NOSFERATU SAGA (6 Bandes Annonce et 1 Making Of)
Une bande annonce de ressortie du' Nosferatu' (1922) pour son 100e anniversaire.
3 bandes annonce et un making of du remake 1979 signé Werner Herzog avec Klaus Kinski, Isabelle Adjani et Bruno Ganz.
La bande annonce de sa suite délirante tournée en 1988 'Nosferatu à Venise' et du film évoquant avec fantaisie le tournage du classique de Werner Herzog, 'L'Ombre du vampire' sorti en 2000 avec John Malkovich et Willem Dafoe.
3 bandes annonce et un making of du remake 1979 signé Werner Herzog avec Klaus Kinski, Isabelle Adjani et Bruno Ganz.
La bande annonce de sa suite délirante tournée en 1988 'Nosferatu à Venise' et du film évoquant avec fantaisie le tournage du classique de Werner Herzog, 'L'Ombre du vampire' sorti en 2000 avec John Malkovich et Willem Dafoe.
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Short filmTranscript
00:00 [Bell tolls]
00:10 [Bell tolls]
00:20 [Music]
00:30 [Music]
00:40 [Music]
00:50 [Music]
01:00 [Music]
01:10 [Music]
01:20 [Music]
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01:50 [Music]
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02:10 [Music]
02:20 [Music]
02:30 [Music]
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02:50 [Music]
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03:40 [Music]
03:50 [Music]
04:00 [Music]
04:10 [Music]
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06:00 [Music]
06:10 [Music]
06:20 [Music]
06:30 [Music]
06:40 [Music]
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07:00 [Music]
07:10 [Music]
07:20 [Music]
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07:40 [Music]
07:52 [Music]
07:54 [Music]
07:56 [Music]
07:58 [Music]
08:00 [Music]
08:02 [Music]
08:12 [Music]
08:22 [Music]
08:32 [Music]
08:42 [Music]
08:48 Nosferatu, in my opinion, is the most important film ever made in Germany,
08:54 so this is some sort of a challenge.
08:57 And it establishes some sort of a link between the great expressionist cinema
09:04 that we had in Germany and our film renaissance now.
09:08 It is a film that is beyond my own private person.
09:14 [Music]
09:30 [Music]
09:42 [Music]
09:50 I think it is necessary, since we are a fatherless generation,
09:54 to have some sort of a continuity in film history.
10:00 The plague! The plague! What are you doing here?
10:04 I know the reason for all this evil!
10:07 [Music]
10:15 For the first time, movie itself, with its principles and its laws and its grammar,
10:23 is subject to some extent for me.
10:28 For the first time I do a genre film, and I follow the laws of the genre.
10:34 And that, of course, is a difficulty and a challenge for me.
10:40 But more than anything else, it is a question of establishing a link
10:46 between the great legitimate German cinema of the '20s.
10:50 [Music]
11:05 I personally see filmmaking as athletic work.
11:10 I want to work with my body, and that gives me an instinct for this whole space that you see here.
11:17 And I don't like to shoot in an open space that I have not experienced with my body.
11:26 [Music]
11:44 It has to do with not only with performing of some work,
11:49 it is also something that has to do with one's existence.
11:54 And if that is not too easy, then of course filmmaking is not too easy, and it causes pain.
12:02 [Music]
12:08 If you've seen my films, maybe if you've seen any come out from pain, that's the source.
12:15 That's where they come from, not from pleasure.
12:19 [Music]
12:32 You should not count the difficulties.
12:35 You should not count the money. You should not count the extras.
12:39 What counts is what you see from the screen, nothing else.
12:43 [Speaking in German]
12:52 [Speaking in German]
12:59 [Speaking in German]
13:13 [Speaking in German]
13:19 [Speaking in German]
13:33 [Music]
14:02 [Music]
14:04 [Speaking in German]
14:12 [Speaking in German]
14:15 [Speaking in German]
14:24 [Speaking in German]
14:51 [Music]
15:18 [Speaking in German]
15:26 [Speaking in German]
15:44 It's me. It's me because I'm Nosferatu.
