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00:02:21 - Morning, sir.
00:02:33 Can you tell me what the next town is?
00:02:34 - Aberdeen.
00:02:36 - Aberdeen?
00:02:36 - Not Scotland, Illinois.
00:02:38 It's got settled, that's how come it got the name.
00:02:41 There's two miles over that rise there.
00:02:42 Pretty big town now.
00:02:43 - Big enough to have a good doctor?
00:02:46 - I hope to tell you.
00:02:48 Man or animal, Doc Davis is the best.
00:02:50 Got his office right across the street from the barbershop.
00:02:53 Can't miss it.
00:02:54 - Thank you, sir.
00:02:56 - Just a minute.
00:02:57 That bridle.
00:02:58 If my eyes are as sharp as I think they are,
00:03:00 you're a southerner.
00:03:02 - That's right.
00:03:03 - Well, now ain't that funny.
00:03:05 Here I am headed south and here you are headed north.
00:03:08 - Kinda evens things up.
00:03:09 - From what I hear, you're going in the wrong direction,
00:03:12 mister.
00:03:13 I hear there's a lot of money to be made down there.
00:03:17 - I don't know anything about scavenging.
00:03:19 - Scavenging?
00:03:21 You're pretty heavy for a grayback, ain't you?
00:03:23 - The war's over, mister.
00:03:25 (dramatic music)
00:03:29 (horse hooves clopping)
00:03:32 - Here we are.
00:03:55 Come on, David.
00:03:59 (dramatic music)
00:04:02 - Sit, Lance.
00:04:07 Wait here, Lance.
00:04:12 Come in.
00:04:19 Dr. Davis.
00:04:25 - Yes, friend.
00:04:26 Something I can do for thee?
00:04:29 - Oh, I don't know.
00:04:30 - Then what is it you want from me?
00:04:32 You both look good and healthy.
00:04:34 - I'd like you to examine my boy.
00:04:37 - He's a fine-looking lad.
00:04:39 What's thy name, son?
00:04:40 - David.
00:04:41 David Chandler.
00:04:42 - Thee tell me, son.
00:04:44 - Doctor, he can't talk.
00:04:48 - Oh.
00:04:51 Would thee mind if I had a look at thee, son?
00:04:55 - Oh, I don't like doctors, I take it.
00:04:59 - Hmm?
00:05:00 I'm not the first this winter I can see that.
00:05:03 Well, I suppose he's tired of having a lot
00:05:06 of snoopy old men looking down like float, eh?
00:05:09 Come on, I'm not going to hurt thee.
00:05:12 Come along now.
00:05:13 That's a girl, son.
00:05:16 (David grunts)
00:05:19 (door opens)
00:05:22 Now open thy mouth.
00:05:32 Now wider, son, wider.
00:05:35 There, that's better.
00:05:45 (footsteps)
00:05:48 How long has he been this way?
00:05:53 - A year.
00:05:54 - How did it happen?
00:05:56 - He had a shock.
00:05:57 - Wait outside, son.
00:06:01 What did the other doctor say?
00:06:10 - What do you say, doctor?
00:06:12 Can you help him?
00:06:13 - Hmm?
00:06:14 - Simple as a broken arm or a broken leg,
00:06:16 this is different.
00:06:17 - Come to the point, doctor.
00:06:19 - The point is that this is something
00:06:21 none of us know much about.
00:06:22 Some doctors claim it isn't in the throat at all,
00:06:24 but up here.
00:06:26 Mr. Chandler, sometimes I wish I were a minister
00:06:32 instead of a doctor.
00:06:33 A minister could give thee hope.
00:06:36 A doctor could only give thee facts.
00:06:39 - You mean it's hopeless?
00:06:40 - Oh no, no, there's always hope.
00:06:43 And faith, does thee have faith, Mr. Chandler?
00:06:46 - Some.
00:06:47 - 'Cause they'll need a lot of it
00:06:48 or they'll grow awfully bitter.
00:06:50 And bitterness can become a bad habit.
00:06:53 - Same as war.
00:06:54 - Of course, there's an outside chance
00:06:58 that he can be helped.
00:06:59 Have any of the other doctors suggested
00:07:01 any kind of treatment?
00:07:03 - No.
00:07:04 - An operation might help, an operation by the right man.
00:07:08 - Are you a doctor?
00:07:10 - No, no, no.
00:07:11 I wouldn't try that kind of surgery.
00:07:14 I was thinking of an old colleague of mine.
00:07:16 - You think he can?
00:07:18 - Maybe.
00:07:19 But it's no use thinking about it.
00:07:21 He's in Minnesota with a Dr. Mayo.
00:07:23 - Whereabouts in Minnesota?
00:07:24 - Rochester.
00:07:26 - What's his name?
00:07:27 - Strauss, Dr. Eli Strauss.
00:07:29 - Strauss, Strauss.
00:07:31 - But hold on.
00:07:32 He's not going off just on my say so.
00:07:35 - Wouldn't you?
00:07:36 - I don't know, but I think thee would.
00:07:39 Mr. Chandler, take my advice.
00:07:41 Make the best of what thee has.
00:07:43 - Will you ride and tell him we're coming?
00:07:45 - Of course.
00:07:46 I can see he's no good talking to thee.
00:07:48 He's a stubborn man.
00:07:50 - I can't pay you now, but I'd like to know what I owe.
00:07:54 - Is money the only way to pay for something?
00:07:56 The gates of heaven are open wide to a poor man.
00:08:01 I'll have no trouble getting in.
00:08:03 - Thank you, Doctor.
00:08:07 - Don't thank me now.
00:08:08 They may want the dammey after thee gets there.
00:08:11 (dramatic music)
00:08:14 - Got to go to Minnesota, David.
00:08:20 There's a doctor there.
00:08:21 I know how you feel, son, but we got to keep trying.
00:08:28 He may be the one we're looking for.
00:08:31 (speaking in foreign language)
00:08:34 I knew you'd understand.
00:08:35 Come on.
00:08:38 Come on, lass.
00:08:39 (dramatic music)
00:08:42 (men grunting)
00:09:07 - Hey, Harry, there's sheep a-blocking the way.
00:09:09 - Get the moving, Lance.
00:09:11 Go get 'em, boy.
00:09:17 (horses whinnying)
00:09:25 (dramatic music)
00:09:27 (horses whinnying)
00:09:31 (dramatic music)
00:09:33 (horses whinnying)
00:09:36 (dramatic music)
00:09:39 (men grunting)
00:10:03 (dramatic music)
00:10:06 - That's what I mean by a sheepdog, cop.
00:10:19 - Come on, Doug.
00:10:27 (men grunting)
00:10:32 Come on, Lance.
00:10:33 Down, boy.
00:10:34 - Be with you in a minute.
00:10:44 - No candy this time, David.
00:10:55 We'll need food, good food.
00:10:56 (David grunting)
00:11:01 (dramatic music)
00:11:05 (men panting)
00:11:07 - Thank you, Mr. Schumacher.
00:11:11 Good day, sir.
00:11:16 What can I do for you?
00:11:17 - My boy and I were just passing through.
00:11:20 I need a few things.
00:11:21 - Oh, I could judge that.
00:11:22 - Can you judge silver?
00:11:24 - Sterling?
00:11:26 - $30 worth.
00:11:28 - Not anymore, they ain't.
00:11:30 Maybe before the war.
00:11:32 A lot of silver coming up north lately.
00:11:34 - It's worth more now, but I won't argue with you.
00:11:37 What'll it barter for?
00:11:39 - Say $10 worth?
00:11:41 - 20.
00:11:43 - Split the difference with you, how's that?
00:11:45 $15 will buy a lot of groceries,
00:11:48 and a whole case of candy.
00:11:49 - That's the best you can do.
00:11:51 - The best?
00:11:52 Got to leave myself a little room for profit.
00:11:54 Pick out what you need and we'll tote it all up.
00:11:57 (dog barking)
00:12:00 But your honor, what happened?
00:12:01 (dog barking)
00:12:03 - Leave that dog alone.
00:12:09 - Well, we seen the dog running loose in the alley
00:12:12 and we figured he's a stray.
00:12:13 - Well, he's not.
00:12:14 - Our mistake, I guess.
00:12:15 - Shut up, Ton.
00:12:16 - Come on, Dave.
00:12:17 - Just a minute.
00:12:19 You don't think we're trying to steal him, do you?
00:12:21 That's strong talk in sheep country.
00:12:23 - I don't think anything.
00:12:25 I just don't want any trouble.
00:12:26 - You one of them graybacks?
00:12:28 - Well, sure he is.
00:12:30 Look at them Wellington boots.
00:12:32 - I don't like talking to people's backs.
00:12:33 I ask you something.
00:12:34 - Yes?
00:12:35 - Yes, what do you mean, yes?
00:12:37 The name's Burley.
00:12:38 Jeff Burley.
00:12:39 - All right, Mr. Burley, I'm from the South.
00:12:41 If that's what you want to know.
00:12:43 Come on, David.
00:12:43 - Wait a minute.
00:12:46 I'd like a little respect.
00:12:48 I told you before, I don't like people I'm talking to
00:12:50 to walk away from me.
00:12:52 Look at me.
00:12:52 You look at me when I talk to you.
00:12:55 - I'm looking, but I don't see anything.
00:12:59 - Come on, David.
00:13:00 - Come on, Jeff, let's get out of here.
00:13:03 - Not so fast.
00:13:04 You just don't go around accusing people of stealing.
00:13:07 How do I know he's your dog?
00:13:09 Maybe you just told him yourself.
00:13:10 Whose dog is he, boy?
00:13:13 - I told you he was mine.
00:13:15 - I want the boy to tell me.
00:13:17 Whose is he?
00:13:18 Talk up, boy.
00:13:20 What's the matter with you, kid?
00:13:22 (dramatic music)
00:13:25 (thudding)
00:13:27 (dramatic music)
00:13:30 (dramatic music)
00:13:32 (dramatic music)
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00:13:41 (grunting)
00:13:53 (dramatic music)
00:13:56 (dramatic music)
00:13:58 (yelping)
00:14:14 - Are you all right?
