• last year
Transcript
00:00 the strength of the people, and everything, in the end, is culture.
00:04 I, personally, dedicate everything I learned to the canomblé.
00:09 Moa comes from the canomblé and capoeira.
00:16 He gives me music, he gives me dance, he gives me perfection.
00:18 He was a great rapper of Afoxé.
00:24 You need to know who he is.
00:26 Moa created Afoxé Badaú.
00:28 Badaú was a huge success.
00:30 Everyone wanted to meet Badaú.
00:34 It's not a street dance, it's to go to the streets and dance.
00:36 Caetano was very interested.
00:38 And that's why millions of batucadas and cordões were made.
00:42 And with a guy thinking about it in a very sophisticated way.
00:46 Gil, Regina Casé, Acordo Som, Pepe Womens, Luiz Melodia.
00:54 And then he draws attention to Morar Moreira, who takes this rhythm to the trio.
00:58 When he takes it to the trio...
01:01 It was a cultural revolution.
01:06 He modernized on top of the matrix, on top of the pillars.
01:10 For his time, it was vanguard.
01:12 He reinvented the way of dancing, reinvented the way of dressing.
01:15 Badaú is the first one in Bahia.
01:18 Badaú became a reality in Afoxé, a new Afoxé.
01:22 Pure Africa. But it was here, it's still alive.
01:25 I think Moa was murdered by a hand guided by this hatred.
01:33 So the guy gave his life for an ideal.
01:36 For a reason, so that we can live better.
01:38 Being Africa, a country that refuses to be Africa.
01:43 They don't understand.
01:45 But people, as I say, in Maré Rosa, they don't die, they charm.
01:49 They also charm.
01:51 They charm.
01:52 I'm from Maine.
01:54 you