15:48 The Nosferatu picture.
15:49 So my answer is Nosferatu is me. It's real. Nosferatu. Like many other things.
15:57 I was 14, 15 when I started, but I tried to find producers for my films, and it was all this humiliations and setbacks, and everyone kicked me out of his office.
16:10 [Speaking in German]
16:24 I really started when I was 19. I did my first film at the age of 19, but I had to work for two years in a steel factory at night shifts to have the money for doing it.
16:37 I started in 35mm immediately because I wanted to be a professional.
16:43 And 16mm or super 8mm is all some sort of amateurish fooling around.
16:50 I thought if I had failures, if I fall at my face, I want to fall that hard that I do not recover or I make it.
17:00 When you start something, of course automatically you believe in it, but you have to point it out so much you believe in it.
17:08 Otherwise I would never accept it if it wouldn't be in me, if I couldn't feel the metamorphosis.
17:15 [Speaking in German]
17:38 What are you doing here, you fool? Why are you stealing furniture?
17:46 [Speaking in German]
17:50 I look as I have to look. If I wouldn't look as I have to look, I wouldn't accept it.
17:57 [Speaking in German]
18:00 Count Dracula sent me a letter from Transylvania.
18:10 He wants to buy a house here. Of course it's an enormous trip to see him.
18:19 Where is that? Over the Carpathian Mountains, isn't it?
18:26 Yes.
18:29 [Speaking in German]
18:34 You don't think about it's nice or it's not nice. It's how it has to be.
18:39 [Music]
18:49 I'm 35.
18:52 This is the 18th film I'm making now.
18:56 I'm not on the other side of the river yet.
18:59 I want to make one film as good as Murnau's film.
19:04 Or one film like Griffith has done. Or one film like "Semlyava" by Dovzhenko.
19:10 Or one film like one film of Kurosawa. And then I will say that's it, enough.
19:16 [Music]
19:45 [Train whistle]
19:50 [Music]
20:17 [Laughter]
20:22 [Music]
20:50 [Music]
21:00 [Music]
21:10 [Music]
21:30 [Gunshots]
21:32 [Silence]
21:40 [Music]
21:46 [Speaking in German]
21:54 [Speaking in German]
22:02 [Screaming]
22:16 [Music]
22:24 [Speaking in German]
22:27 [Music]
22:36 [Speaking in German]
22:38 [Music]
22:40 [Speaking in German]
22:44 [Speaking in German]
22:46 [Speaking in German]
22:48 [Speaking in German]
22:50 [Speaking in German]
22:52 [Speaking in German]
22:54 [Speaking in German]
22:56 [Speaking in German]
22:58 [Screaming]
23:00 [Music]
23:06 [Screaming]
23:08 [Explosion]
23:11 [Music]
23:17 [Speaking in German]
23:21 [Music]
23:31 [Speaking in French]
23:47 [Speaking in French]
23:55 [Speaking in French]
24:03 [Speaking in French]
24:07 [Speaking in French]
24:09 [Speaking in French]
24:11 [Speaking in French]
24:13 [Speaking in French]
24:15 [Speaking in French]
24:17 [Screaming]
24:19 [Speaking in French]
24:21 [Speaking in French]
24:23 Produced by Lionsgate Film and Nicolas Cage.
24:26 This is the dark history of the intransigent,
24:30 You'll have no big plan, not a single one!
24:33 the unimaginable,
24:34 Blood! Blood!
24:36 and the living dead.
24:38 With John Malkovich, nominated for the Academy Awards.
24:45 I'm going to finish my film!
24:47 This is William Dafoe.
24:49 You don't know that this is no longer your film.
24:52 The shadow of the vampire.
24:54 How dare you destroy my photographer?
24:58 Why not the script instead?
25:00 It won't be long.
25:02 (The End)
25:04 (The End)
25:06 [BLANK_AUDIO]