00:14:19 Are you all right?
00:14:22 What?
00:14:24 What is it?
00:14:26 What?
00:14:27 What is it?
00:14:31 My name is David Chandler of Atlanta, Georgia.
00:14:39 I cannot speak.
00:14:41 - I don't expect much from your brother,
00:14:46 but I certainly do from you.
00:14:47 How many times have I got to tell you?
00:14:48 - What do you want me to do, just stand there,
00:14:50 let that gray-backed scum insult me?
00:14:51 Is that what you want?
00:14:52 - Stop your shouting.
00:14:53 - What do you mean, stop? - Stop it, stop it!
00:14:55 He started it, Pop.
00:14:56 - Maybe he did, and maybe he didn't.
00:14:59 Did he hurt you?
00:15:02 - Give me a drink.
00:15:04 - Sure.
00:15:06 I think he needs one more than you do.
00:15:10 (laughing)
00:15:12 (coughing)
00:15:25 - What happened here?
00:15:27 - Gus looks like the reb had been picking on my boys.
00:15:30 He smells drunk, doesn't he?
00:15:34 - I don't mean he is.
00:15:35 We better let the judge figure this one out.
00:15:39 You come along, too.
00:15:43 (coughing)
00:15:50 (laughing)
00:15:52 - Your father?
00:15:56 Come on, boy.
00:16:01 Let's see what this is all about.
00:16:02 - Can I help you, Leonard?
00:16:03 - Come on, up you go.
00:16:06 - Oh, Leonard.
00:16:07 You know, I've been meaning to come over
00:16:08 and have a little talk with you,
00:16:10 the way I used to with your father.
00:16:12 - Your sheep were over yesterday.
00:16:13 - Oh, I'm sorry to hear about that.
00:16:15 See, Leonard, that's one of the things
00:16:17 I wanted to talk to you about.
00:16:19 I just don't have room enough for my sheep anymore.
00:16:21 You know, that little dirt farm that you run,
00:16:22 you got me all boxed in there.
00:16:25 I'm gonna be needing a lot more space.
00:16:26 - Excuse me, Harry, you're in my way.
00:16:28 - Now, I'd say it's the other way around.
00:16:32 - Get out, get out of the way.
00:16:35 - Are you sobered up enough to testify?
00:16:43 - I wasn't drinking, your honor.
00:16:44 - All right, we'll drop the drunk charges for now.
00:16:48 You say they were stealing your dog, huh?
00:16:50 - Yes, sir.
00:16:51 - Mm-hmm.
00:16:51 How about it, Jeb?
00:16:53 The rabbit here says you were stealing his dog.
00:16:55 - He's a liar.
00:16:57 - It's just the same to you, your honor.
00:16:59 My name's Chandler.
00:17:01 - All right, Mr. Chandler.
00:17:03 How do you explain the fact
00:17:06 that nobody ever saw Tom or Jeb with your dog?
00:17:08 The marshal here says your boy had him all the time.
00:17:11 - There's a mistake, your honor.
00:17:14 - Are you questioning the marshal?
00:17:16 If he says your boy had the dog, your boy had the dog.
00:17:18 - Thank you, your honor.
00:17:19 - All right, now we'll go on to the next charge.
00:17:21 That's assault.
00:17:24 Now, did Jeb Burley strike the first blow, or did you?
00:17:27 - That's hard to say.
00:17:28 - I don't see what's so hard about it.
00:17:29 It seems simple enough to me.
00:17:31 Either Jeb Burley struck the first blow, or you did.
00:17:35 - That's a simple lot of words
00:17:36 beginning before the shooting starts.
00:17:37 - Chandler, did you or did you not attack this man
00:17:40 and throw him to the ground?
00:17:42 - Yes, sir.
00:17:43 - All right.
00:17:45 Any witnesses, Gus?
00:17:47 - No, sir.
00:17:48 - All right, you can step down.
00:17:49 Stay on your feet, Chandler, and hear the verdict.
00:17:54 Now, the fact that you were red
00:17:55 had nothing to do with my decision.
00:17:57 The court has weighed your story against another man's.
00:18:00 That's all any court in the land can do.
00:18:02 And the way things are now,
00:18:03 I've got to find you guilty of assault and battery
00:18:05 and disturbing the peace.
00:18:07 30 days or $30.
00:18:08 - 30 days, $30.
00:18:12 - Yeah.
00:18:13 I haven't got $30.
00:18:16 - All right, then 30 days.
00:18:17 - Your Honor, I have a boy to look after.
00:18:19 - That has nothing to do with it.
00:18:21 Most everybody has sentences.
00:18:23 You got children?
00:18:24 - If you'll give me a little time, I'll work.
00:18:26 I'll do anything, but I can't leave the boy.
00:18:28 - I'm sorry, Chandler.
00:18:30 You should have thought about your boy
00:18:31 before you started drinking.
00:18:32 Case is closed.
00:18:35 - Come on, Reb.
00:18:36 Wait a minute.
00:18:37 Take it easy, friend.
00:18:38 - Just a minute, Judge Morley.
00:18:39 - What is it, Leonard?
00:18:40 - I'll pay his fine.
00:18:42 - What?
00:18:43 - He said he'd work.
00:18:43 Well, he can work it out at my place.
00:18:46 - Well, all right if that's the way you want it.
00:18:49 - Yes, sir.
00:18:51 - All right, Leonard.
00:18:52 Turn him loose.
00:18:53 Leonard, see me in my chambers.
00:18:55 - You, get here.
00:18:58 - Leonard.
00:18:59 You're asking for trouble.
00:19:02 - You're threatening me.
00:19:03 - Yep.
00:19:05 - It's always sad to see.
00:19:08 - What?
00:19:09 - A little boy trying to grow up too fast.
00:19:12 - Hmm.
00:19:13 - Are you sure that you ain't doing this
00:19:28 just to get back at the Burleys?
00:19:31 They're getting to be big herders around here now,
00:19:33 and I don't think that you nor nobody else can stop 'em.
00:19:37 - I don't wanna hold anybody back,
00:19:39 but I don't want anybody to hold me back either,
00:19:42 the Burleys or anybody else.
00:19:44 I'm just doing this for the boy.
00:19:46 - If you're so concerned about the boy,
00:19:48 why don't you just take him?
00:19:50 - It wouldn't work.
00:19:51 That's what I thought at first.
00:19:53 But after watching him, no, you can't separate them.
00:19:56 - Well, I hope you know what you're doing.
00:19:59 I tell you, I know people, especially rebs and drunks.
00:20:03 They're troublemakers.
00:20:05 - He doesn't look like any troublemaker to me,
00:20:07 besides the boy.
00:20:09 - All right, all right, all right.
00:20:11 Have it your own way.
00:20:12 Give me the fine, give me the $30.
00:20:16 - Judge, I haven't got the money either.
00:20:20 - What's that?
00:20:21 What's that you're saying, Lynette?
00:20:22 - I'm saying I haven't got the money.
00:20:24 But I think I might be able to pay you $10 a month
00:20:27 when my crop comes in.
00:20:28 - Do you mean you deliberately lied to me
00:20:30 out there in the courtroom?
00:20:32 - I mean, I just couldn't let you separate them.
00:20:35 Now, I said I'd pay you the money and I will.
00:20:37 And besides, with somebody to help out,
00:20:39 the farm will begin to pay.
00:20:40 - Oh, that farm of yours.
00:20:43 You'd be a dern sack better off
00:20:44 if you got rid of the place and moved into town.
00:20:46 - And do what?
00:20:47 Be a clerk or a waitress or an overworked, tired girl?
00:20:51 No, I'll stay with the farm.
00:20:53 - Lynette, you are still a mighty handsome woman.
00:20:57 - And I won't stay young forever.
00:20:58 - This is no laugh and matter.
00:21:00 People are beginning to talk about you.
00:21:02 And they ain't gonna quit talking
00:21:03 until you're respectably married.
00:21:05 - People.
00:21:07 Don't tell me about people.
00:21:09 What am I supposed to do?
00:21:10 Fly right in the arms of the first man
00:21:11 to offer me lawful marriage just to please them?
00:21:14 Poor Lynette Moore, all alone on that big farm
00:21:18 as though it were a crime to live alone
00:21:20 because I'm a woman and not a man.
00:21:22 I'm not a man starved of old maid, Judge Morley.
00:21:28 Now, about the money.
00:21:31 - Lynette, you know that before the war,
00:21:33 your father and your brother and me were very good friends.
00:21:37 You wouldn't be doing what you were doing
00:21:38 if they were alive today.
00:21:40 You know, I could throw you in jail for this,
00:21:43 for obstructing justice
00:21:44 and taking advantage of my position.
00:21:46 - But you won't.
00:21:48 That's not a nice place for a respectable lady either,
00:21:52 is it, Judge?
00:21:53 - Lynette, I swear to you that I have put,
00:21:56 I have, oh, what's the use?
00:21:58 Go on, get out of here.
00:22:00 Get out, get out, get out.
00:22:02 And take your rib with you.
00:22:04 And maybe that's the worst punishment
00:22:06 I can give both of you.
00:22:08 - Thank you, Judge Morley.
00:22:10 - Go on, get out.
00:22:12 (groans)
00:22:23 (dramatic music)
00:22:26 - Were you drunk?
00:22:32 - They said I was.
00:22:34 - I didn't ask them.
00:22:36 - I wasn't.
00:22:37 - Bitter at our Yankee justice?
00:22:39 - Let's say I'm grateful for your Yankee charity.
00:22:43 - Hmm.
00:22:43 (dramatic music)
00:22:46 (horse whinnying)
00:22:49 - Whoa.
00:23:04 Whoa.
00:23:07 Well, here it is.
00:23:11 You can see it for yourself.
00:23:13 (dramatic music)
00:23:15 Come on, David.
00:23:18 Oh boy, oh, oh boy, oh.
