
00:48:46 - Yes?
00:48:48 - Is there a little boy here?
00:48:50 - Who are you?
00:48:51 - His sister.
00:48:53 - You have to wait.
00:48:54 The case is on now.
00:48:56 - Now, what is the charge against this boy?
00:49:02 - Stealing a handkerchief, Your Worship.
00:49:04 - I'd rather not press the case.
00:49:06 - Hold your tongue, sir.
00:49:08 - I'm not a boy.
00:49:09 - You're a boy.
00:49:10 - I'm a boy.
00:49:11 - I'm a boy.
00:49:12 - Hold your tongue, sir.
00:49:14 - Are there any witnesses?
00:49:15 - None, Your Worship.
00:49:17 - What is your name?
00:49:20 What is your name?
00:49:23 - He's been hurt, and I fear,
00:49:27 I really fear he's very ill.
00:49:29 - Oh, yes, I dare say.
00:49:31 Come now.
00:49:32 None of your tricks here, you young vagabond.
00:49:34 What is your name?
00:49:36 What's your name?
00:49:41 - He says his name's Tom White, Your Worship.
00:49:45 - Very well.
00:49:46 Where does he live?
00:49:48 Where do you live?
00:49:52 Where he can, Your Worship.
00:49:54 - Please, sir, would I have some water?
00:49:57 - Stop that nonsense!
00:49:58 Don't try and make a fool of me!
00:50:01 I'll never forgive you for this.
00:50:08 - I'm afraid he really is ill, Your Worship.
00:50:11 - I know better.
00:50:12 The care is worth more.
00:50:14 Stand away!
00:50:15 - Let him be, my lord.
00:50:18 - How do you propose to deal with the case, sir?
00:50:23 - Quiet!
00:50:24 What's this?
00:50:25 Who is this?
00:50:26 - I keep the bookstore.
00:50:27 I saw it all.
00:50:28 It was another boy.
00:50:29 - Why didn't you come before?
00:50:30 - Couldn't get a soul to mind the shop.
00:50:33 - Swear the man.
00:50:36 - I swear.
00:50:37 (footsteps)
00:50:40 (door opens)
00:50:42 (footsteps)
00:50:45 (footsteps)
00:51:03 (footsteps)
00:51:05 - They bring him out of the court fainting.
00:51:11 He gets in a carriage with this gentleman and they drive off.
00:51:14 He'll blow on us, Fagin, for certain!
00:51:17 (whistle)
00:51:18 (dramatic music)
00:51:21 (horse whinnies)
00:51:25 (dramatic music)
00:51:28 (horse whinnies)
00:51:31 (dramatic music)
00:51:35 (horse whinnies)
00:51:38 (dramatic music)
00:51:41 (horse whinnies)
00:51:50 (dramatic music)
00:51:56 (dramatic music)
00:52:03 (footsteps)
00:52:05 (dramatic music)
00:52:11 (dramatic music)
00:52:14 (door opens)
00:52:25 (dramatic music)
00:52:39 (door closes)
00:52:41 (dramatic music)
00:52:44 - That's the boy, is it?
00:52:48 - It's a boy.
00:52:50 Nice looking boy, isn't he?
00:52:55 - I don't know.
00:52:56 I only know two sorts of boys.
00:52:59 Mealy boys and beef-faced boys.
00:53:03 - And which is he?
00:53:05 - Mealy.
00:53:07 (door opens)
00:53:09 (dramatic music)
00:53:12 (speaking in foreign language)
00:53:16 - Is Bedwin in the habit of counting the plate at night?
00:53:23 Because if she doesn't find a tablespoon or two
00:53:29 missing one sunny morning,
00:53:31 I'll be content to eat my head, sir.
00:53:34 - Don't move.
00:53:35 - Where does he come from?
00:53:37 Who is he?
00:53:38 What is he?
00:53:39 If that boy doesn't deceive you, my good friend,
00:53:42 I'll eat my head and yours too.
00:53:45 - We shall see.
00:53:46 - We will.
00:53:47 We will.
00:53:48 (dramatic music)
00:53:52 (dramatic music)
00:53:55 - Where am I?
00:54:10 - Hush, my dear.
00:54:11 You must be very quiet or you'll be ill again.
00:54:13 You've been very, very bad.
00:54:14 This bad could be pretty high.
00:54:16 Lie down again, that's a dear.
00:54:18 (dramatic music)
00:54:21 There.
00:54:28 (dramatic music)
00:54:32 Don't mind me, Bedwin.
00:54:40 (dramatic music)
00:54:43 It's all over now.
00:54:44 (Bedwin clears throat)
00:54:46 I was rather hoarse this morning, Bedwin.
00:54:48 I'm afraid I caught cold.
00:54:50 Now, how do you feel, my dear?
00:54:53 - Very happy, sir.
00:54:55 - Good.
00:54:56 Have you given him any nourishment, Bedwin?
00:54:58 - He's going to have a basin of beautiful strong broth, sir.
00:55:01 - A couple of glasses of port wine
00:55:02 would do him far more good.
00:55:04 Wouldn't they, Tom White?
00:55:06 - My name's Oliver, sir.
00:55:08 - Oliver.
00:55:10 Oliver White, hmm?
00:55:13 - No, sir.
00:55:14 Twist, Oliver Twist.
00:55:16 - Not a queer name.
00:55:20 What made you tell the magistrate your name was White?
00:55:24 - I never told him, sir.
00:55:26 - Some mistake, some mistake.
00:55:35 - Hmm?
00:55:36 - Have your broth, young man.
00:55:41 We must get you strong again.
00:55:43 And as soon as you're well enough,
00:55:45 we must have a little chat.
