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CreativityTranscript
00:00 [MUSIC PLAYING]
00:08 By a man's boots, by his trouser knee, by his cuffs,
00:11 by his coat tails, by all of these things a man's calling
00:15 is plainly revealed.
00:17 Word spoken there by Sherlock Holmes, I believe,
00:19 although it may have been Westlife.
00:21 So in the next program, I got to go out and put these Holmesian
00:24 deductive techniques to the test and see
00:27 how much I could tell about a person by their clothes
00:30 and their manner.
00:31 First thing is you walk towards me.
00:32 Your posture is strong and solid.
00:34 It's obviously a physical and control thing
00:36 that you're involved in.
00:37 Your handshake was solid.
00:38 There's a kind of a thing you're kind of checking me out
00:40 slightly, almost.
00:41 I'm not suspicious, but you're checking me out.
00:42 So I'm guessing you're in some kind of security job.
00:44 Is that right?
00:45 Before that, pay particular attention
00:47 to a couple of moments in the first experiment with Colin,
00:50 the moment that he takes his jacket off,
00:52 and the positions of our fingers on the cell walls.
00:55 And pay no attention to his unforgivable mispronunciation
00:58 of my name at the start.
01:01 This is now the last show of our mind control marathon.
01:04 So I only hope to God that you went to bed some time ago
01:07 and are now watching this the following day
01:09 on some kind of electromagnetic image registration device.
01:12 If not, you need to find maybe some form
01:14 of narcotic or autoerotic stimulation
01:17 to keep you awake for the next half hour,
01:19 and then I shall leave you.
01:20 So are you ready?
01:22 Can you stomach the theme music one more time?
01:25 (theme music)
01:27 Stand up, come over to your television screen.
01:53 Do this now, so you're about three feet away from the screen.
01:56 I'm going to show you a picture.
01:58 Now look at the picture.
02:00 There's something very wrong with the picture.
02:04 Can you see what it is?
02:05 When you see what it is, you'll be amazed.
02:08 Look at it carefully.
02:10 It's not the chair.
02:12 What's wrong with it?
02:20 The House of Detention was London's busiest prison
02:24 until it closed in 1877.
02:26 How did Hannibal Lecter talk his cell neighbour
02:32 into swallowing his own tongue?
02:35 It's an absorbing premise for those of us
02:37 who grew up plotting to be a criminal mastermind.
02:39 We placed an advertisement for people to help out in the show,
02:45 and one of the people who responded was Colin.
02:48 You doing all right?
02:50 - Yeah, it's not bad. - Not a very happy place, is it?
02:51 It's OK, let me show you the cell.
02:52 It's just through here.
02:54 Right, I'll show you what you've got in here.
02:58 You've got a chair and a blackboard,
03:00 and I'm going to introduce you to two cameramen here.
03:02 This is Louis. He'll be your cameraman.
03:03 He'll remain on you from now on.
03:05 This is Jono. Jono's my cameraman.
03:07 He will remain on me.
03:09 Neither will cut away.
03:10 Both will keep a continuous shot of each other
03:12 because I'm going to go in the cell next door.
03:14 We'll be able to hear each other through the ventilation shafts,
03:17 but we won't be able to see each other, all right?
03:19 So thanks for helping us out. I'll see you in a minute.
03:21 You see, there were many reports in those days of prisoners
03:23 that said they'd become demonically possessed.
03:25 Whereas now we know what happened is that the isolation
03:28 made them go schizophrenic, and that in that state,
03:30 they believed their every move
03:32 to be controlled by some external force.
03:35 Take a seat.
03:39 (THUNDER RUMBLES)
03:41 Can you hear me, Colin?
03:47 Yes, I can hear you, Darren.
03:49 Good.
03:50 So, Colin, are both your parents still alive?
03:56 Yes, they still are.
03:58 What do they do?
04:03 They're both pensioners.
04:06 So when you were young, did they ever get cross?
04:10 When you were naughty, did they get cross?
04:12 If you maybe moved something you shouldn't have done?
04:14 If you moved something, you were naughty?
