Колористика для визажистов. Мастер-класс Натальи Найда ЧАСТЬ-2
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00:00 I will show two pigments at once.
00:07 In the first pigment, the brown will be neutral, in the second pigment, the brown will have a barely noticeable reddish shade, as if it will act as a contrast to her eye.
00:24 In both cases, we are talking about a fairly dark brown color.
00:30 Brown is neutral, only darkness, nothing else. There is no additional pigment.
00:37 I bring it to her eye, look, and the rainbow begins to change a little.
00:43 It becomes lighter, green comes to the fore.
00:49 The second option is brown with red.
01:01 I think it is grayer in relation to her eye, there is a lack of pigmentation.
01:08 I would use this color more in the dark.
01:13 I will do it now.
01:19 I need this color as a depth.
01:22 It is darker than her rainbow.
01:25 Then I will remind you, and in the skin, this is gray, and in the skin I have already lost this color.
01:32 In relation to each other.
01:35 What are they? They are not related. There is one chromatic, the second is gray-yellow.
01:44 Determine the groups. One darkened, one diluted.
01:51 Can I connect them directly? Through what transition?
01:57 Through something dusty.
02:02 Well done, the day was not in vain, I congratulate you.
02:07 I take neutral, dusty. Can everyone see?
02:15 This year I started with beatings.
02:22 This is from Ilya. I will try to show you the difference.
02:32 I will look at your comments when we broadcast Romania.
02:42 The operator is angry.
02:52 Dusty color, soft brush.
02:55 This color is intermediate.
02:57 I put a shadow on the contrary.
02:59 First background, then the connecting, then the deepest, then I move on.
03:04 It is much more convenient than dark and then pull it until the ears begin.
03:16 I go along the edge.
03:20 At this stage, the makeup is completely neutral.
03:22 Dusty color combined with diluted yellow.
03:32 The transition is neutral.
03:35 I don't need a dense color here.
03:39 This is the shade that just duplicated the pencil.
03:45 Can I put a little beige?
03:53 The main thing is that the girls can see, I do not mind.
03:57 I use a harder brush and draw a shadow.
04:03 This is the darkest shade.
04:07 This is the color we need for the eyes.
04:11 The rule of such consistency is as follows.
04:37 Each new color should go only to the previous one.
04:42 When I will shade it now, I combine it with the previous grayish.
04:47 But in no case should it go further to yellow.
04:51 Therefore, the shading of such dark shades is almost in place.
04:57 Due to the fact that you have prepared a transition for yourself, it is very fast.
05:03 Silence.
05:07 Why are you so silent in theory?
05:11 What?
05:13 It is difficult to form a transition.
05:21 When you think that the head is not for thinking, it is not easy.
05:31 What brush is this?
05:35 I have a question in the Periscope.
05:39 This is the brush that Vitya Makeychik sent.
05:43 I was asked a lot about it.
05:45 This is a polished brush.
05:49 The tip works.
05:59 I heard that the numbers are similar to Rublyov's.
06:07 You can check.
06:09 KS06.
06:11 Someone peeped at the brush.
06:19 At this stage, I can add something.
06:27 I can add something.
06:29 The juiciness of the color, the decor.
06:33 If you compare, you will see that she has different shades of the eye on both sides.
06:37 Because I put a more vivid color.
06:41 What can I diversify in this case?
06:45 I can add red.
06:47 Why can I add red?
06:51 Closer to green.
06:55 I do not apply it to the skin.
07:03 I will not make red eyes.
07:05 I add red pigment in dark brown.
07:11 Therefore, my red is a bit pale.
07:15 You can walk to Petya in this color.
07:25 Bardot.
07:27 I do not remember.
07:31 This is a long time ago.
07:35 Many years of my work.
07:37 I did not apply it in its pure form.
07:43 I added it to the dark.
07:45 The brown is no longer neutral.
07:49 It became brown-red.
07:51 This is the next step.
07:53 At this stage, you can finish.
07:55 Her makeup can be finished from the line.
07:59 And finish on an arrow.
08:01 At this stage, it is neutral.
08:05 I can not move further to the middle.
08:09 I can not move in such a cold color.
