John Wick: Chapter 4 - Charade HD 1963)
John Wick: Chapter 4 - Charade HD 1963)
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Short filmTranscript
00:00:00 [MUSIC PLAYING]
00:00:03 [BIRDS CHIRPING]
00:00:20 [DOG BARKING]
00:00:26 [BIRDS CHIRPING]
00:00:29 [HORN BLOWING]
00:00:42 [HORN BLOWING]
00:00:51 [HORN BLOWING]
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00:01:05 [HORSE GALLOPING]
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00:03:15 [MUSIC PLAYING]
00:03:37 [MUSIC PLAYING]
00:03:40 Hola.
00:03:52 Don't tell me you didn't know it was loaded.
00:03:56 Sylvie!
00:03:58 Oh.
00:03:59 Can't he do something constructive, like start
00:04:01 an avalanche or something?
00:04:03 [SPEAKING FRENCH]
00:04:07 When you start to it like this, something is the matter.
00:04:09 Sylvie, I'm getting a divorce.
00:04:14 What?
00:04:15 From Charles?
00:04:17 He's the only husband I have.
00:04:19 I've tried to make it work, really, I have.
00:04:22 But what?
00:04:23 Oh, I can't explain.
00:04:24 It's just that I'm too miserable to go on any longer like this.
00:04:27 It is infuriating that your unhappiness
00:04:32 does not turn to fat.
00:04:33 But I don't understand.
00:04:35 Why do you want a divorce?
00:04:37 Because I don't love him.
00:04:38 And he obviously doesn't love me.
00:04:40 That's no reason to get a divorce.
00:04:43 With a rich husband and this year's clothes,
00:04:45 you won't find it difficult to make some new friends.
00:04:47 Look, I admit I came to Paris to escape American provincial,
00:04:50 but that doesn't mean I'm ready for French traditional.
00:04:53 I loathe the whole idea of divorce, Sylvie.
00:04:56 But if only Charles had been honest with me,
00:04:58 that's all I ask of anybody.
00:04:59 The simple truth.
00:05:00 But with Charles, everything is secrecy and lies.
00:05:05 He's hiding something from me, Sylvie.
00:05:07 Something terrible.
00:05:08 And it frightens me.
00:05:09 Does he belong to you?
00:05:10 Well, it's hers.
00:05:11 Where'd you find him?
00:05:12 Robbing a bank?
00:05:13 He was throwing snowballs at Baron Rothschild.
00:05:15 Oh, thank you.
00:05:16 Do we know each other?
00:05:17 Why, do you think we're going to?
00:05:18 I don't know.
00:05:19 How would I know?
00:05:20 Because I already know you.
00:05:21 I'm not going to tell you.
00:05:22 I'm not going to tell you.
00:05:23 I'm not going to tell you.
00:05:24 I'm not going to tell you.
00:05:25 I'm not going to tell you.
00:05:26 I'm not going to tell you.
00:05:27 I'm not going to tell you.
00:05:28 I'm not going to tell you.
00:05:29 I'm not going to tell you.
00:05:30 I'm not going to tell you.
00:05:31 I'm not going to tell you.
00:05:32 I'm not going to tell you.
00:05:33 I'm not going to tell you.
00:05:34 I'm not going to tell you.
00:05:35 I'm not going to tell you.
00:05:36 I'm not going to tell you.
00:05:37 I'm not going to tell you.
00:05:38 I'm not going to tell you.
00:05:39 I'm not going to tell you.
00:05:40 I'm not going to tell you.
00:05:41 I'm not going to tell you.
00:05:42 I'm not going to tell you.
00:05:43 I'm not going to tell you.
00:05:44 I'm not going to tell you.
00:05:45 I'm not going to tell you.
00:05:46 I'm not going to tell you.
00:05:47 I'm not going to tell you.
00:05:48 I'm not going to tell you.
00:05:49 I'm not going to tell you.
00:05:50 I'm not going to tell you.
00:05:52 I'm not going to tell you.
00:05:53 I'm not going to tell you.
00:05:54 I'm not going to tell you.
00:05:55 I'm not going to tell you.
00:05:56 I'm not going to tell you.
00:05:57 I'm not going to tell you.
00:05:58 I'm not going to tell you.
00:05:59 I'm not going to tell you.
00:06:00 I'm not going to tell you.
00:06:01 I'm not going to tell you.
00:06:02 I'm not going to tell you.
00:06:03 I'm not going to tell you.
00:06:04 I'm not going to tell you.
00:06:05 I'm not going to tell you.
00:06:06 I'm not going to tell you.
00:06:07 I'm not going to tell you.
00:06:08 I'm not going to tell you.
00:06:09 I'm not going to tell you.
00:06:10 I'm not going to tell you.
00:06:11 I'm not going to tell you.
00:06:12 I'm not going to tell you.
00:06:13 I'm not going to tell you.
00:06:14 I'm not going to tell you.
00:06:15 I'm not going to tell you.
00:06:16 I'm not going to tell you.
00:06:17 I'm not going to tell you.
00:06:18 I'm not going to tell you.
00:06:19 I'm not going to tell you.
00:06:20 I'm not going to tell you.
00:06:21 I'm not going to tell you.
00:06:22 I'm not going to tell you.
00:06:23 I'm not going to tell you.
00:06:24 I'm not going to tell you.
00:06:25 I'm not going to tell you.
00:06:26 I'm not going to tell you.
00:06:27 I'm not going to tell you.
00:06:28 I'm not going to tell you.
00:06:29 I'm not going to tell you.
00:06:30 I'm not going to tell you.
00:06:31 I'm not going to tell you.
00:06:32 I'm not going to tell you.
00:06:33 I'm not going to tell you.
00:06:34 I'm not going to tell you.
00:06:35 I'm not going to tell you.
00:06:37 I've enjoyed talking with you.
00:06:38 Now you're angry.
00:06:39 No, I'm not angry.
00:06:40 I just have a lot of packing to do.
00:06:41 I'm going back to Paris too.
00:06:42 Wasn't it Shakespeare who said
00:06:43 when strangers do meet in far off lands
00:06:44 they should ere long see each other again?
00:06:46 Shakespeare never said that.
00:06:48 How do you know?
00:06:49 It's terrible.
00:06:50 You just made it up.
00:06:51 Well, it sounds right.
00:06:52 You going to call me?
00:06:53 Are you in the book?
00:06:54 Charles is.
00:06:55 Is there only one Charles Lampert?
00:06:57 Lord, I hope so.
00:06:59 [sighs]
00:07:01 [music playing]
00:07:04 [sighs]
00:07:06 Goodbye, Sylvie, and thanks.
00:07:19 When you get your divorce,
00:07:20 are you going back to America?
00:07:22 Well, don't you want me to stay?
00:07:23 Yes, of course, but if you went back
00:07:25 and wrote me a letter--
00:07:26 You could have the stamps.
00:07:28 I'll get you some here, OK?
00:07:29 OK.
00:07:30 Goodbye.
00:07:31 [music playing]
00:07:33 [music playing]
00:07:49 Honorine?
00:07:58 Honorine?
00:07:59 Honorine?
00:08:05 [music playing]
00:08:07 [music playing]
00:08:10 [music playing]
00:08:12 [music playing]
00:08:14 [music playing]
00:08:24 [music playing]
00:08:34 [music playing]
00:08:36 [screams]
00:08:48 Madame Charles Lampert?
00:08:50 Yes?
00:08:51 I'm Inspector Edouard Grandpierre
00:08:53 of the police judicier.
00:08:55 Would you be so kind as to come with me, please?
00:09:02 [music playing]
00:09:04 Well, madame?
00:09:22 You're positive?
00:09:26 You love him?
00:09:31 I'm very cold.
00:09:32 We discovered your husband's body
00:09:47 lying next to the tracks of the Paris-Bordeaux railroad line.
00:09:52 He was dressed only in his pajamas.
00:09:54 Do you know of any reason why he might
00:09:56 have wanted to leave France?
00:09:59 Leave?
00:10:00 No.
00:10:02 Your husband possessed a ticket of passage on the Maranguapi.
00:10:06 It sailed for Venezuela this morning at 7.
00:10:10 I'm very confused.
00:10:12 He was American, your husband?
00:10:14 Swiss.
00:10:15 Ah, Swiss.
00:10:16 His profession?
00:10:18 He didn't have one.
00:10:19 He was a wealthy man?
00:10:21 I suppose so.
00:10:22 I don't know.
00:10:23 About how wealthy would you say?
00:10:25 I don't know.
00:10:26 Where did he keep his money?
00:10:28 I don't know.
00:10:30 Beside yourself, who is his nearest relative?
00:10:34 I don't know.
00:10:35 That's absurd, madame.
00:10:37 Totalment absurde.
00:10:39 I know.
00:10:40 I'm sorry.
00:10:41 It is all right?
00:10:43 I wish you wouldn't.
00:10:44 [speaking french]
00:10:50 On Wednesday last, your husband sold the entire contents
00:10:56 of the apartment at public auction.
00:10:58 Everything.
00:10:59 The gallery paid him 1,250,000 new francs,
00:11:03 in dollars, a quarter of a million.
00:11:05 The authorities in Bordeaux searched his compartment
00:11:08 on the train.
00:11:09 They searched it thoroughly.
00:11:11 They did not find $250,000.
00:11:18 These few things are all that was found
00:11:20 in the train compartment.
00:11:22 There was no other baggage.
00:11:23 Your husband must have been in a great hurry.
00:11:26 One wallet containing 4,000 francs.
00:11:30 One agenda.
00:11:31 His last notation was made yesterday, Thursday.
00:11:34 5 PM, Jardin des Champs-Elysées.
00:11:37 Why there?
00:11:38 I don't know.
00:11:40 Perhaps he met somebody.
00:11:42 Obviously.
00:11:43 One ticket of passage to South America.
00:11:47 One letter, stamped but unsealed,
00:11:50 addressed to you.
00:11:52 May I see it, please?
00:11:57 My dear Regina, I hope you are enjoying your holiday.
00:12:00 Mérgeve can be so lovely at this time of year.
00:12:02 The days pass very slowly, and I hope to see you soon,
00:12:05 as always, Charles.
00:12:07 P.S.
00:12:08 Your dentist called yesterday.
00:12:09 Your appointment has been changed.
00:12:12 Not much, is it?
00:12:13 We took the liberty of calling your dentist.
00:12:16 We thought perhaps we would learn something.
00:12:18 Did you?
00:12:19 Yes.
00:12:22 Your appointment has been changed.
00:12:24 One key to your apartment.
00:12:34 One comb.
00:12:37 One fountain pen.
00:12:39 One toothbrush.
00:12:41 One tin of tooth powder.
00:12:43 That is all.
00:12:47 If you will sign this list, you may take the things with you.
00:12:51 Is that all? May I leave now?
00:12:55 One more question.
00:12:57 Is this your husband's passport?
00:13:01 Yes.
00:13:03 And this?
00:13:06 I don't understand.
00:13:10 And this?
00:13:12 And this?
00:13:14 And this?
00:13:21 [♪♪♪]
00:13:25 [♪♪♪]
00:13:28 [DOORBELL BUZZING]
00:13:40 [DOORBELL BUZZING]
00:13:52 Oh, I telephoned, but nobody answered.
00:13:55 Hello.
00:13:57 Hello.
00:13:58 I wanted to tell you how sorry I am
00:14:00 and see if there's anything I can do.
