Women's Style Tips - Hairstyle tutorials - Hairstyle Technique
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CreativityTranscript
00:00 Hey everybody, it's Maggie Mulhern and I'm here with my buddy. Hi, Cindy Lopez.
00:04 Cindy Lopez and we are here at Artist Session. It's a really special day. I'm
00:08 gonna pan the crowd. Everybody say hi.
00:12 We're having so much fun. We just had a great casting and now we're here with
00:17 somebody very special. Well, I guess you already saw it in the caption. We're here
00:20 with Nicolas French who is doing all that we listed. He's giving us tips and
00:25 we only have Nicolas for about 10 or 15 minutes. So I'm hoping that we teach you
00:31 guys a lot. And Sydney Anne Lopez is here to help me read and turn it back around.
00:38 Okay, there he is. Look at there is Nicolas French. Hi everybody. Okay, what we're going to do
00:43 very quickly, we're going to show you how to create beautiful waves in the hair,
00:47 but how to prep it. The most important thing, if you fail to prepare, prepare to
00:50 fail. So when you see those wonderful waves, those beautiful shiny photographs in
00:55 the magazines and things, a lot of the products actually applied on the hair
01:00 when it's dry. So what I'm going to do here is just use, I've popped up some mousse in
01:04 here, the volume blower. I'm just going to use my fingers to put the product on and just get through the hair
01:11 very quickly. Now the most important thing when you set hair, believe it or not, is the comb and how to use it. So hold it like money, like that, and really twist the hair over. So really
01:22 thoroughly comb through the hair. And then we're going to use this amazing tool. And we're going to stroke the hair, which will infuse the product into the hair. Okay, that's very important. Just enough. And then when you do these kind of waves, I use square sections everywhere and I actually set the hair the same way.
01:40 Alright, so we're going to come over here and just see. Okay. Always combing through. You comb through before and after, which I'll show you. So now we've done this. Two fingers in, two fingers out.
01:51 Okay. And we go down and twist the hair around. The tang of the tong. That's what we called it in England anyway, years ago. I don't know if it's still called that. And we hold it in. Now the trick is to hold it in for a while. Count to five, not three. One, two, three, four, five. And how does the hair actually set? It sets when it goes from hot to cold. So I rest it in my fingers like that until I feel it cooling down. Okay. And then before I
02:21 pin it, because I would actually pin this, I'd actually pin it with a small pin. Okay, thanks. I pin it with a small clippy. I'm going to put that on my magnetic whisker. And I'm going to watch over your shoulders so that I can get a better feel for the pace. Okay. And I really comb the hair through after I've set it. Okay. So I can see what formation I've got. You can see it's quite loose. So what I want to do now to substantiate it is to use my two fingers in and literally just place the hair. And this would have been done with a hair pin.
02:51 I used to do it with little hair pins in the 1950s, but I'm doing it something like that. So that gives you the idea that will cool down. If you put the pin curl in flat, it has more energy. If you want to roll it out, it has less energy. So think about where you're going, you know, where you want to end up after the style. So step two, thanks very much for that. I'll just hang on to the neck a bit. What we're going to do is show you how to comb out these hairstyles. I use a large tooth comb. And I've got one I'm reinventing myself. I'm going to put my hand through this.
03:20 It's easy to work with. And basically I gather the hair and I hold the hair at the bottom, which is really important. Key point. Then I come from underneath the hair and really comb the hair through because as hairdressers, we tend to get a bit tuggy and we don't go through the whole head, do we? We tend to just sort of mime it and just let the hair start to fall in. And I want it to be very loose, beautiful waves. Let's just turn it around.
03:43 And the same. So you go underneath first, and then we're going to go backwards in a minute on top. So really hold the hair at the roots as well, because you don't want to pull the hair from the client's head. So be it, I'm in a hurry. So I work through underneath. Okay, first of all, it's just very loose, sort of soft. It's not like 1930s waves. And then we're going to put her head right back. Turn around, a lot of spinning around going on here.
04:11 Let's hang onto her neck underneath. You put her head right back and then we really come through the sides and really hold the hair tight. So you're not pulling it from the scalp. Very important that the client's really comfortable. And then we're going to push this hair forwards. You can see how we start to push the hair forwards. Just shake it.