08:13 Why?
08:15 Because it is warm.
08:17 In this part there is always a cold pigment.
08:21 I have a cold shadow.
08:23 The closer it comes to the nose, the deeper it becomes.
08:29 We finished with cold.
08:33 The area of the eyelids is not very large.
08:39 This means that we are almost finished.
08:45 Look.
08:47 Can I turn off the telescope?
08:57 Stop it.
08:59 I will emphasize.
09:03 This is relevant.
09:05 Do not close your eyes.
09:07 This is relevant.
09:09 These are shimmering.
09:11 These are highlighters.
09:13 This is MAC Pro.
09:15 I will apply it first.
09:17 Then I will tell you the color.
09:19 You will be very surprised.
09:21 She can not be bright here.
09:23 She has no bright skin.
09:25 She has a dark skin.
09:27 She can not be white here.
09:31 For the same reason.
09:33 She can not be cold.
09:35 I work with a glitter.
09:39 It is a glitter that is dusty.
09:43 It looks like this.
09:45 I applied it first.
09:47 Then I'll show you.
09:49 It looks like this.
09:51 It is sand.
09:53 It did not give a strong contrast.
09:57 But it brought the colors to life.
10:01 A little brighter, a little lighter.
10:05 Too much contrast.
10:07 I can not.
10:09 I'm tired.
10:11 Fluffy applied.
10:13 Connected.
10:15 If you want the emphasis to be stronger,
10:17 again typed flat.
10:19 This is the most visible part.
10:23 This is a glitter that goes to the girls with a double structure.
10:31 SP.
10:33 Where there is both a trace and a pigment.
10:37 I think that in the inner part is enough.
10:41 Agree?
10:43 Now I look at the under-eye area.
10:45 Dark eyebrows.
10:47 Light glitter.
10:49 If I put under the dark eyebrows
10:51 and still strengthen the pearl,
10:53 the eyebrows will become very dark.
10:55 And very saturated.
10:57 Well done.
10:59 To leave under the eyebrows lightness,
11:03 but no brightness.
11:05 And again returned to the original color.
11:07 I took it not with a fluffy brush,
11:09 but with a flat one.
11:11 I'll just clean the moving part.
11:15 The one you started with.
11:17 Beige.
11:19 With which the skin was cleaned.
11:21 Is this the one that was the color 1?
11:23 No, this is the one that is on the base.
11:25 Further.
11:27 Look, when they added the color,
11:29 I had a little bit of a dark eye.
11:31 I did not have a dark eye.
11:33 I did not have a dark eye.
11:35 I did not have a dark eye.
11:37 I did not have a dark eye.
11:39 I did not have a dark eye.
11:41 I did not have a dark eye.
11:43 And a little attention was paid to the clarity of the line.
11:47 Now 100% contour.
11:49 In relation to her eyebrows,
11:51 not a simple contour.
11:53 What?
11:55 Underlining or pencil?
11:57 Underlining.
11:59 Why?
12:01 Because you can show the line a little,
12:03 balance with the eyebrows.
12:05 And a little bit so normal,
12:07 balance with the eyebrows.
12:09 Therefore, I will use liner.
12:11 Liner could be colored.
12:13 But since we made the colors,
12:15 we forgot to dial the water,
12:17 it was like this.
12:19 And since we made the colors,
12:21 the liner in this case will be black.
12:23 It will 100% be contrasting
12:25 in relation to her eyebrows.
12:27 By the way, I will use here the case
12:29 of a waterproof lining,
12:31 which I was taught in Lithuania.
12:33 I was very surprised.
12:35 I was very surprised.
12:37 I was very surprised.
12:39 I was surprised.
12:41 This is a Mac Pro liner.
12:43 It is a year old.
12:45 I never thought
12:47 to launch it at all.
12:49 Very cool.
12:51 I will use it here.
12:53 Until the Lithuanians told me
12:55 that they apply it on the mucous membrane.
12:57 And it holds, does not crack,
12:59 and holds all day.
13:01 It is extinguished.
13:03 I know that it dries and then perfectly pulls.
13:05 And you have a lot of eyelashes.
13:07 Do you have a person's eyelash?