00:23:25 Oh boy.
00:23:27 - I don't want to seem to you what I'm not, Chandler.
00:23:36 I didn't get you out of jail
00:23:37 out of any sentiment or charity.
00:23:41 I run a 200 acre farm here all by myself.
00:23:45 I raise mostly barley.
00:23:46 I know it doesn't look like much, but it's good land.
00:23:50 Good as you'll find anywhere.
00:23:52 It'll take care of you, if you take care of it.
00:23:55 A farm's hard to keep up with.
00:23:58 You take care of one thing,
00:23:59 and before you know it,
00:24:00 two other things need taking care of.
00:24:02 Like that old barn, for instance.
00:24:04 My brother and I always meant to tear it down,
00:24:06 put up a new one.
00:24:08 Even my dad talked about it.
00:24:10 Summon on something more important,
00:24:11 always seem to come up.
00:24:13 One day it'll just fall down.
00:24:15 Well, as you can see,
00:24:18 there's a lot of work to be done around here.
00:24:20 There's fences to be repaired,
00:24:22 livestock to take care of.
00:24:24 North field needs plowing, seed beds need sowing.
00:24:27 Not an easy way to stay alive, Chandler.
00:24:31 - I know about farming, ma'am.
00:24:33 - Well, then you know what I mean.
00:24:35 (dramatic music)
00:24:37 Come on, boy, come on.
00:24:39 (dramatic music)
00:24:42 I'll show you your place.
00:24:51 I'll finish them up later.
00:24:54 - Come on, Lance.
00:24:59 - Hope I didn't scare you, Chandler.
00:25:05 I was just trying to give you a rundown on the place.
00:25:08 - Don't worry, ma'am, you'll get your money's worth.
00:25:11 - Hmm.
00:25:12 (dramatic music)
00:25:14 - What?
00:25:16 - Well, this is it.
00:25:18 (dramatic music)
00:25:21 It's nothing fancy, but it's got two beds in it.
00:25:28 You can put your belongings wherever you want.
00:25:31 This dresser used to be mine.
00:25:32 Everything just seems to collect dust.
00:25:36 I've been meaning to clean up this place.
00:25:39 Well, I'll wash the windows tomorrow
00:25:41 and hang up some curtains.
00:25:42 Ought to take soap and water to everything.
00:25:46 Come on, boy, down you go, down you go.
00:25:50 Come on over here, David.
00:25:52 Let's spread out this blanket for you.
00:25:54 It gets cold around these parts at night.
00:25:56 Your dog can stay here
00:25:58 until we get a place fixed up for him outside.
00:26:00 Well, that's it, I guess.
00:26:06 (David grunting)
00:26:08 - Yes?
00:26:09 - What did he say?
00:26:13 - He wanted to know if this is our home.
00:26:15 - Well, you must be starved.
00:26:20 Before you eat, you can help me finish
00:26:22 unharnessing the horses, how's that?
00:26:23 - Ma'am?
00:26:24 - Yes?
00:26:25 - The boy wasn't part of the bargain.
00:26:27 If there's any work to do, I'll do it.
00:26:29 No.
00:26:36 - I said no, David.
00:26:37 Now you go outside and look around.
00:26:39 (dramatic music)
00:26:45 (dog barking)
00:26:51 - Well, that was a lot of fuss about nothing.
00:26:57 If that's the way you want it, Chandler,
00:27:01 it's all right with me.
00:27:03 - That's the way, ma'am.
00:27:05 (dramatic music)
00:27:08 - Where were you and the boy heading?
00:27:13 - Minnesota.
00:27:14 - Any reason?
00:27:16 - We've been away a month.
00:27:18 - Look, Chandler, you don't have to stay if it's important.
00:27:20 - We made a bargain, ma'am.
00:27:22 Let's both keep it.
00:27:23 - Proud, huh?
00:27:27 (dramatic music)
00:27:30 - Ma'am?
00:27:37 - Yes?
00:27:38 - I never thanked you.
00:27:39 - Huh.
00:27:40 (horse whinnies)
00:27:43 - He's got a mind of his own.
00:27:50 (dramatic music)
00:27:53 (dramatic music)
00:27:56 (dramatic music)
00:27:58 (dramatic music)
00:28:01 (dramatic music)
00:28:04 (dramatic music)
00:28:33 - Good boy, David.
00:28:35 You were born for farming.
00:28:36 I don't know how I would have gone along without you.
00:28:39 Would you like to take the cows to pasture?
00:28:43 (dramatic music)
00:28:46 (dramatic music)
00:28:49 (dog barks)
00:29:13 (dramatic music)
00:29:16 - Here.
00:29:21 He's busy.
00:29:25 He feels useful.
00:29:27 It's strange, but when you're around him,
00:29:28 you never think about his being the way he is.
00:29:31 - He's happy enough.
00:29:34 - How's the work coming?
00:29:35 - Fine.
00:29:37 The field should be ready for seeding in a few days.
00:29:40 It's hard to make the plow dig in when the ground's so dry.
00:29:42 - It's funny how different a furrow looks
00:29:45 when you're siding it over somebody else's plow.
00:29:47 Even if it doesn't belong to you,
00:29:50 it's a great satisfaction to have a straight furrow.
00:29:53 Feels good.
00:29:54 - You didn't come in to dinner.
00:29:57 It's still on the stove.
00:29:59 - Guess I wasn't hungry.
00:30:00 - Look, Chandler, I know I said there was a lot of work
00:30:02 to do, but you don't have to do it all.
00:30:05 - Well, I want to do as much as I can before,
00:30:09 before we leave, you know.
00:30:10 - Of course.
00:30:12 Well, if you change your mind about eating,
00:30:15 you'll know where to find it.
00:30:16 - Giddy up!
00:30:22 (dramatic music)
00:30:24 (water splashing)
00:30:27 (howling)
00:30:49 (dramatic music)
00:30:52 (howling)
00:30:55 (screaming)
00:30:57 (dramatic music)
00:31:00 (howling)
00:31:17 (dramatic music)
00:31:20 (thudding)
00:31:27 (crashing)
00:31:33 - Friends of yours?
00:31:35 - Worse, neighbors.
00:31:37 I had to fence them off.
00:31:38 They'd have run me right off my land if I hadn't.
00:31:41 - Fences won't stop them.
00:31:44 (dramatic music)
00:31:47 (howling)
00:31:50 (crashing)
00:31:52 (dramatic music)
00:31:55 (howling)
00:32:04 (dramatic music)
00:32:07 (howling)
00:32:10 (crashing)
00:32:20 - Get away, Chuck.
00:32:33 - Don't be a fool, guns won't stop them either.
00:32:34 - Then I've got to get my land.
00:32:35 - Wait.
00:32:37 Let's try it without guns.
00:32:38 Come on, David, get on your horse.
00:32:41 (dramatic music)
00:32:44 - Let's get 'em, Lance.
00:32:51 (dramatic music)
00:32:54 (men grunting)
00:33:01 - Get 'em on, Lance.
00:33:06 (dramatic music)
00:33:08 David, over here.
00:33:24 (howling)
00:33:26 (dramatic music)
00:33:33 (men grunting)
00:33:36 (dramatic music)
00:33:39 (gun firing)
00:33:55 (dramatic music)
00:33:59 (men grunting)
00:34:01 - Hey look, hey, hey, hey, back.
00:34:08 (dramatic music)
00:34:11 (horses neighing)
00:34:13 (men grunting)
00:34:27 (dramatic music)
00:34:30 - Look at that dog, look at him work.
00:34:39 (dramatic music)
00:34:42 (horses neighing)
00:34:44 (dramatic music)
00:34:47 (horses neighing)
00:34:50 (men grunting)
00:35:17 - Hey, hey, hey.
00:35:18 All right, David, let's get back.
00:35:25 (dramatic music)
00:35:28 - No, Jeff.
00:35:34 (dramatic music)
00:35:46 - What's the matter with you boys?
00:35:47 What's the trouble with you?
00:35:48 What's the trouble?
00:35:49 You didn't do any good down there.
00:35:50 - Dog, dog, dog.
00:35:52 - Good boy, David.
00:36:02 Fine work.
00:36:02 - Okay.
00:36:03 - Get Lance a drink.
00:36:07 - Yeah, I will.
00:36:08 (dramatic music)
00:36:14 (dog barking)
00:36:17 - Put that away for a while.
00:36:27 - You didn't have to Chandler.
00:36:29 The Burleys weren't part of the arrangement.
00:36:33 I guess it's my turn to thank you.
00:36:35 (dramatic music)
00:36:38 - I tell you, mister, I've seen a lot of dogs in my time,
00:36:49 but that's the best show I've ever seen.
00:36:51 I've seen quite a few.
00:36:53 - Yes, he's a good dog.
00:36:54 - Dog?
00:36:55 He ain't just any old dog, mister.
00:36:57 He's a sheep dog.
00:36:58 I've been raising him all my life
00:36:59 and I know I'm gonna see one.
00:37:00 What kennel's he from?
00:37:02 - My own.
00:37:02 My boy raised him while I was gone.
00:37:04 You got a purebred dog, mister.
00:37:06 Who sired him?
00:37:07 - Lancelot.
00:37:08 - Oh, yes.
00:37:09 The Georgia kennel.
00:37:11 You and me are gonna talk us a deal, my friend.
00:37:14 What do you take for him?
00:37:15 - Oh, he's not for sale.
00:37:16 - Now, wait a minute, mister.
00:37:18 You don't have to play hard to get with me.
00:37:20 I'm talking money right on the barrel head.
00:37:22 Anything's for sale if the price is right.
00:37:25 - I'm afraid you're wrong this time, mister.
00:37:27 - Bates is the name.
00:37:28 I buy a sheep and I raise dogs.
00:37:30 I don't mind telling you, you've got a champion.
00:37:32 - Excuse me, but I've got some work to do.
00:37:33 - I'll give you $150 for him.
00:37:35 Close the deal right now.
00:37:37 That's more than I paid for Berkshire Queen last year.
