Decision At Sundown-HD (1957)
Decision At Sundown-HD (1957)
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TVTranscript
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00:02:58 >> Morning, Bart.
00:03:10 I was beginning to think that coach is never gonna get here.
00:03:13 >> Looks like it woke you up.
00:03:15 >> Well, waiting makes a man sleepy.
00:03:18 I've been over in that holla since yesterday afternoon.
00:03:21 Kind of scared the coach might pass me during the night.
00:03:24 [LAUGH]
00:03:25 The way he's traveling now, though, he'd have been by here two days ago.
00:03:29 I'd have missed you all together.
00:03:32 Rough as you look, though, I can't say as I blame him.
00:03:37 >> Sam, you sure it's him?
00:03:40 >> Well, of course I'm sure.
00:03:41 There ain't a hundred Tate Kimbroughs.
00:03:43 >> There could be, but I'm only interested in one.
00:03:45 >> Well, wait till you see him for yourself.
00:03:47 You'll know that's the one.
00:03:48 >> He's a big man in sundown.
00:03:50 >> The biggest.
00:03:51 He's got that town in his fist and he's squeezing it hard.
00:03:54 Ain't heard the folks complain much.
00:03:56 Guess they're all scared.
00:03:58 >> Glad to hear he's doing so well.
00:04:00 When a man's riding high, the ground comes up and hits him a lot harder when he falls.
00:04:04 >> Oh, why don't you rest a little while?
00:04:06 You know, I ain't had nothing to eat since yesterday.
00:04:08 We could make a little fire and cook up a bait.
00:04:10 >> I'll go get the sundown.
00:04:39 >> Sam, what's all the commotion?
00:04:41 >> Tate Kimbrough's getting married.
00:04:43 >> Today?
00:04:44 Why didn't you tell me?
00:04:46 >> Well, I didn't reckon it was important.
00:04:48 Sam--
00:04:49 >> Folks say the most important moment in a man's life is when he gets married.
00:04:53 >> Well, I wouldn't know about that.
00:04:54 There's a pretty good eating house down--
00:04:56 >> Where's the barber shop?
00:04:57 >> Over there.
00:04:58 >> I'm not going to miss the most important moment in Tate Kimbrough's life.
00:05:02 A man shouldn't go to a wedding with stubble on his face.
00:05:05 >> A man shouldn't go to a wedding on an empty belly, neither.
00:05:08 >> Go ahead and fill it.
00:05:09 No reason for you to go.
00:05:11 Stomach empty, awful.
00:05:16 >> I have to come back this afternoon, mister.
00:05:18 It's my last customer.
00:05:19 I'm closing up.
00:05:20 I'll be open again at 2 o'clock.
00:05:22 >> What time's the big wedding today?
00:05:24 >> In about half an hour.
00:05:26 >> Ain't you almost finished with him?
00:05:27 Shouldn't take you more than 15 minutes to shave my whiskers.
00:05:30 >> I told you, mister.
00:05:31 I'm closing up.
00:05:36 >> You wouldn't be going to a wedding looking like this, would you, Mr. Baldwin?
00:05:40 >> No, but--
00:05:41 >> That's what I mean.
00:05:42 >> I told you I'm closing up.
00:05:44 >> You told him three times.
00:05:47 >> You don't mind if I shave myself?
00:05:49 >> No.
00:05:50 No, sir, I don't mind.
00:05:51 Not at all.
00:05:52 >> Thanks.
00:05:54 Go ahead.
00:05:58 >> I take it you're good friends with Mr. Kimbrough.
00:06:00 >> Do you?
00:06:02 >> Well, looks like you've come a long way to attend his wedding.
00:06:05 >> We've come a long way.
00:06:08 >> Mr. Kimbrough is a very lucky man.
00:06:10 He's marrying up with Miss Lucy Somerton, finest and prettiest young lady in Sundown.
00:06:15 >> Sounds like you think mighty highly of him.
00:06:17 >> Oh, yes, I certainly do.
00:06:19 >> A lady like that's making a big mistake marrying a man as rotten as Tate Kimbrough.
00:06:26 I guess you figured out now we ain't friends with Mr. Kimbrough.
00:06:30 >> You shouldn't talk like that about Mr. Kimbrough.
00:06:36 Thank you, Mr. Somerton.
00:06:39 >> Oh, Bart, Mr. Somerton here is Lucy's papa.
00:06:43 >> Yeah?
00:06:46 That's a shame.
00:06:54 [laughing]
00:07:09 >> Good morning, Mr. Somerton.
00:07:12 >> Good morning, Doctor.
00:07:14 >> How's Lucy feeling today?
00:07:16 >> Both the Somertons are enjoying excellent health, I'm happy to say.
00:07:19 >> Well, I wasn't inquiring about her health.
00:07:22 >> Being a physician, that should be your only concern.
00:07:42 >> Honey?
00:07:44 Ruby?
00:07:46 >> I was just watching Mr. Somerton ride down the street in his fine buggy.
00:07:50 >> Thought you made sure that he saw you.
00:07:53 >> He saw me.
00:07:56 Imagine he must be a little upset having that Bible-quoting justice of the peace perform the ceremony instead of the Reverend Peterson.
00:08:04 >> It can just be that the reverend's out of town, the kind of doing me.
00:08:17 >> Oh, Tate, you're making a mistake.
00:08:20 You still need me.
00:08:22 >> I never needed anybody.
00:08:24 >> Everybody's got to need somebody.
00:08:27 You must think you need Lucy Somerton.
00:08:29 >> I'm marrying Lucy because I love her.
00:08:33 >> You love me.
00:08:36 But you never married me.
00:08:39 >> Oh, it's different between you and me.
00:08:41 You know that.
00:08:43 >> Yes, I guess I know.
00:08:46 >> It would be embarrassing for Lucy if you stayed in town.
00:08:50 >> I'm leaving sundown tonight.
00:08:52 I wouldn't want to embarrass Mrs. Kimbrough.
00:08:56 >> Honey, you really are something.
00:09:00 >> I have to change for the wedding.
00:09:05 >> You can't go to the wedding.
00:09:08 >> Now listen to me, Tate.
00:09:09 I never crowded you.
00:09:11 You know I always thought that someday you'd marry me.
00:09:13 I've given you more than any woman should ever give a man.
00:09:17 Even though things haven't worked out the way they should,
00:09:19 I've got to be there.
00:09:21 >> You're a man, Lucy, and a father to everybody else in town but us.
00:09:23 >> That's not the reason.
00:09:24 I've got to be there for me, Tate.
00:09:25 Don't you understand?
00:09:26 For me.