13:09 I have.
13:11 And how do you compare with this?
13:13 Do you mean gel?
13:15 Yes.
13:17 Everything is fine,
13:19 but the gel dries a little
13:21 and cracks on the mucous membrane.
13:23 It holds well,
13:25 but then a little down.
13:27 And the Mac Pro mascara
13:29 does not dry so quickly?
13:31 I only built a line for them.
13:33 I can't tell.
13:35 I don't care about this line.
13:37 It can be Inglot,
13:39 Make Up Forever,
13:41 Mac Pro - it doesn't matter.
13:43 Even if you want,
13:45 you can remember
13:47 how they did the same eyeliner.
13:49 Here is a fundamental pigment.
13:51 It is black.
13:53 But if I had to add
13:55 a mucous membrane,
13:57 I prefer this product.
13:59 I like it more in mucous membrane.
14:01 Because it lies like a pencil,
14:03 and the mascara does not irritate the eye
14:05 and holds as well as gel.
14:07 And at this stage
14:09 it is not at all important.
14:11 Look, I put the eye line.
14:13 What are we looking at right away?
14:15 At the eye.
14:17 Now the eyebrow is lost.
14:19 It is even grayer
14:21 than the first one.
14:23 Let's add a little length
14:31 while we have time.
14:33 No, I'm working
14:49 only on the area of the movement.
14:51 I didn't go to another area.
14:53 Or do you mean
14:55 inward to the nose?
14:57 No, I've waited now
14:59 and I will pull it a little
15:01 to the visible part.
15:03 It has a close fit of the eye
15:05 but the line should not be clearly separated.
15:07 Therefore, I just, you know,
15:09 like a remnant, like a thread.
15:11 From the part
15:15 of the arrow that is wider
15:17 the shape of the eye will also depend.
15:19 If you want a round shape,
15:21 you need the widest part
15:23 to be in the middle.
15:25 If you want to rise ...
15:27 Oh, I'll teach you now.
15:29 I wanted to teach you too.
15:31 Periscope is also possible.
15:33 Take the pen in your hand.
15:35 I conduct a training
15:37 on how to hold the brush correctly.
15:39 Once at a competition,
15:41 Taysia Grigoryevna said
15:43 "As soon as you take the brush in your hand
15:45 in Turkish, it means you have found it."
15:47 In fact, this is related to the clarity of the direction.
15:51 Look, we usually hold it like this.
15:53 Yes?
15:55 When you hold the brush like this,
15:57 it is easy for you to make certain movements.
15:59 For example,
16:01 it is easy for you to make an arrow in this direction,
16:03 right?
16:05 It is easy for you to make the direction of the lower eyelashes
16:07 in this direction.
16:09 And when you need to put the ink to the temple ...
16:11 Now I need to put the ink to the temple.
16:13 What are you doing?
16:15 Yes, you are doing a "kazyul".
16:17 That is, you have to either turn your hand over,
16:19 right?
16:21 And then you go in the opposite direction
16:23 and your hand is strained.
16:25 In order not to do this,
16:27 look, this is our starting position.
16:29 Now we left the brush in two fingers,
16:31 and the big one was torn aside.
16:33 Those who smoke will understand.
16:35 And now, look,
16:37 we have put the thumb in the opposite direction.
16:39 The thumb is still in the opposite direction.
16:41 And now we turned our hand over.
16:43 This is how the brush is held by artists.
16:47 Look,
16:49 it is convenient for me to go in one direction.
16:51 I change the position,
16:53 and then I can go down
16:55 without straining my hand.
16:57 And go to the side, right?
16:59 That is, here it is spinning,
17:01 and in fact, it makes your fingers work.
17:03 We are very much taught
17:11 such a form when in a contest.
17:13 Our next step is eyelashes.
17:19 It's not difficult,
17:21 it's very simple.
17:23 When I work with eyelashes,
17:29 what do I pay attention to?
17:31 To the lower eyelid.
17:33 I take mascara,
17:39 a brush.
17:41 A brush can be any, not necessary.
17:43 I forgot the fan in the hotel.
17:45 I'll bring it tomorrow.
17:47 I take a flat brush.