00:55:47 - Oh, thank you very much, sir.
00:55:50 (Bedwin chuckles)
00:55:54 - Fool, bungler, liar!
00:55:56 I paid you good money to make an end of the business.
00:55:59 One sniveling boy, and you have to lose him!
00:56:03 I'm worse off now than if I never set eyes on you.
00:56:06 I'm farther still from what should be mine.
00:56:09 What do I get?
00:56:10 My money back?
00:56:11 - No, no, my dear, not that.
00:56:13 I'll give you hope.
00:56:15 Do you know the workhouse where the boy was born?
00:56:18 - Of course, I traced him from there.
00:56:20 - Then you must go back, my dear.
00:56:22 You must go back.
00:56:23 Listen.
00:56:24 (Bedwin sighs)
00:56:38 (Bedwin sighs)
00:56:39 - Tomorrow, two months, it was done.
00:56:42 It seems a age.
00:56:45 - You're going to sit there snoring all day?
00:56:50 - I shall sit here as long as I think proper, ma'am.
00:56:53 And though I was not snoring,
00:56:55 I shall snore, gape, sneeze, laugh, or cry
00:56:59 as the humor strikes me,
00:57:01 such being my prerogative.
00:57:03 - Your prerogative?
00:57:05 - I said the word, ma'am.
00:57:07 The prerogative of a man is to command.
00:57:09 - And what's the prerogative of a woman,
00:57:12 in the name of goodness?
00:57:13 - To obey, ma'am.
00:57:15 As your late unfortunate husband should have taught you.
00:57:18 And then perhaps he might have been alive now.
00:57:21 I wish he were, poor man.
00:57:23 - You brute!
00:57:24 (Bedwin sobs)
00:57:27 - Cry your hardest, ma'am.
00:57:30 It opens the lungs, washes the countenance,
00:57:34 exercises the eyes, and softens down the temper.
00:57:38 So cry away.
00:57:39 - Brute!
00:57:49 (Bedwin groans)
00:57:51 (Bedwin groans)
00:57:53 - Yes, dreamer!
00:57:54 Talk about your prerogative again, if you dare.
00:58:02 Get up! Get away from here,
00:58:04 or I might do something desperate.
00:58:07 - Certainly, my dear, certainly.
00:58:09 (gentle music)
00:58:31 (Bedwin sighs)
00:58:33 - You were the beadle here once, were you not?
00:58:42 - I was, a parochial beadle.
00:58:44 - What are you now?
00:58:46 - Boss of the workhouse.
00:58:48 - Good.
00:58:49 Now listen to me.
00:58:52 I want some information.
00:58:59 Carry your memory back 10 years, last winter.
00:59:03 The scene, the workhouse, the time, night,
00:59:06 the place, the line, in room.
00:59:09 A boy was born.
00:59:12 - There were many boys.
00:59:14 - He was apprenticed down here to a coffin maker.
00:59:16 - You mean young Twist?
00:59:18 There wasn't a obstinate--
00:59:19 - It's not of him I want to hear.
00:59:21 It's of a woman, the hag that nursed his mother.
00:59:24 Where is she?
00:59:27 - She died last winter.
00:59:29 One moment.
00:59:33 - Yes?
00:59:35 - There was a woman with her when she died.
00:59:38 - How can I find her?
00:59:40 - Only through me.
00:59:44 - It will be worth her while.
00:59:47 (metal clattering)
00:59:49 (metal clattering)
00:59:52 - What if I've paid you for nothing?
01:00:01 - It means you take it away again.
01:00:03 I'm a woman here, alone and unprotected.
01:00:05 - You're not alone, my dear.
01:00:07 Nor unprotected, neither.
01:00:08 - You're a fool.
01:00:09 You better hold your tongue.
01:00:11 - He'd better have it cut out
01:00:12 if he can't speak in a lower tone.
01:00:16 - Now, let's hear your story.
01:00:19 - You were with this hag the night she died?
01:00:26 - Yes.
01:00:27 - There was no one by?
01:00:28 - No.
01:00:29 She asked if we should be alone.
01:00:31 - Get out!
01:00:32 - Go on.
01:00:33 - She spoke of a young mother.
01:00:35 - Aye.
01:00:36 - Who she nursed in that same bed.
01:00:38 - Yes.
01:00:39 What of her?
01:00:40 - I robbed her.
01:00:43 She wasn't cold when I stole it.
01:00:46 - Stole what?
01:00:48 - It.
01:00:49 The only thing she had.
01:00:52 Gold.
01:00:53 - Gold?
01:00:54 Go on, what of it?
01:00:56 - She charged me to keep it safe.
01:00:59 - Yes?
01:01:00 The boy's name?
01:01:02 - They called him Oliver.
01:01:05 - Yes.
01:01:06 - I haven't told you all, have I?
01:01:09 - Oh, no, be quick.
01:01:11 - She'd run away.
01:01:14 Her father.
01:01:16 - Yes?
01:01:17 - I was to tell him.
01:01:20 To tell him.
01:01:22 - What were you to tell him?
01:01:24 - Mm, mm, mm.
01:01:26 - What?
01:01:27 - I don't know.
01:01:29 - What?
01:01:30 - I don't know.
01:01:33 - She said more.
01:01:39 - You're lying.
01:01:41 - She never uttered another word.
01:01:44 But it was then that it happened.
01:01:47 - What?
01:01:48 - A strip of paper.
01:02:01 What was it?
01:02:03 - A pawnbroker's ticket.
01:02:05 - Yes.
01:02:06 - The time was out in two days, so I redeemed the pledge.
01:02:09 - Where is it now?