04:32 I'll do the shaking, thank you. Just kidding. We'll go to the other side and do the same thing. So underneath first, on top, second. Okay. So you're really thoroughly coming everything through. Then you let the hair talk to you. You can see how you're beginning to get these sort of very loose, natural waves in the hair. So it looks like she's done it herself but beautifully. And that's the key to doing any kind of waving.
04:59 She looked very natural, out of a museum, period museum. Now, hairspray. What do we do with it? When we use hairspray, first thing we do is go around the edges. We do that sort of hair show thing where we spray up here. Just kills flies. So we go around the edges, underneath. First of all, we're going to put it around this way so the audience can see. So we go underneath, stand in the front. This is a mirror behind me.
05:23 Another key point is don't let the client see what you're doing. I'm not feeling it, darling. It's not quite right. Always stand in front of the mirror so they can't see it.
05:32 Now, when you get to using spray on the actual tiny little sort of what I call spidery bits of hair, as we look at it, you can see you get these tiny ends. Now, we've got to find a way to get rid of those. Okay. Here we go. Move around. One of those models that moves their heads all the time. Okay. So we're going to literally just smooth it down.
05:56 And then this is something you're going to thank me for one day. And that is when you use the hairspray, get the client to hold this, but I'm going to get my friend here to hold it. Just soak the Sanex strip with hairspray. And this is how you finish off a photography.
06:13 Because I don't care about retouching, it's better to get it right to start with. And then we're going to go down the head like that. And what is that little strip? It's a barber strip. It's a stretchy Sanex strip to start getting the ends down. And you soak it with hairspray? Yeah. And then you just apply it onto the tiny little spidery ends as you go.
06:37 And then the other thing to do, which is a really important key point, is to get a large pin and to just really go through after you've sprayed the hair to get that really nice finish into it. Would that work over a braid as well? Yeah. Especially deconstructed braids. And it's all about, hairdressing is all about Ps. Patience, perfection, precision, pain, all that kind of stuff.
07:04 So I wanted to show this. And you can see when you move your fingers back, if you want one of those sort of, you know, round the side jobs, it's quite, you can just arrange the hair very simply, you know, and you get a really nice sort of feel to it. It looks very natural. It doesn't look forced in or finger wave. That's another story to do with that.
07:21 Nicholas, we have a question. Danny wants to know what was the product that you used before you set it? It was a foam, correct? Yeah, volume builder. Volume builder by Matrix? Yes, it was. And what I noticed is you only put it in the center, in the mids. Did you bring it through the mids? Yeah, because I comb it through. You comb it through. So you apply it to the mids and then comb through. You combed through before and you combed through afterwards. All right. All right, I just wanted to take this, put that in. I wanted to show you something from the 1950s real quick.
07:48 So Nicholas has all these classic and traditional styling tips that he uses in a modern way. You know, he takes these classic, he's from the 50s. This was actually cut, she's got a bit of a dirty face, hang on. This was actually cut in a 1950s technique, which I'm going to show you as well. Which is really interesting. And I've left a bit purposely to cut.
08:14 What I'm using is the Denman brush. The Denman brush was invented in 1938. And the hairdresser that was working with Denman Dean, who was a professor, nylon is called nylon because NY is New York and LON is London. And he was English and he went to America to develop this nylon. And he wasn't a hairdresser, my dad was. So my dad worked with him to develop this brush in 1938, can you believe?
08:40 But this is like a very old fashioned, you can see the reason it's old fashioned looking, but this is a modern way of doing it because it's very shiny because the products have changed today. You see what beautiful movement you get out of this is because the way it was cut, the hair was cut dry. I find my shoes.
09:01 Look at this. A million shoes.
09:04 Nicholas came here for a one hour presentation and look at all this stuff.
09:08 And because, you know, it's really interesting. I've used this before, this technique, because I had a woman years ago in London, my son wanted a friend's haircut. And I said, well, you know, you need to bring your friend in so I can see it. Because I didn't know what friends was. And I thought, how can I cut it? And I remember the technique my dad used to get this hair to lie in here.
09:29 So what basically what I did, I over directed the hair. Sorry about the dirty face, it's in my bag. I over directed the hair, right? And what you do, this is 1951 technique, you tease the hair up, like that. And then you just cut it like this.
09:45 Think about it. What you do, you're keeping the length but reduce when you pull it out with the comb, you reduce the bulk, but it stays the same length. And it makes it very light and airy. When you pin curl it, when you pin curl it, you know, that's what they do, they pin curl it, then you get this look in the front, you get this really nice.