17:49 Eyes down.
17:51 I combine the edge eyelashes
17:53 and the built-in black contour.
17:55 Pay special attention
17:59 when you have a shooting.
18:01 Because if your bride
18:03 looks down,
18:05 she has a separate contour,
18:07 and separate light eyelashes,
18:09 such work will have very little value.
18:11 It will be just your work is not neat.
18:15 Then I painted the lower part.
18:17 When I have everything prepared,
18:21 what do I have to do?
18:23 Only paint the tips.
18:25 Do you have a brush?
18:27 No, I do not like.
18:29 I look like a trick,
18:31 I did not do it myself.
18:33 I know that you have a lot of girls
18:37 who have hard eyelashes.
18:39 I know that you may have a problem.
18:43 We are not obedient.
18:45 Girls, tell me,
18:51 according to trends,
18:53 do we have more eyelashes?
18:55 Look, please.
19:07 The upper part is more saturated
19:09 than the lower part.
19:11 The eye is higher,
19:13 further from the cheekbones,
19:15 the visual zone is larger.
19:17 Just a regular brush,
19:27 you do not need it at all.
19:29 You can not buy it.
19:31 Any brush.
19:33 I have a straight brush.
19:35 Therefore, it is convenient for me
19:37 to work with a straight brush,
19:39 I just go along it.
19:41 But this is not necessary.
19:43 Any brush is not necessary for you.
19:45 I can read eyelashes very well.
19:53 You can also learn to read them.
19:55 I can see eyelashes well
19:57 if I see a pimple,
19:59 if I see a fraying of the eyelash edge.
20:01 In this case,
20:03 I work with the client's mascara.
20:05 At the moment,
20:07 this mascara is disinfected many times.
20:09 This is the last girl
20:11 I work with.
20:13 I will not work on her tomorrow.
20:15 If I see problems,
20:21 I have a budget mascara
20:23 so that I can immediately replace it.
20:25 This is Maybelline.
20:27 This is not the option
20:29 in which you need to fight
20:31 for how long it will last.
20:33 I also welcome the option
20:35 of client's mascara.
20:37 Or a disposable brush.
20:39 I'll show you tomorrow.
20:41 Now look
20:51 what we have on this side
20:53 with eyebrows.
20:55 Do you need to fill it?
20:59 What do you want?
21:01 Try to concentrate.
21:03 What do you want?
21:05 A little bit to clean the shape of the eyelashes.
21:17 Add only where it is not enough.
21:19 For such linear girls,
21:23 one of the ways
21:25 I showed at the last seminar.
21:27 I have a very soft brush.
21:29 With a white pencil,
21:31 I clean the growth.
21:33 We even argued
21:43 what to do first.
21:45 What do I see first?
21:47 Hair or eyebrows?
21:49 Someone was for hair,
21:51 someone for eyebrows.
21:53 And now look,
21:55 I have a brush,
21:57 hair and eyes.
21:59 This is the result of the contrast.
22:01 I built a line.
22:05 I start to blur it.
22:07 I do not lower it down.
22:09 This lightness
22:11 on the one hand
22:13 will clean the base of the eyelashes.
22:15 And I will better understand the shape.
22:17 Where to add what.
22:19 Girls, you will be so buzzing.
22:21 I will not tell you the theory anymore.
22:23 I'll understand that you are tired.
22:25 I cleaned the edge.
22:29 Oh, sorry.
22:31 Now I clearly see where there is not enough hair.
22:33 And now look,
22:35 if your girl,
22:37 the colors of your model's skin
22:39 are mixed with gray
22:41 or with dark.
22:43 In order to restore the growth of the hair,
22:45 you need a regular pencil.
22:47 If suddenly we are talking about the budget.
22:51 In order to restore the hair edge
22:53 on the eyebrows,
22:55 which is composed of gray pigment,
22:57 just a regular pencil
22:59 with a gray color
23:01 will perfectly fit
23:03 what you need.
23:05 If you,
23:07 for example,
23:09 had red hair,
23:11 and the eyebrows were the same,
23:13 bright hair,
23:15 dusty eyebrows.