00:09:29 Maybe if I see you getting married,
00:09:32 it'll be easier for me to understand that now you belong to somebody else.
00:09:38 >> Ruby.
00:09:41 Do me one last favor, will you?
00:09:45 Don't sit in the front pew.
00:10:09 >> That sure is a good eating house down there on the corner.
00:10:11 >> These horses need food more than we do.
00:10:13 Where's the stable?
00:10:14 >> Right down there a stretch.
00:10:32 >> Hey, Doc.
00:10:33 Come in here and give me a hand, will you?
00:10:36 >> Yeah, sure.
00:10:43 >> Want to buy some feed for our horses, mister?
00:10:45 >> You'll have to talk to Abe about that.
00:10:47 He's in here.
00:10:53 >> I ain't wore these boots in five years.
00:10:55 My feet must have grown some.
00:10:57 >> Horsie.
00:10:58 >> Oh, who are you?
00:10:59 >> Want to buy some feed for our horses.
00:11:01 >> How many you got?
00:11:02 >> Two.
00:11:04 >> Not much of lights, Doc.
00:11:06 Give me 50 cents and help yourself.
00:11:14 I can't go to church smelling like a horse.
00:11:17 Try some of it.
00:11:18 It's real sweet smelling stuff.
00:11:20 >> Yeah.
00:11:21 >> You figure on staying in sundown for any length of time?
00:11:24 >> We could.
00:11:26 >> You know, there's a lot of folks around here that ain't interested in seeing you rebel.
00:11:31 The war is over.
00:11:32 I bet you still got plenty of folks down in Texas that think the war is still going on.
00:11:36 >> What makes you think we're from Texas?
00:11:38 >> From your talk, I sure didn't think you was Yankees.
00:11:40 What brings you two fellas to sundown?
00:11:43 >> Take Kimbrough.
00:11:44 >> Oh, mighty fine fellow, Mr. Kimbrough.
00:11:46 Sure nice you got here in time for his wedding.
00:11:49 Well, come on, Doc.
00:11:50 We'll walk over to the church together.
00:11:52 >> I'm not going.
00:11:54 >> Sometimes you take things too serious.
00:11:57 >> I don't think so.
00:11:58 >> Well, it's up to you.
00:12:09 >> Something bothering you, mister?
00:12:13 Were you afraid that Mr. Kimbrough wouldn't like it if you weren't in time for his wedding?
00:12:31 Some folks around here figure that sundown doesn't need any more of Tate Kimbrough's friends.
00:12:41 We ain't interested in what some folks around here figure.
00:12:46 [music]
00:13:15 >> Sheriff, I was shaving Mr. Somerton when these two men came into my shop.
00:13:28 One was the fellow I saw hanging around town a couple days ago.
00:13:31 The other one I never saw before.
00:13:32 >> What about him?
00:13:33 >> I don't like their looks.
00:13:35 Especially the one I never saw before.
00:13:37 The nerve of him talking about Tate Kimbrough like he did.
00:13:40 I tell you, Sheriff, he's a bad one.
00:13:42 What are you going to do?
00:13:43 >> What can he do?
00:13:45 He ain't broke any laws.
00:13:46 >> But he said that Tate Kimbrough was --
00:13:48 >> Mr. Kennedy just stated an opinion.
00:13:50 Now, you can't arrest a man for having an opinion.
00:13:53 Can you, Sheriff?
00:13:58 Good morning, gentlemen.
00:13:59 What'll you have?
00:14:06 >> You got anything to eat?
00:14:07 >> Restaurant's right down the street, but it's closed.
00:14:10 >> Two whiskies, then.
00:14:12 >> One of these is no good today, mister.
00:14:14 All the drinks are on Tate Kimbrough.
00:14:17 >> We're paying for our drinks.
00:14:19 >> There's no charge.
00:14:20 >> If you don't mind, we'd like to pay.
00:14:25 >> Give him back his money, Otis.
00:14:37 >> That sign means what it says, mister.
00:14:39 >> So do I.
00:14:41 >> Here, sir.
00:14:49 >> Otis, make sure everybody's got a full glass.
00:15:04 >> The good health of Mr. and Mrs. Tate Kimbrough.
00:15:33 >> Sheriff, I'd sure appreciate it if you get my money out of there, wipe it off, and put it back on the bar.
00:15:53 >> Better hurry, Sheriff.
00:15:55 I don't think Mr. Kimbrough would like you to miss his wedding.
00:15:59 >> Mister, you're figuring to stay on in sundown.
00:16:03 You're making a big mistake.
00:16:21 >> Otis, the sheriff left you a message.
00:16:23 My friend and I would like these drinks before we leave.
00:16:25 >> That's all right.
00:16:26 You go right ahead.
00:16:27 You paid for your drink.
00:16:52 >> Otis, I think I will have that drink.
00:17:16 >> On me.
00:17:32 >> Doc?
00:17:34 >> Hello, Ruby.
00:17:36 >> Do me a favor.
00:17:38 Ride with me to the church.
00:17:40 >> I wasn't planning on going.
00:17:42 >> Please.
00:17:47 >> All right, Ruby.
00:18:15 >> I sure never expected Morley Chasen to see crossboys at the wedding.
00:18:35 >> Something wrong, Barber?
00:18:37 >> No, no, no, Mr. Chasen.
00:18:39 It's just that...
00:18:40 >> Just that what?
00:18:42 >> Well, none of us figured on seeing you here.
00:18:45 Our kind of view and taint ain't exactly friends.
00:18:47 >> Why not?
00:18:48 I ain't no different than the rest of you boys.
00:18:50 You know we all feel the same about the groom.
00:18:58 >> The day's full of surprises.
00:19:04 >> What's she doing with you?
00:19:33 >> Make way for Mr. Kimbrough.
00:19:41 Come on, now, make way for Mr. Kimbrough.
00:19:43 All right, everybody, stand aside and make way for the bridegroom.
00:19:59 >> Good morning, Mr. Kimbrough.
00:20:00 >> Good morning, Zeke.
00:20:02 >> All right, folks, everybody inside.
00:20:04 Men, leave your guns in the vestibule.
00:20:26 >> I ain't never been to no wedding, even yours.
00:20:43 >> You stay here.
00:20:44 I'll guard.
00:21:13 >> Dear brethren, we're gathered together on this...
00:21:27 >> Sheriff, we shouldn't proceed with the ceremony with you toting the gun.
00:21:40 >> You're a gun.
00:21:43 >> Thank you.
00:21:49 >> Dear brethren, we're gathered here together on this glorious day to unite Lucy Summerton and Tate Kimbrough in holy matrimony.
