The 10th Victim
Category
🎥
Short filmTranscript
00:00:00 (gunshots)
00:00:02 - Yoo-hoo!
00:00:04 (gunshots)
00:00:07 - Hold it where you're going.
00:00:14 - I'm a hunter.
00:00:15 - Where's your license?
00:00:15 Let's see it.
00:00:16 Go on.
00:00:18 - The rules of the big hunt are quite easy,
00:00:22 yet they are of great importance.
00:00:25 The 21st century shall be the one
00:00:28 that has legalized violence.
00:00:31 Rule number one, each member is obliged
00:00:34 to undertake 10 hunts, five as a hunter,
00:00:38 five as a victim, alternately.
00:00:40 Each pair of hunter and victim is chosen electronically
00:00:43 by a computer in Geneva.
00:00:45 - Hey!
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00:00:53 - Rule number two, the hunter shall be
00:00:57 the one to whom the law is binding.
00:01:00 Rule number three, the hunter shall be
00:01:02 the one to whom the law is binding.
00:01:04 Rule number four, the hunter shall be
00:01:06 the one to whom the law is binding.
00:01:09 Rule number five, the hunter shall be
00:01:11 the one to whom the law is binding.
00:01:13 Rule number six, the hunter shall be
00:01:15 the one to whom the law is binding.
00:01:18 Rule number seven, the hunter shall be
00:01:20 the one to whom the law is binding.
00:01:22 Rule number eight, the hunter shall be
00:01:24 the one to whom the law is binding.
00:01:26 Rule number nine, the hunter shall be
00:01:29 the one to whom the law is binding.
00:01:31 Rule number ten, the hunter shall be
00:01:34 the one to whom the law is binding.
00:01:36 Rule number eleven, the hunter shall be
00:01:38 the one to whom the law is binding.
00:01:41 Rule number twelve, the hunter shall be
00:01:43 the one to whom the law is binding.
00:01:46 Rule number thirteen, the hunter shall be
00:01:48 the one to whom the law is binding.
00:01:51 Rule number fourteen, the hunter shall be
00:01:53 the one to whom the law is binding.
00:01:56 The winner of each separate hunt will win money.
00:02:00 The one who comes out alive after the tenth hunt
00:02:06 shall be proclaimed decathlon.
00:02:10 He shall receive honors and one million dollars.
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00:03:54 - What do you want?
00:03:57 - And now, friends, we bring you our extraordinary
00:04:01 top attraction of the evening.
00:04:03 For the very first time, New York is going to see
00:04:06 the greatest, the most exciting show in history.
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00:05:55 - Take off my mask.
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00:29:32 - I want to relax, please.
00:29:33 - What nationality would you like?
00:29:34 - English.
00:29:35 - Is this a charge?
00:29:36 - No, cash.
00:29:37 - Will you register?
00:29:38 (gunshot)
00:29:39 (gentle music)
00:29:41 (gentle music)
00:30:09 - Hello, darling.
00:30:11 Would you like something cool to drink, a little music?
00:30:18 This is the first time I've seen you here.
00:30:19 My name is Lisa.
00:30:21 Like that?
00:30:24 What do you usually want?
00:30:26 Any particular atmosphere?
00:30:28 I have a selection of terribly exciting sounds.
00:30:33 How about wolves howling in a storm
00:30:35 or the sound of the sea?
00:30:37 Darling, or would you rather hear a spaceship taking off?
00:30:41 Hard to please, huh?
00:30:46 Come here.
00:30:46 Put your head on my breast.
00:30:49 I know a fairy tale.
00:30:51 It's about a little red riding hood.
00:30:52 Want to hear it?
00:30:53 - Can't you keep quiet?
00:30:56 I want to think.
00:30:56 That's the only reason I'm in this place.
00:30:58 - All I want to do is please you.
00:31:00 If being quiet excites you more, fine.
00:31:05 (gentle music)
00:31:08 What do you want anyway?
00:31:22 Why are you following me?
00:31:24 - May I have two minutes with you, please?
00:31:26 - I don't have time.
00:31:27 - Listen. - Why don't you go away?
00:31:28 - I'm here in Rome to make an inquiry
00:31:30 on the sexual behavior of the Italian men.
00:31:33 That's why I'm following you.
00:31:35 - Please leave me alone.
00:31:37 - Please.
00:31:44 - Irina, my sexual behavior is my own affair.
00:31:49 - Well, do you know there are eight million
00:31:50 unsatisfied women in America?
00:31:53 I'm making an inquiry
00:31:54 and I would like to ask you some questions.
00:31:57 Then I want an interview on TV at the Temple of Venus.
00:32:02 Will you do it for me?
00:32:04 - Why beg me?
00:32:05 - Because I prefer to be with a difficult man like you.
00:32:13 Please, please say you'll do it and you'll come tomorrow.
00:32:29 To the Temple of Venus.
00:32:31 (dramatic music)
00:32:33 (dramatic music)
00:32:36 (dramatic music)
00:32:39 (guns firing)
00:33:00 (guns firing)
00:33:03 - There, that does it.
00:33:09 - Let's see, you've got a pulse of 90.
00:33:11 That's not too bad.
00:33:13 Well, how many shots did you count, Marcello?
00:33:17 Well, I asked you to say how many!
00:33:19 How many shots?
00:33:20 - 23.
00:33:21 - There were 40.
00:33:22 You're out of shape.
00:33:24 - I know, I know.
00:33:25 (guns firing)
00:33:27 - More firing practice?
00:33:32 - No, no.
00:33:33 - Marcello, you're a bundle of nerves.
00:33:41 - I'm going to die, I'm sure of it.
00:33:48 - I know you'll die, Marcello.
00:33:51 But the important thing is how one dies.
00:33:55 An insect or a samurai.
00:33:57 (guns firing)
00:34:02 Raise the rifle, imbecile!
00:34:05 (guns firing)
00:34:08 - I was notified that I was a victim 48 hours ago
00:34:14 and nothing's happened.
00:34:16 - Your hunter might not be in Italy yet.
00:34:19 Oh, he's playing a game of nerves.
00:34:22 You got on your bulletproof vest, eh?
00:34:25 Are you armed?
00:34:26 Hey, Marcello, you're beginning to act like a weak sister.
00:34:32 You're feeling sorry for yourself.
00:34:34 It's a long, hard fight.
00:34:36 Only 15 in the world have survived 10 hours.
00:34:39 Marcello, wait, you still owe me money.
00:34:48 You do, you do.
00:34:49 You never finished paying for training
00:34:50 here in my gymnasium.
00:34:52 You've got to give me the money you owe me.
00:34:53 I won't wait.
00:34:54 - Next time, Professor.
00:34:56 - It's always next time, if there is a next time.
00:34:58 Touch the arm, touch the arm for luck.
00:35:02 Hey, no, no, no, no, no, no, no, no!
00:35:06 My good hand.
00:35:09 - No curare on it.
00:35:11 - Get out of here, get out of here!
00:35:14 (guns firing)
00:35:18 (dramatic music)
00:35:22 (guns firing)
00:35:24 - Hello, Carolyn.
00:35:27 - Yes?
00:35:28 - We lost sight of Palletti, too.
00:35:30 It's just as well we're not ready
00:35:31 at the Temple of Venus yet.
00:35:33 - A perfect example of disorganization.