23:17 In order to combine them by contrast,
23:19 a pencil would not work.
23:21 A shadow would work.
23:23 Why do I love Anastasia in this case?
23:25 If the eyebrow itself is whitewashed
23:27 or bright,
23:29 in order to build its shape,
23:31 a pencil will not save.
23:33 In all pencils, as a rule,
23:35 there is a mix of gray.
23:37 You probably noticed,
23:39 if at least once a girl with a warm eyebrow came across,
23:41 and you built her eyebrows in a pencil,
23:43 her eyebrows become black.
23:45 And your usual pencil,
23:47 which is a lot of gray,
23:49 is the first sign that you did not guess
23:51 by the groups.
23:53 And you took a pigment from another group.
23:55 I have everything ok.
23:57 I clearly see gray.
23:59 I have a clear gray pencil,
24:01 very sharp,
24:03 not at all principled.
24:05 By the way, I have a gift from Belarusians.
24:07 If you listen, then hello to Belarusians.
24:09 Here is the heart of the Belarusian.
24:11 Look, I will not, God forbid,
24:21 brush the whole eyebrow.
24:23 But I add clarity
24:25 only to its base,
24:27 as if only the depth of the eyebrow.
24:29 To do this,
24:31 I build a clear bottom line.
24:33 And from the bottom line,
24:35 look,
24:37 I will not draw the line of the eyebrow.
24:39 This will be enough
24:41 to remove the dust,
24:43 but not to return it
24:45 as the main accent.
24:47 Belarus is here.
24:49 What?
24:51 Belarus is here.
24:53 Belarus is here.
24:55 Great.
24:57 I'm forming an angle now.
25:03 I will be more wide.
25:05 Her eyes are elongated in shape,
25:07 so the angle of rise is a little closer to the center,
25:09 so that the shape is more open.
25:11 And yet again,
25:17 girls, I am afraid
25:19 that for such a model
25:21 there is no question of correction at all.
25:23 Do you agree that, in principle,
25:25 in general,
25:29 about eye correction, about face correction,
25:31 it is perfectly proportional?
25:33 Yes.
25:35 In general, everywhere it is proportional,
25:39 but here it seems that the face
25:41 became wider and elongated.
25:43 Because of the shape.
25:45 Yes.
25:47 Because of the shape.
25:49 Further.
25:51 We fix all this event.
25:53 I use eyebrow gel.
26:01 I love it.
26:03 MAKPRO.
26:05 And without garbage.
26:09 In general, I wonder if the girls have started working?
26:15 Who started working on MAKPRO
26:17 since my last visit?
26:19 What do you like, what do you not like?
26:21 Who started trying something after the last seminar?
26:25 MAKPRO.
26:27 I wonder what you like, what you do not like.
26:29 I like the gel "Gloss".
26:31 Yes, do you work?
26:33 Yes, I make mascara lighter.
26:35 You can also add
26:37 gel "Gloss" to elderly women
26:39 in the area of wrinkles.
26:41 It stretches wrinkles very well.
26:43 It is not absorbed and lasts a long time.
26:45 Is it the one with glass?
26:47 Yes.
26:49 In the shooting, as in the glass, in the salon,
26:51 as such a powerful drink.
26:53 And where do you use it?
26:55 And a little bit, with a thin brush, locally.
26:57 It depends on the amount.
26:59 If so globally, then of course it will be difficult.
27:01 Well, let's look like this.
27:05 What do you say?
27:07 Good?
27:09 Further.
27:11 I still don't know what's wrong with the cheekbone,
27:13 because I don't want to darken it too much.
27:15 Therefore, the next step is lips.
27:17 To begin with.
27:19 I will make everything bright.
27:21 Girls, how to distribute accents?
27:23 Dark eyes, bright lips.
27:25 Dark, white goes to the units.
27:27 In her version, the dark was needed
27:29 to make the eyebrows lighter.
27:31 But at the same time I don't want to make
27:33 the lips light, nude, and so on.
27:35 That is, they are not very characteristic.
27:37 Therefore, in her case,
27:39 firstly, I will slightly enlarge the lip.
27:41 Especially which one?
27:43 Upper a little bit.