00:14:02 How did you find out?
00:14:04 It's in the afternoon papers.
00:14:06 I'm very sorry.
00:14:08 Thank you.
00:14:10 I pressed the bell, but it isn't ringing, I guess.
00:14:14 I know. There's no electricity.
00:14:16 Well, where did everything go?
00:14:20 Charles sold it all at auction.
00:14:22 This is all I have left.
00:14:24 I love this room, but Charles never really saw it.
00:14:28 Only the things in it.
00:14:30 I think I prefer it this way.
00:14:33 What are you going to do?
00:14:37 Try and get my old job back at Uresco, I suppose.
00:14:40 Doing what?
00:14:41 I'm a simultaneous translator, like Sylvie.
00:14:44 Only she's English into French and I'm French into English.
00:14:47 I was doing that before I married Charles.
00:14:50 The police probably think I killed him.
00:14:53 Instant divorce, you mean?
00:14:55 Something like that.
00:14:57 It's terrible it ended this way, though.
00:15:01 Tossed off a train like a sack of third-class mail.
00:15:04 Well, come on. You can't stay here.
00:15:06 I don't know where to go.
00:15:08 We'll find you a hotel.
00:15:10 It's nothing too expensive.
00:15:14 I'm not a lady of leisure anymore, you know.
00:15:16 Something clean and modest.
00:15:17 And near enough to Uresco so you can take a cab when it rains.
00:15:20 Okay?
00:15:21 Okay.
00:15:22 Not a very large turnout, is it?
00:15:43 Didn't Charles have any friends?
00:15:46 Don't ask me. I'm only the widow.
00:15:49 If Charles had died in bed, we wouldn't even have him.
00:15:53 At least he knows how to behave at funerals.
00:16:00 Have you no idea who could have done it?
00:16:09 Until two days ago, the only thing I really knew about Charles was his name.
00:16:14 Now it seems I didn't even know that.
00:16:17 He must have known Charles pretty well.
00:16:38 How can you tell?
00:16:39 He's allergic to him.
00:16:41 Matthew.
00:16:48 You know him?
00:16:50 Never seen him before.
00:16:52 [♪♪♪]
00:16:56 [♪♪♪]
00:16:59 [♪♪♪]
00:17:02 [♪♪♪]
00:17:30 Riveter cheat, Charlie.
00:17:33 Miss Lampert, ma'am.
00:17:41 Ah, Miss Lampert, ma'am.
00:17:45 Charlie had no call of doing it that way.
00:17:48 No siree.
00:17:51 [gunshot]
00:18:00 [gunshot]
00:18:02 [sniffles]
00:18:15 [gunshots]
00:18:27 Ah, what next?
00:18:30 [sniffles]
00:18:32 [speaking French]
00:18:36 Merci.
00:18:38 [speaking French]
00:18:41 Where is he from?
00:18:46 The American Embassy.
00:18:48 [♪♪♪]
00:18:51 [♪♪♪]
00:18:55 [♪♪♪]
00:18:58 I bluffed the old man out of the last pot with a pair of deuces.
00:19:04 What's so depressing about that?
00:19:06 Well, I mean, if I can do it, what are the Russians doing to him?
00:19:10 Hello?
00:19:22 Hello?
00:19:24 Is there anything wrong, Miss Tompkins?
00:19:27 Uh, Miss Tompkins isn't here.
00:19:30 Oh, I'm sorry. My secretary must have gone to lunch.
00:19:36 Uh, you are, uh...
00:19:38 Mrs. Lampert, Mrs. Charles Lampert.
00:19:40 Oh, yes. Please, come in, Mrs. Lampert.
00:19:45 Excuse me for a moment, Mrs. Lampert.
00:19:49 It's a stubborn little devil.
00:19:52 Dry-cleaning-wise, things are all fouled up.
00:19:57 I had a good man, a really excellent man, on the Rue Ponto.
00:20:02 But HQ asked us to use the plant here in the building to ease the gold outflow.
00:20:07 Mr. Bartholomew, are you quite sure you know who I am?
00:20:10 You're Charles Lampert's widow, yes?
00:20:13 I'm very sorry.
00:20:16 Last time I sent out a tie-only, the spot came back.
00:20:20 Well, uh, as they say.
00:20:23 Won't you sit down, Mrs. Lampert?
00:20:26 I've got something here.
00:20:31 I've got liverwurst, liverwurst, chicken, and liverwurst.
00:20:35 No, thank you.
00:20:37 Mrs. Lampert, do you know what CIA is?
00:20:41 I don't suppose it's an airline, is it?
00:20:44 Central Intelligence Agency, CIA.
00:20:48 You mean spies and all that?
00:20:50 Only we call them agents.
00:20:52 We? You mean you?
00:20:53 Someone has to do it, Mrs. Lampert.
00:20:56 It's just that I didn't think people like you were supposed to admit...
00:20:58 No, I'm not an agent.
00:21:00 I'm an administrator, a desk jockey,
00:21:04 trying to run a bureau of overworked men with under-allocated funds.
00:21:11 Congress seems to think that all a spy needs...
00:21:13 Agent?
00:21:15 Yes.
00:21:17 That all he needs is a code book, a cyanide pill, and he's in business.
00:21:23 What's all this got to do with me, Mr. Bartholomew?
00:21:26 Your husband was wanted by the United States government.
00:21:30 May I have a sandwich, please?
00:21:34 Chicken or liverwurst?
00:21:36 Chicken.
00:21:38 To be more specific, Mrs. Lampert,
00:21:40 your husband was wanted by this agency.
00:21:43 So that was it.
00:21:44 Yes.
00:21:45 We, of course, knew him by his real name, Boss.
00:21:49 Charles Boss.
00:21:51 All right, Mrs. Boss.
00:21:55 Now I'd like you to look at this photograph here for a moment, please.
00:22:00 Tell us if you recognize...
00:22:02 Oh.
00:22:03 By the way, have you seen this one?
00:22:06 Scott, Kathy, and Ham, Jr.
00:22:09 Very sweet.
00:22:10 Aren't they?
00:22:12 All right, Mrs. Boss.
00:22:13 Please stop calling me that.
00:22:15 Lampert's the name on the marriage license.
00:22:17 Oh, I'm terribly sorry.
00:22:19 Mrs. Lampert, would you look at that photograph and tell me if you recognize anyone, please?
00:22:23 Now, just a moment. Have a good look.
00:22:25 Oh.
00:22:26 It's Charles.
00:22:31 Very good.
00:22:32 He looked so young when was this taken?
00:22:34 1944.
00:22:36 Next, please.
00:22:38 The man who was at the funeral yesterday.
00:22:40 A tall man in a corduroy suit.
00:22:43 Does the name Tex Penthollow mean anything to you?
00:22:45 No.
00:22:47 Would you like some wine?
00:22:48 Oh, thank you.
00:22:49 Next, please.
00:22:51 He was there, too.
00:22:53 A little less hair, but it's the same one.
00:22:56 Do you know him, Mrs. Lampert?
00:22:57 Leopold W. Gideon?
00:22:59 No.
00:23:00 The last one, please.
00:23:02 That's a face you don't forget.
00:23:05 He was there, too.
00:23:07 Mr. Scobie.
00:23:08 You've never seen him before, either?
00:23:10 No, thank heaven.
00:23:12 Mrs. Lampert, I'm very much afraid that you are in a great deal of danger.
00:23:18 Why should I be in any danger?
00:23:20 You're Charles Voss's wife.
00:23:23 Now that he's dead, you're their only lead.
00:23:26 Mr. Bartholomew, if you're trying to frighten me, you're doing a first-rate job.
00:23:31 Please do what we ask, Mrs. Lampert. It's your only chance.
00:23:34 I don't know what you want. You haven't told me.
00:23:37 Oh? I haven't?
00:23:40 Well, it's the money, Mrs. Lampert. The money.
00:23:44 Of $250,000 Charles Voss received from the auction.
00:23:49 Those three men want it, too. They want it very badly.
00:23:52 But that's Charles's money, not theirs.
00:23:54 Oh, Mrs. Lampert, I'd like to see you try and convince them of that.
00:23:58 Oh, boy.
00:23:59 But then whose is it? His or theirs?
00:24:03 Ours.
00:24:04 Oh.
00:24:06 Charles Voss stole $250,000 from the United States government.
00:24:11 I'm afraid we want it back.
00:24:13 But I don't have it.
00:24:15 That's impossible, Mrs. Lampert.
00:24:18 You're the only one who could have it.
00:24:20 Mr. Bartholomew, if I had a quarter of a million dollars, believe me, I'd know it.
00:24:25 Nevertheless, Mrs. Lampert, you've got it.
00:24:28 You mean he's just lying around somewhere? All that cash?
00:24:31 Or a certified check, a safe deposit key, baggage claim.
00:24:36 You look for it, Mrs. Lampert. I'm quite sure you'll find it. Look for it.
00:24:39 Look just as hard and as fast as you can.
00:24:42 You may not have a great deal of time.
00:24:44 Those three men know you've got the money just as surely as we do.
00:24:48 You won't be safe until the money is in our hands.
00:24:51 Is that clear?
00:24:53 Now, here's where you ought to call me, day or night.
00:24:57 It's a direct line to both my office and my apartment.
00:25:02 And please don't tell anyone about coming to see us today.
00:25:04 It could prove fatal for them as well as yourself.
00:25:07 As I said, Mrs. Lampert, I'm afraid you're in a great deal of danger.
00:25:10 I regret very much having to say this, but please remember what happened to your husband.
00:25:17 (SIREN WAILING)
00:25:19 Hello.
00:25:32 Hello, Peter.
00:25:34 Now, didn't you telephone me to meet you on that corner over there?
00:25:37 I'm sorry. I heard the children laughing.
00:25:41 Do you understand French?
00:25:43 Not a word. I'm still having trouble with English.
00:25:47 The man and the woman are married.
00:25:49 Oh, I can see that. They're batting each other over the head.
00:25:52 (MAN YELLING)
00:25:54 (WOMAN SCREAMING)
00:25:56 (MAN YELLING)
00:25:58 Who's that with the hat?
00:26:00 That's the policeman. He wants to arrest Judy for killing Punch.
00:26:04 (MAN YELLING)
00:26:06 What's she saying now?
00:26:08 That she's innocent.
00:26:10 She didn't do it.
00:26:13 Oh, she did it all right.
00:26:15 I believe her.
00:26:17 (MAN YELLING)
00:26:19 Well, who was that?
00:26:21 That's Punch, of course.
00:26:23 Punch, of course? I thought he was dead.
00:26:25 He's only pretending, to teach her a lesson.
00:26:29 Only he is dead, Peter. I saw him. He's not pretending.
00:26:33 Somebody threw him off a train.
00:26:36 Charles was mixed up in the train.
00:26:38 Charles was mixed up in something terrible.
00:26:41 What am I going to do?
00:26:43 I wish you'd let me help you.
00:26:45 It doesn't sound like the sort of thing a young woman can handle by herself.
00:26:48 (MAN YELLING)
00:26:50 How about making me vice-president in charge of cheering you up?
00:26:56 Starting tonight?
00:27:05 (SPEAKING FRENCH)
00:27:08 What's going on?
00:27:27 Fun and games, evidently. We're the floor show. Come on.
00:27:29 What, you and me?
00:27:31 Everyone.