00:35:39 - A little disorganization never hurt anybody.
00:35:42 - I'll bet the Roman air is making us lazy.
00:35:45 - Well, be careful.
00:35:47 - I will, don't worry.
00:35:49 (dramatic music)
00:35:52 - I telephoned every damn hotel.
00:36:06 There are two Mexicans at the Excelsior.
00:36:08 The maid says they're unarmed.
00:36:10 I guess a pair of refugees.
00:36:13 And there's a couple of dozen Russians
00:36:14 at the Hotel Ambassador.
00:36:17 I was told they're here to see the Pope.
00:36:19 - Listen, I...
00:36:20 Why don't they collect the bodies in Rome?
00:36:24 - Look at that.
00:36:26 - I'm going to stay at your place a few days.
00:36:28 - You had a fight with Olga?
00:36:29 - No, no.
00:36:31 I just won out.
00:36:33 I'm exhausted.
00:36:33 Look, give me a shot.
00:36:35 - Tell Olga about the annulment yet?
00:36:36 - You think I'm out of my mind?
00:36:37 Come on.
00:36:38 A girl from America's after me to be on a TV show
00:36:43 at the Temple of Venus.
00:36:44 She'll pay me, she said.
00:36:45 - What's her name?
00:36:46 - Jane Meredith.
00:36:47 - Seems strange.
00:36:50 Got anything on her?
00:36:55 - An American.
00:36:57 She's staying at the Hilton with a group of Americans.
00:37:00 Doing something on television, not art.
00:37:02 - Positive?
00:37:04 - If I weren't positive, would I open my mouth?
00:37:07 Left or right?
00:37:08 - I don't remember.
00:37:09 - You should keep track.
00:37:11 It began a week ago Monday on the left.
00:37:13 - All right.
00:37:14 - Monday, Wednesday, Thursday, Friday, Saturday, Sunday.
00:37:16 The left, here we go.
00:37:18 - Did you find Poletti?
00:37:29 - Yeah, Chet, we found him, all right,
00:37:31 with the sunset worshipers.
00:37:32 - Oh, down on the beach?
00:37:33 - Yeah, Chet, that's right.
00:37:34 - They only congregate at sunset, don't they?
00:37:36 - Yeah.
00:37:37 - I better get countin' on over there right away.
00:37:39 - Plenty of time.
00:37:40 Right now, it looks like Poletti's gonna take a rest
00:37:42 in that shack of his.
00:37:43 I'll get the guys fitted for the ceremony,
00:37:45 just as long as she gets there before sunset.
00:37:47 - Right.
00:37:48 - Keep your eyes open.
00:37:48 Keep me posted.
00:37:50 If anything happens.
00:37:52 - Hello, Carolyn.
00:37:53 - Yes, Chet.
00:37:54 - As soon as you can, make a U-turn
00:37:56 and head the other way.
00:37:58 - Why?
00:37:59 - Because Poletti is with the sunset worshipers.
00:38:02 - The what?
00:38:03 - The sunset worshipers.
00:38:04 Look at the map we gave you, to the west of Fiumicino.
00:38:07 You've got time 'til sunset.
00:38:09 - I'll be there.
00:38:11 - Good evening.
00:38:13 - Good evening.
00:38:14 - Oh, brothers and sisters.
00:38:25 Still after that miserable interview?
00:38:28 - It's fun to follow you around.
00:38:30 You're such an unpredictable character.
00:38:32 - Unpredictable, huh?
00:38:33 Well, go with the others.
00:38:34 I'll show you something you've never seen before,
00:38:35 and it's no laughing matter.
00:38:37 (laughing)
00:38:39 (gentle music)
00:38:42 - Today, our sunset begins at 7.33.
00:38:51 Meditation on the brother sun.
00:38:54 We are born in this world by chance,
00:38:58 but fortunately, we must all die by chance.
00:39:01 This is the last ray of light
00:39:03 which has traveled 145 million kilometers.
00:39:06 Our father is leaving us.
00:39:09 We can see him darkening with our own eyes.
00:39:11 Oh, we must not despair.
00:39:14 Our tears purify us.
00:39:16 They liberate us of the agonies of our daily cares.
00:39:19 In the sweetness of our agony,
00:39:21 let me remind you that as we mourn the passing
00:39:23 of our lifelong friend, our brothers in California
00:39:26 are greeting him as he rises in joy.
00:39:29 Now, let us concentrate, my friends.
00:39:31 The moment of departure is at hand.
00:39:33 Let us begin.
00:39:34 Minus 10.
00:39:38 Nine.
00:39:39 Eight.
00:39:40 Seven.
00:39:42 Six.
00:39:44 Five.
00:39:46 Four.
00:39:48 Three.
00:39:49 Two.
00:39:51 One.
00:39:53 - Go away, you fanatic!
00:39:55 Go home and take your sunset somewhere else!
00:39:57 (shouting)
00:39:59 - Get along this jump!
00:40:06 (shouting)
00:40:08 - Take your sunset someplace else!
00:40:11 - No, brothers.
00:40:20 No, don't pay attention
00:40:23 to these neorealistic, unkind, and vulgar people.
00:40:27 Cry, my brothers.
00:40:29 Free yourselves.
00:40:30 (moaning)
00:40:34 - That was beautiful.
00:40:36 - What's the matter, crying?
00:40:37 Haven't you ever seen a sunset before?
00:40:39 - Yes, as a child, but I forgot what it was like.
00:40:41 - Brothers, sisters.
00:40:43 (shouting)
00:40:45 Now go, go to the waters, brothers and sisters.
00:40:55 Purify yourselves with the tears of the sea.
00:40:58 I can only be with you in spirit tonight.
00:41:00 Purify yourselves.
00:41:01 (shouting)
00:41:04 - Don't tell me you're crying, too.
00:41:07 - I took a couple of pills that made you cry.
00:41:09 They're pretty good.
00:41:10 The effect must last a quarter of an hour.
00:41:11 - So you really don't believe in what you're saying?
00:41:13 - Sure I do.
00:41:14 I have to believe it.
00:41:15 I'm paid 20% of the take.
00:41:16 You should have seen what a success it was
00:41:18 when I started out.
00:41:19 Even the psychiatrists were all for it.
00:41:20 I was on television every night.
00:41:23 But then everything was ruined
00:41:24 by those damn moon-worshipping fanatics.
00:41:28 - Why don't you give it up, then?
00:41:30 - Is this an interview or a simple curiosity?
00:41:32 - One and the other.
00:41:35 - Everything has its price.
00:41:36 How much?
00:41:37 - $300.
00:41:41 $500.
00:41:45 $1,000.
00:41:46 - How long do you expect it'll take?
00:41:53 - One or two hours.
00:41:56 - And where am I supposed to do this?
00:41:58 - At the Temple of Venus, near the Colosseum.
00:42:02 - At this hour?
00:42:03 Isn't it a little late?
00:42:04 - No, they're working all night long.
00:42:06 They have lots of things to do.
00:42:08 - An advance would be nice.
00:42:10 - $500.
00:42:17 - Well, let me get dressed
00:42:20 and we'll leave right away for Rome, okay?
00:42:23 - Okay.
00:42:24 - Okay.
00:42:25 - There, I knew it.
00:42:46 She's signaling somebody.