27:45 I will not draw large lips.
27:47 The zone in which they are
27:49 is not so large.
27:51 I will draw a little bit.
27:53 The zone in which they are
27:55 is not so large.
27:57 Therefore, we are talking about correction.
27:59 And we are talking about some kind of dusty color.
28:01 So that they don't seem to be the first.
28:03 Because if I put red,
28:05 this is also her color.
28:07 Then there will be too much on the eyes.
28:09 I don't want them to be
28:11 neither bright, nor bright,
28:13 nor dark.
28:15 Something in the middle.
28:17 This option is also applicable to the lips
28:19 to the dusty group.
28:21 If you put red lips,
28:23 will she have red lips too?
28:25 Why?
28:27 First of all, there are 300 million options.
28:29 There are a lot of red colors.
28:31 If you choose the right red,
28:33 everything will be fine.
28:35 This is the first.
28:37 Secondly, it is important to me
28:39 what task I set for myself.
28:41 If my task is eyes,
28:43 and I have already added color to them,
28:47 because I had to explain to you
28:49 how the chain is built.
28:51 And I need the eyes to remain the first.
28:53 The lips, so that they are the second,
28:55 they will never be red.
28:57 And they will not be dark.
28:59 Dark, dark - well, two equal groups.
29:01 Dark, bright -
29:03 if there is no color,
29:05 normal, arrow, red lips, classic.
29:07 And dark, dusty -
29:09 just such a neutral option.
29:11 Yes, yes.
29:13 If you add
29:15 some red lips,
29:17 it will be said that
29:19 it is not gray,
29:21 but more of a pink.
29:23 Depending on what red it is,
29:25 once, yes, secondly,
29:27 she would give her,
29:29 maybe a little bit of a reflection,
29:31 if she was very pale.
29:33 Girls, when building,
29:35 you want to increase,
29:37 you start with the upper lip.
29:39 You lift it from the outer corner
29:41 so that the whole corner
29:43 rises a little bit.
29:45 I added a little bit,
29:47 not even so much the size of the upper lip,
29:49 but the volume.
29:51 The pencil I'm working with now,
29:53 you won't call it light,
29:55 will you?
29:57 It is neither light nor dark,
29:59 nor bright,
30:01 I love such, none.
30:03 This is generally ...
30:05 Girls, I don't know where it came from,
30:07 and I don't know what kind of company it is.
30:09 It says "Mak" on it.
30:11 "Mak" - this is 100%
30:13 I don't know.
30:15 The color is gorgeous.
30:17 When it's over,
30:19 I don't know where I'll look for it.
30:21 It is so natural,
30:23 generally perfect.
30:25 I'm a half, you remember why, right?
30:27 And we put the pigment.
30:29 Here with the pigment, too,
30:31 very carefully,
30:33 we have a dry lip in my model.
30:35 Therefore, all the fashionable tints,
30:37 I will show you tomorrow,
30:39 the tints are drying,
30:41 100% here we do not use.
30:43 Now we are finding out
30:45 where it is here.
30:47 I will have another table tomorrow.
30:49 Well, I'll give you up,
31:01 but at least I have more space on the show.
31:03 Therefore, girls,
31:05 I use neither lipstick
31:07 nor shine.
31:09 I use now
31:11 balsam,
31:13 which is clearly with the same shade.
31:15 That is, unlike the shine,
31:17 what does the balm do?
31:19 It moisturizes.
31:21 That is, we tint,
31:23 my color will not change,
31:25 but at the same time the dryness of the lips will completely go away.
31:27 In different ways.
31:31 Here in different ways.
31:33 Open your lips.
31:35 If you look,
31:37 I will be with her exactly.
31:39 Let's say I need a tint.
31:41 Well, she needs a strong option, for example.
31:43 Or another moment.
31:45 Let's say I need it to be a shine,
31:47 which also emphasizes dryness.
31:49 Yes.
31:51 But I usually choose more
31:53 what is specifically for her.
31:55 I saw that the lip is dry.
31:57 I realized at the very beginning
31:59 that the products are toning balm.
32:01 That is, 100%.
32:03 Plus he's a little bit with menthol,
32:05 so he increases
32:07 and gives a little extra volume.