04:16 Did they get cross?
04:17 Yes, they did.
04:18 Yeah, did you move just then?
04:20 Yes.
04:21 What did you do?
04:22 Moved my head.
04:23 OK.
04:24 So...
04:27 ..do you think when they got cross, that it affected you now?
04:31 Do you cross yourself now?
04:33 Erm, sometimes I do, yes.
04:36 Right. Did you move just then?
04:38 Yes.
04:39 What did you do?
04:40 Crossed my arms.
04:41 Good. Sounds like you're very close to your parents,
04:45 which is very touching to hear.
04:48 That's good. Did you move just then?
04:51 No.
04:52 OK.
04:53 I guess there was a time, maybe when you were 18, 19,
04:57 you started to form your own life for yourself.
04:59 You go back and see your parents,
05:01 they still treat you a bit like a kid sometimes, that happens.
05:04 I wonder if that made you uncomfortable?
05:06 Sometimes...
05:07 Or did you find yourself sliding back?
05:09 Yeah, sometimes I did.
05:10 Yeah. Did you move then?
05:11 Yes.
05:12 What did you do?
05:13 Moved my legs.
05:14 OK.
05:15 Colin, I want you to stand up.
05:18 Go over to the blackboard, pick up a piece of chalk.
05:21 Get the chalk, start wandering around the cell.
05:31 Keep walking around.
05:33 And at some point, I want you to go
05:36 and put your forefinger on any point on any wall of the cell.
05:40 Do that whenever you're ready. Walk around and around,
05:43 and then go put your finger somewhere on one of the walls.
05:45 Do that now.
05:46 Tell me when you're done.
05:48 Say now when you've got it.
05:50 Now.
05:51 Now, right. Go straight to the blackboard.
05:53 Go straight to the blackboard and draw.
05:58 Draw something, anything you like.
06:00 Anything you like, draw it now.
06:03 Whatever comes into your mind. Have you done that?
06:06 Yes.
06:09 Good. Come out of the cell.
06:11 How are you doing?
06:16 Too bad.
06:17 Come in here.
06:18 Wow.
06:22 How did you do that?
06:27 I can't believe it.
06:28 When I walk through there, I see what I've drawn,
06:30 and he's drawn the same.
06:32 It's amazing.
06:33 I can't believe it.
06:36 Jesus.
06:39 Every day when you leave your home,
06:45 you give away more than you could ever imagine
06:47 about who you are and what you do.
06:50 Do you know who I am, what I do?
06:53 No.
06:54 No, great. But I think I can tell you what you do for a living.
06:55 Look at me. It's people, it's PR, it's marketing,
06:59 it's that sort of thing.
07:00 Is that what you do?
07:01 Yes.
07:02 You look for people's skills, you put them in positions.
07:03 It's some sort of headhunting, is that right?
07:05 Recruitment, that sort of thing?
07:06 Yes, yes, that's right.
07:07 What do you do?
07:08 I'm a recruitment consultant.
07:09 It's fashion. It's an assistant in a shop.
07:10 This is a fashion, specifically denim.
07:11 You're selling denim, you're selling jeans, is that right?
07:13 You were doing that and you haven't done it for a while.
07:15 You've recently come out of that job, is that right?
07:17 Yes, absolutely right.
07:18 Is that right?
07:19 Fantastic.
07:20 Oh, my God.
07:23 Open your eyes.
07:24 Take this guy.
07:25 He's warped, the gum chewing, the long coat.
07:27 He's confident, streetwise detached.
07:29 He's protective of his girlfriend, so he's aware of the danger around him.
07:33 His hair tells me he's not in the forces, so I'd say he's a journalist.
07:37 Workmates.
07:40 The woman on the left, she's wearing night-time gear at lunchtime
07:42 but has conservative hair and make-up, so it's only a work outfit.
07:46 The rose means she's gregarious,
07:48 so these two work in the PR end of high street fashion.
07:51 # I am leader, I am leader #
07:55 Guy here in the black, dead giveaway.
