• 2 anni fa
In 1861, called up for military service during the American Civil War, Mr. March entrusts the family to his wife Marmee, a strong and efficient woman, completely devoted to her four daughters: Jo, Meg, Beth and Amy. They, deeply united but very different in character, live in Concord, Massachusetts, in a pretty little house and spend their time helping around the house, embroidering, reading. Meg is the eldest, sensible and kind; Jo is the liveliest and most independent, highly intelligent (with some ideas of feminism) and determined to become a writer; Beth is the sweetest and most reserved, perhaps because she has been ill for some time; as for twelve-year-old Amy, her adolescence makes her carefree and more superficial. After a few years her father is always away: there is a bit of a shortage at home (but the girls, following their mother's example, never fail to help some unfortunate people in distress). Among the wealthy people of the neighborhood is the young Laurie who adores all four March girls. After his father returns from the war to Concord, convalescing, the family gradually dissolves. From the marriage between Meg and a good young man a child is born; Amy leaves with her old aunt March for Europe; Beth dies. Jo has a hard time tolerating the quiet local life, made up of small events, of some balls that excite the young women. She refuses the marriage proposal of Laurie who is in love with her (Jo who loves him very much as a friend intends to find her place in a society in turmoil) so she leaves Concord and goes to New York as a governess where she meets a teacher, Friedrich Baher, charming and cultured, very open like her to social problems. After a long time, back home, Jo is finally rewarded by the publication of her first novel, which Friedrich had appreciated and praised. The three "little women" have now grown up: Amy has married Laurie in Europe, and mother March is thinking of founding a school, which will be freely open to whites and blacks.
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00:02:31A temporary poverty had settled upon our family some years before.
00:02:35The war had made fuel and lamp oil scarce.
00:02:39But necessity is indeed the mother of invention.
00:02:42Somehow in that dark time, our family, the March family, seemed to create its own light.
00:02:50Mommy! Mommy's home!
00:02:53♪♪
00:03:00Marmy!
00:03:01Marmy!
00:03:02Marmy!
00:03:03We've been waiting, waiting!
00:03:04We've been expecting you for hours!
00:03:06I hope you weren't expecting featherhead.
00:03:09Oh, Marmy, you're frozen.
00:03:11Yes, if you could see the people lined up outside of Hope House in this bitter cold.
00:03:14Your cheeks are so warm.
00:03:16Thank you, Cricket.
00:03:17Have you finished the Christmas bundles?
00:03:19So many this year. We were handing out...
00:03:21Oh, how was your cold?
00:03:22Better.
00:03:23That's good. We were handing out food as quickly as we could make up the baskets.
00:03:28Now, Miss Amy, what is this in my pocket?
00:03:31Father!
00:03:41My dearest family, I am well and safe.
00:03:45Our battalion is encamped on the Potomac.
00:03:47Potomac?
00:03:48Potomac.
00:03:50December makes a hard, cold season for all of us so far from home.
00:03:54I think of my girls day and night and find my best comfort in your affection.
00:03:59I pray that your own hardships will not be too great to bear.
00:04:03Give them all my dear love and a kiss.
00:04:06Tell them I think of them by day, pray for them by night.
00:04:10Poor father.
00:04:12I'm a selfish girl.
00:04:14Oh, little one.
00:04:18It's Christmas Eve. Your father wouldn't want us to be sad now.
00:04:22Ding, dong, merrily on high.
00:04:24In heaven the bells are ringing.
00:04:27Ding, dong, merrily the sky
00:04:29Is riveted with angels singing.
00:04:32Gloria
00:04:40Hosanna in excelsis.
00:04:44Merry Christmas.
00:04:45Merry Christmas.
00:04:46As steeple bells be slonging
00:04:49And the angels sing
00:04:51Merry Christmas.
00:04:54Gloria
00:04:58Merry Christmas, love.
00:04:59Love you.
00:05:00I love you.
00:05:01Gloria
00:05:02Hosanna in excelsis.