00:42:48 This is a perfect spot to kill her.
00:42:50 - But if she isn't your hunter, you get 30 years.
00:42:52 - If she is my hunter, everything's fine.
00:42:54 If not, we'll make it look like she's only
00:42:55 some sunset worshiper who drowned.
00:42:57 It happens all the time.
00:42:58 - All right, explain to me why she hasn't tried to kill you.
00:43:00 - I don't know, I don't know.
00:43:01 She's the only one who's been following me.
00:43:03 You explain to me why, since the start of the hunt,
00:43:04 no one else has tried to kill me.
00:43:06 - Why is she stalling around then?
00:43:07 - I know, because she has to kill me
00:43:08 at the Temple of Venus.
00:43:09 She keeps wanting to drag me there.
00:43:11 - Look, Marcello, let's be sure.
00:43:13 I'll go over right now to the Temple of Venus
00:43:14 and look around.
00:43:15 I'll meet you later at Lydia's house.
00:43:17 - In an hour.
00:43:18 - I'll be there.
00:43:20 (thunder rumbling)
00:43:23 - For what reason did you join the hunt club?
00:43:27 - I joined for money, come on, why else would I do it?
00:43:30 What's more, I've always thought
00:43:31 that life was too damn long anyway.
00:43:33 - Age?
00:43:34 - Middle age.
00:43:34 - Profession?
00:43:35 - Oh, anything.
00:43:36 - Are you married?
00:43:39 - Do you know the Sacra Rota?
00:43:40 - No.
00:43:41 - It's a marriage court.
00:43:42 You get married in Italy and you learn all about it.
00:43:45 Three days ago, I received an annulment of my marriage.
00:43:48 You know, it took six years before they granted it to me.
00:43:50 - And now do you expect to marry again?
00:43:52 - No, I'm not that crazy.
00:43:54 - Why?
00:43:55 - Let's not get too curious.
00:43:56 Don't worry, you'll learn everything by and by.
00:43:58 (light music)
00:44:00 - Is it because of your peculiar family situation
00:44:13 that you want to die?
00:44:14 If you don't protect yourself,
00:44:16 what kind of a victim are you anyway?
00:44:18 - Don't try to find out everything all at once, all right?
00:44:21 - Will you at least tell me where you brought me?
00:44:26 - My wife's house.
00:44:27 I've got something to take care of, it won't take long.
00:44:29 - Hey, Cole, you heard what he said?
00:44:31 - They're coming in a few minutes.
00:44:32 Go get them ready.
00:44:33 - Right.
00:44:34 I practically built this place myself.
00:44:37 Now it all belongs to my wife.
00:44:39 Lidia!
00:44:40 Want music, jazz, or a little opera?
00:44:46 - Piano solo.
00:44:46 - Want an aphrodisiac?
00:44:49 - A moderate one, if you have it.
00:44:53 You keep your stimulants in a safe.
00:44:55 - No, I'm looking for something much more exciting, money.
00:44:58 Enough of that.
00:45:14 Go ahead, help yourself.
00:45:16 - Sorry, but I'm always beat after these sunsets.
00:45:19 You get to a point when you don't know what to do
00:45:22 to earn a living.
00:45:23 Three minutes of relaxation.
00:45:25 - Listen, we have to get to the Temple of Venus.
00:45:41 (gentle music)
00:45:43 - Poletti, hey!
00:45:49 Poletti!
00:45:51 (gentle music)
00:45:54, (gun firing)
00:45:59 (gentle music)
00:46:02 (gentle music)
00:46:04 (gun firing)
00:46:25 (gun firing)
00:46:28 (gun firing)
00:46:35 (dramatic music)
00:46:37 - Oh my heavens, what a beautiful girl.
00:46:40 Come over here, senorina.
00:46:41 Have something with us, a little coffee.
00:46:43 - Coffee, sure.
00:46:44 Maybe she's a spy.
00:46:46 - She's no spy, Henry.
00:46:47 - It's all right, Mama.
00:46:49 So you're spying for the collection center of the age.
00:46:51 I should have known.
00:46:52 - Marcello, don't hurt the poor child.
00:46:54 - Marcello!
00:46:55 (thudding)
00:46:56 (groaning)
00:46:57 It's not true.
00:46:59 I'm a journalist.
00:47:00 What do I care about your parents?
00:47:02 - The reward money, naturally.
00:47:04 - But what on earth are you doing with your parents anyway?
00:47:08 Why haven't you turned them over to the state?
00:47:11 - In Italy, we're for the family
00:47:14 no matter what the laws are.
00:47:16 Almost no one turns in his parents.
00:47:18 We keep them hidden.
00:47:19 Sometimes we fix them up to look like teenagers.
00:47:23 - Like teenagers?
00:47:24 Incredible.
00:47:25 Then you love yours very much.
00:47:27 - No, I am not the type that follows orders.
00:47:31 If you're not an agent from the center of the age,
00:47:38 you're my hunter, aren't you?
00:47:39 All right, come on, get it over with.
00:47:42 Go ahead.
00:47:46 Why not get it over with?
00:47:48 Right now.
00:47:53 - Why do you have to make such a drama out of everything?
00:47:56 What possible reason could I have to want to kill you?
00:47:59 Oh, I understand the situation you're in,
00:48:02 the hunt, your wife, money,
00:48:04 but don't take it so seriously.
00:48:06 There's nothing worse for your reflexes
00:48:07 than to be worried all the time.
00:48:09 You want me to give you a nice little massage.
00:48:13 I'm good at it, you know.
00:48:14 - Why not?
00:48:16 Tell me how you solved the problem
00:48:17 with the old ones in your family.
00:48:19 - Oh, I was born in Hoboken
00:48:21 at the artificial insemination center.
00:48:23 - You're pretty good at giving massages.
00:48:26 - Are you ticklish?
00:48:27 - Yes.
00:48:29 - That means you're very sexy.
00:48:31 - Regular cyclone.
00:48:33 - Oh, how I envy you.
00:48:34 - How about a little demonstration?
00:48:39 Lie down.
00:48:44 (soft music)
00:48:46 I don't feel a thing.
00:48:53 You can go on as long as you like.
00:48:56 I'm an iceberg.
00:48:56 Yes, you certainly have a good technique.
00:49:11 I should...
00:49:12 I should go take a course in light erotics,
00:49:14 but it's so depressing,
00:49:17 especially the written part.
00:49:19 - Come on, how can I go to work on you
00:49:22 if you don't shut up?
00:49:23 (soft music)
00:49:28 - Marcello.
00:49:39 Marcello.
00:49:40 Marcello.
00:49:49 Sorry to disturb you.
00:49:53 - Oh, Lydia, it's all right.
00:49:58 Caroline, I present my wife, Lydia.
00:50:01 - Ex, ex-wife.
00:50:04 You might have let me know.
00:50:06 Now that I think of it,
00:50:08 no one telephoned, Olga.
00:50:10 And I told her that we had finally received the annulment.
00:50:13 Did I do wrong?
00:50:14 - You idiot, now she'll run to apply for a marriage license.
00:50:24 - Of course, after so many years.
00:50:27 Don't forget you always promised her you'd marry her.
00:50:31 She even forced me to be friends with her.
00:50:33 She's always here with me.
00:50:35 - Well, I didn't force her on you.