10:09 And there's not one line, there's not one line in the hair. Yeah. And then the other thing, of course, they did was to back brush it. This was invented to back brush hair, not until Sir Soons used it. He started blow drying. This was invented for back brushing.
10:27 And he used to call it the French of London set, which is my dad's name. And what they did, the back brushing went through, look, the sides. So when you brushed it, you held your hand like that and you pushed it in to get these voluptuous shapes. And then you skew it across the top, you know, to get the hair looking very light, light and airy.
10:49 And then you pushed it with pins. So you get this amazing sort of hair. You can put it on the other side and get the idea of it. You can see how the volume is really insane. And then they used to pull it up with a pin, you know, a tail comb like that to get all these shapes.
11:07 And of course, they had to really put pins in this to position it because, you know, once they used the hairspray in those days, that was it. There's no way you could get that hairspray out for a week. You know, it stayed in. That's how it used to work.
11:21 So to give you some ideas, I mean, you can do it different ways, but even underneath is a nice way to tease the hair. You get a lot if you use it underneath, which is basically, look, squeeze it in. You see how wide it gets. And it's not a painful experience.
11:40 You know, Jacqueline's saying she wishes her hair could do this, but her hair is so straight. Is any tips for the client? If you have a client with very straight hair? Yeah. What are your tips?
11:52 Well, to get it very full and very soft. Well, you can see from the hair that it's actually quite thin on the ends. Yeah. And it's quite heavy here. It's wispy. And the reason it's wispy because it's been cut like T's cut. So I put in a proper haircut and then I can lift it up and everything is done from the eye.
12:12 So when I come in to the size of the hair, for instance, and I use the sheer size that they used to use in those days, which is big, I can literally do it by eye. Having the clean eye, I can push the hair in and then I cut with the same angle as I would do if it was on wet hair. You can see how that's so nice and wispy.
12:31 Can you do one more of those? So I left this long on this side. Sorry, you guys, I'm blocking you. But here we go. Push in. You've got to practice it on a mannequin or a client that you don't like. And then you get all these different. You see how it's just a matter of having a clean eye, which really means having a clean eye is understanding where you're coming from and where you're going to.
12:57 And that's the most difficult thing to do, actually, if I'm in life. Understand where you're coming from and where you're going to. And again, just hold the shears like this.
13:06 Missed that one. Tell me when you're doing one more.
13:09 Yeah, okay. This is the last one because I won't have any hair left.
13:11 We're doing one more. Yeah, we are cutting off the hair.
13:14 Okay, just do that.
13:15 Tease it up.
13:16 And then I hold there. Yeah, just like that. It comes off. And this is my dad used to cut everybody's hair like this, you know, which was pretty frightening. But it was a way to get the hair.
13:31 And once they set it, because the clients, you have to remember, when I started, and they put me in the wig department pretty quickly so I wouldn't ruin anybody's hair. And I had a client came in, she had a, say, a cut or something like that.
13:46 And then she'd have a set, and then she'd have three comb outs in a week. And I was in the wig room because what I had to do was to set her hairpiece for the weekend in the country. And I had to send it in a box. It was done from a drawing.
14:02 And last story, I was up in LA actually, and this woman at a party, and I went up to her and I said, "You know what? I've done your hair, but I've never met you."
14:16 She said, "What are you talking about?" And she's a beautiful African-American lady, and it was Mary Wollstone from the Supremes, you know, Mary Wollstone Supremes.
14:23 And I had her hair came, you know, cut my finger up, and it came, be careful, it came in a box with a diagram of how actually to do, set it, 1966.
14:37 Which is extraordinary, isn't it? So that's that basically, just gives you some little tips and tricks and some ideas.
14:43 And you can utilize this, but practice it on mannequins, really.
14:54 [Crosstalk]
15:23 Okay, so.
15:24 I haven't cut my fingers for years.
15:26 And that stuff, not only do you spray and use that, you also use that for medical reasons.
15:32 All right, well that was pretty scary.
15:34 Daniel, somebody was asking who's helping. It's Daniel Keene.
15:40 Daniel Keene, yay! Thank you for your help, Daniel.
15:43 [Applause]
15:45 We noticed he ran and sat down when the blood started flowing.