01:02:11 - There.
01:02:16 - And this is all?
01:02:21 - All.
01:02:22 And what you expected to get from it?
01:02:26 - It is.
01:02:34 - Bless us and save us.
01:02:36 Come in and wash your hands and let me do your hair nicely for you, child.
01:02:39 - Why? What's the matter?
01:02:40 - Mr. Brown, no one wants to see you, dear.
01:02:42 We must make you smart assistants.
01:02:44 - Come in.
01:03:02 Come in.
01:03:03 Oh, come in, Oliver, come in.
01:03:10 Yes, there are a good many books, are there not, my boy?
01:03:20 - I never saw so many, sir.
01:03:22 - How would you like to grow up a clever man and write books, eh?
01:03:26 - I think I'd rather read them, sir.
01:03:29 - What? Don't you want to be a book writer?
01:03:31 - I think I'd rather be a bookseller, sir.
01:03:34 - Well said, my boy. Very well said.
01:03:40 Now, now, Oliver, I want you to pay great attention to what I'm going to say.
01:03:48 - You're not going to send me away, sir?
01:03:50 - No, my dear, I'm not going to send you away unless you give me cause.
01:03:55 - I'll never do that, sir. Never.
01:03:57 - Good.
01:03:59 Somehow, I feel that you and I are going to be good friends.
01:04:03 - Oh, thank you, sir.
01:04:06 - I trust you, Oliver, and I find myself more interested in your behalf than I can well account for.
01:04:13 Even to myself.
01:04:15 Are you fond of pictures, Oliver?
01:04:28 - I don't quite know, sir.
01:04:30 - Now that is a portrait. A likeness.
01:04:39 - She's very pretty, sir.
01:04:43 - Yes, she was very pretty.
01:04:46 - Any muffins for tea?
01:04:51 Hello. What's that?
01:04:55 - This is young Oliver Twist.
01:04:57 - You don't mean to say that's the boy who had the fever, I hope?
01:05:00 - That's all over now. Come and speak to my young friend.
01:05:03 - How are you, boy?
01:05:06 - A great deal better, thank you, sir.
01:05:08 - And when are we going to hear an account of his history, eh, my friend?
01:05:14 - I think we'll have our tea first, eh, Oliver?
01:05:16 - Oh, is that the bookseller?
01:05:18 - Yes, sir.
01:05:19 - Well, stop the boy. There are some to go back.
01:05:21 - He's gone, sir.
01:05:22 - Oh, dear me. I particularly wanted to return some tonight.
01:05:25 - Send Oliver with them. He'll be sure to deliver them safely, you know.
01:05:29 - Yes, do let me go, sir. I'll run all the way.
01:05:32 - You shall go, my boy. The books are on the chair by my table.
01:05:39 - Fetch them down.
01:05:40 - Let me see here. He'll be back in 20 minutes at the longest.
01:05:50 - Ah, so you really expect him to come back, do you?
01:05:52 - Why, don't you?
01:05:53 - No, I do not. The boy has a new suit of clothes on his back,
01:05:57 a set of valuable books under his arm, and a five-pound note in his pocket.
01:06:01 If ever that boy returns to this house, sir, I'll eat my head.
01:06:06 - Oh.
01:06:07 - There.
01:06:16 - Good night, dear.
01:06:20 - Good night.
01:06:21 - Oliver!
01:06:39 - Oliver, Oliver, oh, you naughty boy!
01:06:43 - Oh!
01:06:44 - Oh, my dear little brother, I found him.
01:06:46 Thank goodness, gracious heavens, I found him.
01:06:48 - Let go of me!
01:06:49 - You cruel boy, come home directly.
01:06:51 - What's the matter, Mum?
01:06:52 - He ran away near a month ago from his parents.
01:06:54 Hard work and respectable people.
01:06:56 - I didn't.
01:06:57 - He went and joined a set of thieves and bad characters
01:06:59 and nearly broke his mother's heart.
01:07:01 - You little wretch.
01:07:02 - I'm not. I haven't got a mother.
01:07:04 - How old are you, little brute?
01:07:05 - I live in Vandenville.
01:07:06 - Oh, listen how he braves it out.
01:07:08 - Come home to your mother, will you, you young dog?
01:07:10 - I don't know them. I don't belong to them.
01:07:12 - What's this? He's been stealing again.
01:07:15 - Oh, no, Bill, come on.
01:07:17 - That's the only way to bring him to his senses.
01:07:19 - You're right. You and good, too.
01:07:21 - Yeah, you get it, too.
01:07:23 Come on, read on, Bill.
01:07:26 (indistinct chatter)
01:07:29 (door slams)
01:07:32 (footsteps)
01:07:34 (soft music)
01:07:58 (dramatic music)
01:08:00 (dog barking)
01:08:03 - Frankie, Georgia, look!
01:08:10 (laughing)
01:08:17 (laughing)
01:08:19 - All right, let's have a glimpse.
01:08:41 (dramatic music)
01:09:09 - Delighted to see you looking so well, my dear.
01:09:13 (laughing)
01:09:15 - Why didn't you write and say you was coming?
01:09:19 We'd have got something hot for supper.
01:09:22 (laughing)
01:09:24 - What's that?
01:09:28 That's mine, Fagin.
01:09:30 - No, no, my dear. Mine, Bill, mine.
01:09:32 You shall have the books.
01:09:33 - If that ain't mine, mine and Nancy, that is,
01:09:36 I'll take the boy back again.
01:09:38 Now, come on, hand over, will you?
01:09:40 Where is it?
01:09:42 - This is hardly fair, Bill. Hardly fair, is it, Nancy?