00:37:39 - No, thank you.
00:37:40 - $200.
00:37:42 - No, the dog is not for sale.
00:37:43 Goodbye, mister Bates.
00:37:44 - What's the matter with him?
00:37:55 Does he think I was talking through my hat?
00:37:57 Who is he anyway, Lennet?
00:37:58 - Name is Chandler.
00:37:59 That's all I know about him.
00:38:01 - Reb?
00:38:02 - Mm-hmm.
00:38:03 - He's stubborn like all the rest of them, ain't he?
00:38:04 Now, I made him a fair deal, more than fair.
00:38:07 He's either a rich man or a fool.
00:38:09 - Oh, he's not rich, Berm.
00:38:10 - Reb.
00:38:12 - $200 is a lot of money, Chandler.
00:38:29 - $2 is.
00:38:32 If you need it badly, I'm not...
00:38:34 (upbeat music)
00:38:37 (water splashing)
00:38:40 (upbeat music)
00:38:42 (water splashing)
00:38:45 (upbeat music)
00:38:48 (water splashing)
00:39:17 - I rejoice to hear what you say, however.
00:39:19 I rejoice to hear it.
00:39:21 But as the sun is beginning to turn
00:39:23 toward the afternoon sky,
00:39:25 had we not better strike the trail again
00:39:27 and make forward, that we may get an opportunity
00:39:30 of seeing these wonderful sisters.
00:39:33 Harry March giving a cheerful ascent,
00:39:36 the remnants of the meal were soon collected.
00:39:38 Then the travelers shouldered their packs,
00:39:41 resumed their arms, and quitting the little area of light,
00:39:46 they again plunged into the deep shadows of the forest.
00:39:51 Well, that's the end of chapter one.
00:39:56 We'll read some more tomorrow night.
00:39:59 (Harry chuckles)
00:40:03 Time for you to go to sleep.
00:40:05 Good night, David.
00:40:12 (door creaking)
00:40:15 (door creaking)
00:40:18 - Don't, don't.
00:40:27 (Harry gasps)
00:40:31 Shh.
00:40:32 - You're good with him.
00:40:38 - You're working pretty late.
00:40:41 I kept a stew hot for you, still on the stove.
00:40:43 - Thank you.
00:40:44 (gentle music)
00:40:46 - He's had a wonderful day.
00:40:50 (gentle music)
00:40:53 (gentle music)
00:40:55 (gentle music)
00:40:58 - He's gonna miss this.
00:41:25 - I know.
00:41:25 - And you?
00:41:28 - I'll miss him.
00:41:29 Sit down, Chandler.
00:41:31 - Ma'am.
00:41:32 - Yes?
00:41:34 - I don't mean to seem ungrateful,
00:41:36 but it's not good for the boy to get attached to something.
00:41:39 It just makes it that much harder for him to leave.
00:41:41 - Minnesota?
00:41:43 - Yes.
00:41:44 - Well, he's your boy,
00:41:46 and I guess you know what's good for him,
00:41:48 but one day you will have to grow roots again.
00:41:51 - We will, when he gets his voice back.
00:41:54 (gentle music)
00:41:56 - You know, you're a strange woman, ma'am.
00:41:58 - Am I?
00:41:59 That's not any woman's idea of a compliment.
00:42:01 - Well, not strange, exactly.
00:42:04 It's just you're so good with kids that...
00:42:06 - Oh, I don't know.
00:42:07 There's something about David.
00:42:10 I guess he's just somebody very special.
00:42:13 - I didn't mean that.
00:42:14 - Oh?
00:42:16 Oh, why haven't I ever married?
00:42:17 Is that what you're trying to say?
00:42:19 - Sorry, I didn't mean to be personal.
00:42:22 - Are you beginning to wonder about me too, Chandler?
00:42:24 Touched why I never married.
00:42:26 Because, well, because the right man never asked me.
00:42:31 That answer your question?
00:42:33 - Yes, and a lot more than I was gonna ask.
00:42:35 - Chandler, what were you before the war?
00:42:39 - Oh, nothing, rich man.
00:42:41 That's too far back to remember.
00:42:44 - You don't want to.
00:42:45 - Sometimes you can't help it.
00:42:48 - How did it happen?
00:42:51 - Hmm?
00:42:52 - I mean David.
00:42:53 - I wasn't there when it happened.
00:42:58 - I wish you'd tell me.
00:42:59 - I had a big house just outside of Atlanta.
00:43:02 The shelter, it was a big fire.
00:43:04 His mother was killed and...
00:43:05 Well, David saw it.
00:43:08 That's how it happened.
00:43:09 When I came back, everything was burned to the ground.
00:43:14 Well, the Union soldiers had rounded up all the children
00:43:17 and sent them up north.
00:43:20 I finally found David in an orphanage in Pennsylvania.
00:43:23 Him and Lance.
00:43:26 Since then, we've seen a lot of doctors
00:43:30 and a lot of country.
00:43:33 - What was she like?
00:43:38 David's mother?
00:43:40 - Like David.
00:43:43 Fair, blue-eyed.
00:43:45 Good wife, wonderful mother.
00:43:50 Everything a man could ever ask for.
00:43:52 Not good to remember that either.
00:43:56 - You better eat.
00:44:00 There's nothing as unappetizing as cold stew.
00:44:04 - You're so right, ma'am.
00:44:05 - Get up, get up, get up, get up.
00:44:18 Get up, get up, get up, get up.
00:44:20 - Easy on the down stroke, David.
00:44:42 The paint'll run.
00:44:43 Careful now.
00:44:44 Just a little mistake and you make a B out of it.
00:44:48 That's fine.
00:44:49 Now the E and you're all done.
00:44:50 - Hello, Lillith.
00:44:55 - Hello, Doctor.
00:44:56 - Oh, we're hot riding out of there, son.
00:44:59 Got something cool to drink?
00:45:01 - Water or cider?
00:45:02 - Cider.
00:45:03 Nothing better than the juice of the apple.
00:45:05 Unless it's the juice of the berry.
00:45:07 (laughing)
00:45:10 (upbeat music)
00:45:13 - Well, friend, I've been wondering
00:45:25 when they'd be coming in to see me.
00:45:28 Must be three weeks.
00:45:29 - I've been working.
00:45:32 - I've heard all about thee and Jeb Burley.
00:45:34 Of course, I can't condone my fighting,
00:45:36 but if they had to give someone the black eye,
00:45:38 I'm glad it was his.
00:45:39 How does the light work here for Lillith?
00:45:43 - She's been good to us.
00:45:44 Come on in, Doctor.
00:45:46 - She's a fine gal, that one.
00:45:51 I've known her ever since she was that high.
00:45:54 About as big as thy boy.
00:45:55 How's he doing?
00:45:56 - Fine.
00:45:57 - How is he getting along with Lillith?
00:45:58 - Fine.
00:45:59 Doctor, you didn't come out here just to ask questions.
00:46:01 What is it?
00:46:02 - Chandler, I have something they may consider good news,
00:46:05 but I don't know.
00:46:06 I'm always tempted to withhold from thee.
00:46:09 - What do you mean?
00:46:10 - Thank thee, Lillith.
00:46:12 I mean this letter.
00:46:13 In all conscience, I ought to read it to thee.
00:46:15 It's from Dr. Strauss.
00:46:17 - What does he say?
00:46:18 - It's been exciting working out here, Reverend.
00:46:21 That's what you always call me.
00:46:24 And, you see, the boy's case interests me enormously.
00:46:27 The symptoms you describe sound like hysterical paralysis.
00:46:31 I have treated six cases just like it,
00:46:33 and have had good results with three of them.
00:46:35 So, you see, there is a 50/50 chance
00:46:37 I might be able to help the boy.
00:46:39 - Doctor, time will take its chance.
00:46:40 - There's more to the letter, Chandler.
00:46:43 However, I plan to leave here on the 30th for San Francisco.
00:46:47 If your patient gets here before then,
00:46:49 I will be glad to see him.
00:46:51 Tell Mr. Chandler to allow himself three weeks
00:46:54 for traveling time, testing,
00:46:56 and exploratory operation and treatment.
00:46:59 Assure the boy's father that there will be no fee
00:47:01 for my services.
00:47:02 Fraternally, Eli Strauss.
00:47:06 - Well?
00:47:07 - Tell him he'll go.
00:47:09 - You sure they want to?
00:47:10 - I'm sure.
00:47:11 - Is the operation dangerous?
00:47:12 - Oh, no, no, nothing like that.
00:47:14 The operation itself is simple.
00:47:16 - How much do you figure for travel and expenses?
00:47:19 - It'll cost you $300 for thee and the boy, Chandler.
00:47:24 - 300.
00:47:26 Take a little time to raise that money.
00:47:27 - He doesn't have time, Chandler.
00:47:29 Less than a week.
00:47:31 - Less than a week.
00:47:32 I never figured on this.
00:47:35 As they know, Chandler, I'm not a man of money,
00:47:37 but I'll lend thee $50 if it'll help.
00:47:40 It's all I have.
00:47:41 - Thank you, Doctor, but no.
00:47:44 - Well, I've done my duty.
00:47:46 Duty's always painful.
00:47:51 But if this should change their mind, Chandler, let me know.
00:47:54 Goodbye, Nanny.
00:47:55 - Goodbye, Doctor.
00:47:56 (dramatic music)
00:47:59 (dramatic music)
00:48:02 - Fine. (laughs)
00:48:29 - Most I can offer you fellas, $50.
00:48:31 - $50?
00:48:33 You're not serious.
00:48:34 - Tain't as easy to sell a horse as you think.
00:48:38 Till you sell 'em, you gotta keep 'em and feed 'em,
00:48:39 and that takes money.
00:48:41 - Well, I know your problem, sir,
00:48:42 but I paid $200 for the horse and $100 for the saddle.
00:48:45 - That's had a lot of wear.
00:48:46 - There's still a lot left in it.
00:48:49 - Give you $75 for the lot.
00:48:51 Take it or leave it.