00:05:05My joy.
00:05:06Merry Christmas.
00:05:07Merry Christmas, my love.
00:05:09Gloria
00:05:10Hosanna in excelsis.
00:05:13And don't sit up too late.
00:05:15I won't.
00:05:16Your mat and shiny ringers
00:05:19May you beautifully rhyme
00:05:21Your eve-time song we singers
00:05:39Late at night my mind would come alive
00:05:41With voices and stories and friends
00:05:43As dear to me as any in the real world.
00:05:46I gave myself up to it
00:05:48Longing for transformation.
00:05:56Oh, miraculous food.
00:05:58Isn't this just like the old days, Hannah?
00:06:00Oh.
00:06:04You shouldn't eat it.
00:06:05We should just look at it.
00:06:06I'm going to eat it.
00:06:08Jo?
00:06:09Jo, come down!
00:06:19I'm awake, horrible piano.
00:06:24Hannah's put together an absolute Christmas miracle.
00:06:27Is that sausage?
00:06:30Wait.
00:06:34Butter!
00:06:35Oh.
00:06:36Oh, isn't butter divinity?
00:06:38Oh, God, thank you for this breakfast.
00:06:40Jo, angel, fetch your marmy.
00:06:42She went out at the crack of dawn to see some Germans.
00:06:46Hummel, the boy, said,
00:06:47Not a word of English.
00:06:49His dad's gone.
00:06:51Six children and she's about to issue another.
00:06:54May as well take him a stick of firewood.
00:06:57I'm sure they haven't got any.
00:06:59Or breakfast, either.
00:07:02Perhaps we could send the Hummels our bread.
00:07:07Might as well send the butter, too.
00:07:09Butter's not much use without bread to put it on.
00:07:29Oh, wonderful snow.
00:07:31Don't you wish you could roll about in it like dogs?
00:07:35Once one of our finest families.
00:07:44Lovely weather for a picnic.
00:07:46Come along, Theodore. We'll be late for church.
00:07:55Jo, you should let them speak first.
00:07:58What do they think of us?
00:08:00Oh, don't look back.
00:08:02Here we come, a-rustling among the little trees.
00:08:06And here we come, a-wand'ring so fair to be seen.
00:08:10Love and joy come to you, and to you we'll rustle, too.
00:08:15And God bless you and send you a happy new year.
00:08:19And God send you a happy new year.
00:08:33Knights and ladies, elves and pagers, monks and flower girls,
00:08:37all mingled gaily in the dance.
00:08:40Pauline cried out in horror as her bridegroom's mask fell,
00:08:44disclosing not her lover, Ferdinand,
00:08:47but the face of his sworn enemy, Count Antonio.
00:08:52Revenge is mine, quoth he.
00:08:56Quoth he.
00:09:01Continued in the following edition.
00:09:04Excellent installment, Mr Snotdryce.
00:09:10Oh, I love forbidden marriages.
00:09:12You ought to publish it, Jo. Really, not just in the Pickwick portfolio.
00:09:16Mr Tuckman, are you demeaning our fine newspaper?
00:09:19Mr Winkle.
00:09:22One perwinkle...
00:09:24Advertisement.
00:09:26One perwinkle sash belonging to Mr N. Winkle
00:09:30has been abscondated from the wash line.
00:09:33Which gentleman desires any reports leading to its recovery?
00:09:42Gentlemen of the press, hear, hear.
00:09:45I call to your attention on Mr Tuckman's The History of a Squash.
00:09:48Oh, don't read mine. Beth, this isn't a store, it's a recipe.
00:09:52Oh, dear, I never know what to write.
00:09:54First rule of writing, Mr Tuckman, is never write what you know.
00:10:00What do we think of the boy?
00:10:02Is he a captive, like Smee and Nicholas Nickleby?
00:10:07He looks lonely.
00:10:09You don't think he'll try to call?
00:10:11Maybe he has a secret, a tragic European secret.
00:10:15He's had no upbringing at all, they say.