01:09:44 - Fair or not fair, give it here,
01:09:46 you avaricious old skeleton.
01:09:48 Give it.
01:09:50 Take the books if you're fond of reading,
01:09:55 and if you ain't, sell 'em.
01:09:57 - Help! Help!
01:09:59 - Bull's-eye!
01:10:01 - Leave him there, Bill!
01:10:02 He'll tear the boy to pieces!
01:10:04 - I did write.
01:10:05 - No, you didn't!
01:10:06 - You'll stand off of me, I'll ask for television.
01:10:09 - I don't care! I don't care!
01:10:11 (dog barking)
01:10:12 - Get her!
01:10:13 Get her!
01:10:14 (Nancy screams)
01:10:15 - What's the matter here?
01:10:21 - The girl's gone mad.
01:10:22 - No, she ain't, Fagin. No, she ain't. Don't think it.
01:10:25 - Then keep quiet, will you?
01:10:26 - No! I won't do that neither!
01:10:29 What do you think of that?
01:10:32 (footsteps)
01:10:34 - So you wanted to get away, my dear, did you?
01:10:42 Eh?
01:10:43 Wanted to get assistance?
01:10:46 Called for the police, did you?
01:10:49 We'll soon cure you of that, my young master.
01:10:52 - You see it?
01:10:53 - Don't say it!
01:10:54 You've got the boy, what more do you want?
01:10:55 - Let him be!
01:10:56 - Let him be, or I'll put that mark on some of you
01:10:59 that'll send me to the gallows before me time.
01:11:01 - Why, Nancy, you're more clever than ever tonight.
01:11:04 Ha ha! You're acting beautiful, dear.
01:11:06 - Am I?
01:11:07 Then take care I don't overdo it.
01:11:09 You'll be the worst for it, Fagin, if I do.
01:11:11 - What do you mean by this?
01:11:12 You're a nice one, a pretty subject for the boy
01:11:15 to make a friend of.
01:11:16 - So help me, I am.
01:11:18 I wish I'd been struck dead in the street
01:11:20 before lending hand to bring him here.
01:11:22 He's a thief, a liar, a devil and all
01:11:25 that's bad from this night on.
01:11:27 Isn't that enough of the old rich without blows?
01:11:30 - Come, come, Sykes, we must have civil words.
01:11:32 Civil words, Bill.
01:11:33 - Civil words, civil words, you villain.
01:11:36 Yes, you deserve them from me.
01:11:38 I thief for you when I was a child, not half his age.
01:11:41 And I thief for you ever since, don't you know it?
01:11:44 - And if you have, it is your living.
01:11:47 - Aye, it is.
01:11:50 It is my living.
01:11:52 And the cold, wet, dirty streets are my own.
01:11:57 And you're the rich that drove me to them long ago.
01:12:00 And that'll keep me there day and night.
01:12:03 Day and night.
01:12:04 Day and night.
01:12:05 - I shall do nothing less than that if you say much more.
01:12:08 (dramatic music)
01:12:10 - No, no.
01:12:11 (screaming)
01:12:14 (dramatic music)
01:12:17 (crying)
01:12:20 (crying)
01:12:22 (crying)
01:12:34 (crying)
01:12:36 - That's the worst of having to deal with women, my dears.
01:12:52 But they're clever and we can't get on in our line without 'em.
01:12:55 Dodger, show Ivor to bed.
01:12:57 - He hadn't better wear his best suit tomorrow, had he, Faye?
01:12:59 - Certainly not.
01:13:00 The Dodger should give you another suit, my dear.
01:13:02 For fear that Sunday one shall get stolen.
01:13:04 (laughing)
01:13:06 (dramatic music)
01:13:12 - Well, Mrs. Bedwin?
01:13:28 - I'm afraid he's lost his way, sir.
01:13:30 - You mean he never went there, eh?
01:13:32 There you are.
01:13:33 The boy's an imposter.
01:13:34 - It can't be.
01:13:35 It can't be.
01:13:36 - What do you mean, it can't be?
01:13:38 You old women never believe anything but quack doctors
01:13:42 and lying storybooks.
01:13:44 - He was a dear, grateful, gentle child, sir.
01:13:47 I know what children are and have done these 40 years.
01:13:49 And people who can't say the same
01:13:51 shouldn't say anything about them.
01:13:53 That's my opinion.
01:13:54 - That'll be all, Bedwin.
01:13:58 (dramatic music)
01:14:01 - Well?
01:14:12 I'll take the liberty, if you'll allow me,
01:14:20 of helping us both to a glass of sherry.
01:14:23 (dramatic music)
01:14:27 (dramatic music)
01:14:30 (people chattering)
01:14:36 (people chattering)
01:15:01 (people chattering)
01:15:28 - Now in the dark you're sure to meet
01:15:31 with naughty girls from all over the world.
01:15:34 Oh, and to your real butt's close we'll steer
01:15:37 and whisper softly, "Goodnight, my dear."
01:15:41 (people cheering)
01:15:42 They'll call you dear, they'll call you love.
01:15:45 - I've spoken to men before now.
01:15:46 - They'll treat you too like a turtle dove.
01:15:49 But they'll diddle you out of your casual robe.
01:15:52 (people cheering)
01:15:55 (people chattering)
01:15:58 (dog barking)
01:16:01 - Lie down, will ya, you stupid brute?
01:16:04 Don't you know the devil when he's got a great coat on?
01:16:07 (man laughing)
01:16:08 - Ah, Nancy.
01:16:09 - Well?
01:16:12 - Well, my dear, it's about the crib and chitzy.
01:16:15 - Well, what about it?