00:48:52 - Thank you, sir.
00:48:55 (bell clanging)
00:48:58 - (laughs) Real.
00:48:59 (dramatic music)
00:49:04 - Anything on your mind?
00:49:13 (laughs)
00:49:22 (dramatic music)
00:49:25 Whiskey.
00:49:43 (dramatic music)
00:49:46 - Excuse me, excuse me.
00:49:54 Do you mind if I speak to you?
00:49:56 - No, go ahead.
00:49:57 - Oh, not like this, Chandler.
00:49:58 We're never gonna get anywhere, either one of us,
00:50:00 if we don't start being civil to each other.
00:50:02 Let me buy you a drink, hmm?
00:50:03 That's always a good start.
00:50:05 What's up to you, Chandler?
00:50:06 You know, we can be friends or, well?
00:50:09 - Paul, I don't have the drink.
00:50:11 - Good, good.
00:50:12 Now, first off, I want to apologize for my sons,
00:50:14 for that little visit they paid you.
00:50:17 - Growing up, they can apologize for themselves.
00:50:18 - No, no, Tom is, Tom's not man enough yet.
00:50:22 Jeb is a little hard to control,
00:50:23 but, you know, they're not bad boys, really.
00:50:25 You know, a little headstrong, you know, the way kids are.
00:50:29 - Larry.
00:50:29 - Bates.
00:50:31 Chandler, now, I can't really blame you
00:50:36 for having the hard feelings.
00:50:37 Now, plus what the kids did.
00:50:39 I played you a dirty turn back there in the alley,
00:50:42 I admit it.
00:50:43 But you can't blame a father
00:50:44 for taking care of his own sons, now can you?
00:50:46 You know what I mean, being a father yourself.
00:50:48 - Yes, I think I do.
00:50:50 - Now, I worked hard all my life.
00:50:51 I started off with 100 head of sheep,
00:50:54 kept getting bigger and bigger.
00:50:56 Now, I got a chance to really amount to something.
00:50:58 You know, I could add 2,000 head easy.
00:51:01 - Why don't you?
00:51:02 - Leonard's got me all boxed in.
00:51:06 Got Hills on one side, Timberland on the other,
00:51:09 and Leonard's on the other.
00:51:10 - What does she want with that run-down farm?
00:51:14 - She wants it, that's reason enough.
00:51:17 - Maybe you could talk to her, huh?
00:51:20 Might be some money in it for you.
00:51:22 Quite a lot of money.
00:51:23 Say 500.
00:51:24 - What's on your mind?
00:51:28 - How would you like to come over and work for me?
00:51:31 - I've got a job.
00:51:32 - I'm offering you a better one.
00:51:34 - To stay where I am?
00:51:38 I don't think I made myself clear, Chandler.
00:51:40 I never make empty threats,
00:51:42 but I'm telling you that I'll stop at nothing
00:51:44 and nothing will stop me to get what I want.
00:51:47 You haven't drunk yet.
00:51:50 - I'll buy my own.
00:51:54 - Sure, sure, Chandler.
00:51:56 (gentle music)
00:51:59 (horse whinnies)
00:52:02 (gentle music)
00:52:04 (horse whinnies)
00:52:07 (gentle music)
00:52:10 (horse whinnies)
00:52:12 - Before you come in, David,
00:52:36 don't forget to bring in the cows.
00:52:38 (gentle music)
00:52:41 - No luck?
00:52:52 - No.
00:52:53 - Would you like some coffee?
00:52:59 - No, thanks.
00:52:59 - I wish there was something I could say.
00:53:04 - I know.
00:53:06 (gentle music)
00:53:09 - Chandler, I'd like to help.
00:53:11 I know you're going to misunderstand this,
00:53:12 but I could get a loan on the farm.
00:53:14 - No, thank you anyway.
00:53:18 - There must be something to do.
00:53:23 - There is.
00:53:27 - What?
00:53:27 - I've got to sell the dog.
00:53:30 - Oh no, you can't.
00:53:33 - I don't want him, I know how much he means to the boy,
00:53:35 but there's no other way.
00:53:38 - Well, there must be another way.
00:53:40 Right now, Lance means more to the boy than his voice.
00:53:43 - Yes, right now.
00:53:44 What about 10 years from now, 20 years from now?
00:53:48 No.
00:53:49 You see, I remember him as he was.
00:53:52 I remember the last day.
00:53:54 My company was riding off
00:53:57 and David came yelling down the road, "Johnny, Johnny."
00:54:01 That's what his mother used to call me.
00:54:04 - That's the last thing I ever heard him say.
00:54:06 - Suppose he never speaks.
00:54:09 You've got to be prepared for it.
00:54:13 - He'll speak.
00:54:14 - I hope so, as much as you do.
00:54:16 But you can't sell the dog, not on a 50/50 chance.
00:54:20 You know how I feel about David.
00:54:22 I'd give anything to hear him speak.
00:54:23 That's why I'm telling you these things.
00:54:25 I'm only thinking of what's good for him.
00:54:26 - I'm thinking of David too, only him.
00:54:29 - Then why don't you ask him?
00:54:33 - 'Cause it's not his decision to make.
00:54:34 It's mine.
00:54:35 - Well, then there's nothing more for me to say.
00:54:40 - Wait, don't go.
00:54:41 Not like this.
00:54:43 Don't make it any worse.
00:54:46 Try to understand.
00:54:47 - I do understand.
00:54:49 - No, no, you don't.
00:54:51 You don't know how it is to go up and down the country
00:54:54 doctor after doctor, hearing the same thing, paralyzed.
00:54:57 You'll never be able to speak.
00:54:58 It's the first time I've been given any hope.
00:55:01 I can't quit now.
00:55:03 - Well, what if it fails?
00:55:07 What do you do then?
00:55:08 Start roaming and looking all over again?
00:55:10 Just pick up roots whenever you hear of a new doctor
00:55:13 who might help?
00:55:14 When does it stop?
00:55:15 When does it end?
00:55:17 - When the boy speaks.
00:55:18 - Well, as you say, he's your boy
00:55:24 and it's your decision to make.
00:55:25 When do you want to leave?
00:55:28 - Anytime now.
00:55:33 Tomorrow's as good a time as any.
00:55:35 The sooner you go, the better.
00:55:37 You hitch the horses in the morning
00:55:39 and I'll drive you to the depot.
00:55:41 Nights get cold in Minnesota.
00:55:45 I'll pack some food and an extra blanket for the boy.
00:55:49 - Thank you.
00:55:52 - There's nothing to thank me for.
00:55:56 You did a good job.
00:55:58 The fences are up, fields are plowed.
00:56:03 The barns repaired.
00:56:04 I got more than my money's worth, Chandler.
00:56:08 Much more.
00:56:11 - Oh!
00:56:26 Light it.
00:56:33 (grunting)
00:56:35 (dramatic music)
00:56:38 (grunting)
00:56:41 (grunting)
00:56:43 (dramatic music)
00:56:46 (hooves clopping)
00:56:49 (grunting)
00:56:53 (dramatic music)
00:57:00 (howling)
00:57:11 (cow mooing)
00:57:16 (cow mooing)
00:57:18 - Take it easy, son.
00:57:32 What is it?
00:57:33 What do you want?
00:57:35 What is it?
00:57:38 What's wrong?
00:57:40 What is it?
00:57:42 I don't know what you want.
00:57:45 You can only tell me.
00:57:46 - Chandler!
00:57:50 Chandler!
00:57:53 (dogs barking)
00:57:58 - The water coming.
00:58:03 (dramatic music)
00:58:06 (cows mooing)
00:58:08 (dramatic music)
00:58:11 (cows mooing)
00:58:23 (dramatic music)
00:58:36 (gun firing)
00:58:39 (dramatic music)
00:58:42 (coughing)
00:58:48 (dramatic music)
00:58:51 (cows mooing)
00:58:53 (dramatic music)
00:58:56 - Let me help.
00:59:20 I'm gonna help.
00:59:21 (dramatic music)
00:59:24 They're all up.
00:59:45 We gotta go.
00:59:47 (whistling)
00:59:49 Faster.
00:59:53 Faster.
00:59:54 - Chandler, no!
01:00:06 (gun firing)
01:00:09 (dramatic music)
01:00:12 (fire crackling)
01:00:15 (dramatic music)
01:00:18 (fire crackling)
01:00:21 (fire crackling)
01:00:24 (dramatic music)
01:00:27 (fire crackling)
01:00:30 (coughing)
01:00:55 (dramatic music)
01:00:57 - It's all right, son.
01:01:07 You mustn't forget it.
01:01:10 It was a long time ago.
01:01:11 (dramatic music)
01:01:19 (coughing)
01:01:21 (dramatic music)
01:01:24 (coughing)
01:01:26 (dramatic music)
01:01:29 (dramatic music)
01:01:32 - Is he all right?
01:01:58 - Oh, he finally went to sleep.
01:02:00 - A month's work, up in smoke.
01:02:06 - Maybe you should see your friend the sheriff.
01:02:09 - What can he do?
01:02:11 He can't go into court without evidence.
01:02:13 You should know that.
01:02:15 - Yes, I should.
01:02:16 - Maybe I oughta just give up and sell out to them.
01:02:20 - Don't do it.
01:02:21 - I don't think I've got much choice.
01:02:24 There's some things you learn to do without,
01:02:25 but you can't farm without a barn.
01:02:27 - I'll need it to store the winter feed.
01:02:29 - I'll build you another.
01:02:33 - I thought you were leaving.
01:02:37 - Is that what you want?
01:02:39 - No.
01:02:40 - Then I'd like to stay, if it's all right with you.
01:02:44 You see, I think you're right about the boy and the dog.
01:02:48 There must be some other way.
01:02:50 - There has to be.
01:02:51 - I hope so.
01:02:56 - Can I fix you some coffee?
01:02:58 - No, thanks.
01:02:59 You better get some sleep.
01:03:00 - Well, you ought to, too.
01:03:03 - All right, I'll take the coffee.
