A peek into the first six hours of Kingdom 29’s seven-hour flight from Dubai to London. Hijack is now streaming on Apple TV+ https://apple.co/_Hijack
Told in real time, Hijack is a tense thriller that follows the journey of a hijacked plane as it makes its way to London over a seven-hour flight, and as authorities on the ground scramble for answers.
Starring and executive produced by SAG Award winner and Emmy Award nominee Idris Elba, Hijack was created by George Kay (“Lupin,” “Criminal”) and Jim Field Smith (“Criminal,” “Truth Seekers”), who also wrote and lead directed the series respectively. The series also stars Emmy Award and NAACP Image Award winner Archie Panjabi (“The Good Wife,” “Snowpiercer,” “Blindspot”).
Told in real time, Hijack is a tense thriller that follows the journey of a hijacked plane as it makes its way to London over a seven-hour flight, and as authorities on the ground scramble for answers.
Starring and executive produced by SAG Award winner and Emmy Award nominee Idris Elba, Hijack was created by George Kay (“Lupin,” “Criminal”) and Jim Field Smith (“Criminal,” “Truth Seekers”), who also wrote and lead directed the series respectively. The series also stars Emmy Award and NAACP Image Award winner Archie Panjabi (“The Good Wife,” “Snowpiercer,” “Blindspot”).
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TVTranscript
00:00 (people talking in the background)
00:02 - You wanna let them crash us into some capital city,
00:04 is that it?
00:05 - Oh, come on, is that what you think's gonna happen?
00:08 - I've no idea, but--
00:09 - No, obviously.
00:11 - Yeah, but I'm not gonna wait and find out, am I?
00:13 - So, what are you gonna do?
00:16 You gonna just attack 'em?
00:17 - No one's asking you to join in.
00:19 - You'll get yourself killed.
00:20 - Listen, if you've not got the balls,
00:23 all you have to do is say--
00:26 - Tablets, devices.
00:27 (dramatic music)
00:30 (dramatic music)
00:33 (dramatic music)
00:35 (dramatic music)
00:38 (dramatic music)
00:41 (dramatic music)
00:44 (dramatic music)
00:47 (dramatic music)
00:49 (dramatic music)
00:53 (dramatic music)
00:57 (dramatic music)
01:01 (dramatic music)
01:04 (dramatic music)
01:07 (dramatic music)
01:12 - Water?
01:16 - I'll take it.
01:17 Water, please.
01:20 - Put your table down.
01:21 - Sorry?
01:22 - Still no sparkling?
01:27 - Water.
01:28 - I'm okay.
01:29 - Which did you see?
01:31 - Water.
01:32 - If it was A, do nothing.
01:34 If it was B, and you're sure it's B.
01:36 - Believe me, I won't.
01:37 - Turn on your reading light.
01:39 - I'm good.
01:41 - Here, have some.
01:44 (dramatic music)
01:47 - Take one.
01:48 - Thank you, pass it down.
01:49 Water?
01:49 (dramatic music)
01:52 Water, anyone?
01:55 (dramatic music)
01:57 - Yes, take some.
01:58 (dramatic music)
01:59 Water?
02:00 (dramatic music)
02:03 Water.
02:04 - Shh, let's go.
02:05 (dramatic music)
02:13 - Skywatch, this is Mars.
02:14 We have visual with a figure mid-fuselage.
02:18 Stand by.
02:19 (dramatic music)
02:21 Contact is female, age around 30.
02:28 Three, zero.
02:30 Contact is being attacked.
02:31 - Do you see it?
02:32 Do not communicate.
02:34 That's cool.
02:35 (dramatic music)
02:39 (dramatic music)
02:41 - We need someone to land the plane.
02:45 We're flying over Hungary.
02:48 You speak Hungarian, yes?
02:49 - Yeah.
02:50 - We need to persuade the Hungarians
02:51 to let us land this plane.
02:54 - Hungarian air traffic control speak English.
02:56 - I know.
02:57 - You don't need Hungarian.
02:58 - We do, because the hijackers don't.
03:01 So if you can get a message down to them in Hungarian,
03:05 this could all be over.
03:07 (dramatic music)
03:10 - Boss, scissors.
03:13 (dramatic music)
03:16 - Which one was it?
03:20 - It was me.
03:27 - Right, come here.
03:31 - No.
03:32 (screaming)
03:33 - Come here.
03:34 (screaming)
03:35 - Please.
03:36 (screaming)
03:39 - You touched it.
03:49 (screaming)
03:51 (dramatic music)
03:54 (dramatic music)
03:57 [BLANK_AUDIO]