15:49 I've done that myself. I actually carry some stuff with me when I'm on stage for that very reason.
15:56 Really?
15:57 Make your bandage instantly.
15:59 Well, this is, we have, and we have JoJo Stiles, who just did some medical intervention.
16:07 Here is the, here is the hot mess.
16:11 Look at this, you're so great.
16:12 All right, so now, yes, we have more tips. Somebody was going to give us more tips.
16:16 What I thought we'd do is to, for all your photographic buffs, is to,
16:22 and this is synthetic hair, right? Cheap, rubbish hair.
16:29 And so what I do, I literally just glue it on to tights.
16:37 So you can see, this has got tights.
16:40 So you put pantyhose, or tights, you wrap it around the head and then you glue extensions.
16:46 Yeah, just cheap.
16:48 Cool.
16:49 This is cheap hair. It's about $20 worth of hair, right?
16:51 And the reason I have bags full of all these little things,
16:54 I'm not laughing, really.
16:56 I don't want you to be dumb to me, you know?
16:58 It's that hot tools girl.
17:00 And the reason I have bags full of things is because,
17:04 Roberto and David were saying, sometimes you do hair in the studio,
17:10 and you have the best of intentions, storyboards up the kazoo, goodness knows what,
17:14 and nothing happens.
17:17 It all goes to hell.
17:18 It all goes to hell. The model is like a nightmare, you know?
17:23 It can all go that way. Come on, it can go south.
17:25 But it's got to get something out of it.
17:27 So I sometimes, if it's a blonde girl, I'll mix.
17:31 That's why I don't make a wig. This is not a wig.
17:34 This is just a piece of hair.
17:36 So that I can do different things with.
17:39 So just to show you what we can do here is to, for instance,
17:45 if you just gather the hair and just--
17:49 I'm just wondering what did you glue over here?
17:51 What's that?
17:52 What did you glue?
17:54 Just regular glue.
17:56 Elmer's glue?
17:58 Go around the back and out the side. You're fantastic. Thank you.
18:01 Oh, here's Daniel King jumping in one more time.
18:04 And I'm sorry, you guys, that I'm--
18:06 What did you glue?
18:08 Just regular glue. Glue guns.
18:11 And I don't worry, like I've got a seam here.
18:15 It doesn't bother me because I cover it up.
18:17 I don't get too anal about it.
18:19 It's a tiny seam, though.
18:21 Or pull that hair through it.
18:23 That's the easiest thing. Don't try and do--
18:25 I was winding it around and around and around and doing it upside down, inside out.
18:28 And it was a nightmare.
18:30 But sometimes in a simple thing world, it's better than doing a complicated thing badly.
18:36 So what we're going to do is--
18:38 Let's get my pins in here.
18:40 I'll get a little pin.
18:44 Can I have one? I'm going to put them on my wristband.
18:49 Yeah, let's talk about this wristband while we're here.
18:51 Yeah, because this little baby here, I invented it years ago.
18:55 And it's fun. It's a little pin, instead of having it in your mouth.
18:59 And how do you get that?
19:01 Well, you're going to get one today.
19:03 You guys! Yay!
19:07 But people who are watching, how do they get it?
19:10 Nicholasfrench.com
19:14 And by the way, for those just joining us, that is the Nicholas French.
19:20 When you're doing photography, I always think less is more sometimes.
19:23 So let's just show you what we're going to do.
19:26 Hang on, take your dear life.
19:29 So imagine this is the face here.
19:31 So sometimes I tend to just watch what I'm doing and just do something without even thinking about what I'm going to do.
19:38 And, you know, for instance, let's just look at shapes and just slip knots and things and see what we can get.
19:48 I've got to get it nice and smooth.
19:50 But I quite like the colours, you know, and it's just simple.
19:53 It's just not coloured properly. It's just a bit of work, you know.
19:57 And I put it out. And then what I can do is really watch what I'm doing.
20:03 And then when you get scenes like this, don't be afraid. Use your fingers.
20:08 Don't freak out and spray because you're hoping something's going to happen, you know.
20:11 You can see these guys working.
20:13 Nothing really happens.
20:17 And then when you get situations like this, what I love to do is to literally pull the hair, see where it's sort of going.
20:27 Just pull it out, deconstruct it, but really have a plan with the end in mind, you know.