01:03:06 Never could sleep during the daytime.
01:03:09 (dramatic music)
01:03:13 (hammering)
01:03:21 (dramatic music)
01:03:24 (gentle music)
01:03:29 (gentle music)
01:03:32 - You know, we gotta repair this harness when we get time.
01:03:58 (dramatic music)
01:04:01 - Hey, catch.
01:04:04 Come here.
01:04:07 That's better.
01:04:10 Wrap it around the brake.
01:04:12 Come on, Lance.
01:04:14 Wonder what's keeping her.
01:04:23 You better go tell her we're ready.
01:04:27 (dramatic music)
01:04:56 - What did he say?
01:04:57 - He says you're beautiful.
01:05:01 - Thank you, David.
01:05:05 - Yeah.
01:05:06 - It's a lovely gown.
01:05:08 - You like it?
01:05:09 - It's beautiful.
01:05:10 - Thank you.
01:05:11 I'd forgotten what it felt like to dress up.
01:05:13 - You should do it more often.
01:05:15 - Well, I didn't know whether I should or not.
01:05:16 My bonnet is hopelessly out of date.
01:05:18 Hats can never stay in style,
01:05:19 but my father always said that a woman without a hat
01:05:22 is only half-dressed.
01:05:24 - I agree with your father.
01:05:25 - Thank you.
01:05:27 (dramatic music)
01:05:30 - David, in the back.
01:05:35 (dramatic music)
01:05:40 (dramatic music)
01:05:42 (dramatic music)
01:06:10 - So Lynette finally found herself a man.
01:06:13 (radio playing)
01:06:17 - Look at the burly's.
01:06:22 (radio playing)
01:06:39 - It's strong, Mrs. Ainslie.
01:06:40 Take a strong weed to break this one.
01:06:43 Good for rain or shine.
01:06:44 Oh, it's you.
01:06:47 Got some silver of yours.
01:06:48 - $15 worth.
01:06:49 - Mm-hmm.
01:06:50 - Where's your stock of trousers?
01:06:50 - Over there on the counter.
01:06:52 - Thank you.
01:06:53 Come on, David.
01:06:53 - Lynette, I almost didn't recognize you.
01:06:56 Such a pretty dress, even if I didn't sell it to you.
01:06:58 I'll be with you in a minute.
01:07:01 - Don't you have any without tassels?
01:07:05 - They're making them all with tassels, Mrs. Ainslie.
01:07:08 If you don't like them, you can cut them off.
01:07:10 - I suppose so.
01:07:11 - You think about it.
01:07:13 - Gorman.
01:07:13 - Oh, who knows?
01:07:17 All right, Sonny, are you buying or looking?
01:07:21 Huh?
01:07:23 What'll it be, Sonny?
01:07:25 Chocolate?
01:07:26 Hot candy?
01:07:27 Don't make up your mind, Sonny.
01:07:30 The chocolate is short and sweet.
01:07:31 The hot candy lasts longer.
01:07:33 Oh, in a minute you'll be sorry you didn't listen to me.
01:07:38 - Well, I was the same when I was a little boy.
01:07:41 I was seductive.
01:07:42 - These look good and strong.
01:07:44 - They all look strong to me, Lynette.
01:07:46 - You never called me that before.
01:07:49 Matter of fact, I was getting tired of all that ma'am talk.
01:07:53 You made me sound 10 years older than I am,
01:07:56 and no gentleman would do that.
01:07:58 - Do you mind?
01:08:00 - No.
01:08:01 No, I just mentioned it.
01:08:03 Come here, David.
01:08:04 Try these on.
01:08:05 - There, behind this counter.
01:08:07 - Why, Lynette, it's been ages.
01:08:09 Nobody ever sees you anymore.
01:08:12 Just the other day at the Union League Social,
01:08:14 everybody was talking about you,
01:08:15 and nobody knew what to say.
01:08:18 What have you been doing with yourself out on that farm?
01:08:20 - Your package, Mrs. Ainslie.
01:08:22 - Oh, excuse me.
01:08:24 - Oh, your purse.
01:08:27 You forgot your purse, Mrs. Ainslie.
01:08:29 Just a minute.
01:08:30 - Thank you.
01:08:32 - Thank you.
01:08:33 - I'll take a picture of you and your loved one.
01:08:36 - Well, look at the new picture takers.
01:08:38 Why don't you have a picture taken, Lynette,
01:08:40 with your pretty dress and bonnet?
01:08:42 - What would I do with it?
01:08:43 - Look at it now and then.
01:08:45 In 10 years from now, you'll know what you look like today.
01:08:48 Go on, take a picture while I fit a boy's trousers.
01:08:51 Go on.
01:08:52 Come on, let's go.
01:08:54 Now, let's see.
01:08:57 Let these pants fit like a glove.
01:09:00 Step up and for one dollar, I'll take a picture
01:09:03 that will rival the genius of Leonardo.
01:09:05 Only one dollar, just think of it.
01:09:07 Step up, folks, and I'll take a miraculous likeness
01:09:10 of you and your loved ones.
01:09:12 A likeness that will rival all the artists of Europe.
01:09:15 Step up, folks.
01:09:16 - Go ahead, Lynette.
01:09:17 - I'm nervous.
01:09:18 - Oh, don't be nervous, little lady.
01:09:20 Sit right down here and do as I tell you,
01:09:22 and you'll have a memento that will last you
01:09:24 for a lifetime.
01:09:26 There, now, now, get comfortable,
01:09:28 and sit back and put your head against this.
01:09:30 There you are, my dear.
01:09:31 Now, sir, will you step in and take off your hat, please?
01:09:35 It's better with your hat off.
01:09:36 And then, if you'll just hold that pose for a minute now.
01:09:39 Now, let me see.
01:09:40 Oh, yes, that's delightful.
01:09:42 (gentle music)
01:09:44 Will you smile a little, please, lady?
01:09:48 A smile, and you smile, too.
01:09:49 Thank you very much.
01:09:50 Oh, that's very good.
01:09:52 Yes, indeed it is.
01:09:53 Now, are we ready?
01:09:54 All right, just let me see.
01:09:55 - Your name's Chandler.
01:09:57 I knew all about you.
01:10:00 You're living at Lynette's.
01:10:02 My father says you ain't got no tongue.
01:10:05 Is that right?
01:10:05 That's him.
01:10:08 That's the one I was telling you about.
01:10:10 - When he says he ain't got no tongue?
01:10:11 All right, open your mouth.
01:10:20 Let's see if you got a tongue.
01:10:22 - All right, Johnny, open your mouth.
01:10:24 - If he won't open his mouth, pinch him.
01:10:26 That'll make him open it.
01:10:27 Look, he ain't even alive.
01:10:29 You don't even yell when you pinch him, watch.
01:10:32 (clattering)
01:10:34 Open your mouth, go on, open.
01:10:38 We just wanna see if you got a tongue.
01:10:40 (grunting)
01:10:42 - Stop it.
01:10:57 Stop this fighting.
01:10:58 What are you doing here?
01:11:00 (clattering)
01:11:03 - Dummy! - Hey, dummy!
01:11:06 - Get outta here!
01:11:08 - Dummy, go on, dummy, beat it!
01:11:11 - Dummy! - David!
01:11:12 - Dummy! - Hey, dummy, go on, dummy!
01:11:15 - Get outta here! - Hey, dummy, beat it!
01:11:18 - Are you all right, David?
01:11:22 Take him in and clean him up.
01:11:26 Get him another pair of trousers.
01:11:29 I'll be right back.
01:11:30 - Mr. Bates.
01:11:40 - Huh?
01:11:41 Oh, it's you, deal me out.
01:11:42 - I wanna talk to you about the dog.
01:11:46 Do you still wanna buy him?
01:11:48 - Huh?
01:11:49 Maybe yes, maybe no.
01:11:50 How much you want for him?
01:11:51 - 300.
01:11:53 - 300, that's a little high, isn't it?
01:11:54 Tell you what, I'll give you 150.
01:11:56 - I'm not bargaining, Mr. Bates, it's 300.
01:11:58 You want him or don't you?
01:11:59 - 200.
01:12:00 Now, wait a minute.
01:12:02 You are the hardest man I ever dealt with.
01:12:07 - All right.
01:12:08 You got yourself a deal.
01:12:09 Where is he?
01:12:12 - I'll bring him tomorrow afternoon,
01:12:13 if it's all right with you.
01:12:14 - Sure.
01:12:15 - And I'd like to have my money now.
01:12:17 - What kind of a deal is this you're trying to pull?
01:12:21 You want the money now, but I don't get the dog now?
01:12:24 - That's the deal, you just have to trust me.
01:12:27 - All right.
01:12:30 I'll be waiting.
01:12:34 Thank you.
01:12:36 - Deal me in, gentlemen.
01:12:41 - Are you going to tell him?
01:12:53 - No, now's not the time.
01:12:54 When it's all over, I'll tell him.
01:12:56 He'll understand better then.
01:12:57 - I hope so.
01:12:58 - I hope so.
01:13:00 (dramatic music)
01:13:03 (horse hooves clopping)
01:13:06 (dramatic music)
01:13:10 (horse hooves clopping)
01:13:38 - Lynette.
01:13:39 - Yes?
01:13:40 - How about the operation?
01:13:44 I was wondering if it wouldn't be better
01:13:45 for you to go to Minnesota with David.
01:13:47 - Why?
01:13:49 - Oh, I just think he'd feel better with you,
01:13:50 and I might never come back, but you will.
01:13:54 Besides, I gotta get the barn up,
01:13:57 the wheat needs harvesting,
01:13:58 and you never know what the Burleys are gonna do.
01:14:00 Will you, Lynette?
01:14:03 - If that's the way you want it.
01:14:07 - Yes, it is, Lynette.
01:14:08 (dramatic music)
01:14:12 Well, David, you'll be leaving in a minute.
01:14:34 Say goodbye to Lance.
01:14:36 (Lynette moaning)
01:14:39 You'll be all right, David.