00:21:59 Oh, friends, before I begin the ceremony, there's a question here has to be asked.
00:22:03 Now, is there any man here who knows any reason why these two dear people should not be married?
00:22:10 If so, let him speak or forever hold his peace.
00:22:12 Lucy Summerton...
00:22:13 >> Hold it.
00:22:16 >> Well, now, look here.
00:22:17 Everybody's welcome as long as they leave their gun in the vestibule and they ain't got enough whiskey in them to make them troublesome.
00:22:22 >> You said if anybody had any objection to this wedding, to speak up.
00:22:24 That's what I'm doing.
00:22:26 >> We're not interested, stranger.
00:22:28 >> Kimbrough, we never laid eyes on each other before today, and we are not strangers.
00:22:32 Think back to Sabine Pass and a girl named Mary.
00:22:37 >> I never heard of Sabine Pass.
00:22:39 >> Lying ain't going to help you none.
00:22:41 >> Swede, get that man out of here so we can go on with our wedding.
00:22:46 Stay where you are.
00:22:52 >> You better leave town if you want to stay in one piece.
00:22:55 >> I'll leave when I finish what I came for.
00:22:57 >> Well, whoever you are and whatever you came for, you're not going to stop this wedding.
00:23:01 Your name's Allison, miss, Bart Allison.
00:23:03 If you marry this man, you'll be a widow by sundown.
00:23:10 You, take this money down to the preacher.
00:23:21 >> A good gracious.
00:23:22 What's this for?
00:23:23 >> Maybe I just done you out of a wedding fee so you can keep that money for performing Kimbrough's funeral services.
00:23:31 You men sit down and stay quiet.
00:23:50 >> Wait.
00:24:10 >> Around the corner.
00:24:39 >> You should have killed that fellow when he passed us on the street instead of there in church.
00:25:07 >> I didn't kill him.
00:25:09 >> Then what is all the fuss about?
00:25:10 >> I just told him I was going to.
00:25:20 >> You just stood up there in church, told Kimbrough you was going to kill him.
00:25:25 Bart, you must be from crazy.
00:25:27 >> I'm doing this my own way, Sam.
00:25:29 For three years I've hunted Kimbrough, but he didn't know it.
00:25:32 Before I settle with him, I want him to know he's being hunted.
00:25:41 >> You ain't hunting him no more.
00:25:43 He's hunting you.
00:25:56 >> Hold up on the deliveries table.
00:25:59 >> I'm not going to let you do that.
00:26:01 >> I'm not going to let you do that.
00:26:03 >> I'm not going to let you do that.
00:26:05 >> I'm not going to let you do that.
00:26:07 >> I'm not going to let you do that.
00:26:09 >> I'm not going to let you do that.
00:26:11 >> I'm not going to let you do that.
00:26:13 >> I'm not going to let you do that.
00:26:15 >> I'm not going to let you do that.
00:26:17 >> I'm not going to let you do that.
00:26:19 >> I'm not going to let you do that.
00:26:21 >> I'm not going to let you do that.
00:26:23 >> I'm not going to let you do that.
00:26:25 >> I expect you to have Lucy back here at the church by 12 o'clock.
00:26:29 >> I don't think we ought to go ahead with this wedding until this man, Allison, is behind bars.
00:26:32 >> Don't worry about it.
00:26:34 >> I should think you'd be worried about him.
00:26:36 He said he was going to kill you.
00:26:38 >> He's not going to kill me.
00:26:40 Allison's not the first man that's had that thought in mind.
00:26:42 >> It's more than just a thought, that one.
00:26:44 >> I told you not to worry about him, Charlie.
00:26:46 I expect Lucy back here by 12 o'clock.
00:26:52 >> I want you to get him now.
00:26:55 >> He won't come, Al.
00:26:57 We can't get in there and get him without somebody getting shot up.
00:26:59 >> I pay you and the boys real good, Swede.
00:27:01 If I didn't think the little gunplay would come up from time to time, you wouldn't be worth it.
00:27:04 >> He won't stay holed up forever. As soon as he makes his move--
00:27:06 >> You haven't got forever.
00:27:08 I don't care how you do it.
00:27:10 You've got exactly one hour to take care of Mr. Allison.
00:27:12 I'll be at the hotel.
00:27:14 >> I wouldn't pass by the stable on the way.
00:27:16 The law will not get there.
00:27:19 >> Hey, is there anything I can do?
00:27:23 >> How long has it been since you've handled a gun?
00:27:25 >> Gracious, not since the fracas up in Denver.
00:27:28 I, uh, I don't like guns much.
00:27:31 >> Mm-hmm. I figure as.
00:27:33 [music]
00:27:38 >> Well, Ruby, looks like the wedding's been called off.
00:27:41 For a while, anyway.
00:27:43 [music]
00:27:54 >> That fella sure was a nerve he cussed, wasn't he, Doc?
00:27:57 >> Yeah, it's, uh, too bad he didn't use a little common sense along with his nerve.
00:28:01 >> What do you mean?
00:28:03 >> Well, now he hasn't got a chance of accomplishing what he came here for.
00:28:06 [music]
00:28:13 >> Herb, you and Pete get up above that Eaton house.
00:28:17 Unless one of them shows his face,
00:28:19 you just keep shooting at that window near his Spanish when he makes his move.
00:28:22 [music]
00:28:50 >> Allison!
00:28:52 Unless you and your partner want to die in that stable,
00:28:55 you throw out your guns and come on out.
00:28:57 >> I ain't ready yet.
00:28:59 When I am, I'll be coming out the same time my gun does.
00:29:02 >> If you don't come out, we're coming in.
00:29:06 >> You sure be making a big mistake.
00:29:08 [music]
00:29:33 >> Ain't no way they can get at us from the rear.
00:29:36 [gunshots]
00:30:02 [music]
00:30:23 >> Fire!
00:30:25 [gunshots]
00:30:29 >> That fellow seemed awful anxious to come in here, so bring him in.
00:30:32 [music]
00:30:41 >> Where you going, Doc?
00:30:43 >> I left my satchel in here. I figure I'm going to need it.
00:30:45 [music]
00:30:50 >> Come on in.
00:30:52 [music]
00:30:55 Fix him up.
00:30:57 [music]
00:31:01 >> A lot of people hoped this would be more serious, Spanish.
00:31:04 >> Including you, Doc?
00:31:06 >> Man takes a hand in something that's no concern of his, he ain't usually so lucky.
00:31:10 >> Take your hand away.
00:31:13 Here, bite.
00:31:15 [music]
00:31:23 >> Stand up, Spanish.