01:16:16 - You know what I mean, my dear.
01:16:17 He knows what I mean, Nancy, don't he?
01:16:19 - No, we don't.
01:16:21 And don't stand there talking to me in incts
01:16:24 as though you weren't the first one
01:16:26 thought about the robbery.
01:16:27 - Shh, somebody will hear us.
01:16:28 - Well, let 'em hear, I don't care.
01:16:31 - There, there, my dear.
01:16:32 It was only my caution, nothing more.
01:16:35 Now, Bill, I've got the boy.
01:16:37 You can...
01:16:38 - What's the matter?
01:16:41 - I don't know whether she might be out of sorts
01:16:43 as she was before.
01:16:45 - Go on, Fagin, tell him it's Oliver.
01:16:47 - Ah, you're a clever one, my dear.
01:16:49 The sharpest girl I ever saw.
01:16:51 It was about Oliver I was gonna speak.
01:16:54 - Him?
01:16:55 - Yes, Bill, it's time he began to earn his bread.
01:16:58 Besides, the others are all too big.
01:17:00 - He's about the size I want.
01:17:02 - I will do everything you want,
01:17:04 if you frighten him enough.
01:17:06 - When's it to be done?
01:17:08 - Ah, there is your...
01:17:10 When is it to be done, eh?
01:17:13 (crowd chattering)
01:17:16 - Tomorrow night.
01:17:20 - Good.
01:17:21 It's all arranged about bringing off the swag.
01:17:23 - It's all planned.
01:17:24 Now, you hold your tongue and keep your melting pot ready.
01:17:28 That's all you have to do.
01:17:30 Now, leave us alone, will ya?
01:17:32 (crowd singing)
01:17:36 (crowd singing)
01:17:39 (crowd cheering)
01:18:02 (crowd cheering)
01:18:05 - What's the news?
01:18:14 - Great.
01:18:15 - So is mine.
01:18:16 - May I introduce to you a charming young singer
01:18:19 who's never appeared in public before.
01:18:22 Miss Lucy Willow.
01:18:24 (crowd cheering)
01:18:29 ♪ This morning early, my melody was such
01:18:34 ♪ I in my tea took brandy
01:18:38 ♪ And I took a drop too much
01:18:41 (crowd laughing)
01:18:44 ♪ But stop, I must not wag my head
01:18:53 ♪ My head aches if you please
01:18:56 ♪ A pinch of Irish flag on
01:18:59 ♪ I'll take to give me ease
01:19:03 (crowd chattering)
01:19:06 - This is the only proof of the boy's identity.
01:19:09 So I've got the young devil's money at last.
01:19:12 Now you can do what you like with him.
01:19:14 Get him hauled up for some felony,
01:19:16 drag him through every jail in town.
01:19:18 - It's not easy to train him to the business.
01:19:20 - That's your affair.
01:19:21 - If, um, it's not likely mine,
01:19:24 but if the worst should come to the worst.
01:19:27 - It's no fault of mine, mind that, Fagin.
01:19:29 I had no hand in this.
01:19:31 (crowd laughing)
01:19:44 ♪ In a mood for crying
01:19:49 ♪ Cares a silly car
01:19:52 ♪ It's to the flesh you're trying
01:19:56 ♪ Then my way's to love
01:19:59 (crowd laughing)
01:20:02 - Get out!
01:20:07 ♪ My old pal and me goes in for a drink
01:20:19 ♪ Like all the night girls do
01:20:23 ♪ Oh, it's one with him, don't it
01:20:26 ♪ It's one with me, then we comes to blows
01:20:31 ♪ Oh, he knows no way to stop
01:20:38 ♪ He likes his girl up to the clock
01:20:43 ♪ But in the rear he's all over the shop
01:20:47 ♪ 'Cause he knows no way to stop
01:20:52 ♪ Look at the drunkards of London
01:20:56 ♪ Lying all over the place
01:21:01 ♪ There isn't a doubt
01:21:03 ♪ It's a lovely look out for the human race
01:21:09 ♪ Oh, he knows no way to stop
01:21:16 ♪ He likes his girl up to the clock
01:21:21 ♪ But in the rear he's all over the shop
01:21:25 ♪ 'Cause he knows no way to stop
01:21:31 (crowd cheering)
01:21:34 - Huffle, are you awake?
01:21:42 - What's the matter?
01:21:43 - Listen carefully, my dear.
01:21:45 I want you to do a piece of work for me
01:21:47 that needs great care and caution.
01:21:50 - What is it?
01:21:51 - I want you to dodge a woman.
01:21:53 - I'll do that over.
01:21:56 What do you want me to dodge her for?
01:21:58 - Not to do anything,
01:22:01 but to tell me where she goes,
01:22:03 who she sees, and what she says,
01:22:06 and to bring back all the information you can.
01:22:10 - Who is she?
01:22:12 - One of us.
01:22:15 (whistles)
01:22:17 - What will you give me?
01:22:19 - If you do it well, my dear,
01:22:22 a guinea.
01:22:25 One guinea.
01:22:27 And that's what I never gave you yet
01:22:29 for such a pleasant piece of work.
01:22:31 (water rushing)
01:22:42 (clinking)
01:22:45 - Barterers for me, Bill.
01:22:54 - Here.
01:22:55 - The persuader.
01:22:57 - I got him.
01:22:58 - Ciscrite, keys, center bits, darlings.
01:23:01 None of it forgotten.
01:23:03 - You take the crowbar.
01:23:06 (water rushing)
01:23:12 - Take heed, he's a rough man.
01:23:15 Mind.
01:23:17 (thud)
01:23:18 (roaring)
01:23:20 - What's that?