01:14:43 You, you can't take him with you now.
01:14:49 You might be gone a long time.
01:14:50 Oh, wait a minute.
01:14:53 You're not gonna spoil everything, are you?
01:14:56 (dramatic music)
01:15:00 (Lynette laughing)
01:15:03 - I think it's best this way, David.
01:15:06 We can't take him with us.
01:15:08 - Okay, he's not going to back out now,
01:15:19 not after all the trouble we went through.
01:15:21 They wouldn't do that to us, would they, son?
01:15:23 Look, I brought the bag of candy for the trip.
01:15:27 This care, David.
01:15:28 (laughing)
01:15:30 He's a fine lad.
01:15:31 Next time I see thee, they won't be shaking thy head.
01:15:33 They'll tell me.
01:15:35 - All right, folks, all aboard.
01:15:36 We're ready to go.
01:15:37 - Come here, David.
01:15:47 Son, I don't know what's gonna happen.
01:15:49 Nobody does.
01:15:50 Sometimes we have to do things that we don't want to do.
01:15:55 (Lynette grunting)
01:15:58 - Gonna be a good boy?
01:16:00 Come on.
01:16:03 Up you go.
01:16:06 Lynette, take care of yourself.
01:16:12 - You too.
01:16:14 - You'll be all right, David.
01:16:24 Lynette, I wanted to say that--
01:16:25 - All right, look!
01:16:26 - Well, I, I, well, Lynette, I wanted to say--
01:16:30 David, goodbye.
01:16:34 Goodbye.
01:16:35 (dramatic music)
01:16:39 (dramatic music)
01:16:42 (dramatic music)
01:17:10 - Oh, I've been waiting for you.
01:17:12 I was beginning to think you was following my leg.
01:17:14 Didn't know if you was joking or not.
01:17:16 I see you wasn't.
01:17:17 Tell me, how come you changed your mind about selling him?
01:17:21 - I guess the price was right.
01:17:24 - Now you're talking my language.
01:17:26 I always said there was a price on anything.
01:17:28 - Where's your dog?
01:17:30 - Come here, boy.
01:17:31 - Go on, Lance.
01:17:33 Go to him.
01:17:34 - Come on, boy.
01:17:35 We're gonna make a champion out of you.
01:17:37 Come on now, get over here.
01:17:39 (dog whining)
01:17:42 Come on, Lance, here.
01:17:44 Here.
01:17:46 (dog whining)
01:17:53 (dramatic music)
01:17:56 (dog whining)
01:17:59 (dramatic music)
01:18:02 (dog whining)
01:18:05 (dramatic music)
01:18:08 (dog whining)
01:18:11 (dramatic music)
01:18:14 (dog whining)
01:18:17 (dramatic music)
01:18:20 (dramatic music)
01:18:23 (dramatic music)
01:18:26 (dramatic music)
01:18:29 (dramatic music)
01:18:32 (dramatic music)
01:18:34 - Tomorrow, Dr. Strauss operates.
01:18:37 The more I see of the doctor, the more I like him.
01:18:40 He and David are the best of friends,
01:18:42 and the doctor is teaching him to play chess.
01:18:45 The game is beyond me.
01:18:47 Yesterday, one of the parents brought a puppy
01:18:50 up to one of the children,
01:18:52 and David saw them together.
01:18:54 It was one of the worst moments of the whole trip.
01:18:58 I pray we've done the right thing.
01:19:01 (dramatic music)
01:19:04 (knocking)
01:19:06 (knocking)
01:19:09 (knocking)
01:19:11 (knocking)
01:19:13 (knocking)
01:19:15 (knocking)
01:19:17 (dramatic music)
01:19:19 - Chandler!
01:19:20 I've got a letter for thee.
01:19:24 I was in at Gorman's,
01:19:27 and they told me you had a letter for thee.
01:19:29 - It's a Minnesota.
01:19:32 - Give that to me, Doctor.
01:19:34 - The operation is over.
01:19:40 They've just started treatment.
01:19:43 It's too early to tell anything yet,
01:19:45 but Dr. Strauss says that everything
01:19:46 went exactly as he expected.
01:19:49 He says that we should know in a day or two.
01:19:51 I hope I'm not reading anything into how he said it,
01:19:55 but he sounded very optimistic.
01:19:57 He says that we will be able to leave here in three days.
01:20:00 On the afternoon coach,
01:20:02 I hope this letter reaches you before we do.
01:20:05 David is anxious to get back, and I am too.
01:20:08 Love, Lilith.
01:20:29 - Move, move!
01:20:30 How do you feel?
01:20:47 - Ah, fat.
01:20:49 Fat.
01:20:50 - Sorry, Chandler.
01:21:17 - Does he know about Lance?
01:21:19 - I couldn't tell him.
01:21:21 - I... I left him home.
01:21:29 We'll...
01:21:32 We'll stay here until it clears.
01:21:36 (paper rustling)
01:21:39 (dramatic music)
01:21:42 (dramatic music)
01:21:46 (dramatic music)
01:21:49 (dramatic music)
01:21:53 (dramatic music)
01:21:57 (dramatic music)
01:22:01 (dramatic music)
01:22:04 (dramatic music)
01:22:08 (dramatic music)
01:22:12 (dramatic music)
01:22:15 (dramatic music)
01:22:18 (dramatic music)
01:22:21 (dramatic music)
01:22:24 (dramatic music)
01:22:27 (dramatic music)
01:22:30 (dramatic music)
01:22:33 (dramatic music)
01:22:36 (dramatic music)
01:22:39 (dramatic music)
01:22:41 - You want me to tell him?
01:22:43 - It might be easier.
01:22:45 - No, I'll do it.
01:22:48 (dramatic music)
01:22:51 (dramatic music)
01:22:54 (dramatic music)
01:22:57 (Lilith grunting)
01:23:00 (Lilith grunting)
01:23:03 (Lilith grunting)
01:23:06 (Lilith grunting)
01:23:09 (dramatic music)
01:23:12 (Lilith grunting)
01:23:15 (dramatic music)
01:23:18 (dramatic music)
01:23:21 (Lilith grunting)
01:23:24 - Lance is gone, David.
01:23:27 (Lilith grunting)
01:23:30 I sold him.
01:23:31 I had to, Davis.
01:23:37 There was no other way.
01:23:40 It didn't work out, but there was the chance I had to take.
01:23:43 Well, if you'd known about Lance,
01:23:45 you just wouldn't have gone through it.
01:23:47 (Lilith grunting)
01:23:50 I know, I know I lied to you.
01:23:52 You can hate me and it's all right.
01:23:55 You see, I know what Lance meant to you.
01:23:58 He meant a great deal to me, David.
01:24:01 (Lilith grunting)
01:24:02 David!
01:24:03 Don't you understand?
01:24:06 I had to, I had to!
01:24:09 I had to!
01:24:10 David, David, David, I had to, honest.
01:24:14 Honest, I did.
01:24:15 (Lilith grunting)
01:24:18 (dramatic music)
01:24:21 (Lilith grunting)
01:24:24 (dramatic music)
01:24:27 (Lilith grunting)
01:24:30 (dramatic music)
01:24:33 (Lilith grunting)
01:24:36 (dramatic music)
01:24:39 (Lilith grunting)
01:24:42 (dramatic music)
01:24:45 (dramatic music)
01:24:48 (dramatic music)
01:24:51 (dramatic music)
01:24:54 (dramatic music)
01:24:56 Mr. Bates.
01:24:57 Oh, what do you want, Chandler?
01:24:58 About the dog Lance I sold you.
01:25:00 Dog? Mongrel's more like it.
01:25:02 Well, he ain't worth a plug copper as a dog.
01:25:04 Well, he's a one-man dog and I should have known better.
01:25:07 It's the way these mongrels are.
01:25:08 Mr. Bates, I don't know how, but I'll work out something for you.
01:25:11 But I have to have the dog back.
01:25:12 I'd be glad to give him back, believe me,
01:25:14 but I ain't got him anymore.
01:25:15 Where is he?
01:25:16 I got rid of him.
01:25:17 He wouldn't work the sheep, wouldn't work a single command.
01:25:19 All he'd do is crawl around in his belly and whine.
01:25:22 First time I ever judged wrong.
01:25:24 Where is he, Bates?
01:25:25 Told you, I got rid of him.
01:25:27 How?
01:25:28 Lost him in a poker game.
01:25:29 Who to?
01:25:30 Harry Burley.
01:25:31 Lost him with a good hand, too.
01:25:33 Full house, three aces up.
01:25:35 I don't know why, but Burley always wanted that dog
01:25:37 since I first got him.
01:25:39 Well, we had us this game.
01:25:40 Thank you, Bates.
01:25:41 Want to know something?
01:25:43 He won't work for Burley, either.
01:25:45 Well, look, you can see for yourself.
01:25:47 There, what'd I tell you?
01:25:54 Come on!
01:25:55 Come on!
01:25:58 Come on!
01:26:01 [neighing]
01:26:03 [music playing]
01:26:06 [music playing]
01:26:09 [music playing]
01:26:12 [music playing]
01:26:15 [music playing]
01:26:18 [music playing]
01:26:21 [music playing]
01:26:24 [music playing]
01:26:27 [music playing]
01:26:30 [music playing]
01:26:33 [music playing]
01:27:01 Where are you going?
01:27:03 I lied to David about his dog.
01:27:04 I'm going to get it back.
01:27:05 With a gun?
01:27:06 Burley's got him.
01:27:07 It's the only thing he understands is a gun.
01:27:09 I know Harry Burley, John.
01:27:10 He never does anything without a reason.
01:27:12 Well, I'm going to find out what his reason is.
01:27:14 You're his reason.
01:27:15 Ever since you came here, you've been in his way.
01:27:17 Without you, I might have given up the farm,
01:27:19 and now he'd have it all.
01:27:20 He doesn't want Lance.
01:27:21 He wants you.
01:27:22 Please, Lynette.
01:27:23 Listen to me, John.