00:31:25 [music]
00:31:41 >> [coughs]
00:31:43 Ain't it lucky you brought the iodine dye?
00:31:51 >> Now you just go on about your business and tell everybody else to do the same.
00:31:53 This here thing's between Kimbrough and me.
00:31:59 >> You had your chance to kill Tate.
00:32:02 You won't live long enough to get another.
00:32:06 >> Come on, Spanish.
00:32:11 >> You'd better move along too now, Doc.
00:32:13 >> Spanish is right, Allison.
00:32:15 It's a pity, but when a man has been on revenge, he has a one-track mind.
00:32:20 He seldom accomplishes what he sets out to do.
00:32:23 >> You sound like you wouldn't mind seeing Kimbrough killed yourself, Doc.
00:32:27 >> No, I guess I wouldn't.
00:32:29 I don't believe in violence, but maybe that's the only way Sundown can get rid of Tate Kimbrough.
00:32:34 >> What'd he do to you?
00:32:36 >> Never did anything to me, personally.
00:32:39 After the war, I came out west to set up practice.
00:32:43 I fell in love with Sundown the first time I saw it.
00:32:46 After I got to know the people, I fell in love with them too.
00:32:49 When Kimbrough came to town a couple of years ago, things changed.
00:32:53 People changed.
00:32:55 I don't imagine I have to tell you how it feels to see something you love destroyed.
00:33:02 Who's Mary?
00:33:03 >> She was Bart's wife.
00:33:09 >> You got what you came in here for.
00:33:11 Now get.
00:33:25 >> Bart, when you told me to check Sundown for a fellow named Tate Kimbrough,
00:33:30 you didn't tell me you was aiming to kill him because of Mary.
00:33:34 >> Now you know.
00:33:38 >> Yeah.
00:33:59 >> I'm sorry I drove off and left you, Dad.
00:34:01 >> I know you were terribly upset.
00:34:04 >> First that woman has the colossal gall to show up at my wedding,
00:34:08 and then that beast of a man interrupts the whole thing and tells me I'll be a widow before the day's over.
00:34:14 >> I was there, dear.
00:34:15 I know what happened.
00:34:17 >> And do you know what happened in Sabine Pass and about a woman named Mary?
00:34:21 >> You know I don't.
00:34:24 >> Well, I haven't heard any shooting for a few minutes.
00:34:27 Maybe that means they've gotten him.
00:34:29 >> No, he's holed up in the livery stable.
00:34:31 He won't come out and nobody will go in to get him.
00:34:34 Darling, Tate expects you to be at the church at noon.
00:34:38 Will I tell him you'll be there?
00:34:39 Now, now, in spite of everything that's happened,
00:34:43 I see no real reason why you shouldn't go through with the wedding.
00:34:49 Lucy, I have to tell Tate something.
00:34:53 >> Well, when I've made up my mind what I'm going to do, I'll tell him myself.
00:35:02 [music]
00:35:31 [gunshot]
00:35:35 >> One shot at those Texans every half hour ain't getting us no place.
00:35:41 I'll bet Tate's really fuming having his wedding held up like this.
00:35:47 >> Now, you get this straight.
00:35:49 I pay you a notch higher than the rest, so I expect more from you.
00:35:52 >> You pay for my services, Tate, but you haven't got enough money to buy my life.
00:35:55 A man can't start in that stable without getting himself killed.
00:35:58 >> Spanish is still alive.
00:36:00 >> How about it, Spanish?
00:36:02 You willing to try again?
00:36:05 >> Not alone, but I'll try it again if you side me, sweet.
00:36:09 >> Well, what about it, sweet?
00:36:11 >> The Spanish has never been too bright.
00:36:13 Maybe he doesn't mind getting a belly full of lead, but I do.
00:36:17 >> Maybe he isn't too bright, but he don't look like he scares as easy as you and Joe.
00:36:20 >> I'm not scared, Tate. I'm just using good sense.
00:36:23 >> He's right, Tate. All you have to do is wait.
00:36:26 >> You'd like that, wouldn't you?
00:36:28 >> Well, I'm not going to wait.
00:36:30 So, sweet, stop telling me how much sense you got
00:36:34 and start living up to that reputation you've been bragging about.
00:36:37 Now go on down there and blast him out of that hole and stop acting like a scared kid.
00:36:40 >> You know, that last part could go for you, too.
00:36:44 >> Maybe you're not scared enough of the right people.
00:36:46 >> Well, if you're in such a hurry to take care of them, why don't you go tackle the job yourself?
00:36:50 [knock on door]
00:36:51 >> Come in.
00:36:54 Tate, I don't...
00:36:57 >> You know what, Charlie?
00:36:58 >> Well, I...
00:37:00 >> Yes, Charlie?
00:37:02 >> I doubt very much if Lucy will go through with the wedding.
00:37:05 That is, at least until this man, Allison...
00:37:06 >> There's no reason for Lucy to concern herself about Allison.
00:37:09 >> I think there is.
00:37:10 This widow by sundown thing is hardly a happy thought for a girl to have on her mind
00:37:14 when she's taking her marriage vows.
00:37:16 >> Well, I don't suppose it is.
00:37:19 I don't think Allison can be feeling quite as sure of himself as he did when he sounded off at the church.
00:37:24 >> You must realize you'll never get out of that stable alive.
00:37:28 Now, if I was in his spot, I'd jump at a chance of riding out of this town in one piece.
00:37:32 Wouldn't you, Charlie?
00:37:33 >> I certainly would.
00:37:35 >> So you go on down and give him that chance.
00:37:38 >> Me?
00:37:39 Why me?
00:37:40 >> I don't want the rest of the town to think that I'm willing to let him go after that threat he made this morning.
00:37:46 And of course, Charlie, I couldn't go into the stable and tell him myself.
00:37:51 I think you can understand that.
00:37:52 >> Well, of course.
00:37:54 How about Swede here?
00:37:56 >> Swede, go down and tell the boys to hold that fire in case Allison agrees to accept Mr. Somerton's offer.
00:38:03 >> Are you willing just to let him ride out, Tate?
00:38:08 >> Sure.
00:38:27 >> What's worrying you, Charlie?
00:38:28 >> Well, I -- well, this puts me in an awkward position.
00:38:32 >> Well, what about me?
00:38:34 >> A thing like this can start barreling, start people talking.
00:38:38 Once Allison is out of the way and Lucy and I are married, the talking will taper down and things will drop right back into normal.
00:38:46 >> You wouldn't want anything to change, would you, Charlie?
00:38:48 >> No, no, I guess not.
00:38:52 >> You and I have always understood one another, haven't we, Charlie?