32:09 And unlike the shine,
32:11 look, he feeds.
32:13 He did not dry anything,
32:15 I have enough of it.
32:17 If there was a request,
32:19 or there was an invention with another product,
32:21 there would be Karnix first.
32:23 Look, they are pronounced,
32:25 but at the same time they do not take
32:27 attention and not the first.
32:29 Mak Trove with spring.
32:33 Why don't we have this?
32:35 No, I do not.
32:37 And in fact, I was waiting for this question
32:39 from you at the beginning of the lesson.
32:41 But not at the end.
32:43 Girls, the question sounded like this.
32:45 Can I do that
32:47 at the end of makeup?
32:49 I can't do it.
32:51 How do you feel about the makeup
32:53 that they do to you?
32:55 This is their personal right to choose.
32:57 You see, look, I'll explain to you.
33:01 First of all, this is a makeup,
33:03 but in my opinion,
33:05 which may not be very good with the technique,
33:07 because if they have all the shadows,
33:09 then with the technique there is hardly order.
33:11 This is the first.
33:13 Secondly, but this is again,
33:15 girls, only my personal point of view,
33:17 I do not claim that this is correct.
33:19 I believe that if we were with you
33:21 killing and bothering with coloristics all day,
33:23 if we read the tones,
33:25 undertones, shades, and so on,
33:27 if we said all day today
33:29 I can't pick up this
33:31 until I understand how this will be removed.
33:33 But I don't understand.
33:35 You see with the brow,
33:37 it was black, it became gray.
33:39 The eye was like this, it became different.
33:41 The skin was like this, it turned out different.
33:43 If I don't understand
33:45 how my skin will be prepared,
33:47 I just can't physically understand
33:49 what color scale is needed.
33:51 If she had blue bruises,
33:53 I would cover them only half.
33:55 I couldn't use the color wine.
33:57 You see, if she had a clear gray-blue
33:59 from fatigue,
34:01 I would not use such dark brown.
34:03 I would leave her one arrow.
34:05 Everything is connected.
34:07 The choice of makeup is connected
34:09 with how the skin turns out.
34:11 This is the first.
34:13 The second.
34:15 If you are very scared,
34:17 just don't fix it right away.
34:19 Don't do fixation right away.
34:21 Leave it mobile.
34:23 Then if something falls on you,
34:25 you can fix it.
34:27 I don't powder.
34:29 I don't like powder.
34:31 I have a lot of clients
34:33 who don't like powder.
34:35 You can choose fixation.
34:37 I will tell you how to use it tomorrow.
34:39 Everything will be just as perfect.
34:41 Now gently with the fist.
34:43 Girls, the eye is in place.
34:45 The lips are in place.
34:47 We have already marked a high point.
34:49 This whole part is occupied by her natural shadow.
34:51 If I go in there,
34:53 it will be even deeper.
34:55 Therefore, in this case,
34:57 I will not draw chins
34:59 in the way we are used to.
35:01 There is nothing to reduce here.
35:03 I don't want to deepen it either.
35:05 I will not go into her shadow.
35:07 I will work on it next to her.
35:09 See, yes?
35:11 She didn't fall into the fall.
35:13 She turned using a linear rhythm
35:15 parallel to the eyebrow.
35:17 Very soft.
35:19 How many shadows can I add?
35:21 I will not add more than I see below.
35:23 In no case.
35:25 Otherwise, I have ...
35:27 She has no risk.
35:29 The girl who has not such a clear line,
35:31 but too clear cheekbones,
35:33 increases the chin.
35:35 Maybe suddenly a fat girl will turn out.
35:37 Let it not be very budget.
35:39 And the rest of the work must go on.
35:45 We look now.
35:47 Yes?
35:49 You can come and see.
35:51 Please.
35:53 Because ...
35:55 Here is another.
35:57 Only here.
35:59 Here.
36:01 There are places
36:03 that we call
36:05 "nose of negative mold".
36:07 These are the places that can say
36:09 about how the eye behaves.
36:11 Then you pass
36:13 the nose.
36:15 And then a little bit
36:17 [BLANK_AUDIO]