01:23:21 - The boy.
01:23:22 - Oh.
01:23:23 What a waste of faggots, lads.
01:23:26 (door opens)
01:23:29 - It's cold, Nancy dear.
01:23:31 It seems to go right through one.
01:23:33 - It must be a piercer to find its way through your heart.
01:23:37 Come here, young'un.
01:23:39 Come here!
01:23:41 (door opens)
01:23:44 Do you know what this is?
01:23:46 - Yes, sir.
01:23:47 - Well, if you speak a word when we're outside,
01:23:50 you'll get a bullet through your head without warning.
01:23:53 So if you do make up your mind to talk,
01:23:56 you'd better say your prayers first.
01:24:00 Now then, look sharp.
01:24:02 We're late as it is.
01:24:04 (clinking)
01:24:07 (door opens)
01:24:09 Come on.
01:24:11 (door closes)
01:24:14 (door closes)
01:24:19 (water rushing)
01:24:24 (rain pattering)
01:24:29 (footsteps)
01:24:32 (rain pattering)
01:24:37 (footsteps)
01:24:42 (rain pattering)
01:24:47 (footsteps)
01:24:52 (rain pattering)
01:24:57 (footsteps)
01:25:02 (rain pattering)
01:25:05 (dramatic music)
01:25:10 (door opens)
01:25:12 (dramatic music)
01:25:17 (rain pattering)
01:25:22 (dramatic music)
01:25:27 (rain pattering)
01:25:32 (dramatic music)
01:25:37 (rain pattering)
01:25:42 (dramatic music)
01:25:47 (rain pattering)
01:25:52 (dramatic music)
01:25:57 (rain pattering)
01:26:02 (dramatic music)
01:26:07 (door closes)
01:26:09 (footsteps)
01:26:12 - Sir?
01:26:13 - You come in consequence of having seen my advertisement?
01:26:16 - Not here sir, I'm afraid to speak.
01:26:19 Down the steps.
01:26:21 (footsteps)
01:26:24 (water dripping)
01:26:30 - Why do you bring me to this dark and dismal place?
01:26:33 - Because there are those who would surely murder me
01:26:35 if they knew I was here tonight.
01:26:37 - Young woman, if you have any intelligence of this poor child,
01:26:41 in heaven's name, put me in possession of it.
01:26:44 - Do you know a man named Monks?
01:26:48 - Monks? What do you know of this man?
01:26:51 - Oh, before I tell you sir, have I your promise that my secret will be strictly kept?
01:26:57 I'll not turn on the others because, bad as they are, they never turn on me.
01:27:01 Have I your promise for that?
01:27:03 - You have.
01:27:04 And nobody will ever learn how you know what you do?
01:27:07 - Never.
01:27:09 (footsteps)
01:27:12 - Some time ago, soon after Oliver was taken from your house in Pentonville,
01:27:17 I saw this man Monks for the first time.
01:27:20 And the other day, I saw him again.
01:27:23 He came to a place I never called...
01:27:25 (breathing)
01:27:42 (doorbell rings)
01:27:57 - There, take care of that, and do the most you can with it.
01:28:00 It's been trouble enough to get.
01:28:02 (door slams)
01:28:03 (footsteps)
01:28:15 - What are you looking at me like that for?
01:28:17 He's gone mad.
01:28:22 - I've got that to tell you will make you worse than me.
01:28:26 - Aye?
01:28:28 A look sharp on that's will think I'm lost.
01:28:30 - Lost? She's pretty well settled that in her own mind already.
01:28:35 - Open your mouth and say what you gotta say in plain words.
01:28:39 - Suppose that lad that's lying there...
01:28:41 - Well?
01:28:42 - Suppose that lad was to preach, to blow upon us all.
01:28:45 First stealing out at night to find the right folks for the purpose,
01:28:49 then having a meeting with them in the streets.
01:28:51 Not grabbed, trapped, tried and brought to it on bread and water.
01:28:55 But if his own fancy do you hear me, suppose he did this, what then?
01:28:58 - What then? I'd smash his head in.
01:29:01 - What if I did it, I that know so much and could hang so many besides meself?
01:29:06 - I'd beat your brains out.
01:29:08 - You would?
01:29:09 - Charley.
01:29:10 - If it was Charley or the Dodger or...
01:29:13 - No matter who, I'd do the same.
01:29:15 - Dodger? Dodger?
01:29:28 Poor lad. He's tired.
01:29:31 Tired with watching for her so long.
01:29:36 With watching for her, Bill.
01:29:40 - What do you mean?
01:29:45 - Dodger. Dodger.
01:29:47 Tell me that again. Once again. Just for him to hear.
01:29:52 - Tell you what?
01:29:53 - That about...
01:29:55 - Nancy.
01:29:57 - What about her?
01:29:59 - You followed her?
01:30:00 - Yes.
01:30:02 - To London Bridge?
01:30:03 - Yes.
01:30:04 - Where she met a gentleman?
01:30:05 - So she did.
01:30:06 - A gentleman she'd gone to of her own accord who asked her to give up her pals, which she did.
01:30:12 - Well, she...
01:30:13 - She did all this. She told it all. Every word without a threat, without a murmur.
01:30:18 She did, did she not?
01:30:19 - All right. That's just about what it was.
01:30:23 - What did she say about the boy?
01:30:25 - I told you that before.
01:30:26 - Again. Tell it again.
01:30:28 - Well, he asked her why she hadn't brought Nolly with her.
01:30:32 - Why? Why? Tell him that.
01:30:35 - Because he'd got her on a job. With him.
01:30:39 - More of him. Tell him that. Tell him that.