20:32 And you can see from the silhouette here, imagine that's the face.
20:36 You're starting to get something happening, you know.
20:38 So I always plot it out first of all and then see what I really want to do with it.
20:43 I quite like things like this.
20:45 And also you can just use, you know, you can just get her hair away and use different ways of doing it and then really deconstruct it, you know.
20:53 I quite like the size of this.
20:56 But when you do hair, especially when you do dress work, you can be fearless.
21:01 It's not like cutting hair. You can't stick it in your pocket, you know, if you mess it up.
21:05 And I would literally, this is how I practice at home.
21:09 And I literally just get some pins and stuff and play around with shapes and this is sort of my deconstructed shape.
21:17 And then you just get right into her head.
21:19 And you can see what we're getting from it to build shape up.
21:22 I think it's important to learn how to build shape up, you know.
21:26 And the other thing I quite like to use is, I want to show somebody in the swimming team how it's done.
21:33 Is this, which is really important.
21:36 Which is like a Japanese fishing line.
21:40 That's how fine it is.
21:42 Where do you get that?
21:43 Sorry?
21:44 Where do you get that? A Japanese fishing store?
21:46 Yeah, it'd be a long way.
21:47 You have to go to Japan.
21:48 But you can just tie that in the hair and you won't see it and then you can deconstruct and put it in a bun, right?
21:53 And I think that's, make it, make your life easy.
21:55 And I think that's important.
21:56 So, like with this, also when you put bobby pins in hair, which I've never understood, is I always bend them to the shape of the head, right?
22:06 Which is a nice thing to do, like that.
22:08 Oh, good trick.
22:09 Because I hated these bobby pins for years.
22:11 And then when I had some Japanese ones, they were very expensive.
22:13 So I decided to just, you know, so if you do anything, you can just literally, this would go around the shape of the head.
22:20 Also, I've got nothing to pin it into, really.
22:22 You know?
22:23 So that's another nice little trick and you can do all kinds of stuff.
22:25 Oh, that's a great one.
22:26 You know?
22:27 Now when it comes to backcombing hair, that's another sort of mystery, isn't it?
22:35 There's lots of different ways of backcombing hair.
22:39 And especially when you're doing updos and things like that, a lot of people always have a baggy edge to it.
22:47 I'm just going to show you little tips and tricks.
22:49 I'm not going to show you a style we don't have time.
22:51 But always have a baggy edge to the whole thing, you know?
22:53 So I tend to like to backcomb, it's called indenting, from the outside like that, okay?
23:00 And then structural underneath, which I think is really important.
23:04 Or you can actually go in--
23:05 Can you please do that again?
23:06 Yeah, just indenting from the outside.
23:08 This is synthetic hair, but do it from the outside so it's tight to here.
23:12 You don't get a baggy hair at the side, you know?
23:15 Which is, yeah.
23:16 So you do outside first and then you do structural inside afterwards.
23:21 So you go right around the head to do that, okay?
23:24 The other thing you can do if the hair's set, you can actually do it with your fingers.
23:31 You get two fingers like shears, okay?
23:34 And you stand away from the head and you stand like this and you can just go in and literally, look.
23:41 You can get huge things going just with your fingers.
23:44 And when you do it, you'll get stuck at the ends to start with.
23:46 I'll do a couple more.
23:49 Notice how I use my fingers.
23:50 I don't section the hair up with the combs because it looks too square.
23:53 So two fingers and then we're just going to go in like that.
23:57 Just press it in.
24:00 And that's really not damaging the hair, maybe that one or two strands that you're holding?
24:04 No, this is how I build up texture.
24:06 Texture's not frizz.
24:07 It's got to feel light.
24:08 It's got to feel friendly as well.
24:10 I'm going to do a whole texturized side.
24:13 And the other side we can do--
24:17 It's amazing what you can do.
24:19 You learn so much in the studios by the mistakes you make.
24:23 You know?
24:24 And time is money in the studio.
24:25 So you've got to really think, hang on a minute.
24:27 I've got to get something out of this head, for goodness sake.
24:29 I've got an hour left.
24:30 So you do something crazy.
24:31 Actually, that's not too bad, you know?
24:33 It's a sort of miracle.
24:34 So you can see, and this is synthetic hair as well.
24:36 So it's quite different from anything you've seen before.
24:41 Carol?