00:50:37 What a morbid pair you are.
00:50:38 - I feel sorry for her.
00:50:39 She wants to marry you so badly.
00:50:41 Looking for something?
00:50:43 - Yes, my prize money.
00:50:44 - Sorry, darling, I already spent it.
00:50:47 - All of it?
00:50:48 - Of course, the whole thing.
00:50:50 If I'm to remarry someday,
00:50:52 I have to buy myself some pretty things.
00:50:55 And besides, your parents eat like everyone else.
00:51:00 Don't think they don't cost me a lot.
00:51:02 - Too old people.
00:51:05 Want me to hand them over to the state?
00:51:07 - Marcello?
00:51:32 Marcello?
00:51:33 Marcello?
00:51:35 Marcello?
00:51:36 Marcello?
00:51:42 Marcello?
00:51:49 Marcello?
00:51:50 Marcello?
00:51:51 (doorbell rings)
00:51:54, (door thuds)
00:51:59, (door thuds)
00:52:04 (footsteps thudding)
00:52:07 (door thuds)
00:52:13 (door thuds)
00:52:24 - Where's Marcello?
00:52:32 Oh, it's you.
00:52:35 You're why I never see him these days, huh?
00:52:36 I'm going to murder the two of you.
00:52:38 - I'm sorry, but just who are you?
00:52:40 - I've been waiting for the annulment for years,
00:52:43 and now you arrive on the scene.
00:52:44 You're not going to ruin everything for me.
00:52:46 I'm going to murder you.
00:52:47 - What do you want from me?
00:52:48 - If you want, I'm going to stand by
00:52:49 and let you take him.
00:52:50 You're out of your mind.
00:52:51 - Not in my house.
00:52:53 Calm down, calm down.
00:52:54 - Stupid idiot.
00:52:56 - Marcello sends you his regards.
00:52:57 He just left.
00:52:58 (eerie music)
00:53:01 (eerie music)
00:53:03 - It's not just a simple interview
00:53:06 like that girl tried to make you believe.
00:53:07 I have the impression that there's something more behind it.
00:53:10 For me, it's a trap.
00:53:11 Anyway, you go take a look, but be careful.
00:53:14 - Wait for me here.
00:53:20 - Careful, huh?
00:53:29 (dramatic music)
00:53:31 - Senor, is this the Temple of Venus?
00:53:42 - Yeah, sure.
00:53:44 - Thank you.
00:53:45 - Carol, get ready.
00:53:51 Get ready, come on.
00:53:52 - Sure.
00:53:53 - He's here.
00:53:56 - Hello.
00:53:57 - Why isn't Carolyn here?
00:54:02 - Don't worry about it.
00:54:03 She'll be here.
00:54:04 - Come on, girls, we're starting.
00:54:13 Come on, everybody, place it.
00:54:14 - Look here.
00:54:18 I was paid for an interview,
00:54:19 but somehow the girl who asked,
00:54:21 we got separated and lost.
00:54:24 Is it possible to do the interview
00:54:25 without the girl?
00:54:26 - No, I'm sorry,
00:54:27 but I think Carolyn will be here pretty soon.
00:54:29 Any word from Carolyn?
00:54:30 Is she here?
00:54:31 - Oh, yeah, she knows that she should be here.
00:54:33 She's usually very punctual.
00:54:34 - Well, since you're not ready for me yet,
00:54:38 want me to return the advance she gave me?
00:54:39 - Oh, it's not important if we don't have the interview,
00:54:41 but we'll get her.
00:54:42 We're not in a hurry.
00:54:43 Isn't that right, Cole?
00:54:44 - Sure, tonight, tomorrow.
00:54:46 Why don't you hang around for a while?
00:54:48 We'll get it done.
00:54:49 Don't worry about it.
00:54:50 - Have a drink of whiskey.
00:54:51 - Vodka tonic?
00:54:52 - Oh, by the way,
00:54:53 if you find that Carolyn has any more use for me,
00:54:55 I'll be at the big hunt club tonight.
00:54:58 - She's gonna be here in a few minutes.
00:54:59 Come on. - Hey, listen.
00:55:00 - At the big hunt club at midnight.
00:55:02 - Wait a minute.
00:55:04 - Hold everything.
00:55:08 Kill it.
00:55:09 (crowd murmuring)
00:55:11 Come on, girls, down here.
00:55:13 Let's take advantage of this delay
00:55:14 and go over the new stat.
00:55:15 One, two.
00:55:16 - You're right.
00:55:18 The interview on television is just an excuse
00:55:20 for them to bring me here
00:55:21 where their pigs can kill me on a commercial.
00:55:23 - That's right.
00:55:24 Quite an idea, isn't it?
00:55:25 - No doubt about it.
00:55:26 The Americans are ahead of us in everything.
00:55:27 (gun firing)
00:55:30 - Get out.
00:55:36 - I heard they tried the same sort of thing in Milan.
00:55:38 - The only one here who would go out of his mind
00:55:39 for an idea like this is Count Silvestri.
00:55:41 - What idea?
00:55:43 - I'm going to kill her on a commercial the same way.
00:55:45 - But how can I organize that in one night?
00:55:47 - Come on, that's your business.
00:55:48 I don't care how you do it.
00:55:50 I want you to do it because that's what I'm paying you for.
00:55:51 You understand? - What do you mean?
00:55:52 You haven't paid me for months.
00:55:53 Let go of me. - No, but--
00:55:54 - Let go, you know what's good for you.
00:55:56 - Thanks a lot.
00:55:57 - Come on, get in.
00:55:59 - I still say it's damn near impossible
00:56:04 to organize in one night.
00:56:06 (gun firing)
00:56:09 - Hello?
00:56:10 I want to speak to the Comendatore.
00:56:12 - I'll get him for you.
00:56:13 Hold on, please.
00:56:14 - Thank you.
00:56:15 - Hey, we're in luck.
00:56:15 He's in.
00:56:16 - Yes, hello.
00:56:18 Go ahead.
00:56:19 This is he.
00:56:20 - Comendatore, I'm Count Sir Rossi.
00:56:21 The assistant of Marcello Poletti.
00:56:23 Have you heard of him?
00:56:24 He's-- - Oh, yes.
00:56:25 The Hunt. - Yes, the big Hunt.
00:56:25 That's right.
00:56:27 Comendatore, I want to propose to you
00:56:28 a great super publicity stunt for your product.
00:56:31 Picture this.
00:56:32 Your pool and the crocodile
00:56:34 and the killing of a beautiful girl.
00:56:37 - To me, the idea of killing someone
00:56:39 for publicity amuses me very much.
00:56:42 The thing that might bother me is the fact
00:56:46 that it concerns murdering a girl.
00:56:47 - Why?
00:56:48 - In Italy, it might have a bad effect on sales.
00:56:49 - Insist.
00:56:50 - Have you considered murdering someone else?
00:56:52 - That's impossible.
00:56:54 Comendatore, did you know that this year
00:56:56 it's said to be in to kill girls?
00:56:57 It's not important who's murdered,
00:56:59 but how she's murdered.
00:57:00 - Say that people today want things like that.
00:57:02 - As you know, the only thing they like today
00:57:04 is the spectacular.
00:57:05 - Yes, yes, you're right.
00:57:06 But I'd better think it over.