07:58 Excuse me, sir, can I stop you for a second?
08:00 I thought... No, I do know you.
08:01 You do know me from Channel 4?
08:03 Yes.
08:04 Mind reader.
08:05 I've got no idea who you are, but look at me.
08:07 Look at me.
08:08 Shh, shh, shh.
08:09 I think I can tell you what you do for a living.
08:11 What's that?
08:12 Are you happy for me to tell people?
08:15 Yeah, yeah.
08:16 All right, look at me.
08:17 Look at me.
08:18 Talk towards me. Your posture is strong and solid.
08:21 There's obviously a physical and control thing that you're involved in.
08:24 Your handshake was solid.
08:25 There's a kind of a thing you're checking me out slightly, almost.
08:27 Not suspicious, but you're checking me out.
08:29 So I'm guessing you're in some kind of security job, is that right?
08:31 Regulation haircut, so you're not a bouncer.
08:33 So this is maybe something to do with...
08:35 police or something like that?
08:38 What do you do? What do you do, mate?
08:40 Work in a police station.
08:42 You work in a police station?
08:43 You're not a policeman, are you?
08:45 No, I'm a security...
08:46 Security for the police.
08:47 All right. Okay, now look.
08:48 That's just me reading your signals.
08:49 What I want you to do, this is more interesting,
08:50 is to think of what you would love to do
08:52 if you weren't doing security for police at the moment.
08:54 Don't say it, just think it.
08:56 I'm going to get a bit physical here, but just go with me.
08:58 Look at me and just think.
08:59 Be there in your mind.
09:00 Imagine yourself doing it.
09:01 Imagine now that you're doing this job, whatever it is.
09:03 Now, what is it?
09:04 All right, first thing is, this is aspirational.
09:05 You're moving easily.
09:06 This is aspirational because your energy is up here, not down there.
09:08 Something that maybe you've seen and you would really love to be doing.
09:10 Look at me. Just keep... Focus on me. Look at me.
09:12 All right, now you're in a cramped space doing this thing, and you're sat down.
09:14 So you're going to want to do something in a wide open space.
09:16 Correct.
09:17 Where you can maybe move around and get out and big thing.
09:19 It's obviously going to be sport-based.
09:21 You're wearing a sport top you're wearing now,
09:22 but you're not having any sports in your job at the moment.
09:24 It's a sport thing, wide open space.
09:25 You're on your own.
09:26 You're on your own doing the security job.
09:28 It's a solitary job, so that's what you like.
09:30 So it's a sport thing with a wide open space when you're on your own.
09:33 It's golf, isn't it? It's golf.
09:34 You want to do golf? Is it golf?
09:36 What is it? What is it? What is it?
09:38 Golf.
09:39 You're being talked.
09:40 You're being what?
09:41 You're being talked. Golf.
09:42 You want to be a golfer? Is that what you're thinking of?
09:44 Yeah, that's it. You've got it. Well done.
09:46 You're doing a fantastic job, mate. Take it home with you.
09:48 I don't know what you're doing, but.
09:50 The one-inch punch is a martial arts technique of focusing your entire energy into the fist,
10:06 and then by punching from a very short distance, you can knock your opponent flat.
10:11 I found a kung fu grandmaster who can do it,
10:16 and invited him along to demonstrate it to a class of British students.
10:20 Thank you. Thank you.
10:23 Sifu Tam, an honour to meet you.
10:25 Nice to meet you.
10:26 You too. You are considered in Hong Kong to be the most sophisticated master of Wong Chong Kung Fu.
10:31 Yeah.
10:32 Fantastic.
10:33 So, the one-inch punch, does it take a long time to learn? Is it difficult to learn?
10:37 Yeah, it's taken me one year.
10:39 And you can put out a candle using this punch. Is this true? I'd love to see this.
10:43 That's outstanding.
10:57 And you're going to try the same punch on Dennis here. You've volunteered to be hit.
11:03 I will stand back.
11:05 What was that like?
11:20 Quite painful.
11:22 That was very violent. Thank you very much.