00:27:33 (SPEAKING FRENCH)
00:27:35 There are two teams.
00:27:42 (SPEAKING FRENCH)
00:27:44 For every team, there is one orange.
00:27:46 (SPEAKING FRENCH)
00:27:48 (SPEAKING FRENCH)
00:27:50 (SPEAKING FRENCH)
00:27:52 You pass the orange to the person behind you.
00:27:57 (SPEAKING FRENCH)
00:27:59 Without the use of your hands.
00:28:01 Are you ready?
00:28:03 (SPEAKING FRENCH)
00:28:05 (WHISTLE BLOWING)
00:28:07 (MUSIC PLAYING)
00:28:10 (MUSIC CONTINUES)
00:28:13 (MUSIC CONTINUES)
00:28:16 (MUSIC CONTINUES)
00:28:18 (MUSIC CONTINUES)
00:28:20 (MUSIC CONTINUES)
00:28:26 (MUSIC CONTINUES)
00:28:32 (MUSIC CONTINUES)
00:28:40 (MUSIC CONTINUES)
00:28:44 (MUSIC CONTINUES)
00:28:46 (LAUGHTER)
00:28:53 (MUSIC CONTINUES)
00:28:55 (APPLAUSE)
00:29:06 (GIGGLING)
00:29:08 (MUSIC CONTINUES)
00:29:10 (MUSIC CONTINUES)
00:29:12 (LAUGHTER)
00:29:18 (MUSIC CONTINUES)
00:29:20 (MUSIC CONTINUES)
00:29:32 (MUSIC CONTINUES)
00:29:34 (MUSIC CONTINUES)
00:29:40 Mrs. Lampert.
00:29:44 Who are you?
00:29:45 Didn't Charles tell you, Mrs. Lampert?
00:29:47 Tell me what?
00:29:48 It doesn't belong to you. You do know that, don't you?
00:29:50 I don't know anything.
00:29:51 Mrs. Lampert!
00:29:53 Any morning now, you could wake up dead, Mrs. Lampert.
00:29:57 Leave me alone.
00:29:58 Dead, Mrs. Lampert, like last week's news.
00:30:00 Like Charles, Mrs. Lampert.
00:30:02 Stop it!
00:30:03 What's the trouble?
00:30:06 You stepped on my foot.
00:30:08 Forgive me.
00:30:09 Wait here. I won't be long.
00:30:10 It was quite unintentional, I'm sure.
00:30:12 (MUSIC CONTINUES)
00:30:14 (DOOR OPENS)
00:30:25 (DOOR CLOSES)
00:30:27 (DOOR OPENS)
00:30:29 Mr. Bartholomew, this is Regina Lampert.
00:30:34 Mr. Bartholomew, I just saw one of those men...
00:30:36 Mr. Bartholomew, can you hear me?
00:30:39 Mr. Bartholomew, this is Regina Lampert.
00:30:43 I just...
00:30:44 Howdy.
00:30:51 What do you want?
00:30:53 Now, you must be kidding.
00:30:55 No, I'm not.
00:30:56 Now, come on now, Mrs. Lampert.
00:30:58 You know what it is?
00:31:00 You're gonna get it for me, too.
00:31:02 'Cause you know I ain't fooling around here.
00:31:04 No, sirree, Bob.
00:31:11 No, that's...
00:31:14 Now, don't make too much noise, Mrs. Lampert.
00:31:16 (GRUNTS)
00:31:17 It could get a whole lot worse, you know.
00:31:20 That belongs to me, Mrs. Lampert.
00:31:24 And you're gonna get it for me.
00:31:26 Or your life ain't gonna be worth the paper it's printed on.
00:31:29 Do you say what I'm saying to you?
00:31:31 Stop! Stop! Please, stop!
00:31:33 Now, you go home and take it over real careful.
00:31:35 You're insane! You're absolutely insane!
00:31:38 (SCREAMS)
00:31:46 What's the matter?
00:31:50 What are you doing in here?
00:31:53 I'm having a nervous breakdown.
00:31:56 Now, hold it.
00:32:09 I've waited long enough. What happened back there?
00:32:12 I'm not sure if I'm supposed to tell you or not.
00:32:15 What does that mean?
00:32:16 He said if I told anybody, it could prove fatal for them as well as for me.
00:32:21 Who said?
00:32:23 That's what I'm not supposed to say.
00:32:25 Now, stop that nonsense.
00:32:30 Stop bullying me. Everybody's bullying me.
00:32:32 I'm not bullying you.
00:32:33 Yes, you were. You said it was nonsense.
00:32:35 Being murdered in cold blood is not nonsense.
00:32:38 Why don't you try it sometime?
00:32:40 Would you mind seeing me to the door?
00:32:44 Of course not.
00:32:46 It's a good place for making friends.
00:32:51 You said this afternoon your husband was mixed up in something.
00:32:54 How do you shave in there?
00:32:56 What was it?
00:32:58 What was what?
00:32:59 What your husband was mixed up in.
00:33:01 Look, I know it's asking you to stretch your imagination,
00:33:04 but don't you think you could pretend just for a moment that I'm a woman?
00:33:07 Now, listen, I could already be arrested for transporting a minor above the first floor.
00:33:11 Here you are.
00:33:15 Where?
00:33:16 On the street where you were.
00:33:18 Where?
00:33:19 On the street where you live.
00:33:21 How about once more around the park?
00:33:23 How about getting out of here? Come on, child, out.
00:33:25 Won't you come in for a minute?
00:33:29 No, I won't.
00:33:30 I don't bite, you know.
00:33:34 Unless it's called for.
00:33:36 How would you like a spanking?
00:33:38 How would you like a punch in the nose?
00:33:40 Stop treating me like a child.
00:33:43 Well, then stop behaving like one.
00:33:45 Now, if you want to tell me what's troubling you, fine.
00:33:47 If not, I'm tired, it's late, and I want to go on to bed.
00:33:50 Oh.
00:33:52 Do you know what's wrong with you?
00:33:55 No, what?
00:33:56 Nothing.
00:33:59 Where is it, lady?
00:34:13 I don't know.
00:34:15 I want it.
00:34:17 Give it to me.
00:34:20 It's mine!
00:34:22 Peter! Peter!
00:34:27 A man tried to kill me.
00:34:29 I'm sorry.
00:34:39 I'm sorry.
00:34:40 I'm sorry.
00:34:41 I'm sorry.
00:34:43 I'm sorry.
00:34:44 Peter?
00:35:03 Peter?
00:35:06 Peter, are you all right?
00:35:11 Oh, Peter, are you hurt?
00:35:13 I sprained my pride.
00:35:16 How are you?
00:35:18 Scared.
00:35:19 You'll be all right.
00:35:21 Where did he go?
00:35:22 Out the window, I guess.
00:35:24 Well, lock the door.
00:35:25 Don't let anyone in except me.
00:35:27 And close these windows after me.
00:35:29 Be careful.
00:35:30 You just took the words right out of my mouth.
00:35:33 You just took the words right out of my mouth.
00:35:35 Alistair!
00:36:01 Now, Pamela.
00:36:03 It happened again.
00:36:04 Another strange man peered in the window at me, but then went away.
00:36:08 Bad luck, Pamela.
00:36:12 [Pamela's phone rings]
00:36:14 That was a dumb move!
00:36:32 A diamond man, and then some.
00:36:34 If he'd only let us know he was going up to our room, we could have done something to keep him busy.
00:36:39 Sneaking off up there that way by yourself.
00:36:42 Man, what did you expect him to do?
00:36:44 Walk up and shake you by that hand of yours?
00:36:46 A dumb move, Herman. A dumb move!
00:36:49 Yes, it was a dumb move, Herman.
00:36:51 What is the matter with you?
00:36:53 You want some more?
00:36:54 Never mind that!
00:36:56 Did you get the money?
00:36:57 How could I with the three Marx Brothers breathing down my neck?
00:37:01 I thought we had an agreement.
00:37:03 Now, the girl, trust me.
00:37:08 If she's got the money, I'll find out about it.
00:37:10 But you just leave me alone.
00:37:12 We took all the chances.
00:37:14 The money belongs to us, not to him.
00:37:17 Now, don't be piggy, Herman.
00:37:20 A third of nothing is nothing.
00:37:22 Just think about that.
00:37:24 But make up your mind.
00:37:25 She's waiting for me.
00:37:27 I don't see how another 24 hours could hurt anything.
00:37:30 Shoot? No, not after all these years.
00:37:33 Then he gets it out of your share.
00:37:36 Not mine.
00:37:38 Not mine.
00:37:42 Either one of you got the room next to her?
00:37:47 Yeah, I have. Why?
00:37:49 Give me the key. Get yourself another room. I want to use it.
00:37:52 If you do find that money,
00:38:02 you ain't gonna forget to tell your buddies about it, are you?
00:38:05 Don't worry.
00:38:07 Oh, no, I ain't worrying.
00:38:10 You see this little fella here?
00:38:12 Oh, he worries.
00:38:15 And he's even meaner than I am.
00:38:17 Who is it?
00:38:41 It's me, Peter.
00:38:43 I'm sorry.
00:38:45 There was no trace of him.
00:39:04 Why don't you confide in me?
00:39:06 And tell me what this is all about.
00:39:10 There are three men. He's one of them.
00:39:13 They think I have a quarter of a million dollars that belongs to them.
00:39:17 Go on.
00:39:21 That's all.
00:39:22 No, it isn't.
00:39:24 Where's the money?
00:39:25 I don't know.
00:39:27 They killed Charles to get it, but he must not have had it with him on the train.
00:39:30 So they think he left it with you.
00:39:32 But he didn't. I've looked everywhere, and if I don't find it, they're gonna kill me.
00:39:37 No, they won't. I won't let them.
00:39:40 Peter, help me. You're the only one I can trust.
00:39:45 I'll help you.
00:39:48 I told you I would.
00:39:50 Oh, I'm so hungry. I could faint.
00:39:54 And I've got your suit all wet.
00:39:56 That's all right. It's a drip dry.
00:40:00 Wipe your eyes.
00:40:04 Promise me you'll never lie to me the way Charles did.
00:40:07 Why do people have to tell lies?
00:40:10 Usually it's because they want something.
00:40:12 They're afraid the truth won't get it for them.
00:40:14 You tell lies?
00:40:17 Hello?
00:40:27 Mrs. Labbard, it's me.
00:40:29 The man who was in your room a few minutes ago.
00:40:33 What do you want?
00:40:34 Who is it?
00:40:36 It's the man you had the fight with.
00:40:38 Is Dial with you?
00:40:40 Who?
00:40:41 The man I had the fight with, lady. Dial. That's his name.
00:40:46 What's wrong? Is he still there?
00:40:52 Yes. That's right.
00:40:56 What's he saying?
00:40:57 Don't trust him. Don't tell him anything.
00:41:01 He's after the money.
00:41:05 What was all that about?
00:41:15 He... he said if I don't give him the money, he'll kill me.
00:41:19 Oh, don't take it seriously.
00:41:22 He's just trying to frighten you.
00:41:25 I believe what he said.
00:41:27 No, no. It's just a lot of words.
00:41:29 Words can hurt.
00:41:32 I know. Try to get some sleep. You'll feel better.
00:41:36 Don't worry. I've arranged to take the room next door to your room.
00:41:42 So you'll be all right.
00:41:45 If you want anything, just bang on the wall.