00:57:07 - Comendatore, I'm sorry, but we must be sure.
00:57:09 We can't waste any time.
00:57:11 Is it yes or no?
00:57:12 - All right, then.
00:57:13 Come right over here.
00:57:15 - Wonderful.
00:57:16 - No, come right away.
00:57:17 - Right away.
00:57:18 - He bought it.
00:57:19 He's waiting at his villa.
00:57:20 - Come on.
00:57:21 - Out of the way, please.
00:57:22 Out of the way.
00:57:23 Let us pass.
00:57:24 Don't come too close.
00:57:26 It's dangerous to come too close.
00:57:29 Out of the way.
00:57:30 - What did I do?
00:57:31 It's marvelous.
00:57:32 - Yes, yes.
00:57:32 Come here, boy.
00:57:33 Beautiful, huh?
00:57:35 Put him down.
00:57:36 Careful, careful.
00:57:38 Put him down right by the edge, but be careful.
00:57:41 Careful.
00:57:43 I was told he was to eat a girl.
00:57:44 Nothing to it.
00:57:45 You can relax.
00:57:46 This one can eat three.
00:57:47 The old boy's got an appetite.
00:57:48 - You sure? He looks so quiet.
00:57:50 - Oh, Harry, sure.
00:57:51 This one is a terror, believe me.
00:57:53 - How does he do it?
00:57:53 - He gets his prey in his jaws
00:57:55 and snaps the spinal column.
00:57:56 Standard crocodile procedure.
00:57:58 He also has a very special characteristic.
00:57:59 - Characteristic?
00:58:00 - He's the only crocodile in the world
00:58:02 that doesn't shed tears after he eats in the water.
00:58:04 The old fellow's a regular torpedo.
00:58:06 - Tomorrow morning, I leave for Milano.
00:58:09 This little show of yours
00:58:10 should have to be done tonight or not at all.
00:58:12 - It'll get done.
00:58:13 You may count on it.
00:58:14 - Marcello, the contact.
00:58:15 It's getting very late.
00:58:16 - Mm-hmm.
00:58:17 - For now, put the crocodile in the cathedral.
00:58:21 A mere detail, but what slogan do you have for Poletti to say?
00:58:25 - Read it.
00:58:28 - Oh, yes.
00:58:29 Let me see.
00:58:31 At the moment of killing the hunters Carol and Meredith,
00:58:34 the undersigned Marcello Poletti
00:58:36 shall be seen to raise a big glass of your product.
00:58:38 He will smack his lips and say in a manner
00:58:39 that's clear and distinct
00:58:41 after smiling kindly and invitingly the following slogan.
00:58:43 With coca 70, you order a drink.
00:58:46 - Coca 70, you always win.
00:58:48 - Good.
00:58:49 We're ready.
00:58:50 Come along.
00:58:52 You didn't talk money.
00:59:02 Miss Caroline will sit here.
00:59:05 - Look here, are you quite sure it will work?
00:59:11 - Quite sure.
00:59:12 - I want to see for myself.
00:59:13 - Of course.
00:59:15 - Um, you're Caroline.
00:59:18 - Oh, really, I--
00:59:19 - Sit down.
00:59:20 - You're sure the crocodile isn't in there?
00:59:22 - Don't worry, over here.
00:59:23 The controls are here.
00:59:24 Don't be nervous.
00:59:25 It's only a test.
00:59:26 Sit still.
00:59:27 You just have to push this button.
00:59:29 - Will you sit down?
00:59:30 - No, please, please.
00:59:32 - Poletti, push the button.
00:59:36 Push the button.
00:59:37 (yells)
00:59:42 - Oh, no, he's not sure that you're his hunter.
00:59:45 He may suspect, of course, but just suspect.
00:59:49 - Why did he sneak out on me at his wife's house
00:59:52 and then go to the Temple of Venus all alone?
00:59:54 - Oh, like you said, that's a guy in trouble.
00:59:57 He's confused.
00:59:58 He has all those women, all those problems.
01:00:00 You caught a couple of punches, didn't you?
01:00:02 - Yes, but why did he ask for me at the Temple of Venus
01:00:05 when he knew where I was?
01:00:07 - He didn't ask for you.
01:00:08 He just said he had lost sight of you.
01:00:10 You know when we said that we wouldn't do it without you?
01:00:12 He wanted to give the money back.
01:00:13 - Tell you what I think.
01:00:15 I think we've got this guy just where we want him,
01:00:17 right in our pocket.
01:00:19 He's too stupid.
01:00:20 - I'm perfectly sure the moment he sees me, he'll shoot.
01:00:23 - Yeah, well, if there's one place you can go,
01:00:25 that's the hunt club,
01:00:25 because killing is prohibited there.
01:00:27 You can go there without a worry.
01:00:30 - All right, I'll go.
01:00:32 Get me my dress.
01:00:38 - We better dream up something good to mislead him,
01:00:41 to make him think his hunter is someone else.
01:00:45 Pistol.
01:00:47 You will shoot at him without hitting him, understand?
01:00:51 - Yeah, I get it.
01:00:53 - Make sure he doesn't get a good look at you.
01:00:54 - Naturally.
01:00:56 - Really make him think you're his hunter.
01:00:57 - Right.
01:00:58 Come on, Carol, and hurry up.
01:01:00 Let's go.
01:01:01 - I just got another idea.
01:01:05 Get me a very good looking man.
01:01:08 - Hello, can you read me, over?
01:01:34 - What happened?
01:01:35 - I shot a couple of shots at him.
01:01:36 What do I do now?
01:01:38 - I'm not going around with you anymore.
01:01:43 - That was just a little joke.
01:01:45 They sent that one to me to confuse the issue.
01:01:47 A real hunter would never have missed at that range.
01:01:51 Carol, I should get the club soon.
01:01:54 You stay right here and wait.
01:01:56 (footsteps)
01:01:58 (gunshots)
01:02:01 (gunshots)
01:02:03 (grunting)
01:02:05 (gunshots)
01:02:07 (grunting)
01:02:10 (grunting)
01:02:12 (grunting)
01:02:14 (grunting)
01:02:16 (grunting)
01:02:19 (grunting)
01:02:21 (grunting)
01:02:23 (grunting)
01:02:25 (grunting)
01:02:28 (grunting)
01:02:30 (grunting)
01:02:32 (grunting)
01:02:34 (grunting)
01:02:37 (applause)
01:03:03 - Aracelo.
01:03:04 Aracelo.
01:03:08 She's here with someone else.
01:03:09 - Someone else?
01:03:10 - Yes.
01:03:11 And he's not one of the TV crew.
01:03:14 You don't have much time.
01:03:15 At four she has the date with the crocodile.
01:03:16 - Go away.
01:03:17 (soft music)
01:03:23 (soft music)
01:03:25 - You're a yellow skunk.
01:03:39 A coward.
01:03:42 Not worth stuffing.
01:03:46 (soft music)
01:03:49 (soft music)
01:03:51 (soft music)
01:03:54 (soft music)
01:03:56 - Shall I consider myself free?
01:04:23 - No.
01:04:24 Do whatever you want to do.
01:04:28 - And the interview, is that all over?
01:04:34 - You're too busy.
01:04:37 Besides, I like Rudy here.
01:04:39 Maybe he's not so interesting.
01:04:43 Eh, my little baby Rudy?