00:10:17He was reared in Italy among artists and vagrants.
00:10:21Doesn't he have a noble brow?
00:10:23If I were a boy, I'd want to look just like that.
00:10:26Imagine giving up Italy to come live with that awful old man.
00:10:29Oh, Jo, please don't say awful, it's slang.
00:10:31It would be terrifying to live with him.
00:10:35I shouldn't mind living in such a fine house and having nice things.
00:10:40Oh, it doesn't seem like Christmas this year without presents.
00:10:43I'm desperate for drawing pencils.
00:10:47I wish I didn't have to work for Great Aunt March, that crabby old miser.
00:10:52And you, Beth, what's your Christmas wish?
00:10:55I'd like the war to end so Father can come home.
00:10:59Oh, sweet Beth, we all want that.
00:11:04You do have a beautiful piano.
00:11:06Wait till I'm a writer, I'll buy you the best piano in creation.
00:11:09Wait till I'm a writer, I'll buy you the best piano in creation.
00:11:12If she doesn't, you can come over and play mine.
00:11:15When I marry, I'm going to be disgusting, you know.
00:11:18And what if the man you love is a poor man, but good like Father?
00:11:23Well, it isn't like being stuck with the dreadful nose you get.
00:11:27One does have a choice to whom one loves.
00:11:29Lovely nose.
00:11:31Well, I wouldn't marry for the money.
00:11:33I mean, what if this business goes bust?
00:11:36Besides, down at the Eagle, they pay five dollars for each story they print.
00:11:40Why, I have ten stories in my head right now.
00:11:43Gentlemen, I dislike all this money talk.
00:11:46It isn't refined.
00:11:48Well, lack of attention to personal finances is a mark of refinement.
00:11:52I'd say the Marchers are the most elegant family in Concord.
00:11:57We'll all grow up someday, Meg.
00:11:59We might as well know what we want.
00:12:03That'll do, that'll do.
00:12:05Put the carriage away and look smart about it.
00:12:07Very good, sir.
00:12:10Merry Christmas.
00:12:14I have the most wonderful feeling about tonight.
00:12:16Meg and Joe, you have to tell me exquisitely everything about Belle Gardner.
00:12:20What her nose looks like and about her ring.
00:12:22Annie Gardner says it's an emerald.
00:12:24Can you imagine?
00:12:25Everyone's lucky but me.
00:12:27I'm glad I don't have to go and be with all those frightening people
00:12:30and try to think of things to say.
00:12:32Oh, shh.
00:12:33Oh, mind you, Joe.
00:12:35Don't eat much except meat and don't shake hands with people.
00:12:37It isn't the thing anymore.
00:12:39Joe, your dress.
00:12:40Oh, I know.
00:12:41Oh, you always stand too close to the fire.
00:12:44Oh, dear.
00:12:45Well, just keep your backside to the wall.
00:12:47Meg, look.
00:12:48What cunning little heels.
00:12:50They're rather small.
00:12:51That's all right.
00:12:52It's only for one night.
00:12:54You don't suppose anyone will notice they came out of the rag bag, do you?
00:12:58You have to have heels.
00:13:00Oh.
00:13:02What's that strange smell?
00:13:06Like burnt feathers.
00:13:14Oh, heavens above.
00:13:15You've ruined me.
00:13:17I'm sorry.
00:13:18I'm sorry.
00:13:19You shouldn't have had me do it.
00:13:21I spoil everything.
00:13:24I can't go out like this.
00:13:26Oh, good.
00:13:27I'm not going either.
00:13:28Here.
00:13:29Place my bow in front.
00:13:33Yes, that covers it.
00:13:34It's very becoming, Meg.
00:13:36I'll never have any suitors.
00:13:38I'll just be a dried-up old spinster.
00:13:40You don't need scores of suitors.
00:13:42You only need one if he's the right one.
00:13:45Listen to the child.
00:13:47Meg isn't going to be married right away, is she?
00:13:50Meg isn't going to be married right away, is she?