00:41:48 Better lock the door after me.
00:41:50 Good night.
00:41:53 Good night.
00:42:22 Damn, Mr. Bartholomew. What I'm trying to say is that...
00:42:25 is that there's someone else.
00:42:27 What?
00:42:28 Someone who wasn't in that photograph you showed me today.
00:42:30 He says his name is Peter Joshua, but it isn't. It's Dial.
00:42:35 Are you still there, Mr. Bartholomew?
00:42:37 Yes, yes, Miss Lampert.
00:42:39 I don't know who this Mr. Dial is, but it's just possible we were wrong about who killed your husband.
00:42:45 You mean he might have?
00:42:49 Mr. Bartholomew, I'm catching the next plane out of here.
00:42:52 I'm not going to sit around for somebody to make chopped liver out of me.
00:42:55 Now, take it easy, Miss Lampert. Take it easy.
00:42:58 Where are you now? Can you meet me at the market?
00:43:01 At Leal?
00:43:02 Yes, opposite San Eustache.
00:43:04 I'll meet you there in 15 minutes.
00:43:06 All right, I'll be there in 15 minutes.
00:43:10 [♪♪♪]
00:43:13 [♪♪♪]
00:43:16 [♪♪♪]
00:43:19 [♪♪♪]
00:43:42 [♪♪♪]
00:43:45 [SPEAKING FRENCH]
00:43:58 [♪♪♪]
00:44:01 [SPEAKING FRENCH]
00:44:09 [♪♪♪]
00:44:12 Were you followed?
00:44:16 Yes, by Dial, but I lost him.
00:44:19 I'm beginning to think women make the best spies.
00:44:21 Agents.
00:44:23 He has a gun, Mr. Bartholomew.
00:44:25 No.
00:44:26 But I saw it.
00:44:28 No, that's not Carson Dial.
00:44:30 Carson?
00:44:31 There's only one Dial connected with this affair, Mrs. Lampert. That's Carson Dial.
00:44:35 You mean you've known about him all along?
00:44:38 It's enough to make you a vegetarian, isn't it?
00:44:41 It's just lucky that I'm not hanging next to one of those things right now.
00:44:46 Why didn't you tell me you knew about Dial?
00:44:49 I didn't see any point. Dial's dead.
00:44:52 Mr. Bartholomew, what is all this about?
00:44:56 In 1944, five members of the OSS, the military espionage unit...
00:45:03 were ordered behind the German lines for the purpose of delivering...
00:45:08 $250,000 in gold to the French underground.
00:45:13 The five men were, of course, your husband Charles...
00:45:17 the three men who showed up at his funeral yesterday, and Carson Dial.
00:45:21 Oh.
00:45:23 Instead of delivering the gold, they stole it.
00:45:26 How?
00:45:27 By burying it, then reporting the Germans had captured it.
00:45:31 All they had to do was come back after the war, dig it up, split it five ways.
00:45:36 A quarter of a million dollars with no questions asked.
00:45:41 May I have a cigarette, please?
00:45:44 I can't stand those things. It's like drinking coffee through a veil.
00:45:49 Everything went smoothly enough until after the gold was buried.
00:45:53 Then before they could get out, they were ambushed by a German patrol.
00:45:58 A machine gun separated Scobie from his right hand...
00:46:02 and caught Carson Dial full in the stomach.
00:46:05 What's wrong with that one?
00:46:10 Nothing, I guess. What happened then?
00:46:13 Have you any idea what these things cost?
00:46:16 Please go on, Mr. Bartholomew. What happened then?
00:46:19 Carson Dial was dead, but Scobie was able to travel.
00:46:26 - A soup. Who's it for? - Me.
00:46:29 - Where was I? - Carson Dial was dead.
00:46:43 Yes, Carson Dial was dead.
00:46:45 The others finally got back to the base and waited for the war to end.
00:46:48 Only Charles couldn't wait quite as long as the others.
00:46:51 He beat them back to the gold, took everything for himself and disappeared.
00:46:54 It's taken Gideon, Tex and Scobie all this time to catch up with him again.
00:46:58 But if they stole all that money, why can't you arrest them?
00:47:02 Shh!
00:47:04 We know what happened from the bits and pieces we were able to paste together.
00:47:09 But we still have no proof.
00:47:11 What's this got to do with the C.I.O.?
00:47:14 C.I.A., Mrs. Flapper.
00:47:21 It's an extension of the wartime O.S.S.
00:47:24 It's our money and we want it back.
00:47:27 I'm sorry, Mr. Bartholomew, but nothing you've said has changed my mind.
00:47:30 I'm leaving Paris tonight.
00:47:33 I wouldn't advise that, Mrs. Flapper.
00:47:36 You'd better consider what happened to your husband when he tried to leave.
00:47:39 Those men won't be very far away, no matter where you go.
00:47:42 In fact, I don't even see any point in your changing hotels.
00:47:45 Now, please help us, Mrs. Flapper.
00:47:48 Your government is counting on you.
00:47:51 I suppose if I'm going to die, I might as well do it for my country.
00:47:56 That's the spirit.
00:47:58 Here's what I want you to do.
00:48:00 We're anxious to know who this man is, the one calling himself Dyle.
00:48:04 I want you to find out.
00:48:06 Why me?
00:48:08 You're in an ideal position. He trusts you.
00:48:11 Besides, you yourself said women make the best spies.
00:48:17 Agents.
00:48:20 Oh, pardon.
00:48:35 (HORSE GALLOPING)
00:48:38 Fräulein. Fräulein!
00:48:58 What are you doing following me? It's going to look like a parade.
00:49:01 Stop it!
00:49:04 (BELL RINGING)
00:49:07 How are you? How nice to see you.
00:49:11 When did you arrive? It's lovely down to stay.
00:49:13 Are you having a good time? So many things to see.
00:49:16 Fräulein! Fräulein!
00:49:24 If you don't stop following me, I'll call the police.
00:49:27 Taxi!
00:49:33 (TRAIN RUMBLING)
00:49:36 (TELEPHONE RINGING)
00:49:40 Dyle, please. D-Y-L-E.
00:49:57 Yes, Mr. Dyle, I remember.
00:50:01 (INDISTINCT CHATTER)
00:50:04 No, I'm sorry, Mr. Dyle. Nothing today.
00:50:06 Thank you.
00:50:08 Mr. Dyle, please. Your one and only telephone.
00:50:11 Mr. Dyle, cabin four.
00:50:13 Mr. Dyle, cabin four, please.
00:50:16 Yes?
00:50:25 Good morning, Mr. Dyle.
00:50:29 Reggie? It's the only name I've got. How about you?
00:50:32 No cat and mouse. You've got me. What do you want to know?
00:50:34 Why you lied to me.
00:50:36 I had to.
00:50:38 I knew you were in on the whole thing.
00:50:40 I'm trying to find out who you are.
00:50:42 But you know my name. It's Dyle.
00:50:44 Carson Dyle is dead.
00:50:46 Yes, he is. He was my brother.
00:50:48 Your brother?
00:50:52 The army thinks he was killed in action by the Germans.
00:50:54 I think they did it.
00:50:56 Tex, Gideon, Scoby and your husband.
00:50:58 Because my brother wouldn't go along with their scheme to steal the gold.
00:51:01 I think he threatened to turn them in and they killed him.
00:51:04 I'm trying to prove it.
00:51:06 They think I'm working with them.
00:51:08 But I'm not, Reggie. I'm on your side.
00:51:10 Just believe that.
00:51:12 How can I? You lied to me just the way Charles did.
00:51:14 After promising you wouldn't.
00:51:16 Oh, I want to believe you, Peter.
00:51:18 I can't call you that anymore, can I?
00:51:21 It'll take me a while to get used to your new name.
00:51:23 What is it?
00:51:26 Hmm? Hello?
00:51:28 Hello?
00:51:31 If you do anything funny or try to talk to anyone, I'll kill you, Dyle.
00:51:47 You'll wreck your raincoat.
00:51:49 Take the next car, please.
00:51:53 Take the next car, please.
00:51:55 Look out.
00:52:13 Too much, you'll bump your head.
00:52:15 Now get in there.
00:52:20 [car engine starts]
00:52:22 All right, turn around.
00:52:30 Now sit down.
00:52:42 [sad music]
00:52:44 Now what?
00:52:54 We wait with our mouths shut.
00:52:57 Well, I'm sorry about that.
00:53:08 [sad music]
00:53:10 Okay, up there.
00:53:21 Do I knock or something?
00:53:31 No, open it.
00:53:33 And keep right on going.
00:53:36 The view, it better be worth it.
00:53:38 Very pretty.
00:53:54 Now what?
00:53:56 I was afraid of that.
00:54:05 I'll give you a chance, Dyle.
00:54:07 Which is more than you'd give me.
00:54:09 Where's the money?
00:54:12 Is that why you dragged me all the way up here, to ask me that?
00:54:17 She has it.
00:54:19 And I say maybe you both have it.
00:54:21 One more time, Dyle.
00:54:24 Where is it?
00:54:27 Supposing I had it, which I don't.
00:54:32 Do you really think I'd just hand it over to you?
00:54:35 Step back.
00:54:40 Back where?
00:54:45 That's the idea.
00:54:48 Now, now, just a minute. Take it easy.
00:54:52 [gunshots]
00:54:56 [gunshots]
00:54:59 [gunshots]
00:55:01 [gunshots]
00:55:27 [gunshots]
00:55:29 [gunshots]
00:55:33 [gunshots]
00:55:44 [gunshots]
00:55:55 [gunshots]
00:55:57 [gunshots]
00:56:13 [gunshots]
00:56:16 [gunshots]
00:56:21 [gunshots]
00:56:25 [gunshots]
00:56:27 [screaming]
00:56:29 Herman!
00:56:39 What?
00:56:42 How you doing?
00:56:45 How do you think?
00:56:47 If you get bored, try writing "Love thy neighbor" a hundred times on the side of the building.
00:56:52 [music]
00:56:54 Monsieur, next time, please, use the keyhole.
00:57:20 Is that you? Yeah.
00:57:22 You gonna open up? Sure, wait a minute.
00:57:26 Don't you know it's impolite to leave someone holding the phone?
00:57:31 What happened? Oh, I met a man with sharp nails.
00:57:35 Scoby? Mm-hmm.
00:57:40 I left him hanging around the American Express.
00:57:43 Come in. I've got something that stings like crazy.
00:57:47 You're the kind of girl that'd have something like that. Sit down.
00:57:51 Wait a minute. What is this stuff? Marvelous stuff.
00:57:56 It's gonna hurt you much more than it's gonna hurt me.
00:57:59 Did you hear something rip? No. Oh, that's odd.
00:58:03 Listen, I only came in for an estimate. Sit still.
00:58:10 It's not too bad. You won't be able to lie on your back for a few days.
00:58:14 Then you can lie from any position, can't you?
00:58:17 Does it hurt? What? Does it hurt?
00:58:21 Are you kidding? Have you got a bullet I could bite like they do in the movies?
00:58:25 Are you really Carson Diles, brother?
00:58:28 Would you like to see my passport? Passport? What kind of a proof is that?
00:58:34 Well, would you like to see where I was tattooed? Yes.
00:58:37 All right, we'll drive around that way.
00:58:42 Could at least tell me what your first name is these days.
00:58:45 Alexander.
00:58:48 Okay, Alexander. You're done. Good.