01:04:45 But he's nice and simple.
01:04:52 You can keep the advance I gave you.
01:04:55 That solves everything, doesn't it?
01:05:00 (soft music)
01:05:05 (soft music)
01:05:07 - Poor Marcello.
01:05:25 All mixed up with his troubles with women,
01:05:28 wives, mistress's money.
01:05:30 The king of the hunters.
01:05:32 And here I thought you were the symbol
01:05:34 of savage masculinity.
01:05:36 - Why are you joking?
01:05:51 - I'm not joking.
01:05:53 - Disappointed?
01:05:56 - Yes, very.
01:05:57 For a while when I was at your wife's house,
01:05:59 I began to feel free.
01:06:01 - But then your wife, I mean your ex-wife,
01:06:04 came in and you ran away.
01:06:06 - I have a little proposition for you.
01:06:11 Maybe if we were someplace more romantic.
01:06:14 Come on.
01:06:15 I know a wonderful villa on the Apia Antica
01:06:17 with a swimming pool.
01:06:19 It's beautiful.
01:06:20 - Really?
01:06:30 - Let's go there, huh?
01:06:32 - No.
01:06:33 I better stay here.
01:06:34 Sorry.
01:06:35 Oh, Aunty darling.
01:06:40 - The crocodile.
01:06:44 - I love effeminates.
01:06:49 They're ideal friends for a girl.
01:06:52 They're so amusing.
01:06:54 Have you ever been one?
01:06:56 - Why this contempt you have for men?
01:06:57 - But I really like them.
01:07:01 But once we reach a certain point...
01:07:04 - Where are you going?
01:07:06 - It's time.
01:07:08 I must go to the Temple of Venus.
01:07:11 - What's going on?
01:07:25 - She's doing the interview with the other one.
01:07:29 - But then it's a real interview.
01:07:30 She's not your hunter at all.
01:07:34 - I bet your real hunter is nobody
01:07:35 but the one who shot at you tonight.
01:07:38 - Be careful, Marcello.
01:07:41 I've been looking at you two.
01:07:44 You two are falling in love.
01:07:47 (upbeat music)
01:07:50 - Ming Tea makes better lovers.
01:08:15 - Ming Tea makes better lovers.
01:08:17 - Ming Tea, Ming Tea makes better lovers.
01:08:20 - It was all true.
01:08:25 Now I'm wrong.
01:08:26 She's not my hunter after all.
01:08:27 - Think it over.
01:08:29 Maybe this fellow Rudy is just a blind.
01:08:31 Women are tricky, Marcello.
01:08:32 She's the only one who's been following you.
01:08:34 She follows you, she pays you for an interview.
01:08:36 You see her making signals in the night.
01:08:38 And she does everything to get you here.
01:08:40 - No, no, no.
01:08:42 - Come on, Marcello, if you weren't convinced
01:08:43 it was she, why didn't you say so right away?
01:08:45 - Oh, come on, come on.
01:08:47 It was all an intuition.
01:08:47 Is that so amazing?
01:08:49 A victim, remember, is never given anything precise
01:08:50 to go on.
01:08:52 - Well, then what do we do with the crocodile deal?
01:08:53 You took the advance, didn't you?
01:08:55 They're at the villa waiting.
01:08:56 You've got to decide.
01:08:57 - I'll invent an excuse.
01:08:58 I'm sick.
01:08:58 Anything like that.
01:08:59 But stall, stall.
01:09:01 I've got to be sure before attempting
01:09:02 to kill Carolyn Meredith.
01:09:03 30 years in jail if I'm wrong, understand?
01:09:06 Oh, here she is.
01:09:07 Go on, disappear.
01:09:08 (door opens)
01:09:11 (door closes)
01:09:16 - Carolyn.
01:09:22 - Hey, Philford, go on.
01:09:32 (footsteps)
01:09:35 - Why did you call me all those things?
01:09:41 A yellow skunk and a coward?
01:09:43 - Only because you're scared.
01:09:45 - Of who?
01:09:45 - Of me.
01:09:47 - Come on, get in.
01:09:50 (door opens)
01:10:00 (car starts)
01:10:03 - Hey, boys, come back.
01:10:10 Come back here.
01:10:13 I'll go follow them in the car.
01:10:15 Hurry up.
01:10:16 (car starts)
01:10:23 (light music)
01:10:30 - Do you love her?
01:10:31 - Who?
01:10:32 - Olga, your mistress.
01:10:34 - No.
01:10:35 - Then why don't you tell her the truth?
01:10:36 It's much simpler and it clears up the situation.
01:10:40 - No one wants the truth.
01:10:42 No one even likes to hear the truth.
01:10:44 It's much better like this,
01:10:45 scheming, cheating, being a liar.
01:10:47 I couldn't tell her the truth if I wanted to.
01:10:51 Want the truth, is that it?
01:10:53 All right, wait a second.
01:10:55 (light music)
01:10:58 (phone buzzes)
01:11:15 - Hello.
01:11:20 - How are you, Olga?
01:11:23 - Marcello, it's you.
01:11:24 Where are you?
01:11:25 I've been looking for you all day.
01:11:26 - Shut up and listen.
01:11:28 Tonight, for some strange reason,
01:11:29 I felt like telling the truth.
01:11:30 - Really?
01:11:32 - So listen to me, please.
01:11:34 The annulment I got a few days ago.
01:11:36 - I know, Lydia told me.
01:11:37 - Yes, but I'm not going to marry you.
01:11:40 - You're telling the truth, aren't you?
01:11:42 - Yes.
01:11:43 - Well, you listen to me.
01:11:44 If you think I'm going to let you do this to me,
01:11:46 you're absolutely wrong.
01:11:47 - I said I'm not going to marry you.
01:11:48 - I'll kill them both of you.
01:11:50 I have been waiting to get married much too long.
01:11:54 (gun clicks)
01:11:57 I told the truth, so what's in it for me?
01:12:06 (boat engine rumbles)
01:12:17 (waves crashing)
01:12:20 - What a marvelous night, Marcello.
01:12:33 (waves crashing)
01:12:36 (wind howling)
01:12:38 (wind howling)
01:12:42 (wind howling)
01:12:44 (wind howling)
01:12:47 (wind howling)
01:12:53 (wind howling)
01:12:58 (wind howling)
01:13:05 (wind howling)
01:13:08 - I can't get used to it.
01:13:19 You have a coin?
01:13:21 - No.
01:13:22 - You know, in New York, we have a slot machine.
01:13:26 You put in a coin and two people like you and I,
01:13:30 bingo, your husband and wife.
01:13:32 - We don't happen to be in New York.
01:13:35 - Excuse me, Carolyn, but just to be clear,
01:13:39 we in Italy, we don't get married.
01:13:40 Almost no one does.
01:13:41 There's still no divorce.
01:13:43 It isn't worth it.
01:13:44 We just live together.
01:13:45 We're extremely realistic.
01:13:48 - I want a baby.
01:13:52 Maybe two or three.
01:13:53 - Yes, darling, it could be good for three or six,
01:13:56 seven or 10, but no wedding bells.
01:14:01 - You're making fun of me.
01:14:03 It's the first time I ever, ever asked anyone.
01:14:05 - She has them eating out of her hand.
01:14:12 It's all going nicely, so don't worry about it.