00:38:55 >> Well, at least I have always understood you.
00:38:59 >> I'll speak to him.
00:39:18 >> Well, what about me?
00:39:20 >> Next to Kimbrough, that's about the last fellow I'd figure on coming to pay us a visit.
00:39:36 >> Allison.
00:39:41 Mr. Allison, I'd like to speak to you.
00:39:44 >> Well, let's start.
00:39:50 >> I'd rather come inside.
00:39:52 >> I can hear you just fine from where you are.
00:39:58 >> You must realize you men are trapped in there, unless you forget that foolish threat you made at the church.
00:40:03 >> I ain't going to.
00:40:04 >> Then you're a complete fool.
00:40:06 >> That ain't no way to talk to a man who saved your daughter from making an awful mistake.
00:40:11 >> I came down here to offer you a chance to ride out of Sundown.
00:40:16 The sheriff is willing to let you leave town.
00:40:18 >> You mean Kimbrough's willing, don't you?
00:40:21 >> I can't much blame him.
00:40:22 You go on back and tell Kimbrough we are staying.
00:40:25 >> Be reasonable, man.
00:40:27 Save your life and ride out of town.
00:40:29 You'll be better off than when you rode in.
00:40:31 >> How would we?
00:40:33 >> Be very blunt.
00:40:34 I'll make it worth your while.
00:40:35 >> How much?
00:40:39 >> $500.
00:40:43 >> That ain't very much money for three years' work.
00:40:46 >> We got a lot of traveling expenses tied up in Kimbrough.
00:40:49 Hey, Bart, how do you like this father offering money to save Kimbrough's skin so his daughter can marry up with him?
00:40:56 Lucy always looked like a pretty good-looking girl to me to have her father going around trying to buy her a husband.
00:41:03 >> I'm not trying to buy my daughter a husband.
00:41:05 >> Don't know what else you could call it, Somerton.
00:41:30 >> Charlie!
00:41:57 >> Bart, I think you've done a fool's thing.
00:42:00 After all that searching around, it seems like you'd have been satisfied to just kill him on sight.
00:42:05 >> Even a rattler gives a warning.
00:42:07 >> Yeah?
00:42:08 Well, if they gave as much advance notice as you're giving that Kimbrough, rattlesnakes would be as out of date as them dinosaurs.
00:42:19 What time do you figure it to be?
00:42:20 >> Sun's throwing a pretty good shadow now.
00:42:22 Must be now under two.
00:42:24 >> My old belly's growling like a trapped bear.
00:42:30 Bart, I think you ought to have snapped up Somerton's offer.
00:42:35 >> There ain't nothing to stop you from picking him up on it, Sam.
00:42:39 >> Ah, well, probably both be as dead as a pole beef by supper time anyway.
00:42:45 I sure ain't hankering to try and argue my way past old St. Peter on an empty stomach.
00:42:51 >> Allison!
00:42:53 The offer still stands, but it ain't going too much longer.
00:42:57 If you're smart, you'll ride out of town while you got the chance.
00:43:08 >> Sweet!
00:43:18 >> Give me another drink, will you, Otis?
00:43:21 >> You may too.
00:43:22 >> Oh, I wish those fellas would hurry up and get out of there so I could get in and get my other boots.
00:43:26 These things are killing me.
00:43:28 Hey, Doc, come and get these things off of me, will you?
00:43:33 >> Yeah, and you can send them a bill for it too, Doc.
00:43:48 >> That Sweet is the shyest sheriff I ever saw.
00:43:52 Look at him. He's been doing nothing but just standing there.
00:43:55 >> There's nothing keeping you from going down there, Barber. You're not tied down.
00:43:58 >> It isn't any of my business.
00:44:00 Besides, I wouldn't want to do that tape.
00:44:03 If I went down and took care of those two, I'd be showing up our sheriff.
00:44:13 >> Sweet!
00:44:17 >> You still got your prayer book on you?
00:44:19 >> I sure do, Mr. Kimbrough. Never without it.
00:44:22 >> Well, a saloon's no place for a star citizen like you. Come on.
00:44:35 >> Is there something eating you, Doc?
00:44:38 >> No, nothing bothering me, Morley.
00:44:41 This affair's no concern of mine.
00:44:51 >> After all that's happened, Lucy needs time to think it over.
00:44:54 >> We've wasted too much time already.
00:44:57 The train pulls out of Silver Springs tonight at 8 o'clock. Mr. and Mrs. Tate Kimbrough are going to be on it.
00:45:01 >> I wouldn't count on that if I were you.
00:45:04 >> I am counting on it, Charlie. The only changes we're making in our plans is getting married here instead of the church.
00:45:20 Now, honey, hasn't this gone far enough?
00:45:24 When we decided to get married, I didn't think it'd be necessary for me to chase after you anymore.
00:45:30 >> Come to think of it, Lucy, it wasn't me you did the chasing.
00:45:34 >> You don't have to remind me of that, Tate. I'm really no different than Ruby, am I?
00:45:40 >> You must be. I never asked Ruby to marry me.
00:45:44 >> And what about Mary?
00:45:46 >> I never asked her either.
00:45:49 You know, there are some girls a man gets to know pretty well without having to ask them anything.
00:45:53 >> How well did you get to know Mary?
00:45:55 >> Oh, well enough never to consider marrying her.
00:45:58 >> Lucy, I never pretended to be a saint.
00:46:01 And you never tried to pass yourself off as a wide-eyed innocent.
00:46:05 You knew about Ruby and me and...
00:46:10 >> Tate, why does this man want to kill you?
00:46:13 >> Maybe it's because he doesn't understand women the way that I do.
00:46:17 Lucy, I promise you when you wake up tomorrow morning, you won't be a widow.
00:46:21 You'll be a very happy and content Mrs. Tate Kimbrough.
00:46:24 Now, forget all about this fellow.
00:46:26 >> Tate.
00:46:28 [music]
00:46:49 >> Afternoon, Lucy.
00:46:51 >> May I come in?
00:46:53 >> Paul sends you here.
00:46:55 >> Why should my father ask me to come here?
00:46:58 >> Well, he might have figured you'd have a little better luck than he did.
00:47:02 >> What are you talking about?
00:47:04 >> Come on in.
00:47:10 Your Paul offered to pay us to leave town.
00:47:13 >> I don't believe you.
00:47:15 >> It's true.
00:47:18 Maybe your father's more interested in having this wedding come off than you are.
00:47:22 >> Look, I'm marrying Tate Kimbrough because I want to, not because my father or anyone else wants me to.
00:47:27 >> You're a stubborn gal.
00:47:29 I was hoping you'd stop by to thank me.
