Kamel Belghazi dévoile à notre rédaction l’intrigue qu’il a préféré jouer dans Demain nous appartient.
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00:00 Is it already recording?
00:01 Yes, it is.
00:02 Ah, wonderful.
00:03 Hello.
00:04 Can you hear me?
00:05 Let's go.
00:06 I liked the White Lady, in which I was the main character.
00:16 I liked the return of...
00:18 When my father comes back and his disappearance with my father's will.
00:22 I also liked the arches, a bit of comedy with my daughter.
00:27 The arches of my daughter's departure, the big one, Sophia and my Smet.
00:30 These are the arches that I liked to play.
00:33 I like to play comedy now.
00:37 Even if I'm not very involved in an arch,
00:40 I managed to make scenes that I find beautiful,
00:42 which are related to the characters that I liked a lot.
00:45 There are scenes that I liked a lot, even if I was not at the center of the plot.
00:49 What was the most difficult scene in the film?
00:53 The White Lady.
00:54 There was a lot of work.
00:56 It spread over a month and a half.
00:59 I had between 8 and 10, even 11 sequences per day,
01:04 with changes in the setting, changes in the location.
01:06 It was very...
01:07 And a lot, a lot, a lot, a lot of text.
01:10 And a lot of different things to play, a lot of emotions.
01:12 And a continuity of stories to hold on to, because we're going through a mess.
01:16 So there's really a real mechanic, a real intellectual effort
01:19 to manage to hold on to the character and make it evolve,
01:22 little by little, little by little, until the end.
01:25 And even physically, it was challenging.
01:26 What was the most impressive scene in the film?
01:30 Francis Perrin, wow!
01:31 And Catherine Jacob, wow!
01:33 Great director, great director,
01:35 author,
01:37 actor,
01:39 actress,
01:41 several times nominated for the César, Césarized.
01:44 No, frankly, thank you, thank you, thank you,
01:47 the production, thank you, the life, thank you.
01:49 Thank you, yes, quite simply.
01:50 Of course, I'm very happy.
01:51 Very, very, very happy.
01:52 I was very happy when I learned it was them.
01:53 I was proud of it.
01:54 No, it's true.
01:55 I told my friends all the time.
01:56 I said, "You know, my mother, Catherine Jacob."
01:59 What was your first experience with the studio?
02:05 I like the hospital.
02:06 Because I started with the hospital.
02:08 Then, our first apartment,
02:12 our first apartment was in the studio.
02:14 So I went, even to go to my apartment,
02:16 I went through the hospital.
02:17 And I shot a lot, a lot, a lot at the beginning at the hospital.
02:21 And it's a setting that I'm viscerally attached to.
02:25 I feel comfortable.
02:26 I feel in my setting.
02:28 I feel in my universe.
02:31 I'm very, very comfortable in this setting.
02:33 I like this setting.
02:34 Really, I like, I like, I like to shoot there.
02:37 I like to play there.
02:38 [Music]