00:13:53With Joe's help, I never will.
00:13:58Oh, you must be so happy.
00:14:00Oh, well, it's enchanting.
00:14:04Well, I'd best go and help my mom.
00:14:06Excuse me.
00:14:21It's Mrs. Ross.
00:14:24She's going to try and watch him.
00:14:47Oh, yes, I like it very much.
00:14:50Oh, yes.
00:15:01Josh!
00:15:02I'm sorry.
00:15:03No, no, stay.
00:15:04It's not bad.
00:15:05Hiding place, is it?
00:15:07You see, I don't know anyone, so I feel awkward just standing and staring at people.
00:15:11Why should I put on my jacket?
00:15:12I never know the rules here.
00:15:15I'm Laurie.
00:15:17Theodore Lawrence, but I'm called Laurie.
00:15:20Joe March.
00:15:24So, who are you staring at?
00:15:26You, actually.
00:15:28What game were you playing?
00:15:30I don't know, but I think I won.
00:15:33Who else?
00:15:35Well, I was quite taken with that one.
00:15:41That's Meg.
00:15:43That's my sister.
00:15:47She's completely bald in front.
00:15:50Is it true that you lived in Italy among artists and vagrants?
00:15:55My mother was Italian, a pianist.
00:16:02Grandfather disapproved of her.
00:16:04Truly?
00:16:05I saw a play like that once.
00:16:07Truly?
00:16:08I saw a play like that once.
00:16:10Do you like the theater?
00:16:11Oh, yes.
00:16:12Were you born there?
00:16:14Where?
00:16:15In Italy.
00:16:17Do you speak French or Italian?
00:16:19English at home.
00:16:20Francais à l'école, the music conservatory in Vevey.
00:16:24But grandfather's having me tutored now.
00:16:26He insists I go to college.
00:16:29Oh, I'd commit murder to go to college.
00:16:33Actually, I'm going to Europe.
00:16:36Well, at least I hope I am.
00:16:39My great-aunt Marge says she'll go one of these days
00:16:41and she has to take me with her because I work as her companion.
00:16:45I have to read to her for hours and hours.
00:16:48But I do all the voices.
00:16:50I'll bet you do.
00:16:52If I were going to be a writer, I'd go to New York and pursue the stage.
00:16:57Are you shocked?
00:16:59Very.
00:17:07I'm sorry.
00:17:25I'm sorry.
00:17:27Meg always makes me take the gentleman's part at home.
00:17:30It's a shame you don't know the lady's part.
00:17:34Are you looking at the back of my dress?
00:17:36It doesn't look so bad, honestly.
00:17:38You promised you wouldn't look.
00:17:40Oh, Joe.
00:17:41Joe, I've sprained my ankle.
00:17:43You shouldn't wander in those shoes.
00:17:45Does it hurt?
00:17:46Oh, no, no. I'm quite well, thank you.
00:17:48This is our neighbor, Laurie, the captive.
00:17:52Oh, poor Meg.
00:17:53I'll go tell Mrs. Gardner.
00:17:54Oh, no, Josh.
00:17:55She'll think I've been sampling the punch.
00:17:57A perfectly good party ruined.
00:18:00Well, I have my carriage. Let me take you home.
00:18:02Oh, yes.
00:18:03Thank you.
00:18:08Thank you.
00:18:17Here, lean on me.
00:18:18Thank you, Mr. Lawrence. That's very kind of you.
00:18:20You're welcome.
00:18:21Goodbye, Laurie.
00:18:22Good night, Mrs. Marsh.
00:18:23Meg, where ever did you get this shoe?
00:18:27Did you ride in his carriage?
00:18:29Oh, you two are full of luck.
00:18:31Joe, is he very romantic?
00:18:33Not in the slightest.
00:18:35Well, we're very much obliged to him, but he's a dreadful boy.
00:18:38Well, he did a good deed putting snow on this ankle.
00:18:41He put snow on your ankle?
00:18:43To bed, Miss Amy.