11:24 I want to show you something, something I do, which is similar but it's non-physical.
11:28 It's a little easier on the knuckles. It just uses the mind.
11:31 Could you choose a student for us to use here?
11:34 This man.
11:36 Guy on the end. What's your name?
11:38 Archie.
11:39 Archie, thank you for volunteering. Come stand here.
11:42 Can you feel this?
11:50 Yeah.
11:52 Stand, stand, look at me, breathe in, out.
11:56 OK? It's just in your mind.
12:00 Can we do this one more time?
12:03 I can't do this.
12:05 OK, let's do it.
12:07 You're going to stand here, and I'm going to punch you.
12:09 OK.
12:11 And then you're going to stand here, and I'm going to punch you.
12:13 And I'm going to punch you.
12:15 And I'm going to punch you.
12:17 And I'm going to punch you.
12:19 Oh, I can't.
12:21 Yeah?
12:22 Yeah.
12:23 Yeah? Alright.
12:25 OK.
12:26 This time I will stand behind you, so you won't be able to see me.
12:29 Because you won't know when I'm doing it.
12:31 Would you hold that for me?
12:37 Thank you.
12:39 Yeah.
12:46 You can feel that?
12:49 You can feel that?
12:51 Yes?
12:52 Yes.
12:53 So this time I'm behind you so you can't see me.
12:56 You alright?
13:04 Stand, that's it, that's it.
13:06 Won't do it anymore, look at me, look at me.
13:08 You alright?
13:09 Yeah.
13:10 It's just in your mind, you're OK now?
13:11 Yeah.
13:12 When the punch landed, it just knocked me back.
13:14 I couldn't see it, but I still felt it.
13:16 Even though it was behind me, I didn't know what else to do.
13:19 I just felt that impact.
13:21 It was quite shocking.
13:23 Tell me the truth.
13:24 After the break, I'll be trying to spot the lies of a used car salesman.
13:28 It wasn't even one try or two tries, it was straight off, in, straight away.
13:31 And I'll be going to Walthamstow Stadium to try my luck at the dogs.
13:35 Busty boy.
13:36 Busty boy, you think we'll lose the next race?
13:38 We'll lose, yeah.
13:39 Alright.
13:41 Walthamstow Stadium, where hundreds of men who all look like my dad
13:45 come to watch some thin dogs running around.
13:48 I should point out that I don't do a lot of what you're about to see anymore.
13:52 I used to, but it's not entirely fair.
13:55 I'm going to try and get a good shot at the dogs.
14:01 I'm going to try and get a good shot at the dogs.
14:03 I'm going to try and get a good shot at the dogs.
14:05 I'm going to try and get a good shot at the dogs.
14:07 I'm going to try and get a good shot at the dogs.
14:09 I'm going to try and get a good shot at the dogs.
14:11 I'm going to try and get a good shot at the dogs.
14:13 I'm going to try and get a good shot at the dogs.
14:15 I'm going to try and get a good shot at the dogs.
14:17 I'm going to try and get a good shot at the dogs.
14:19 I'm going to try and get a good shot at the dogs.
14:21 I'm going to try and get a good shot at the dogs.
14:23 I'm going to try and get a good shot at the dogs.
14:25 I'm going to try and get a good shot at the dogs.
14:27 I'm going to try and get a good shot at the dogs.
14:29 I'm going to try and get a good shot at the dogs.
14:31 I'm going to try and get a good shot at the dogs.
14:33 I'm going to try and get a good shot at the dogs.
14:35 I'm going to try and get a good shot at the dogs.
14:37 I'm going to try and get a good shot at the dogs.
14:39 I'm going to try and get a good shot at the dogs.
14:41 I'm going to try and get a good shot at the dogs.
14:43 I'm going to try and get a good shot at the dogs.
14:45 I'm going to try and get a good shot at the dogs.
14:47 I'm going to try and get a good shot at the dogs.
14:49 I'm going to try and get a good shot at the dogs.
14:51 I'm going to try and get a good shot at the dogs.
14:53 I'm going to try and get a good shot at the dogs.