00:47:32 >> Thank you for embarrassing me in front of the whole town?
00:47:34 >> I did you a favor, Lucy, and it won't take long to get over your embarrassment.
00:47:38 >> And how long do you think it'll take you to get over the fact that Tate once took a woman away from you?
00:47:42 >> I'd expect Kimbrough to explain it to you that way.
00:47:44 >> Well, what other way is there to explain it?
00:47:47 After putting all the blame on Tate, why aren't you big enough to admit that whatever happened was just as much and probably more your fault than anyone else's?
00:47:54 Just because your girl liked the way Tate looked doesn't give you the right to kill him.
00:47:58 >> I don't suppose he bothered to tell you that that girl was my wife.
00:48:06 >> Well, does even that give you the right to kill him?
00:48:12 >> Listen, when you're in love the way you must have been, the truth isn't an easy thing to face up to.
00:48:17 No man, including Tate Kimbrough, can take another man's wife away from him unless she wants to be taken.
00:48:22 So maybe you didn't lose anything that was really very worthwhile.
00:48:27 [Music]
00:48:43 >> Bart, I was just thinking.
00:48:48 >> Well, that little girl had a point.
00:48:54 >> Did I hear you right?
00:48:57 >> If I'd known you was hunting Kimbrough because of Mary, I'd have tried to stop you from coming here.
00:49:05 Bart, I got to tell you something about Mary.
00:49:13 She wasn't the girl you thought she was, and Tate Kimbrough, he wasn't the first man...
00:49:23 >> Sheriff, that offer of yours still go?
00:49:26 >> It's about time you started showing some sense.
00:49:30 >> Doesn't that donut still go?
00:49:32 >> It does.
00:49:33 >> Then my partner's coming out.
00:49:34 >> I'm staying.
00:49:36 >> Get your horse, Sam, and get moving.
00:49:38 >> I ain't leaving, Bart.
00:49:40 >> I told you to get moving.
00:49:45 >> I won't need my horse just to go across the street to get something to eat.
00:49:51 I'm going to that restaurant, then I'm coming back.
00:50:17 >> Hold it.
00:50:19 Drop your gun belt.
00:50:42 Anybody home here?
00:50:44 >> Panko!
00:50:46 Jose!
00:50:48 Guadalupe!
00:50:50 Maria!
00:50:55 >> Maureen.
00:50:59 >> Maureen.
00:51:02 I was going to have some enchiladas, but maybe I better make it Irish stew, huh?
00:51:09 >> Well, you can have anything you want.
00:51:11 >> Well, bring the eggs in.
00:51:14 Lots of them.
00:51:16 >> Maureen.
00:51:20 >> I think you made a mistake trusting the sheriff, Sam.
00:51:23 >> I made a lot of mistakes in my time, Doc.
00:51:26 One more ain't going to hurt much.
00:51:29 >> What happened between you and your friend?
00:51:34 >> I got this from trying to tell him the truth.
00:51:38 >> Sometimes the truth can be mighty painful.
00:51:41 >> Yeah.
00:51:42 >> Anyway, maybe you can't convince a man like him about something he just don't want to know about.
00:51:48 >> You knew, Mary.
00:51:55 >> Here, this ought to hold you for a while.
00:51:56 >> Oh, fine.
00:52:00 I don't know whether to go for it right now or just let it sit there and admire it.
00:52:06 >> Well, I always figured I could go for a man as uncertain as him.
00:52:10 Looks like it's been a long time between you.
00:52:12 Want some more coffee?
00:52:13 >> Mm-hmm.
00:52:24 >> You did know Mary.
00:52:26 >> I knew her.
00:52:28 Maybe I should say I knew more about her.
00:52:31 >> She was no wife for Bart Allison, Doc, or no other man.
00:52:35 >> Beautiful, though.
00:52:36 Beautiful as the springtime, but wild.
00:52:43 The way I figure it, Kimbrough must have been one of the last fellows she got a hankering for.
00:52:49 Anyway, about a week before Bart got back from fighting the war, she killed herself.
00:52:57 On account of the way she was, I guess that's all she could do.
00:53:02 >> Well, now Allison's taking out all of his hate on one man.
00:53:05 >> You don't figure there was ever anybody else.
00:53:09 Doc, I'm going back over there and tell Bart about this whole mess if I have to hit him over the head and tie him up.
00:53:15 There ain't no more men like Bart Allison.
00:53:17 I ain't going to let him kill him over the likes of Mary.
00:53:20 >> I don't think they're going to let you back in there.
00:53:22 >> Oh, sure they will.
00:53:23 We'll get on our horses and we'll ride out of this town and maybe even start living like a man's supposed to.
00:53:28 >> What man knows how a life should really be lived?
00:53:31 >> He'll know.
00:53:32 He'll know as soon as he gets the memory of that woman out of his craw, he'll know.
00:53:38 >> Well, food's on me, Sam.
00:53:40 >> Thanks, Doc.
00:53:41 >> You keep that coffee hot, honey.
00:53:43 I'll be back one of these days.
00:53:57 >> Texas!
00:53:59 Where are you heading?
00:54:01 >> I ain't about to walk back to Texas.
00:54:05 No objection to me getting my horse?
00:54:07 >> No, go ahead.
00:54:09 >> Thanks.
00:54:24 >> You better get away from there, Doc, before you get hurt.
00:54:27 >> Doc, Doc, you got to tell Bart.
00:54:32 Mary was no good.
00:54:42 >> How can you all stand around doing nothing when a man's been murdered right before your eyes?
00:54:46 >> Shut up, Doc!
00:54:47 >> Sweet, sweet Hanson, I'm going to take you, and when I do, you're going to see me coming.
00:54:53 >> I'll be waiting for you, Anderson.
00:54:55 >> And he won't be coming alone.
00:54:57 >> Doc, go on up the street and join the rest of your fine citizens.
00:55:00 >> Anderson, Sam wanted you --
00:55:02 >> What he wanted don't make no difference now.
00:55:04 >> Well, if he'd listen to me, I think it might.
00:55:06 >> I ain't listening no more.
00:55:08 Where I come from, a lawman don't shoot an unarmed man in the back, and when he gives his word, you can count on it.
00:55:14 There's liable to be some more shootings for everybody off the street.
00:55:27 If we're only just going to be spectators to the next killing, we might as well go inside and wait with the others.
00:55:51 >> Their consciences will rest easier if they don't see what happens to Allison.
00:55:57 Doc, if you'd been tending bars as long as I have, you wouldn't expect so much out of the human race.
00:56:02 >> Hey, Otis!
00:56:04 Come on in here and start pouring some more whiskey!