00:58:53 You're a new man.
00:58:55 I'm sorry the old one couldn't tell you the truth.
00:58:58 But I had to find out your part in all this.
00:59:01 Is there a Mrs. Dile? Yes.
00:59:05 But we're divorced.
00:59:07 I thought that was Peter Joshua.
00:59:10 I'm just as difficult to live with as he was.
00:59:13 Alex, how can you tell if anyone's lying or not?
00:59:18 You can't. There must be some way.
00:59:21 No, no. There's no riddle about two tribes of Indians.
00:59:24 The white feet always tell the truth and the black feet always lie.
00:59:27 So one day you meet an Indian. You say, "Hey, Indian.
00:59:30 What are you, a truthful whitefoot or a lying blackfoot?"
00:59:33 He says, "I'm a truthful whitefoot." But which is he?
00:59:39 Why couldn't you just look at his feet?
00:59:41 Because he's wearing moccasins.
00:59:43 Well, then he's a truthful whitefoot, of course.
00:59:45 Well, why not a lying blackfoot?
00:59:47 Which one are you?
00:59:50 A truthful whitefoot.
00:59:52 Come in.
00:59:55 Sit down.
00:59:57 Right. You want to look at my feet? Yes.
00:59:59 Uh-oh. Knock it off. Now, come on, Reggie. Listen to me.
01:00:05 Oh, here it comes. The fatherly talk. You forget I'm already a widow.
01:00:09 So was Juliet at 15.
01:00:11 But I'm not 15.
01:00:13 Well, that's a trouble. You're too old for me.
01:00:15 Can't you be serious?
01:00:16 Oh, you just had an horrible word.
01:00:18 What did I say?
01:00:19 Serious. When a man gets to be my age, that's the last word he ever wants to hear.
01:00:24 I don't want to be serious. And I especially don't want you to be.
01:00:27 Okay. Well, just sit around all day long being frivolous. How about that?
01:00:33 I know.
01:00:34 Reggie, cut it out.
01:00:36 Okay.
01:00:37 Well, now what are you doing?
01:00:39 Cutting it out.
01:00:40 Who told you to do that?
01:00:42 You did.
01:00:43 Oh, I'm not through complaining yet.
01:00:45 Oh.
01:00:46 Now, cut it out.
01:00:51 Alex, I think I love you.
01:00:53 I'll get a telephone for you.
01:01:00 Never mind. Whoever it is won't give up.
01:01:03 And neither will I.
01:01:04 Just a minute here.
01:01:06 Come on, take it.
01:01:07 Hello.
01:01:10 I'm sorry.
01:01:12 I was just nibbling on something.
01:01:16 Say, I'd appreciate it mighty highly if you'd wiggle on over to room 46 and chew the fat for a spell.
01:01:22 Could you give me one good reason why I should?
01:01:25 Yeah.
01:01:26 A little one. About six or seven.
01:01:29 Keeps calling for Aunt Reggie.
01:01:32 Ain't that cute?
01:01:34 They've got Jean-Louis.
01:01:37 I'll be right there.
01:01:39 Hey, Tex, do something with this kid, will you? My whole leg's going to sleep.
01:01:47 Oh, sit easy.
01:01:49 Are you a real cowboy?
01:01:52 Yeah, sure am, kid.
01:01:54 So where's your gun?
01:01:55 Where's your gun?
01:01:56 Will you put that thing away?
01:02:01 Jean-Louis.
01:02:04 Got him, Miss Lampert?
01:02:06 No, who invited him?
01:02:09 Well, Herman, see you had a happy landing.
01:02:11 I must call Sylvie right away.
01:02:13 I'm afraid that'll have to wait, Mrs. Lampert.
01:02:16 But it's his mother.
01:02:17 She won't be anybody's mother unless you answer some questions.
01:02:20 This ain't no game, Miss Lampert.
01:02:21 I want that money now.
01:02:23 Why don't you keep quiet and stop threatening the child?
01:02:26 He hasn't got the money and neither has Mrs. Lampert.
01:02:30 Then who does?
01:02:31 I don't know, Herman. Maybe you do.
01:02:34 Me.
01:02:36 Or you.
01:02:38 Or him.
01:02:40 Why, that's the most ridiculous thing I...
01:02:42 Now listen to this man.
01:02:44 Man gone loco.
01:02:45 Now hold it.
01:02:46 Suppose one of you found Charles here in Paris.
01:02:50 Even bumped into him by accident.
01:02:52 Followed him when he tried to run out again.
01:02:54 Cornered him on the train.
01:02:56 Threw him out the window and without bothering to tell the other two,
01:02:59 took all the money for yourself.
01:03:01 If one of us did that, he wouldn't hang around here waiting for the other two to figure it out.
01:03:04 But he'd have to, don't you see?
01:03:06 If he left, he'd be admitting his guilt.
01:03:08 Whoever it is has to wait here pretending to look for the money,
01:03:11 waiting for the rest of us to give up and go home.
01:03:14 He's just trying to throw us off.
01:03:16 They got it, I tell you.
01:03:18 Why don't we search their rooms?
01:03:21 That's all right with us.
01:03:23 What are we wasting time for? Let's go.
01:03:26 While we're waiting, we'll search yours.
01:03:28 Not my room.
01:03:30 Well, Herman, you have something to hide?
01:03:34 Then there are no objections.
01:03:37 All right, here's my key.
01:03:40 I'll take that.
01:03:41 My room's open.
01:03:47 Now, you two just make yourselves to home here.
01:03:50 Now, let's get busy.
01:03:54 Come on, Jean-Louis.
01:03:55 Come along.
01:03:56 Oh, that's fine.
01:03:57 Who gets your vote?
01:03:59 Scolby, he's the one who objected.
01:04:01 All right, I'll take Texas Rue and Gideon's.
01:04:04 You take Jean-Louis with you and bolt the door from inside.
01:04:07 Come on, Jean-Louis, we'll have a treasure hunt, okay?
01:04:09 Come on.
01:04:10 Tex?
01:04:13 Tex.
01:04:14 And it's Charlie's stuff.
01:04:19 Looks like it.
01:04:21 You've got to call Herman?
01:04:22 Who for?
01:04:23 If it's not here, why bother him?
01:04:26 And if it is?
01:04:28 Why bother him?
01:04:30 Sure there's nothing missing?
01:04:40 No, everything's here.
01:04:41 The police have kindly provided us with a list.
01:04:44 Sure ain't nothing here worth no quarter of a million dollars.
01:04:48 Not unless we're blind.
01:04:50 I keep telling myself we've stolen a great deal of money,
01:04:54 but up to now I've yet to see a penny of it.
01:04:57 You think maybe we're fishing up the wrong stream?
01:05:00 Meaning what?
01:05:03 Suppose one of us has it, you know, like the man says.
01:05:07 Now, that'd be mighty distasteful.
01:05:09 Must be in veterans of the same war and all.
01:05:12 Well, you'll know I tell you if I had it.
01:05:17 Oh, naturally, just like I'd tell you if I had it.
01:05:20 Naturally.
01:05:21 And that goes for Herman, too.
01:05:24 Naturally.
01:05:26 He's all right, Sylvie, honestly.
01:05:33 Just hurry over as soon as you can.
01:05:35 Okay, goodbye.
01:05:38 Now, if you had a treasure, where would you hide it?
01:05:41 I would bury it in the garden.
01:05:45 Well, swell, but this man doesn't have a garden.
01:05:47 Oh, neither do I.
01:05:49 You don't?
01:05:50 Well, if you had to hide it in this room, where would you put it?
01:05:53 Up there.
01:05:55 On top of that cupboard?
01:05:57 You know something?
01:05:59 You may be right.
01:06:05 Oh, I hope I don't find any hairy little things living up here.
01:06:08 Hey, there is something.
01:06:11 It's heavy.
01:06:12 I found it, I found it, I found it, I found it.
01:06:15 If you think you're getting credit for this, you're crazy.
01:06:17 We won, we won, we won, we won, we won, we won.
01:06:22 We won, we won.
01:06:24 We found it, we found it.
01:06:27 Did you find it?
01:06:28 No.
01:06:29 What do you mean, no?
01:06:31 The kid was yelling there.
01:06:32 Up there, it's up there.
01:06:34 Believe me, there's nothing up there.
01:06:36 Yeah?
01:06:38 Oh, jumping free-holders of Herman's spare.
01:07:03 Where is he?
01:07:04 He's over in my room.
01:07:06 You'd better take the boy out in the hall.
01:07:27 Oh, now who would have done a mean thing like that?
01:07:31 I'm not quite sure.
01:07:35 Well, this ain't my room.
01:07:37 Mine neither.
01:07:39 Oh, the police aren't gonna like this a bit.
01:07:41 We could dry him off and take him down the hall to his own room.
01:07:47 He really doesn't look too bad.
01:07:49 I'm sure he'll be all right.
01:07:51 I'm sure he'll be all right.
01:07:53 Take him down the hall to his own room.
01:07:55 He really doesn't look too bad.
01:07:57 Oh, poor old Herman.
01:07:59 Seems like him and good luck always was strangers.
01:08:02 Well, maybe now he'll meet up with his other hand someplace.
01:08:07 A man drowned in his bed.
01:08:18 Impossible.
01:08:20 And in his pajamas.
01:08:21 The second one in his pajamas.
01:08:23 C'est trop stupide.
01:08:25 Stop lying to me.
01:08:27 This nose tells me when you are lying.
01:08:29 It is never mistaken.
01:08:31 Not in 23 years.
01:08:33 This nose will make me commissaire of police.
01:08:36 Mr. Dial or Mr. Joshua.
01:08:39 Which is it?
01:08:40 Dial.
01:08:41 And yet you registered in Mejere as Mr. Joshua.
01:08:45 Didn't you know it was against the law to register under an assumed name?
01:08:49 No, I didn't.
01:08:51 It's done in America all the time.
01:08:53 None of you will be permitted to leave Paris until this matter is cleared up.
01:08:59 Only I warn you.
01:09:01 I will be watching.
01:09:03 We use the guillotine in this country.
01:09:06 I have always suspected that the blade coming down...
01:09:10 causes no more than a slight tickling sensation on the back of the neck.
01:09:15 It is only a guess, of course.
01:09:17 I hope none of you ever finds out for certain.
01:09:21 Who do you think did it?
01:09:30 Gideon?
01:09:31 Possibly.
01:09:32 Or Tex?
01:09:34 Possibly.
01:09:35 You're a fat lot of help.
01:09:37 That's right.
01:09:38 Can I have one of those?
01:09:39 One of what?
01:09:40 I think Tex did it.
01:09:41 Oh.
01:09:42 Vanille chocolat, s'il vous plaît.
01:09:44 Why do you think Tex did it?
01:09:45 Because I really suspect Gideon, and it's always the person you don't suspect.
01:09:49 Do women think it's feminine to be so illogical, or can't they help it?
01:09:53 What's so illogical about that?
01:09:55 Well, you just said that it's always the one you don't suspect.
01:09:58 And you suspect Gideon, so therefore it must be Tex.
01:10:00 But on the other hand, if you suspect Tex, it must be the other fellow, Gideon.
01:10:03 I guess they just can't help it.
01:10:07 Who?
01:10:08 Women.
01:10:09 Oh.
01:10:10 You know, I can't help feeling rather sorry for Scobie.
01:10:15 Wouldn't it be nice if we were like that?