14:55 I'm going to try and get a good shot at the dogs.
14:57 I'm going to try and get a good shot at the dogs.
14:59 I'm going to try and get a good shot at the dogs.
15:01 I'm going to try and get a good shot at the dogs.
15:03 I'm going to try and get a good shot at the dogs.
15:05 I'm going to try and get a good shot at the dogs.
15:07 I'm going to try and get a good shot at the dogs.
15:09 I'm going to try and get a good shot at the dogs.
15:11 I'm going to try and get a good shot at the dogs.
15:13 I'm going to try and get a good shot at the dogs.
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15:17 I'm going to try and get a good shot at the dogs.
15:19 I'm going to try and get a good shot at the dogs.
15:21 I'm going to try and get a good shot at the dogs.
15:23 I'm going to try and get a good shot at the dogs.
15:25 I'm going to try and get a good shot at the dogs.
15:27 I'm going to try and get a good shot at the dogs.
15:29 I'm going to try and get a good shot at the dogs.
15:31 I'm going to try and get a good shot at the dogs.
15:33 I'm going to try and get a good shot at the dogs.
15:35 I'm going to try and get a good shot at the dogs.
15:37 I'm going to try and get a good shot at the dogs.
15:39 I'm going to try and get a good shot at the dogs.
15:41 I'm going to try and get a good shot at the dogs.
15:43 I'm going to try and get a good shot at the dogs.
15:45 I'm going to try and get a good shot at the dogs.
15:47 I'm going to try and get a good shot at the dogs.
15:49 I'm going to try and get a good shot at the dogs.
15:51 I'm going to try and get a good shot at the dogs.
15:53 I'm going to try and get a good shot at the dogs.
15:55 I'm going to try and get a good shot at the dogs.
15:57 I'm going to try and get a good shot at the dogs.
15:59 I'm going to try and get a good shot at the dogs.
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16:49 I'm going to try and get a good shot at the dogs.
16:51 I'm going to try and get a good shot at the dogs.
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17:49 I'm going to try and get a good shot at the dogs.
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18:49 I'm going to try and get a good shot at the dogs.
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19:01 I'm going to try and get a good shot at the dogs.
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19:51 I'm going to try and get a good shot at the dogs.
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19:55 I'm going to try and get a good shot at the dogs.
19:57 I'm going to try and get a good shot at the dogs.
19:59 I'm going to try and get a good shot at the dogs.
20:01 I'm going to try and get a good shot at the dogs.
20:03 I'm going to try and get a good shot at the dogs.
20:05 I'm going to try and get a good shot at the dogs.
20:07 I'm going to try and get a good shot at the dogs.
20:09 I'm going to try and get a good shot at the dogs.
20:11 I'm going to try and get a good shot at the dogs.
20:13 So here's the thing.
20:15 I'm going to attach myself to the polygraph.
20:18 The polygraph will now pick up on the changes in me.
20:22 And because I have that attunement with you,
20:24 because I'm so in line with you,
20:26 my body will respond to your lies
20:28 because I will actually feel you lying.
20:30 Does that make sense?
20:32 Will you turn me on, Grant?
20:34 Okay.
20:40 Grant, I'm going to ask you four times in a row
20:43 what your mother's maiden name is.
20:45 Each time you only think the answer, you say nothing out loud.
20:48 But here's the thing.
20:50 You think the correct answer three times,
20:52 and you think a lie once.
20:54 When you lie is up to you.
20:57 So say nothing out loud.
20:59 Grant, what's your mother's maiden name?
21:08 Grant, what's your mother's maiden name?
21:12 That's the lie.
21:18 Was that the lie?
21:20 Yes.
21:21 Is it something like... is it "mook" or something?
21:23 And then a short, like a...
21:25 And then a "muh"? "Muh-come"?
21:27 "Muh-coom".
21:28 "Muh-coom"?
21:29 Well done, Grant. Thank you so much for your time.
21:31 No problem.
21:32 You can relax now.
21:33 Okay, thank you.