00:56:20 >> Another one.
00:56:32 >> This is still a saloon, Morley.
00:56:34 How about joining me in a drink?
00:56:36 >> I don't want another drink.
00:56:49 >> How about you joining me, Mr. Justice of the Peace?
00:56:53 >> Oh, good gracious, no, no, I haven't touched a drop of whiskey in years.
00:56:57 >> That's a lot of fun!
00:56:59 >> Gospel truth, isn't that right, Otis?
00:57:08 >> You never fool anyone, Zoran.
00:57:10 So why don't you drink out in the open the way a man's supposed to?
00:57:14 Take him back here!
00:57:16 >> Leave him alone!
00:57:17 >> Let him go!
00:57:19 >> You had no call to do that.
00:57:20 We all knew that Zoran was a drinking man.
00:57:24 >> I figured it was about time we let him know that we will.
00:57:28 Did you see the old hypocrite's face when I broke his whiskey bottle?
00:57:32 He claims he's going to be a real preacher someday.
00:57:36 I'll bet he'll never dare get back in that pulpit again, even for a while.
00:57:43 >> You all think that's really funny?
00:57:45 >> What's the matter with you, Doc?
00:57:47 >> Why should Zoran be the only man forced to see himself the way he really is?
00:57:52 Why, if we all faced up to the truth, our heads would be hanging lower than his is right now.
00:57:57 >> How you figure that?
00:57:59 >> We all heard our fine sheriff offer to let those two men ride out of town unharmed if they'd come out without their guns.
00:58:06 We all saw what happened.
00:58:08 >> You know dang well he ain't our sheriff, Doc.
00:58:10 He's Kimbrough's sheriff.
00:58:11 >> But he should be ours, Abe.
00:58:13 This is our town.
00:58:14 We're responsible for everything good and everything bad that happens in it.
00:58:17 Kimbrough couldn't have changed Sundown if we hadn't helped him.
00:58:20 >> I ain't never helped Kimbrough.
00:58:21 >> Well, you've all helped him.
00:58:23 Haven't we, Mr. Morley?
00:58:25 By doing nothing, just like we're doing now.
00:58:28 Sure, Spanish and the sheriff pulled the triggers that killed that Texan, but we're all guilty, just as guilty as they are.
00:58:37 And unless we do something about it, there's another killing coming up.
00:58:42 You're sure keeping me waiting a long time, Allison!
00:58:54 There isn't anyone here who hasn't lost something since Tate Kimbrough came to town.
00:58:59 If we let this chance pass without doing anything, I doubt that we'll ever get back what we've lost.
00:59:05 >> I hadn't noticed Mr. Somerton had lost anything, Doc.
00:59:08 He's done pretty well the last couple of years.
00:59:11 >> Perhaps you hadn't noticed it, but I've lost more than anyone else.
00:59:15 I lost my self-respect.
00:59:25 >> Where are you going, Lucy?
00:59:28 What's going on in here?
00:59:30 >> I don't know, Tate, but whatever it is, I like it.
00:59:44 >> It wouldn't surprise me, Doc, if you are stirring things up a bit.
00:59:49 >> I've certainly been trying.
00:59:53 I'd stop if I were you.
01:00:06 >> You know, Mr. Morley, I think Allison deserves a better chance than his partner got.
01:00:13 What do you think?
01:00:15 >> I think you're right, Doc.
01:00:17 You're just as right as rain.
01:00:19 >> Old Charlie Somerton ain't the only one that lost his self-respect.
01:00:23 But I aim to do something about getting mine back.
01:00:26 Now, I always figured that our sheriff was a coward unless he had all the odds of going for him.
01:00:31 So if it's all right with my boys, we'll go over there and just even them odds up a little.
01:00:50 [♪♪♪]
01:01:18 >> Been waiting for two years for something like this to happen.
01:01:22 Looks like maybe Allison's coming to town was all we needed to get us back in the right track.
01:01:31 >> All right, up.
01:01:33 Up!
01:01:34 Throw it out.
01:01:41 Drop it!
01:01:44 And the belts.
01:01:48 >> Looks to me, Morley, like you and your sea cross boys are going out of your way to make trouble.
01:01:52 >> Maybe so, but we just got to figuring that a man's got to draw the line someplace if he's going to go on living with himself.
01:01:59 And that's just what we're doing.
01:02:02 Now, sheriff, if you want that Texan, you're going to have to take him all by yourself.
01:02:07 >> Interfering with the law is a pretty serious offense, Morley.
01:02:10 >> Oh, your boys ain't law men.
01:02:13 The fact is, there was pretty decent ranch hands till Kimbrough put his brand on him.
01:02:17 Now go ahead, do your duty.
01:02:19 Jack, give the sheriff back his gun.
01:02:35 Maybe we best get back inside.
01:02:38 Looks like there's going to be some more shooting.
01:03:05 Sweetie, Sam never had a chance to use his gun, and you won't either.
01:03:10 Start walking.
01:03:34 [ Music ]
01:03:59 >> Doc!
01:04:14 >> Let's see.
01:04:15 Come on, let's have a look at it.
01:04:17 >> Looks like I'm going to have to go over to that hotel and pry Kimbrough loose.
01:04:20 >> In half an hour, this hand will be so swollen, you won't be able to use it.
01:04:23 Go over there and sit down.
01:04:25 >> By that time, I'll be finished what I came here for.
01:04:27 >> Allison, I want you to listen to me.
01:04:29 Sam thought more of you than anyone else in the world.
01:04:31 That's why I wouldn't hurt you.
01:04:32 >> Sam never hurt anybody in his life, on account of me, he's dead.
01:04:35 It should have been me, but you can't change things by wishing.
01:04:37 >> Only one --
01:04:38 >> Or by talking.
01:04:39 >> And there's some things you can't change with bullets.
01:04:42 >> Looks like you're doing your job real good, so don't spoil it by some of your philosophizing.
01:04:51 >> Doc, if it just so happens I ain't able to embarrass him, I'd appreciate it if you'd take care of it.
01:04:57 >> I'll take care of it, Bart.
01:05:00 >> Thanks.
01:05:03 [ Music ]
01:05:23 >> Tate, you're going to be next.
01:05:25 How can you find anything to laugh about?
01:05:28 >> It's really very funny.
01:05:29 >> Funny?
01:05:30 >> Yeah, that a woman like Mary Allison can cause all this commotion.
01:05:35 >> Take me with you?
01:05:37 >> I can't.
01:05:38 >> Please.
01:05:39 >> I'm not going anyplace.
01:05:42 >> Tate, you can't meet him in a gunfight.