01:14:16 Shouldn't take long, over and out.
01:14:18 (dramatic music)
01:14:28 (dramatic music)
01:14:31 - I feel like a normal woman with you.
01:14:39 (dramatic music)
01:14:42 (dramatic music)
01:14:45 the end.
01:14:46 (dramatic music)
01:14:49 (dramatic music)
01:14:51 (dramatic music)
01:14:54 (dramatic music)
01:14:57 (dramatic music)
01:15:00 (dramatic music)
01:15:03 (dramatic music)
01:15:05 (dramatic music)
01:15:08 (dramatic music)
01:15:11 - Let's go, let's go.
01:15:36 A truck has to make it over this stretch.
01:15:38 A truck and a crane, so make sure it's solid.
01:15:40 You're doing great, honey.
01:15:57 (truck engine roaring)
01:16:01 (truck engine roaring)
01:16:05 Come on, let's go.
01:16:21 (upbeat music)
01:16:27 (upbeat music)
01:16:30 (upbeat music)
01:16:32 (upbeat music)
01:16:35 (upbeat music)
01:16:38 (upbeat music)
01:16:41 (upbeat music)
01:17:03 (upbeat music)
01:17:06 (truck engine roaring)
01:17:27 (truck engine roaring)
01:17:30 Okay, fine.
01:17:48 - Good morning.
01:17:56 - Good morning.
01:17:58 (door creaking)
01:18:00 - How long did I sleep?
01:18:14 - Six hours, it's 11 o'clock now.
01:18:17 - It's strange, I can't hear the surf breaking on the beach.
01:18:21 - The sea is very calm now.
01:18:23 - I'm afraid it's the waves.
01:18:26 - I'm afraid it's the waves.
01:18:28 - I'm afraid it's the waves.
01:18:30 - I'm afraid it's the waves.
01:18:33 - I'm afraid it's the waves.
01:18:35 - I'm afraid it's the waves.
01:18:37 - I'm afraid it's the waves.
01:18:40 - I'm afraid it's the waves.
01:18:42 - I'm afraid it's the waves.
01:18:45 - I'm afraid it's the waves.
01:18:47 - I'm afraid it's the waves.
01:18:49 - I'm afraid it's the waves.
01:18:53 - I'm afraid it's the waves.
01:18:55 - I'm afraid it's the waves.
01:18:58 - I'm afraid it's the waves.
01:19:00 - I'm afraid it's the waves.
01:19:02 - I'm afraid it's the waves.
01:19:05 - I'm afraid it's the waves.
01:19:07 - I'm afraid it's the waves.
01:19:09 - I'm afraid it's the waves.
01:19:12 - I'm afraid it's the waves.
01:19:14 - I'm afraid it's the waves.
01:19:16 - I'm afraid it's the waves.
01:19:19 - I'm afraid it's the waves.
01:19:21 - See Carol, don't be afraid.
01:19:23 Show her whether I'm sincere or not.
01:19:28 Tommaso is my only friend.
01:19:30 Touch his nose, you'll see how affectionate he is.
01:19:36 Nice, isn't he?
01:19:42 He's a very sensitive animal.
01:19:45 Open him up.
01:19:50 - There's a gun inside.
01:19:52 - Mine.
01:19:52 I have no wish to kill you.
01:19:59 I love you, I want to live with you.
01:20:01 I know it and I've always known it.
01:20:04 You're my hunter, aren't you?
01:20:06 - Your hunter?
01:20:07 Yes.
01:20:09 - Lissy.
01:20:19 (engine rumbling)
01:20:22 - All right, start the Ampex.
01:20:25 Speed.
01:20:26 All right, ready to roll now.
01:20:28 - But, this is fantastic, Carol.
01:20:31 - Stand by, everybody.
01:20:33 All right, action, here we go now.
01:20:35 - Honored sir, drink me tea.
01:20:37 - Oh.
01:20:38 - Drink me tea and you'll really be--
01:20:40 - What a stupendous death you've rigged up for me.
01:20:43 (laughing)
01:20:46 (dramatic music)
01:20:49 - But, this is marvelous.
01:20:53 - Why are you laughing?
01:20:56 - But, I laugh because,
01:20:58 because I'm enchanted with your organization.
01:21:02 Thank you.
01:21:05 Thank you, thank you.
01:21:10 No, no, move over, let's finish it, please.
01:21:12 There we are.
01:21:13 (dramatic music)
01:21:16 - Drink me tea and you're really living.
01:21:21 - Right, drink me tea.
01:21:23 There's only one me tea.
01:21:25 (laughing)
01:21:27 - Ladies, get me tea, it's the greatest tea.
01:21:33 - More boys.
01:21:34 - Me tea offers for your pleasure
01:21:37 a special big hunt program brought to you
01:21:39 all the way from Rome in sunny Italy.
01:21:44 - Fire, go ahead, what are you waiting for?
01:21:46 - Fire, Carolyn, what's the matter with her?
01:21:48 Fire!
01:21:49 Kill him, Carolyn, go on, shoot!
01:21:51 - Fire.
01:21:52 (gunshot)
01:21:55 (gunshot)
01:22:00 (clapping)
01:22:07 - You were wonderful.
01:22:09 - Carolyn, you're 10th victim.
01:22:11 Now you get a million dollars, what a girl.
01:22:13 - What a girl.
01:22:14 - She's the engine, congratulations.
01:22:19 All right, fellas, let's wrap it up.
01:22:21 Pack up all this equipment,
01:22:22 we'll meet back at the hotel later.
01:22:23 You and I better take care of the body.
01:22:25 - Right.
01:22:26 - Where is he?
01:22:29 - Call!
01:22:32 - What happened to the body?
01:22:34 - How should I know?
01:22:35 - What do you mean?
01:22:36 (shouting)
01:22:38 (shouting)
01:22:40 - Hey, Carolyn.
01:22:52 - Martello, forgive me, I love you so much.
01:23:02 - But you fired anyway.
01:23:03 - Martello.
01:23:04 - Stop right there.
01:23:06 - I'm sorry, I love you very, very much.
01:23:09 - It's a bit too late, Carolyn, a little bit too late.
01:23:13 You shouldn't try to kill a victim with his own gun,
01:23:14 it might have blanks in it.
01:23:16 - You always make mistakes when you're in love.
01:23:21 - Oh, really?
01:23:22 - Yes.
01:23:23 - No, no, dear, no.
01:23:26 It's too bad, darling.
01:23:30 You're the only woman that I might have loved
01:23:32 and you ruined it, Carolyn.
01:23:36 I'm very, very sorry.
01:23:37 - Please.
01:23:38 (gunshot)
01:23:40 - Very good, excellent.
01:23:44 - How much?
01:23:45 $10,000, go on, see my lawyer.
01:23:46 - Okay, I'll see, I'll talk to him.
01:23:48 - Smile, smile.
01:23:49 Come on now, big smile.
01:23:52 - The mistake I made was because I didn't drink
01:23:53 a double dose of delicious mint tea.
01:23:57 - Good.
01:23:57 (cheering)
01:24:00 - Martello!
01:24:04 (cheering)
01:24:06 (gunshot)
01:24:24 (gunshot)
01:24:29 - Carolyn, enough, enough!
01:24:31 (gunshot)
01:24:32 All right, all right, I give up.