24:42 I'm going to put a bit of hair in the back, so I can do that blade of grass thing.
24:46 Just grab on quick.
24:54 Should be wanting a new one, yeah.
25:00 And another trick when you put hair up, probably thinking this man's a complete maniac,
25:04 is to get two big things like this.
25:09 Where do you get those?
25:11 You can get them, actually you can get them at Ricky's Pro.
25:14 They sell these things, yeah, which is really great.
25:16 And hold that against your black thing, so I can see it.
25:19 Yeah, cool.
25:20 It's really good, because they're big, you know?
25:22 I just want to show you one thing, the other thing, before we...
25:25 Because we want the spray tips also, because that's something...
25:28 What's that, sorry?
25:29 The hairspray tips, that you said, how that can make or break a photo shoot.
25:33 Yeah, I mean, I think the sonic thing's the most important thing.
25:36 But you can see, if you use two pins, do that again.
25:39 Use two pins at the same time, look.
25:42 And I'll turn the head around.
25:45 It's all about balance of proportion and shape, isn't it?
25:47 So if you really look through, like you're looking through the eye of the camera.
25:53 Hot, very hot, yeah.
25:57 You can get all kinds of different shapes.
25:58 So it's just a matter of how you work the hair, you know?
26:02 I think that's the most important thing.
26:03 Nothing else is how you work the hair.
26:05 Otherwise it's going to be the same sort of deal.
26:08 Let's put her over to sleep.
26:09 And the other thing I'm working with at the moment, of course, my bloodstained floor.
26:13 For those of you just joining us, that's CSI to Cara Belmont, where we are.
26:19 CSI, there's bloodstains on the floor.
26:26 People who are into, like, color and stuff, this is interesting.
26:29 This is actually horse's hair.
26:32 So you've got a very interesting sort of texture I'm just working on at the moment.
26:36 It's horse's hair.
26:38 Horse's hair.
26:39 Does it come like that?
26:40 Yes, you can actually order it like that.
26:42 You order it online?
26:43 Yeah, yeah.
26:44 Horseshair.com.
26:47 Horseshair.com.
26:49 I mean, really, what would that be?
26:50 Where would you get that?
26:52 Horseshair.com sounds good.
26:55 I mean, it sounds legit.
26:56 If you Google that, I'm pretty sure it will come up.
26:58 Where did you get it, Nicholas?
26:59 Where did you get that horse hair?
27:01 Carol.
27:02 Carol.
27:03 Carol.
27:04 Carol.
27:05 Carol, do you know where you got it?
27:06 Carol, the -- Nicholas's wife, who is -- so Google.
27:13 Google how to get it.
27:14 We pass that around.
27:16 That's what it does to the hair.
27:17 And you can now use liquid with a brush for your hair.
27:20 Yeah, you can spray it.
27:21 That's from polyurethane.
27:23 That's from polyurethane.
27:24 This is real hair.
27:25 Actually, what we could do is use this.
27:27 Right.
27:28 I don't think it's the difference.
27:31 It might come off.
27:32 It might come off.
27:33 It's the color.
27:34 He is an artist.
27:35 Somebody is commenting.
27:36 What is that person's name?
27:37 Can you see that?
27:38 Somebody Smith.
27:41 Gail.
27:42 Gail?
27:43 Saying such artistry.
27:44 Agree.
27:45 Fabulous.
27:46 This is like a blade of grass.
28:07 You have to soak the hair.
28:18 So you're soaking it with hairspray.
28:20 It's style fixer by matrix.
28:22 Yeah.
28:23 Style fixer by matrix.
28:24 You soak it with that.
28:26 Fine panels.
28:29 I'm trying to do something here.
28:39 I don't know how it's going to take with a card.
28:40 While he's doing that, Carol just gave us horse hair at hair wonk dot com.
28:48 Hair work.
28:49 Sorry.
28:50 Hair work dot com.
28:51 Is that cool?
28:52 That's the polyurethane.
28:53 Yeah.
28:54 Do you usually use synthetic hair for this or human hair?
28:55 No, human hair.
28:56 Don't use synthetic.
28:57 I can see it.
28:58 I did it by accident.
28:59 I've actually done this on models.
29:00 I explained to them that there's so much water in the hairspray.
29:01 It protects their hair.
29:02 So, I'm going to do a little bit of hair.
29:03 I'm going to do a little bit of hair.