01:30:42 - Why? That she'd bring him to London Bridge tomorrow, midday.
01:30:47 - Yes. Why?
01:30:50 - She said he'd be asleep. She made me laugh when she said it.
01:30:54 - Said what?
01:30:55 - That she was going to give him a drink of lodeanum.
01:30:59 - Let me out of here!
01:31:02 - Bill. Bill.
01:31:10 - Bill.
01:31:18 - Don't speak to me. It's not safe.
01:31:19 - You won't be...
01:31:20 - Let me out.
01:31:21 - You won't be too violent, Bill.
01:31:23 - I mean not too violent for safety.
01:31:26 - Bill.
01:31:27 - Bill.
01:31:56 - Get up.
01:31:57 - How it's you, Bill.
01:32:02 - It is.
01:32:03 - Get up!
01:32:05 - There's light enough for what I've got to do.
01:32:12 - Why are you looking at me like that?
01:32:15 - Oh, no! No! No!
01:32:22 - Bill! Bill! Bill!
01:32:25 - Speak to me! What have I done?
01:32:27 - You were watched tonight.
01:32:30 - Every single word you said was heard.
01:32:33 - Oh, I've been true to you.
01:32:39 - For my soul I have.
01:32:41 - Give me time. A little...
01:32:43 - Bill! Bill!
01:32:45 - Bill!
01:32:46 - Bill!
01:32:48 - Bill!
01:32:50 - Bill!
01:32:52 - Bill!
01:32:53 - Bill!
01:32:54 - Oh, boy!
01:32:56 [music]
01:32:59 [music]
01:33:01 [music]
01:33:04 [music]
01:33:07 [music]
01:33:10 [music]
01:33:13 [music]
01:33:16 [music]
01:33:19 [music]
01:33:22 [music]
01:33:25 [music]
01:33:28 [music]
01:33:31 [music]
01:33:34 [music]
01:33:36 [music]
01:33:41 [music]
01:33:48 [music]
01:33:50 [music]
01:33:52 [music stops]
01:33:54 [silence]
01:33:56 [silence]
01:33:58 [silence]
01:34:00 [silence]
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01:34:38 [silence]
01:34:42 [silence]
01:34:46 [music]
01:34:54 [music]
01:34:56 [music]
01:34:58 [music]
01:35:24 [music]
01:35:31 Bill?
01:35:32 [music]
01:35:33 They denied Bill.
01:35:35 I didn't tell.
01:35:37 [music]
01:35:38 He deceived you.
01:35:40 He deceived you.
01:35:42 He deceived you.
01:35:44 She told them all their pals.
01:35:47 [music]
01:35:48 Not brought to eat on bread and water.
01:35:51 But of her own fancy, she did.
01:35:55 She did.
01:35:56 She did.
01:35:57 [music]
01:36:08 [screams]
01:36:10 [music]
01:36:18 [screams]
01:36:25 [music]
01:36:37 [chatter]
01:36:47 [bells]
01:36:56 [music]
01:37:06 [knock]
01:37:12 [knock]
01:37:16 (people chattering)
01:37:45 - Murder, brutal murder.
01:37:47 Murder, brutal murder.
01:37:51 In the early hours of this morning,
01:37:55 a young woman was brutally beaten to death
01:37:58 by one William Sykes.
01:38:00 If any personal person...
01:38:04 (people chattering)
01:38:08 (people chattering)
01:38:11 - I first met this girl at London Bridge.
01:38:37 I went there in response to an anonymous letter.
01:38:41 I promised not to reveal the names of her associates,
01:38:45 but in face of this terrible crime,
01:38:47 I no longer consider that promise binding.
01:38:50 (dramatic music)
01:38:52 (dramatic music)
01:38:57 (dramatic music)
01:39:02 (dramatic music)
01:39:07 (dramatic music)
01:39:10 - Lock the door on the outside and come when I ring.
01:39:20 - Yes, sir.
01:39:21 - Where is my grandson?
01:39:24 - Grandson?
01:39:25 - I warn you that every word that passed
01:39:27 between you and your criminal associates is known to me.
01:39:30 - Is this a trick to deprive me of my inheritance?
01:39:33 - You have no inheritance,
01:39:34 for as you know, my daughter had a child,
01:39:37 and it was you who for your own gain
01:39:39 suppressed the only proofs of his birth and parentage.
01:39:42 - You can prove nothing.
01:39:43 Your daughter ran away and was never heard of again.
01:39:45 - Coward, liar.
01:39:46 Where is Oliver Trish?
01:39:49 - I know nothing of him.
01:39:52 - We shall see.
01:39:53 - Sit down.
01:39:58 (footsteps tapping)
01:40:01 - How do you do, sir?
01:40:14 I hope you are well.
01:40:16 - Take him away.
01:40:21 - Idiot.
01:40:21 - It only remains for me to tell you
01:40:25 that neither of you will ever be employed
01:40:27 in the position of trust again.
01:40:30 You may go.
01:40:31 - Fool.
01:40:33 - I hope, sir, that this unfortunate little circumstance
01:40:41 will not deprive me of my parochial office.
01:40:43 - Indeed it will, and think yourself well off besides.
01:40:47 - It was all Mrs. Bumble.
01:40:50 She would do it.
01:40:50 - That is no excuse.
01:40:52 You were present at the sale of the locket,
01:40:54 and indeed are the more guilty of the two
01:40:56 in the eye of the law,
01:40:57 for the law supposes that your wife
01:40:59 acts under your direction.
01:41:01 - If the law supposes that,
01:41:03 then the law is a ass, a idiot.