01:27:24 What good will you be to the boy dead?
01:27:26 Give me the gun, John.
01:27:28 It has nothing to do with you.
01:27:29 Yes, it does.
01:27:30 I'm part of this now.
01:27:31 You made me part of it.
01:27:32 You can't just come into my life and go right out of it.
01:27:35 I won't let you.
01:27:36 Let me go, Lynette.
01:27:37 John.
01:27:39 What is it?
01:27:40 Is it pride?
01:27:41 Then I'll go to the Burleys, because I have no pride anymore.
01:27:44 I don't care about the farm.
01:27:46 You and David are all I care about,
01:27:48 and that's got to mean something to you.
01:27:50 It means a great deal, and there's no other way.
01:27:53 John.
01:27:54 John.
01:27:55 [music playing]
01:27:59 [music playing]
01:28:02 David.
01:28:13 David, wait.
01:28:14 [music playing]
01:28:17 David.
01:28:25 Look at me.
01:28:27 I made a mistake, and I'm sorry.
01:28:29 I'll get your dog back.
01:28:31 [music playing]
01:28:34 No, no, I'm not lying.
01:28:38 [music playing]
01:28:41 You stay here.
01:28:43 You understand I'm getting your dog back.
01:28:45 [music playing]
01:28:49 [music playing]
01:28:52 David.
01:29:01 David.
01:29:03 Stay here.
01:29:04 [music playing]
01:29:07 [music playing]
01:29:10 [music playing]
01:29:13 [music playing]
01:29:37 [music playing]
01:29:40 [music playing]
01:29:54 [music playing]
01:30:05 [music playing]
01:30:08 He's coming, Jeff.
01:30:16 Just like Pop said he would.
01:30:18 [music playing]
01:30:21 [music playing]
01:30:28 [music playing]
01:30:31 Good.
01:30:39 Come on.
01:30:40 [music playing]
01:30:43 Company coming, Pop.
01:30:53 [music playing]
01:30:56 Company was expected, wasn't it?
01:30:59 [music playing]
01:31:02 [cows mooing]
01:31:11 [cows mooing]
01:31:25 [cows mooing]
01:31:28 [cows mooing]
01:31:39 [cows mooing]
01:31:46 [music playing]
01:31:50 [music playing]
01:31:53 He's headed this way, Pop.
01:31:57 Let him come.
01:31:58 No, no, no, no.
01:32:02 No, Jeff.
01:32:03 Let's show the Reb a little hospitality, hmm?
01:32:06 This ain't no time for talking, Pop.
01:32:07 Let's do what we gotta do and get it over with.
01:32:09 No, no, there's no time to be losing your head either.
01:32:11 Just leave me alone with him.
01:32:12 You boys, uh, wait in the store room there.
01:32:14 Go on.
01:32:15 Go on, go on.
01:32:16 Both of you.
01:32:17 Pop.
01:32:18 [door opens]
01:32:21 Come in.
01:32:28 Come in.
01:32:29 Door's open.
01:32:30 Well, Chandler.
01:32:33 Come in.
01:32:37 Come on in.
01:32:38 Make yourself at home.
01:32:39 Sit down.
01:32:42 How about a drink?
01:32:43 No, thank you.
01:32:44 Don't mind if I do, hmm?
01:32:46 Pork for me.
01:32:48 Your jugs are kind of hard to handle
01:32:49 with this clipped wing of mine.
01:32:51 Where's my dog?
01:32:59 Your dog?
01:33:00 You ain't accusing us of stealing him, are you?
01:33:02 You did that once before.
01:33:04 A dog thief is just as bad as a horse thief in sheep country.
01:33:07 You know that, don't you?
01:33:09 All right, yours, Burleigh.
01:33:10 I want him back.
01:33:11 I'll pay you some way.
01:33:12 I'll work out a deal with you.
01:33:14 But I've got to have that dog.
01:33:17 Well, I see you're ready to talk sense.
01:33:20 How about Lynette?
01:33:22 Too bad about her barn burning.
01:33:24 Let's talk about the dog.
01:33:25 That's all I came to talk about.
01:33:27 Sure, sure, sure.
01:33:30 My boys really took a liking to him.
01:33:33 He's just like one of the family.
01:33:36 You're kind of touchy about the girl, ain't you?
01:33:39 I hear a lot of talk in town about you two.
01:33:42 What kind of talk?
01:33:44 What kind would you expect?
01:33:46 Handsome fellow like yourself, pretty girl like Lynette,
01:33:48 living way out there, away from everybody and everything.
01:33:51 No, you can't stop people from talking, can you, Chandler?
01:33:55 Not if they've got dirty minds.
01:33:58 I don't figure you, Chandler.
01:34:05 You've given me nothing but trouble from the very first.
01:34:08 Now you're asking for favors.
01:34:10 Lynette was getting ready to see this whole thing my way.
01:34:13 She was just about ready to give up her place.
01:34:15 It's nothing to do with her. I came here asking a favor.
01:34:17 Oh, sure, I know.
01:34:19 This has got nothing at all to do with her.
01:34:21 This is for your kid, the dummy.
01:34:24 Isn't that right, Chandler?
01:34:26 That's right.
01:34:28 See, I know how you feel.
01:34:30 I've got boys myself, remember?
01:34:32 Of course, what you want with a hound like that beats me
01:34:35 because he's nothing but a one-man dog.
01:34:37 He's like Bates said, no good.
01:34:39 Well, take him.
01:34:43 Take him. He's yours.
01:34:45 You mean it?
01:34:47 Now you can get out of here, Chandler.
01:34:49 Your dog's down in the tool shed.
01:34:51 Take him and get out of here.
01:34:53 You didn't look so surprised
01:35:06 as the moment you ever did for me or my sons.
01:35:08 Go on, get out of here, Chandler,
01:35:10 before I change my mind.
01:35:12 Thank you.
01:35:14 You might be out of your mind, but I'm not.
01:35:34 Not so fast.
01:35:36 You're a dog thief. How'd you like that?
01:35:38 Jeb, you go down by the sheet pan.
01:35:40 Tom, I want you to go down by the haystack.
01:35:43 Now, don't shoot till he comes out of the shed.
01:35:45 And remember what I told you.
01:35:47 We're killing a dog thief.
01:35:49 You got that straight, both of you?
01:35:51 We got it.
01:35:53 What are you sitting there for?
01:35:55 Come on, get out of here like I told you.
01:35:58 (dog barking)
01:36:01 (dog barking)
01:36:03 (dog barking)
01:36:05 (dog barking)
01:36:07 (dog barking)
01:36:19 (dog barking)
01:36:21 (dog whimpers)
01:36:41 (dog whimpers)
01:36:46 (dramatic music)
01:36:48 (dramatic music)
01:36:50 (dramatic music)
01:36:52 (dramatic music)
01:36:54 (dramatic music)
01:36:56 (dramatic music)
01:36:58 (dramatic music)
01:37:00 (dramatic orchestral music)
01:37:04 (dramatic orchestral music)
01:37:07 (dramatic orchestral music)
01:37:11 (dog whimpers)
01:37:29 (dog barks)
01:37:31 (dramatic orchestral music)
01:37:35 (dog barks)
01:37:41 (dramatic orchestral music)
01:37:45 (dog barks)
01:37:50 (dramatic orchestral music)
01:37:54 (dog barks)
01:37:57 (dramatic orchestral music)
01:38:00 (woman moans)
01:38:16 (dramatic orchestral music)
01:38:22 - David.
01:38:24 David.
01:38:25 (dramatic orchestral music)
01:38:29 (gun fires)
01:38:43 (horse whinnies)
01:38:46 - Watch it, David.
01:38:53 Over here.
01:38:53 (gun fires)
01:38:56 David, get down.
01:39:00 Come.
01:39:02 (dramatic orchestral music)
01:39:23 (woman speaks in foreign language)
01:39:27 Johnny, look out!
01:39:29 (gun fires)
01:39:31 - Say it.
01:39:36 You said it.
01:39:38 Say it again.
01:39:39 Say it.
01:39:42 Say it.
01:39:45 You said it.
01:39:46 Say it again.
01:39:47 You can do it.
01:39:49 (woman speaks in foreign language)
01:39:53 (gun cocks)
01:39:56 - I'll kill you.
01:39:58 I'll kill you.
01:40:00 (gun fires)
01:40:01 I'll kill you!
01:40:02 - Pop!
01:40:09 Back!
01:40:11 You gotta listen to me, Pop, just this once.
01:40:12 You gotta listen to me.
01:40:13 - Get away.
01:40:14 Get away, you coward.
01:40:22 I'm gonna kill you, Chandler.
01:40:24 Don't come any closer, Burleigh.
01:40:25 I'm warning you.
01:40:26 You dirty...
01:40:29 (gun fires)
01:40:31 - Stop!
01:40:33 (Johnny sobs)
01:40:44 (Johnny sobs)
01:40:46 (dramatic orchestral music)
01:41:01 (Johnny sobs)
01:41:04 (Johnny sobs)
01:41:07 (Johnny sobs)
01:41:09 - David!
01:41:33 David!
01:41:36 David!
01:41:37 Leonard!
01:41:51 Leonard!
01:41:59 Leonard!
01:42:01 Leonard!
01:42:03 Leonard!
01:42:06 Leonard!
01:42:07 Leonard!
01:42:09 Leonard!
01:42:11 Leonard!
01:42:13 Leonard!
01:42:15 Leonard!
01:42:17 Leonard!
01:42:19 Leonard!
01:42:21 Leonard!
01:42:23 Leonard!
01:42:25 Leonard!
01:42:27 Leonard!
01:42:29 Leonard!
01:42:31 Leonard!
01:42:33 Leonard!
01:42:34 (dramatic orchestral music)
01:42:37 (dramatic orchestral music)
01:42:41 (dramatic orchestral music)
01:42:45 (dramatic orchestral music)
01:42:48 (dramatic orchestral music)
01:42:52 (dramatic orchestral music)
01:42:56 (dramatic music)