29:04 I'm going to do a little bit of hair.
29:05 I'm going to do a little bit of hair.
29:06 I'm going to do a little bit of hair.
29:07 I'm going to do a little bit of hair.
29:08 I'm going to do a little bit of hair.
29:09 I'm going to do a little bit of hair.
29:10 I'm going to do a little bit of hair.
29:11 I'm going to do a little bit of hair.
29:35 I'm going to do a little bit of hair.
29:56 I'm going to do a little bit of hair.
30:20 I'm going to do a little bit of hair.
30:48 I'm going to do a little bit of hair.
30:55 I'm going to do a little bit of hair.
30:56 I'm going to do a little bit of hair.
30:57 I'm going to do a little bit of hair.
30:58 I'm going to do a little bit of hair.
30:59 I'm going to do a little bit of hair.
31:00 I'm going to do a little bit of hair.
31:01 I'm going to do a little bit of hair.
31:02 I'm going to do a little bit of hair.
31:03 I'm going to do a little bit of hair.
31:04 I'm going to do a little bit of hair.
31:05 I'm going to do a little bit of hair.
31:06 I'm going to do a little bit of hair.
31:07 I'm going to do a little bit of hair.
31:08 I'm going to do a little bit of hair.
31:09 I'm going to do a little bit of hair.
31:10 I'm going to do a little bit of hair.
31:36 I'm going to do a little bit of hair.
31:43 I'm going to do a little bit of hair.
31:44 I'm going to do a little bit of hair.
31:45 I'm going to do a little bit of hair.
31:46 I'm going to do a little bit of hair.
31:47 I'm going to do a little bit of hair.
31:48 I'm going to do a little bit of hair.
31:49 I'm going to do a little bit of hair.
31:50 I'm going to do a little bit of hair.
31:51 I'm going to do a little bit of hair.
31:52 I'm going to do a little bit of hair.
31:53 I'm going to do a little bit of hair.
31:54 I'm going to do a little bit of hair.
31:55 I'm going to do a little bit of hair.
31:56 I'm going to do a little bit of hair.
31:57 I'm going to do a little bit of hair.
31:58 I'm going to do a little bit of hair.
32:26 I'm going to do a little bit of hair.
32:27 I'm going to do a little bit of hair.
32:28 I'm going to do a little bit of hair.
32:29 I'm going to do a little bit of hair.
32:30 I'm going to do a little bit of hair.
32:31 I'm going to do a little bit of hair.
32:32 I'm going to do a little bit of hair.
32:33 I'm going to do a little bit of hair.
32:34 I'm going to do a little bit of hair.
32:35 I'm going to do a little bit of hair.
32:36 I'm going to do a little bit of hair.
32:37 I'm going to do a little bit of hair.
32:38 I'm going to do a little bit of hair.
32:39 I'm going to do a little bit of hair.
32:40 I'm going to do a little bit of hair.
32:41 I'm going to do a little bit of hair.
32:42 I'm going to do a little bit of hair.
33:03 I'm going to do a little bit of hair.
33:25 I'm going to do a little bit of hair.
33:45 I'm going to do a little bit of hair.
34:09 I'm going to do a little bit of hair.
34:38 I'm going to do a little bit of hair.
34:39 I'm going to do a little bit of hair.
34:40 I'm going to do a little bit of hair.
34:41 I'm going to do a little bit of hair.
34:42 I'm going to do a little bit of hair.
34:43 I'm going to do a little bit of hair.
34:44 I'm going to do a little bit of hair.
34:45 I'm going to do a little bit of hair.
34:46 I'm going to do a little bit of hair.
34:47 I'm going to do a little bit of hair.
34:48 I'm going to do a little bit of hair.
34:49 I'm going to do a little bit of hair.
34:50 I'm going to do a little bit of hair.
34:51 I'm going to do a little bit of hair.
34:52 I'm going to do a little bit of hair.
34:53 I'm going to do a little bit of hair.
34:54 I'm going to do a little bit of hair.
35:18 I'm going to do a little bit of hair.
35:44 I'm going to do a little bit of hair.
36:13 I'm going to do a little bit of hair.
36:14 I'm going to do a little bit of hair.
36:15 I'm going to do a little bit of hair.
36:16 I'm going to do a little bit of hair.
36:17 I'm going to do a little bit of hair.