01:05:43 He'll kill you.
01:05:44 >> Or I'll kill him.
01:05:45 It's sure going to be one way or the other.
01:05:47 >> It doesn't have to be that way if you left town.
01:05:49 >> I'm staying.
01:05:50 I've got a lot of time and effort in this town.
01:05:52 I had everything my way until Allison came along.
01:05:55 [ Music ]
01:06:12 >> Things aren't going to be the way you want them any longer, Tate.
01:06:15 They're not afraid of you anymore, don't you understand?
01:06:17 You've lost everything.
01:06:19 >> As long as Allison is taken care of, things will slip right back into place.
01:06:22 >> How can they?
01:06:23 You've lost Spanish and Swede.
01:06:25 There's no one left to help you.
01:06:26 >> The world's full of people like Spanish and Swede.
01:06:28 I've just got to get by Allison.
01:06:31 I'll replace them easy enough.
01:06:33 >> Please don't try to shoot it out with him.
01:06:35 >> I've got to.
01:06:36 >> Why?
01:06:38 >> Survival to most people means just staying alive.
01:06:40 To me, it means more than that.
01:06:42 >> There's nothing more important than staying alive.
01:06:44 >> Ruby, I haven't got time to argue the point with you.
01:06:48 Well, I'd better start showing my face.
01:06:52 It wouldn't do to have people think that Tate Kimbrough's afraid.
01:06:57 >> But you are afraid.
01:07:02 >> But nobody's going to know about it but me and you.
01:07:08 [♪♪♪]
01:07:23 [indistinct chatter]
01:07:26 [footsteps]
01:07:29 [footsteps]
01:07:58 >> Why'd you take the sign down, Willis?
01:08:00 >> Well, the way things was going, I figured--
01:08:01 >> Put it back up there.
01:08:07 >> Looks like there's a lot of changes going on today, Tate.
01:08:11 Like, I never saw you carrying a gun before.
01:08:14 >> I don't like using a gun, but I can if I have to.
01:08:18 >> We all figured that you'd leave town before you'd face up to Allison.
01:08:21 Not your boys standing by to help you out.
01:08:24 >> You mean that's what you were hoping I'd do, don't you?
01:08:26 >> That's right.
01:08:28 Probably Allison don't know it, but he's done this town a lot of good since he come here.
01:08:32 And I just hate to see you get lucky and beat him to draw.
01:08:36 >> Well, if I do get lucky--
01:08:40 >> You'll find out that things haven't changed as much as you think.
01:08:44 >> But that's why you're wrong.
01:08:46 Because no matter what happens between you and Allison, you're finished in sundown.
01:08:51 >> We'll see, Molly. We'll see.
01:08:54 >> Business is mine, Seth, so long.
01:08:57 >> If you could get that message over to Allison, you'd save me a lot of trouble.
01:09:01 No more orders.
01:09:03 >> If you're not going to drink anymore, why don't you go on outside and get things over with?
01:09:09 >> I'm in no hurry.
01:09:15 >> No hurry at all.
01:09:33 >> Mr. Allison, you were right.
01:09:35 You did do me a big favor.
01:09:38 I came here to help you.
01:09:40 You said I ought to thank you for stopping the wedding.
01:09:43 You were right about that.
01:09:45 But you're wrong about going down there now.
01:09:47 Tate's already lost everything.
01:09:49 The town, the power he had.
01:09:51 Me, if he ever really wanted me.
01:09:54 Don't you see, if you go out there and try to kill him--
01:09:56 >> Now you just stay here inside with Doc, where you belong.
01:10:25 [music]
01:10:47 >> Zorin, your cup finally runneth over.
01:10:50 I guess I can't keep Mr. Allison waiting any longer.
01:11:12 >> Thanks, Otis.
01:11:30 Go tell Otis to pour you a drink.
01:11:39 >> Allison!
01:11:42 >> You been waiting three years for?
01:12:11 [music]
01:12:33 [gunshot]
01:12:36 [horse neighing]
01:12:42 >> Oh, Tate!
01:12:43 Tate!
01:12:44 Oh!
01:12:49 I had to do it, please.
01:12:50 Couldn't let him kill you.
01:12:52 >> Get up, Kimbrough, and pick up your gun.
01:12:57 >> Haven't you had enough hate for one day?
01:13:00 If you killed Tate and 300 more, you still couldn't change things?
01:13:04 You were married, but you never had a wife.
01:13:06 Do you hear me?
01:13:07 You never had a wife.
01:13:10 How can you get revenge for something you never had?
01:13:14 >> Get up, Kimbrough.
01:13:17 Stay out of this, Doc.
01:13:19 >> I can't, Allison.
01:13:21 Sam said he hoped you'd start living the way a man should live.
01:13:24 The only way you can do that is to know the truth.
01:13:26 He tried to live long enough to tell you.
01:13:28 >> I heard it from Ruby.
01:13:29 I heard it from Sam.
01:13:37 You're going to need some patching up before you leave town.
01:13:39 Lucy, get my satchel.
01:13:55 [music]
01:14:05 [chatter]
01:14:15 [music]
01:14:25 [music]
01:14:35 [music]
01:14:45 [music]
01:14:55 [music]
01:15:05 [music]
01:15:08 >> Otis, this is a day for a celebration.
01:15:11 >> Oh, boy!
01:15:12 Come on back in here and I'll buy drinks for everybody.
01:15:15 >> Fill Mr. Allison's glass up first.
01:15:23 >> I'll pour my drinks myself and pay for my drinks myself.
01:15:29 >> But, Allison, you've done this town a big service.
01:15:32 We feel that we--
01:15:34 >> Well, there certainly was no call to do that.
01:15:37 >> You're an ungrateful cuss, Allison.
01:15:39 If it wasn't for Morley here, you wouldn't be standing drinking that whiskey.
01:15:42 >> Where I come from, folks don't celebrate or have a big to-do when a man acts the way a man's supposed to act.
01:15:49 Morley, if you'd remembered you were a man before Sweden, Spanish, shot Sam in the back, I'd have joined your celebration.
01:15:58 >> I'm sorry.
01:16:00 I wish I had remembered sooner.
01:16:03 [glass shattering]
01:16:15 [music]
01:16:35 >> John, we just can't let him ride away.
01:16:38 If it wasn't for him--
01:16:40 >> Yes.
01:16:41 He changed things for everybody in town.
01:16:43 But unfortunately, there's nothing we can do for him.
01:16:46 I'll tell you one thing.
01:16:48 None of us will ever forget the day that Bart Allison spent in Sundown.
01:16:51 [music]
01:17:11 [BLANK_AUDIO]