01:10:17 What, like Scobie?
01:10:18 No, Gene Kelly.
01:10:20 You remember when he danced down here by the river in America and Paris without a care in the world?
01:10:24 Hmm.
01:10:25 You know, this is good. Want some?
01:10:28 No, thanks.
01:10:31 And I guess you don't, do you?
01:10:35 I'm sorry.
01:10:37 Alex, I'm scared.
01:10:41 Yes, I know.
01:10:43 I can't think of any reason why he was killed.
01:10:46 Well, perhaps someone thought the four shares were too many.
01:10:50 What makes you think that this someone is going to be satisfied with three?
01:10:53 He wants it all, Alex. That means we're in his way, too.
01:10:57 That's right.
01:10:58 We've got to do something. I mean, any minute now, we could be assassinated.
01:11:02 Would you do anything like that?
01:11:05 What, assassinate someone?
01:11:07 No, swing down from there on a rope to save the woman you love.
01:11:10 Like the hunchback of Notre Dame.
01:11:12 That...
01:11:13 Huh?
01:11:14 Who put that there?
01:11:17 Hurry up and change. I'm starved.
01:11:23 Let me know what you want to eat so I can pick out a suit that matches.
01:11:26 What do you want?
01:11:40 It's the house, detective. Why don't you have a girl in there?
01:11:43 Oh, you're a pest.
01:11:45 Can I come in?
01:11:47 No, I'm going to take a bath.
01:11:49 Oh, wouldn't it be better if you did it in here?
01:11:52 What for?
01:11:53 Well, I wouldn't want to use that tub.
01:11:55 And anyway, I don't want to be alone. I'm afraid.
01:11:58 There's nobody next door. If anything happens, holler.
01:12:01 Reggie?
01:12:09 Got you.
01:12:10 Did you ever hear the story of the boy who cried wolf?
01:12:15 The shower's in there.
01:12:17 Oh, come on, Reggie. Open the door.
01:12:20 This is a ludicrous situation. I can think of a dozen men who are just longing to use my shower.
01:12:24 Why don't you call one of them?
01:12:26 I dare you.
01:12:28 Oh, you're a nut.
01:12:30 What are you doing?
01:12:35 Taking off my shoes. What do you think I'm doing?
01:12:37 Did you ever hear of anyone taking a shower with their shoes on?
01:12:39 I usually sing a medley of old favorites when I'm in the shower.
01:12:45 Oh, any requests?
01:12:47 Shut the door.
01:12:49 Oh, I'm afraid I don't know that one, miss.
01:12:51 Well...
01:12:53 Shut the door.
01:12:54 Why? Come in and watch.
01:12:57 [humming]
01:12:59 Drip dry.
01:13:11 How often do you go through this little ritual?
01:13:15 Oh, every day. The manufacturer recommends it.
01:13:18 I don't believe it.
01:13:20 Oh, yes, it's... Wait a minute.
01:13:25 Look at the label. Look, look at the small print.
01:13:27 Wearing this suit during washing helps protect its shape.
01:13:32 Waterproof?
01:13:50 Micro-nylon. Vibrous resistance. Plastic, rustproof, flyproof. Proof-proof.
01:13:56 You're the nut.
01:13:58 Nutproof.
01:14:00 Yes?
01:14:05 Miss Slappett? Bartholomew.
01:14:07 I spoke to Washington, Miss Slappett.
01:14:09 Go ahead, Mr. Bartholomew. I'm listening.
01:14:12 Well, I told him what you said about this man being Carson Dial's brother.
01:14:16 I asked him what they knew about it, and they told me.
01:14:19 You're not gonna like this, Mrs. Slappett.
01:14:22 Carson Dial had no brother.
01:14:24 Miss Slappett?
01:14:28 Are you sure there's no mistake?
01:14:30 None whatsoever. Please be careful, Mrs. Slappett.
01:14:33 Bye.
01:14:35 I left all my drip dry dripping. Is that all right?
01:14:48 What's the matter? Something wrong?
01:14:50 Oh, you're probably weak from hunger. You've only eaten five times today.
01:14:54 I'll get someone to fix up my suit quickly and take you out to dinner.
01:14:57 Let's go somewhere crowded. I feel like a lot of people.
01:15:00 Hey, you know this thing is still damp?
01:15:17 You haven't spoken a word for 20 minutes.
01:15:20 I was thinking about Charles and Scoby and who's going to be next.
01:15:24 Me?
01:15:26 I don't suppose you know who the murderer is, do you?
01:15:29 No, not yet.
01:15:31 Whoever's left alive at the end will pretty much have sewn up the nomination, don't you think?
01:15:35 What are you trying to say, that I might have killed Charles and Scoby?
01:15:39 What'd I have to do to satisfy you? Become the next victim?
01:15:42 It's a start, anyway.
01:15:44 I can't understand you at all.
01:15:47 One minute you're chasing me around the shower room and the next minute you're accusing me of murder.
01:15:51 Carson Dial had no brother.
01:15:54 Oh, I can explain that if you'll just listen.
01:16:01 Well, I can't very well leave without a pair of water wings, can I?
01:16:05 All right, get set for the story of my life.
01:16:07 Fiction or non-fiction?
01:16:09 Why don't you shut up?
01:16:11 Where?
01:16:12 Are you going to listen?
01:16:14 Go on.
01:16:15 All right.
01:16:17 Now, when I was a young man, my father expected me to go into his business.
01:16:21 Umbrella frames, that's what he made.
01:16:24 Oh, a sensible business, I suppose, but I didn't have the sense in those days to be sensible.
01:16:29 I suppose all this is leading somewhere.
01:16:31 Well, it led me away from umbrella frames for one thing.
01:16:34 But that left me without any honest means of support.
01:16:37 What do you mean?
01:16:39 Well, in this highly competitive world, when a man has no profession, there isn't much choice.
01:16:44 So I began looking for people who had more money than they needed, including some they'd barely miss.
01:16:50 You mean you're a thief?
01:16:53 Well, that's not exactly the term I'd have chosen, but it sort of captures the spirit of the thing.
01:16:59 I don't believe it.
01:17:03 I can't really blame you now.
01:17:05 But I do believe it. That's what I don't believe.
01:17:08 So it's goodbye Alexander Dial and welcome home Peter Joshua.
01:17:12 Sorry, the name's Adam Canfield.
01:17:15 Adam Canfield?
01:17:18 Wonderful.
01:17:20 Don't you realize you've had three names in the past two days? I don't even know who I'm talking to anymore.
01:17:25 Well, man's the same, even if the name isn't.
01:17:28 No, he isn't the same. Adam Canfield is a crook and I want to know why.
01:17:32 Well, it's simple. I like what I do. I enjoy my work.
01:17:35 There aren't many men in the world who love their work as much as I do. You look around sometimes.
01:17:40 Is there a Mrs. Canfield?
01:17:44 Yes, but we're divorced.
01:17:47 That's right, now go and eat your dinner.
01:17:49 Oh, I could eat a horse.
01:17:51 I think that's what you ordered.
01:17:52 Don't you dare be civil with me after leading me on like this.
01:17:56 How did I lead you on?
01:17:58 Oh, that marvelous rejection. You knew I couldn't resist it, and now it turns out all you're interested in is the money.
01:18:04 That's right.
01:18:05 Oh.
01:18:06 What would you like me to say?
01:18:08 That a pretty girl with an outrageous manner means more to an old pro like me than a quarter of a million dollars?
01:18:13 I don't suppose so.
01:18:15 It's a toss-up, I can tell you that.
01:18:19 What?
01:18:20 Hasn't it occurred to you that I'm having a tough time keeping my hands off you?
01:18:28 Oh, you should see your face.
01:18:31 What's the matter with it?
01:18:33 It's lovely.
01:18:37 Now what's the trouble?
01:18:40 I'm not hungry anymore, isn't it glorious?
01:18:44 Adam!
01:18:45 It's all right, come and look.
01:18:48 Oh, the old cave was bland.
01:18:57 It was closing night, the ending of the day.
01:19:06 Hey, you don't look so bad in this light.
01:19:08 Why do you think I brought you here?
01:19:10 I thought maybe you wanted me to see the kind of work the competition was turning out.
01:19:15 Pretty good, huh?
01:19:17 I taught them everything they do.
01:19:20 Oh, did they do that kind of thing way back in your day?
01:19:24 Sure.
01:19:25 How do you think I got here?
01:19:33 Not allowed to kiss back, huh?
01:19:35 Oh, no.
01:19:36 I said it was bad for my thermostat.
01:19:53 Well, when you come on, you come on, don't you?
01:19:56 Well, come on.
01:20:16 Yeah.
01:20:17 Huh?
01:20:20 In the lobby?
01:20:24 Are you out of your mind or something?
01:20:28 It's 3.30 in the morning.
01:20:31 You mean it?
01:20:34 All right.
01:20:36 All right, I'll be right down.
01:20:37 Wait a minute.
01:21:06 Hey, turn down the lights.
01:21:28 I stopped the thing.
01:21:50 Three of them.
01:21:51 All in their pajamas?
01:21:52 It's ridiculous.
01:21:53 What is it?
01:21:54 Some new American fad?
01:21:55 No, no, no.
01:21:56 It's a real American fad.
01:21:57 And your friend who lives here, the one from Texas, he's disappeared.
01:22:00 Into thin air.
01:22:01 Where is he?
01:22:02 I wish I knew.
01:22:04 Madam?
01:22:08 Tell me, Mr. Dial, where were you at 3.30 a.m.?
01:22:12 In my room, asleep.
01:22:14 And you, Mrs. Lampert?
01:22:15 I was, too.
01:22:17 In Mr. Dial's room?
01:22:19 No, in my room.
01:22:22 Obviously, you're telling the truth.
01:22:25 For why would you invent such a ridiculous story?
01:22:29 And if I were you, I wouldn't stay in my pajamas.
01:22:33 Good night.
01:22:36 Well, that wraps it up.
01:22:38 Tex has the money.
01:22:40 You go to bed.
01:22:41 I'll let you know when I found him.
01:22:42 You're gonna go looking for him now?
01:22:44 Well, if the police find him first, they're not going to turn over that quarter of a million dollars to us.
01:22:47 Oh, Adam.
01:22:48 You, Satellite, go to bed and bolt your door.
01:22:58 Yeah?
01:22:59 Now, you listen to me, Dial.
01:23:01 Look, I know who's got that money, man.
01:23:03 And I want my share.
01:23:05 Seems to be growing and growing every day.
01:23:07 Well, I ain't disappearing until I get it.
01:23:09 Where are you, Tex?
01:23:11 Come on, man.
01:23:12 Look, my mama didn't raise no stupid children.
01:23:15 Look, I'll tell you what.
01:23:17 You want to find me, well, you just look over your shoulder.
01:23:21 Because from now on, I'm going to be right behind you.
01:23:35 Open up.
01:23:41 I think I was wrong about Tex having the money.
01:23:44 Why?
01:23:45 I just heard from him he's still hungry.
01:23:47 That means killing Gideon didn't get it for him.
01:23:50 So he's narrowed it down to us.
01:23:52 You've got it.
01:23:54 But I've looked everywhere.
01:23:55 You know I have.
01:23:56 Where's the airline's bag?
01:23:58 In the wardrobe?
01:23:59 Get it.
01:24:01 Lord, you're obstinate.
01:24:03 Charles must have had it with him on the train when Tex killed him.