01:41:06 If that's the eye of the law,
01:41:12 then the law is a bachelor,
01:41:14 and the worst I wish the law is
01:41:16 that his eye may be opened by experience,
01:41:19 by experience.
01:41:20 (footsteps tapping)
01:41:26 (bell ringing)
01:41:29 - It's Charlie.
01:41:43 It's all up.
01:41:49 - What's the matter?
01:41:50 - They got scouts out everywhere.
01:41:53 (footsteps tapping)
01:41:55 - Now, what's the news?
01:41:57 - They've nabbed Monks.
01:41:59 - And Sykes, what about him?
01:42:02 - They say he'll be took tonight.
01:42:04 They're looking for his dog.
01:42:07 - Fool.
01:42:09 (whistling)
01:42:22 (footsteps tapping)
01:42:25 (speaking in foreign language)
01:42:32 (water trickling)
01:42:35 (water trickling)
01:42:38 (cat meowing)
01:42:47 (water splashing)
01:42:56 (people chattering)
01:43:03 (water splashing)
01:43:06 - There.
01:43:25 (footsteps tapping)
01:43:28 - Take him away.
01:43:38 - The dog.
01:43:48 - Follow the dog.
01:43:49 (hooves clopping)
01:43:52 (hooves clopping)
01:43:55 - Follow the dog.
01:44:03 Follow the dog.
01:44:07 - What's happened?
01:44:12 - It's the dog.
01:44:13 They got his dog.
01:44:14 - Yes.
01:44:15 (bell ringing)
01:44:18 (bell ringing)
01:44:20 - Don't leave us in the dark.
01:44:36 (hooves clopping)
01:44:39 (hooves clopping)
01:44:41 - Who is it?
01:44:57 (door creaking)
01:44:59 - What are you gonna do?
01:45:23 Sell me or let me lie here till the hunt's over?
01:45:26 - We're in this together, Fagin.
01:45:29 Lock her.
01:45:30 - You hear it?
01:45:36 (hooves clopping)
01:45:44 (hooves clopping)
01:45:47 (hooves clopping)
01:45:49 (hooves clopping)
01:45:52 the hunt's over.
01:45:54 (hooves clopping)
01:45:57 (hooves clopping)
01:45:59 - Get me a drink.
01:46:22 (hooves clopping)
01:46:25 Get me a drink, will ya?
01:46:32 Wagon.
01:46:35 (hooves clopping)
01:47:03 Blast you, can't you say something?
01:47:06 (metal clanging)
01:47:23 Don't you know me, doctor?
01:47:25 - Don't come near me.
01:47:30 I'm not afraid of him.
01:47:32 If they come here, I'll give him up.
01:47:35 I will.
01:47:36 - You what?
01:47:37 (dog barking)
01:47:40 Come here, get out.
01:47:56 (dog barking)
01:47:59 - What?
01:48:23 - They're here.
01:48:24 (hooves clopping)
01:48:27 Get that table, will ya?
01:48:39 - Ow!
01:48:50 Ow, ow, he's here, ow!
01:48:53 (men cheering)
01:48:55 - In the king's name!
01:49:14 (men cheering)
01:49:20 - Go on out over the roof.
01:49:22 - I'll teach you yet!
01:49:27 Do it!
01:49:27 (men cheering)
01:49:30 - Darren, they're coming with me.
01:49:41 Get me a rope, come here!
01:49:43 (men cheering)
01:49:46 (men shouting)
01:49:48 (men shouting)
01:49:51 - Don't go without me!
01:50:14 (men shouting)
01:50:17 (men shouting)
01:50:19 - Strike them all, Dean.
01:50:25 What right have you to butcher me?
01:50:30 (men shouting)
01:50:32 (men shouting)
01:50:35 - Get close to me, young'un.
01:51:02 - Reagan, Reagan, Reagan.
01:51:04 - Reagan, Reagan.
01:51:05 - Reagan, Reagan.
01:51:07 - We've got Reagan!
01:51:08 (men shouting)
01:51:12 - You're on the stick.
01:51:20 (men shouting)
01:51:23 You're on it.
01:51:41 (men shouting)
01:51:44 (men shouting)
01:51:46 - Strike!
01:52:09 (men shouting)
01:52:11 (men shouting)
01:52:14 - Get in round.
01:52:21 Get that rope round.
01:52:25 50 pounds for the man who rescues the boy.
01:52:33 Get in round, young'un.
01:52:37 (men shouting)
01:52:40 - Help!
01:52:49 Help!
01:52:51 (men shouting)
01:53:06 (men shouting)
01:53:09 - We've got the boy, sir.
01:53:16 - I've got the boy!
01:53:17 (men shouting)
01:53:20 (somber music)
01:53:32 (men shouting)
01:53:35 (somber music)
01:53:38, (sobbing)
01:53:43 (somber music)
01:53:45 (sobbing)
01:54:06 - He's come back, sir.
01:54:10 I knew he would.
01:54:11 (somber music)
01:54:14 (men shouting)
01:54:16 (somber music)
01:54:19 (somber music)
01:54:21 (somber music)
01:54:24 (somber music)
01:54:27 (somber music)
01:54:29 (somber music)
01:54:32 (somber music)
01:54:34 (somber music)
01:54:37 (somber music)
01:54:39 (somber music)
01:54:42 (somber music)
01:54:45 (somber music)
01:54:47 (somber music)
01:54:50 (somber music)
01:54:52 (somber music)
01:54:55 (somber music)
01:54:57 (somber music)
01:55:00 (somber music)
01:55:03 (somber music)
01:55:05 (somber music)
01:55:08 (upbeat music)
01:55:10 (upbeat music)
01:55:13 (upbeat music)