01:24:33 (gunshot)
01:24:35 (gunshot)
01:24:38 Come on, Carolyn, that's enough.
01:24:40 You're breaking my eardrum.
01:24:42 I give up.
01:24:43 She must have had a bulletproof dress on.
01:24:46 Damn it, who could have imagined that?
01:24:48 - Skin colored armor.
01:24:50 It's the only one in the world.
01:24:51 My own personal invention.
01:24:53 - Come on, don't kill me, Carolyn.
01:24:55 Without television, wouldn't it be useless?
01:24:57 - Don't worry about that, it's for my pleasure.
01:24:59 Go on.
01:25:00 (footsteps)
01:25:02 (grunting)
01:25:10 - Martello, this is your last hunt.
01:25:28 (gunshot)
01:25:29 Martello, I'll kill you and your parents too.
01:25:32 (gunshot)
01:25:33 - Hear that, Carolyn?
01:25:34 They'll kill us.
01:25:35 Come on, let's get to shelter.
01:25:38 (grunting)
01:25:39 What are you doing?
01:25:40 I need to be a chance, let go of me.
01:25:42 (gunshot)
01:25:43 Hurry.
01:25:44 (gunshot)
01:25:47 - Martello!
01:25:53 Ha ha!
01:25:54 This is over there.
01:25:58 - Give me that thing, give me that thing.
01:26:00 - Give me that, come on.
01:26:02 (gunshot)
01:26:03 Give me that rifle.
01:26:04 You're gonna have to murder me, understand?
01:26:06 Give me that rifle.
01:26:07 - No.
01:26:08 - You get out of here, this is mine.
01:26:10 - No.
01:26:11 - Go away, go.
01:26:12 - No.
01:26:13 (gunshot)
01:26:14 - That's all we have to do to manage.
01:26:16 - Carolyn!
01:26:17 I killed his first victim.
01:26:20 - That's not true.
01:26:22 - The idea of the exploding boots was mine.
01:26:25 - Lying like hell it was your idea.
01:26:26 Just wait till I get my hands on you.
01:26:27 - No, stay here.
01:26:28 (gunshot)
01:26:36 (gunshot)
01:26:39 (gunshot)
01:26:42 (gunshot)
01:26:45 (gunshot)
01:26:47 (gunshot)
01:26:50 (gunshot)
01:26:51 - Did you get hurt?
01:26:52 - No, just a charley horse.
01:26:54 (groaning)
01:26:56 - Okay, let's go.
01:26:57 - Give me the gun, give me the gun.
01:26:59 - I'm sorry.
01:27:00 Let's go.
01:27:01 (gunshot)
01:27:04 - Run, come on, run, run.
01:27:06 Run!
01:27:07 (gunshots)
01:27:09 Hurry!
01:27:10 - Women!
01:27:11 (gunshots)
01:27:13 - Come on, run, run.
01:27:15 - Carolyn, Carolyn!
01:27:17 (gunshots)
01:27:21 - And who are you?
01:27:23 Some ancient Roman?
01:27:24 - Not too ancient, senorina.
01:27:26 - What's your name?
01:27:27 - Othello.
01:27:28 - Is your brown hair natural?
01:27:29 - Yes.
01:27:30 - Olga!
01:27:31 - Scalp, you better disappear, she's crazy.
01:27:32 - Olga, wait for me.
01:27:34 Where are you?
01:27:36 - Come with me, I want to tell you something.
01:27:39 Come on.
01:27:40 - Olga, me too, me too!
01:27:50 (train whistling)
01:27:53 - Welcome aboard, miss.
01:28:11 - I'm so tired.
01:28:17 (train whistling)
01:28:20 - I want to sleep.
01:28:27 - Do you marry in China?
01:28:40 - This is a crazy plane.
01:28:41 A matrimonial airplane, my goodness.
01:28:45 Madness.
01:28:46 - Do you, Fred Thomas, take this woman, Marianne Chayang?
01:28:49 - Yes.
01:28:50 (speaking in foreign language)
01:28:54 - Good luck.
01:28:56 - Thanks.
01:28:57 - Do you, Carolyn Meredith,
01:29:04 take this man, Marcello Poletti?
01:29:07 - Yes.
01:29:14 - Excuse me, what did you say again?
01:29:17 Pardon?
01:29:19 - Aren't you Marcello Poletti?
01:29:21 - Look here, there's been an error.
01:29:25 We're just aboard by accident,
01:29:27 and I think I might as well get off.
01:29:29 - Aren't you Marcello Poletti?
01:29:31 - Yes.
01:29:32 - Then you have to get married.
01:29:33 What better way to come to the end of your story
01:29:36 with this lovely signorina?
01:29:38 - Carolyn, you're the one who's behind this whole
01:29:43 business.
01:29:44 Do you, Marcello Poletti, take this woman,
01:29:47 Carolyn Meredith?
01:29:48 - I...
01:29:50 No, no, I want to think about it.
01:29:53 - No?
01:29:54 You don't really want to think about it, do you?
01:29:57 Shall we get on with it?
01:29:59 Do you, Marcello Poletti,
01:30:05 wish to take this woman, Carolyn Meredith?
01:30:09 - It appears to me I don't have much of a choice.
01:30:12 - You don't have much of a choice, Father.
01:30:14 - Yes.
01:30:15 (speaking in foreign language)
01:30:19 - Good luck.
01:30:21 - Carolyn, why you wanted to go and ruin
01:30:23 such a marvelous love story, I will never know.
01:30:26 (upbeat music)
01:30:29 (whistling)
01:30:36 (upbeat music)
01:30:39 (gunshot)
01:30:43 (upbeat music)
01:30:46 ♪ I aim to get you, take this warning ♪
01:30:55 ♪ But just happen deadly but nice ♪
01:30:58 ♪ Better think twice ♪
01:31:00 ♪ If you fall for me, you are so blind ♪
01:31:04 ♪ My lips are on fire but I made a vice ♪
01:31:08 ♪ I wanna play a game of love with you ♪
01:31:10 ♪ Let's fire some kiss and forest fire ♪
01:31:12 ♪ But when I play with you, you'll lose your heart ♪
01:31:17 ♪ Love, love, love me ♪
01:31:19 ♪ Come on, love me ♪
01:31:21 ♪ My lips are on fire but I made a vice ♪
01:31:25 ♪ Come to me, let's embrace ♪
01:31:26 ♪ Don't pretend to resist me ♪
01:31:29 ♪ I know you can't wait to hold me ♪
01:31:32 ♪ Touch me, kiss me ♪
01:31:34 ♪ Beware, beware, you've been warned ♪
01:31:38 ♪ My lips are on fire but I made a vice ♪
01:31:42 ♪ Try to throw me ♪
01:31:46 ♪ Just caress and obsess and possess me all I will ♪
01:31:51 ♪ Try melting my cold heart ♪
01:31:55 ♪ By making, by making some wonderful love to me ♪
01:32:00 ♪ Since you don't have a chance, why don't you give in ♪
01:32:04 ♪ You're harsh, but tired, I won't weep ♪
01:32:06 ♪ My dear, I'll enjoy it ♪
01:32:09 ♪ Come here, my love ♪
01:32:10 ♪ Talk no more, let's begin ♪
01:32:12 (frog croaking)
01:32:17 [ Silence ]