01:24:07 Thanks.
01:24:10 Everybody and his Aunt Lillian has been through that bag, including me.
01:24:15 Okay, we'll do it again.
01:24:16 I've been into it at least once a day.
01:24:18 Somebody would have seen it.
01:24:22 It's there, Reggie.
01:24:24 We're looking at it right now.
01:24:25 Something on that bed is worth a quarter of a million dollars.
01:24:29 But what?
01:24:30 I don't know, I don't know.
01:24:32 Four passports.
01:24:36 Steamship ticket.
01:24:40 Anything in there?
01:24:41 Nothing.
01:24:43 Wallet.
01:24:46 Phone?
01:24:48 And a fountain pen.
01:24:54 What about that key?
01:24:56 To the apartment, matches mine exactly.
01:25:01 I bet you don't really need those.
01:25:05 You need them.
01:25:09 Well, it still doesn't make sense.
01:25:11 But it isn't worth a quarter of a million dollars, I don't know.
01:25:16 Wait a minute.
01:25:18 What?
01:25:19 The tooth powder.
01:25:20 What about it?
01:25:21 Could you recognize heroin just by the taste of it?
01:25:30 Heroin.
01:25:31 Peppermint-flavored heroin.
01:25:35 Well, I guess that's it.
01:25:38 Dead end.
01:25:40 Well, go to bed.
01:25:42 You've got to get up and go to work in the morning.
01:25:43 There's nothing more we can do tonight.
01:25:46 I love you, Adam.
01:25:50 Yes, you told me.
01:25:51 No.
01:25:52 The last time I said I love you, Alex.
01:25:55 Oh.
01:25:57 [SPEAKING ITALIAN]
01:26:10 Hold it.
01:26:11 They're recognizing Great Britain.
01:26:12 What a bus.
01:26:13 Mr. Chairman, fellow delegates, my distinguished colleague from Italy.
01:26:18 Her Majesty's delegation has listened with great patience to the Southern European--
01:26:22 Oh, you are?
01:26:23 No, it's all right.
01:26:24 What's wrong, Adam?
01:26:25 Nothing's wrong.
01:26:26 I think I found something.
01:26:27 I was snooping around Texas room and came across this in the wastebasket.
01:26:30 I stuck it together again.
01:26:32 That's the receipt Grandpierre gave me for Charles' things.
01:26:34 I don't see how that's going to--
01:26:36 No, you're not looking.
01:26:37 Last night when we went through the airline's bags, something was missing.
01:26:40 An agenda.
01:26:41 That's an appointment book, isn't it?
01:26:43 It wasn't there.
01:26:45 That's right.
01:26:46 I remember Grandpierre looking through it, but there was nothing in it,
01:26:49 at least nothing the police thought was very important.
01:26:51 Can you remember anything in it at all?
01:26:53 He did say something about Charles' last appointment.
01:26:57 With whom? Where?
01:26:59 I think it only said where.
01:27:00 No, come on, Reggie, think, think.
01:27:02 This may be what we're looking for.
01:27:04 Adam, that money doesn't belong to us.
01:27:07 If we keep it, we'll be breaking the law.
01:27:09 Nonsense, we didn't steal it.
01:27:10 There's no law against stealing stolen money.
01:27:12 Of course there is.
01:27:13 There is?
01:27:14 Yes.
01:27:15 When did they pass such a silly law?
01:27:16 Now think, Reggie, what was in that appointment book?
01:27:18 Oh, it was a place or a street corner or something.
01:27:21 Watch it, I'm on.
01:27:22 Ladies and gentlemen,
01:27:24 my distinguished colleagues from Great Britain,
01:27:27 the problem that presents itself
01:27:29 influences in a vital way
01:27:31 the most important proposal of the Western Hemisphere Conference.
01:27:35 Of the Western Hemisphere Conference...
01:27:39 Of the Western Hemisphere Conference held on March 22nd...
01:27:45 No, wait!
01:27:46 It was last Thursday, 5 o'clock, at the Jardin des Champs-Elysées.
01:27:50 That's it, Adam, the garden.
01:27:52 Well, it's Thursday today and it's almost 5 o'clock, so come on.
01:27:56 Oh, it's all right, gentlemen, carry on.
01:27:59 Now what?
01:28:03 5 o'clock, Thursday, the gardens.
01:28:06 Must be something around here.
01:28:08 Charles's appointment was last week.
01:28:10 Yes, I know, but this is all we've got left.
01:28:12 You're not kidding.
01:28:13 Ten minutes ago I had a job.
01:28:15 Well, now you've got another job,
01:28:17 so stop grumbling and start looking.
01:28:19 I'll take that side, you poke around over here.
01:28:23 (children playing)
01:28:26 (children playing)
01:28:28 (children playing)
01:28:39 (car horn honking)
01:28:48 (children playing)
01:28:50 It's hopeless, I don't even know what we're looking for.
01:29:04 I don't think Tex does either.
01:29:07 Tex, is he here?
01:29:09 Look.
01:29:10 (children playing)
01:29:12 I'm going to see what he's up to.
01:29:16 You stay here.
01:29:18 Be careful, Adam, he's already killed 3 men.
01:29:21 (children laughing)
01:29:26 (children playing)
01:29:35 (children playing)
01:29:37 (car horn honking)
01:29:59 (car horn honking)
01:30:01 (car horn honking)
01:30:06 (car horn honking)
01:30:09 (car horn honking)
01:30:12 (car horn honking)
01:30:15 (car horn honking)
01:30:18 (car horn honking)
01:30:22 (car horn honking)
01:30:27 (car horn honking)
01:30:29 (car horn honking)
01:30:31 (car horn honking)
01:30:35 (car horn honking)
01:30:38 (car horn honking)
01:30:41 (car horn honking)
01:30:45 (footsteps)
01:30:47 All right, where's the letter?
01:30:53 The letter, huh?
01:30:56 It ain't worth nothing.
01:30:58 You know what I mean.
01:31:00 The envelope with the stamps on it, I want it.
01:31:02 (chuckles)
01:31:04 You greenhorn.
01:31:06 Why, you thick-skulled, hair-brained, half-witted greenhorn.
01:31:11 And they was both too smart for us.
01:31:13 What are you talking about?
01:31:15 First her husband, now her.
01:31:17 She batted all of them big eyes at you,
01:31:20 and you fell for it like an egg from a tall chicken.
01:31:24 You want the envelope?
01:31:26 There.
01:31:28 You take it. It's all yours.
01:31:30 (laughs)
01:31:32 You kill all three of them for nothing.
01:31:36 (laughs)
01:31:39 You greenhorn, you block-headed jackass.
01:31:44 You, uh, knee-cum-poop.
01:31:46 (upbeat music)
01:31:48 Sylvie, what are you doing here?
01:31:51 I'm waiting for Jean-Louis.
01:31:53 Oh.
01:31:55 What's he up to?
01:31:56 Oh, he was so excited when he got the stamps you gave him this morning.
01:31:59 He said he'd never seen any like them.
01:32:01 I'm glad.
01:32:02 What's all this?
01:32:03 The stamp market. It's there every Thursday afternoon.
01:32:06 That's where Jean-Louis trades his stamps.
01:32:08 Good Lord, where is he?
01:32:11 What's the matter, Sylvie?
01:32:12 The stamps. They're worth a fortune.
01:32:14 What?
01:32:15 A fortune. Come on.
01:32:17 (upbeat music)
01:32:19 I don't see him anywhere.
01:32:27 We'll separate. You look over there.
01:32:29 Okay.
01:32:30 Jean-Louis.
01:32:37 Jean-Louis.
01:32:38 Jean-Louis.
01:32:39 Jean-Louis.
01:32:41 Jean-Louis.
01:32:51 Jean-Louis.
01:32:53 Reggie.
01:32:54 Reggie.
01:32:56 Jean-Louis, thank heaven, do you have the...
01:33:02 What's this?
01:33:04 A man gave me all those for only three.
01:33:07 A man? Oh, no, Jean-Louis. Who?
01:33:10 Where?
01:33:11 (speaking in French)
01:33:15 Come on.
01:33:18 Oh, but he's gone.
01:33:24 I don't blame him.
01:33:26 (knocking)
01:33:27 (speaking in French)
01:33:29 Monsieur Felix?
01:33:30 Oui.
01:33:33 (door slams)
01:33:34 I was expecting you.
01:33:37 I knew you would come.
01:33:39 Look at them, madame.
01:33:41 Have you ever in your entire life seen anything so beautiful?
01:33:44 I'm sorry, I don't know anything about stamps.
01:33:47 I know them as one knows his own face,
01:33:49 though I had never seen them.
01:33:51 This one, a Swedish four shilling,
01:33:54 called the Gula Firas Killingen,
01:33:56 printed in 1854.
01:33:58 What is it worth?
01:33:59 Well, the money is unimportant.
01:34:01 I'm afraid it's very important.
01:34:03 Well, in your money, perhaps $85,000.
01:34:07 May I sit down?
01:34:09 Yes.
01:34:10 And the blue one?
01:34:11 Oh, it's called the Hawaiian Blue.
01:34:13 In 1894, the owner was murdered
01:34:15 by a rival collector who was obsessed to own it.
01:34:18 And what is its value today?
01:34:20 $65,000.
01:34:23 And the last one?
01:34:25 Ah, the best for last.
01:34:27 (speaking in French)
01:34:29 The masterpiece.
01:34:31 It's the most valuable stamp in the world.
01:34:33 It's called the Gazette Moldave.
01:34:35 It was printed by hand on colored paper
01:34:38 and marked with the initials of the printer.
01:34:41 Today, it has a value of $100,000.
01:34:45 I'm not a thief, madame.
01:34:48 I knew there was some mistake.
01:34:50 You gave the boy a great many stamps in return.
01:34:56 Are they for sale now?
01:34:58 Yes, 350 European, 200 Asian,
01:35:01 175 American, 100 African,
01:35:04 and 12 Princess Grace commemorative,
01:35:07 which comes to 10 francs.
01:35:09 And don't forget these.
01:35:13 Thank you.
01:35:16 I'm sorry.
01:35:17 No, for a few minutes they were mine.
01:35:20 That is enough.
01:35:26 Adam?
01:35:28 Adam?
01:35:31 Adam?
01:35:34 Adam?
01:35:37 (door creaks)
01:36:05 (phone rings)
01:36:07 Hello?
01:36:13 Mr. Bartholomew?
01:36:14 Yes?
01:36:16 Tex is dead. Smothered.
01:36:19 And Adam did it.
01:36:24 He killed them all.
01:36:26 Are you sure?
01:36:27 Yes, I'm sure.
01:36:29 Tex wrote the word "Dial" before he died.
01:36:34 He's the murderer, I tell you.
01:36:36 Now, wait a minute, just a minute, Mrs. Lampert.
01:36:38 You better give that to me again.
01:36:40 It was the stamps on the letter Charles had with him on the train.
01:36:43 They were there in plain view all the time,
01:36:45 but no one bothered to look at the envelope.
01:36:47 Now, Mrs. Lampert, listen to me.
01:36:48 You're not safe as long as you have these stamps.
01:36:50 Now, let's see, um...
01:36:52 Do you know the Cine Garden at the Palais Royale?
01:36:54 Yes, the Colonnade?
01:36:55 Yes, by the Colonnade.