21:34 He was able to guess what lies I was telling
21:36 and he was able to guess what I was thinking
21:39 and which... when I was thinking a lie.
21:41 It's unbelievable that someone can tell so quickly.
21:43 It wasn't even one try or two tries.
21:45 It was straight off. He knew straight away.
21:47 I can throw the card away now.
21:51 You don't need it.
21:52 Oh, no, you've got to pick the loser.
21:53 Busty boy.
21:54 Busty boy, you think we'll lose the next race.
21:56 We'll lose, yeah.
21:57 All right.
21:58 Okay, how much are you going to put on this one?
22:00 Should we put some more money on it
22:01 or should we keep to our same stake, ten pounds?
22:03 We don't want to be greedy because...
22:05 Twenty?
22:06 Twenty.
22:07 Twenty pounds.
22:08 Trap one.
22:09 Thank you very much.
22:11 So it's twenty quid to win.
22:13 Trap one.
22:14 Busty boy.
22:15 All right.
22:16 Busty boy came last.
22:27 Yeah.
22:28 Losing ticket.
22:29 The losing ticket.
22:30 This is a losing ticket.
22:31 So this is a worthless ticket.
22:32 All right, now let me show you something really interesting.
22:34 Let's go to a different window this time.
22:35 Go to one further up.
22:36 Hang on, hang on.
22:41 Remember what I said.
22:42 Look right in the eye.
22:43 Right in the eye.
22:44 This is a winning ticket.
22:45 Okay?
22:47 Yep.
22:48 This is the dog you're looking for.
22:57 That's why we came to this window.
22:59 Hello.
23:00 Thank you.
23:07 Fantastic.
23:08 It's easy to misread them sometimes.
23:10 Can I just check something with you?
23:22 It says there that mistakes can't be rectified after we've left the window.
23:25 Yeah.
23:26 Can I just ask you,
23:27 which dog won again on that one?
23:29 What was the number?
23:30 The correct number for the dog that won?
23:32 Number four.
23:35 Four, great.
23:36 Right, so the ticket I just gave you was number...
23:39 Number one.
23:40 One, which you've just paid out on winning.
23:42 What are you doing there?
23:44 What's just happened?
23:45 It just...
23:54 It just told me to pay out.
23:57 You told it to pay out?
23:58 The machine told you to pay out.
24:00 No.
24:01 One minute it won, next minute it didn't.
24:03 It was horrible, actually.
24:04 It was like, "My God, what have I done?"
24:06 You know, I'm giving out money to everybody.
24:08 Buy yourself a drink on us.
24:10 Okay.
24:12 Thanks for that.
24:13 Thanks very much.
24:14 There you go, mate.
24:15 Thank you. There we go.
24:16 You've done very well.
24:17 Thank you for your time and for your trust.
24:18 Very profitable.
24:19 Excellent.
24:20 It's a rush, isn't it?
24:21 It's true.
24:22 Will we see you again the next meeting?
24:25 Oh, yeah, I'm back here next week.
24:27 We won tonight £160.
24:30 I'm losing tickets.
24:32 And all I can say is thank you to Deren and thank you, Walthamstow.
24:36 Great track.
24:37 It is scary to think that some of these people lie up there quickly.
24:41 I don't know how people know that.
24:43 How do you know that, these people?
24:44 I don't know how you know that.
24:45 I don't know.
24:46 20, 40, 50, 60, 70, 80, 90, 95, 100.
24:51 Wow.
24:52 I can't believe you got it right.
24:54 It's like he's read my mind or something like that.
24:56 Now, for heaven's sake, go to bed.
25:02 Don't worry about how it was done.
25:03 Just go straight to bed, leave the washing up and get into bed fully clothed.
25:07 If any of you want to know how any of it was done,
25:10 please feel free to write in to me at my home address,
25:13 which will come up on the screen in a moment.
25:15 And I will give you a full and honest explanation of anything you may ask.
25:20 Good night and sweet dreams.
25:23 [Footsteps]
25:28 Well, I'm afraid I don't have that home address to hand,
25:31 but you might find something.