01:36:57 As fast as you can get there. Hurry, Mrs. Lampert.
01:36:59 I'm leaving right away. Goodbye.
01:37:03 (train chugging)
01:37:06 Reggie! The stamps, where are they?
01:37:18 Reggie, wait!
01:37:19 Why, so you can kill me too? Tex is dead. He wrote "Dial" on the copy.
01:37:22 I'm not "Dial." You knew that.
01:37:24 Tex didn't know it. You're a murderer.
01:37:26 Reggie, I want those stamps.
01:37:28 (speaking French)
01:37:30 (speaking French)
01:37:32 (speaking French)
01:37:34 (dramatic music)
01:37:37 ♪ ♪
01:37:40 ♪ ♪
01:38:09 Whoa!
01:38:11 (speaking French)
01:38:14 ♪ ♪
01:38:18 ♪ ♪
01:38:22 ♪ ♪
01:38:25 ♪ ♪
01:38:33 ♪ ♪
01:38:37 ♪ ♪
01:38:40 ♪ ♪
01:38:50 (train chugging)
01:38:57 ♪ ♪
01:39:06 ♪ ♪
01:39:09 ♪ ♪
01:39:15 ♪ ♪
01:39:20 ♪ ♪
01:39:27 ♪ ♪
01:39:34 ♪ ♪
01:40:03 (train chugging)
01:40:06 (electricity crackling)
01:40:09 (thud)
01:40:11 (chattering)
01:40:14 (groaning)
01:40:17 (chiming)
01:40:30 (chiming)
01:40:33 (chiming)
01:40:36 (phone ringing)
01:40:39 American Embassy.
01:40:41 American Embassy?
01:40:43 Uh, Mr. Bartholomew's office, please.
01:40:47 Would you speak a little louder, please?
01:40:49 I can't speak any louder.
01:40:51 Mr. Hamilton Bartholomew.
01:40:54 I'm sorry. Mr. Bartholomew is left for the day.
01:40:56 (sighs)
01:40:58 He's trying to kill me.
01:41:00 What?
01:41:01 Kill me!
01:41:03 You've got to get word to him right away.
01:41:05 He's in the center garden of the Palais Royale
01:41:07 near the colonnade.
01:41:09 Tell him I'm trapped in a phone booth
01:41:11 right below him in the metro station,
01:41:13 and the name's Lampert.
01:41:15 (gunshot)
01:41:19 (train chugging)
01:41:22 (gunshots)
01:41:25 (sniffing)
01:41:53 (phone ringing)
01:41:56 Hello?
01:41:58 Hello, Mr. Bartholomew?
01:42:00 Yes?
01:42:01 There was a call for you just now, Mr. Bartholomew.
01:42:03 It sounded quite urgent. A Mrs. Lampert.
01:42:06 Lampert? I don't know any Mrs. Lampert.
01:42:09 She says she's trapped in a metro station,
01:42:11 and someone's trying to kill her.
01:42:13 Trying to kill her?
01:42:15 Who does she think I am, the CIA?
01:42:18 All right, I guess you'd better call the French police.
01:42:22 (train chugging)
01:42:25 (train chugging)
01:42:42 (train chugging)
01:42:45 (train chugging)
01:43:01 (train chugging)
01:43:04 Mr. Bartholomew!
01:43:14 Mr. Bartholomew!
01:43:16 Help me!
01:43:17 Stop!
01:43:18 That man is Carson Dial.
01:43:21 We all know Carson Dial is dead, Mrs. Lampert.
01:43:26 I tell you, he's Carson Dial.
01:43:28 You're not gonna believe him.
01:43:30 Just bring those stamps over here. He's trying to trick you again.
01:43:33 Tex recognized him. That's why he wrote "Dial."
01:43:36 If you take him those stamps, he'll kill you, too.
01:43:39 Mrs. Lampert, if I'm who he says I am,
01:43:42 what's preventing me from killing you right now?
01:43:44 Because he'd have to come out to get the stamps.
01:43:47 And he knows he'll never make it.
01:43:49 Mrs. Lampert, he wants the money for himself.
01:43:51 That's all he's ever wanted.
01:43:53 He's with the CIA. I saw him at the embassy.
01:43:55 I tell you, he's Carson Dial.
01:43:57 You're right, Mrs. Lampert. That's right.
01:43:59 I'm a dead man. Look at me.
01:44:02 Oh, I don't know who anybody is.
01:44:07 Reggie, I beg you.
01:44:10 Just trust me once more.
01:44:12 Why should I?
01:44:14 I can't think of a reason in the world why you should.
01:44:17 Stop right now, Mrs. Lampert, or I'll kill you.
01:44:25 It won't get you the stamps, Dial.
01:44:27 You'll still have to come out to get them.
01:44:29 And I'm not like you to miss at this range.
01:44:31 Maybe not, but it takes a lot of bullets to kill me.
01:44:33 They left me there with five of them in my legs and my stomach.
01:44:36 Mrs. Lampert, they knew I was still alive, but they left me there.
01:44:39 I spent ten months in a German prison camp with nothing to stop the pain.
01:44:42 They left me there, Mrs. Lampert. They deserve to die.
01:44:45 But I had nothing to do with it.
01:44:47 You've got the money now. It belongs to me.
01:44:49 Mrs. Lampert, they knew I was still alive, but they left me there.
01:44:53 That's why I had to kill them, all four of them.
01:44:56 Please believe me, Mrs. Lampert. I'll kill you, too.
01:44:59 It won't make any difference.
01:45:01 It's no use. You're running out of time.
01:45:05 I've come too far to turn back.
01:45:07 I swear I'll kill you.
01:45:09 Make up your mind, Mrs. Lampert, now.
01:45:13 I do!
01:45:16 (Gunfire)
01:45:18 (Gunfire)
01:45:21 (Gunfire)
01:45:23 (Gunfire)
01:45:25 (Gunfire)
01:45:27 (Gunfire)
01:45:29 (Gunfire)
01:45:31 (Gunfire)
01:45:33 (Footsteps)
01:45:35 (Footsteps)
01:45:37 (Footsteps)
01:45:59 (Footsteps)
01:46:01 (Footsteps)
01:46:16 (Footsteps)
01:46:22 (Footsteps)
01:46:24 (Footsteps)
01:46:53 (Footsteps)
01:46:55 (Footsteps)
01:47:18 (Footsteps)
01:47:20 (Door opens)
01:47:36 All right. I know you're in there, Mrs. Lampert.
01:47:40 Come on out.
01:47:43 (Footsteps)
01:47:45 Do you hear me? Come on out!
01:48:00 (Footsteps)
01:48:11 I don't want to kill you, but I will.
01:48:13 Come on out.
01:48:21 (Footsteps)
01:48:40 (Footsteps)
01:48:42 The game is over, Mrs. Lampert.
01:49:02 (Footsteps)
01:49:04 (Screams)
01:49:14 (Gunshot)
01:49:17 (Footsteps)
01:49:20 (Footsteps)
01:49:30 (Train whistle)
01:49:32 You didn't have to chase me so hard.
01:49:37 That one's done. Do this one.
01:49:40 No.
01:49:42 I'm sorry I thought you were the murderer.
01:49:44 How was I to know he was as big a liar as you are?
01:49:47 Is that all the gratitude I get for saving your hide?
01:49:50 You're rubbing on a big, big foot.
01:49:52 The truth now. Was it my hide or those stamps?
01:49:55 Well, what a terrible thing to say. How could you think that?
01:49:58 Then prove it to me.
01:50:00 Tell me to go to the embassy first thing in the morning and turn in those stamps.
01:50:04 I said tell me to go to the embassy first thing...
01:50:08 All right, I heard you, I heard you, I heard you.
01:50:10 Then say it.
01:50:12 Now, Reggie, listen to me.
01:50:14 There's something I'd like to explain...
01:50:16 Never mind. I'll go by myself.
01:50:18 Well, what makes you think they're even interested?
01:50:20 It's only a quarter of a million dollars.
01:50:22 It'll cost more than that for them to fix up their bookkeeping.
01:50:24 Now, as a taxpayer...
01:50:26 Who's a taxpayer? Crooks don't pay taxes.
01:50:28 Excuse me, soldier.
01:50:30 Marine, ma'am.
01:50:31 Oh, forgive me.
01:50:32 Who would I see regarding the return of stolen government money?
01:50:35 Well, you might try the Treasury Department, ma'am.
01:50:37 Room 217, second floor, Mr. Crookshank.
01:50:39 217. Thank you, Marine.
01:50:41 Uh, uh, do you mind if I don't go in with you?
01:50:51 I'm afraid all that money being given away might make me break out.
01:50:54 Mr. Crookshank, please. My name is Lampert.
01:51:00 Yes.
01:51:02 Mr. Crookshank?
01:51:03 Uh, Mrs. Lampert.
01:51:04 Mrs.
01:51:05 Mrs. Lampert to see you.
01:51:07 Yes, sir.
01:51:08 Go right in.
01:51:09 Thank you.
01:51:20 Of all the mean, rotten, contemptible crooked...
01:51:28 Crooked? I didn't think you'd be glad to find out I'm not crooked.
01:51:31 You can't even be honest about being dishonest.
01:51:34 Why didn't you say something?
01:51:36 You were not allowed to tell.
01:51:37 Now, come on. Give me the stamp.
01:51:39 Wait a minute. How did Carson Dyer get an office in this building anyway?
01:51:44 Well, when did you meet him? What time of day, I mean.
01:51:47 About one.
01:51:48 The lunch hour. Probably worked it out in advance.
01:51:51 Found an office usually left open and just moved in for the time you were here.
01:51:55 Then how do I know this is your office?
01:51:57 Mrs. Foster, take a memo to Bartholomew and Security recommending that...
01:52:03 Bartholomew.
01:52:05 Recommending that embassy offices be kept locked during the lunch hour.
01:52:09 Starting with his own.
01:52:11 I'll give you the stamps. Come on.
01:52:12 And what's your first name today?
01:52:14 Brian.
01:52:15 Brian Cruikshank. Serves me right if I get stuck with that one.
01:52:19 Well, who asked you to get stuck with any of them? Come on.
01:52:21 Is there a Mrs. Cruikshank?
01:52:22 Yes.
01:52:23 But we're divorced.
01:52:25 No.
01:52:26 Oh.
01:52:28 My mother. She lives in Detroit. You'd like her. She'd like you, too.
01:52:34 Come on. Give me those stamps.
01:52:36 Not until you prove to me that you're really Brian Cruikshank.
01:52:39 All right. One day next week. I'll put it on the marriage license. How about that?
01:52:42 Quit stalling. I want some identification now.
01:52:44 I wouldn't lie on a license. I could give it to you.
01:52:46 You can't prove it till the beginning. You're still trying to...
01:52:48 Marriage license?
01:52:50 Did you say marriage license?
01:52:53 Now, don't change the subject. Just give me the stamps.
01:52:55 Oh, I love you, Adam Alex Peter Brian, whatever your name is.
01:53:01 Oh, I love you.
01:53:03 I hope we have a lot of boys and we can name them all after you.
01:53:07 Well, before we start that, may I have the stamps?
01:53:09 The stamps?
01:53:10 No.
01:53:11 (SIREN WAILING)
01:53:12 (SIREN WAILING)
01:53:14 (SIREN WAILING)
01:53:16 (SIREN WAILING)
01:53:17 (explosion)
01:53:19 (dramatic music)