00:18:45With his own hands?
00:18:47Oh, stop being so swoony.
00:18:49I won't have my girls being silly about boys.
00:18:51To bed.
00:18:52Joe, dear.
00:18:54Does this hurt?
00:18:57Everything lovely happens to Meg.
00:18:59Oh, yes, indeed.
00:19:00We shouldn't be soppy about Laurie any more than we should be soppy about those silly girls at school.
00:19:04I hope we shall be good friends with him.
00:19:06The boy?
00:19:07He isn't a boy. He's Laurie.
00:19:13Faster!
00:19:19Faster!
00:19:22Faster!
00:19:23Laurie!
00:19:31Your young ladies are unusually active, Mrs. Marks, if I may say so.
00:19:35You may indeed, Mr. Book.
00:19:37It is my opinion that young girls are no different than boys in their need for exertion.
00:19:41Feminine weakness and fainting spells are the direct result of our confining young girls to the house,
00:19:46bent over their needlework and restrictive courses.
00:19:55Your young student is an athlete.
00:20:00He is, thank you, a good one.
00:20:03But he makes an unruly scholar.
00:20:05I regret that his grandfather is away much.
00:20:10One hopes that your girls will be a gentling influence.
00:20:13Indeed, Mr. Book.
00:20:17My, must you speak to everyone about corsets?
00:20:21Oh, Meg.
00:20:23Do I?
00:20:30Blast these wretched skirts!
00:20:34Don't say blast and wretch.
00:20:36Amy, don't be such a mini-pinny.
00:20:38I wish it was Beth so I could stay home and do pleasant things.
00:20:42Oh, if you call doing laundry and housework pleasant.
00:20:47Blast!
00:20:49Amy, hurry, I'll be late for work.
00:20:53There's Mrs. King-I'm-tardy again.
00:20:56Lovely children.
00:20:58Oh, Meg, must I go to school? I'm so degraditated.
00:21:02I can hardly hold my head up. I owe at least a dozen limes.
00:21:06Limes? Are limes the fashion now?
00:21:08Of course they are. It's nothing but limes now.
00:21:11Everyone keeps them in their desks and trades them for beads and things.
00:21:14And all the girls treat each other at recess.
00:21:16If you don't bring limes to school, you're nothing.
00:21:18You might as well be dead.
00:21:20I've had ever so many limes and I can't pay anyone back.
00:21:23Well, no wonder you don't learn anything at that school.
00:21:26I know how it feels to do without any little luxuries.
00:21:29Meg!
00:21:30But we are not destitute. Not yet.
00:21:32Here's a quarter. Marmy gave me the rag money this month.
00:21:37Go on.
00:21:45Secondly, the immortality of the soul
00:21:51is asserted to be in consequence of its immateriality,
00:21:56as in all lipothagmic cases,
00:22:00consistent with the idea of immortality
00:22:05and immorality and physicality.
00:22:10And I think you've finally dozed off.
00:22:21Hmm.
00:22:46Chelsea Fee! There's a giraffe!
00:22:48Oh!
00:22:59Is it father?
00:23:05Teacher struck me.
00:23:07He put the limes out into the snow.
00:23:13Maid Chester said my limes must have been donated to Hope House.
00:23:17And then I said that she wouldn't get a single lime from me.
00:23:21And then she told Mr. Davis they were hidden in my desk.
00:23:24And then he struck me.
00:23:26Oh, you ought to go over there and beat the tar out of him with his own stich-o!
00:23:30You must not embrace violence.
00:23:33Now, I will write this man a letter.
00:23:35A letter? That'll show him.
00:23:37He failed to mention to me they were forbidden a whole month's rag money.
00:23:41Amy, I shouldn't have given it to you.
00:23:44I'm sorry.
00:23:46All those lovely limes.
00:23:48I'm perfectly desolated.
00:23:50Well, I'm not sorry you lost them.
00:23:52It's a frivolous concern in times like these.
00:23:54You are more intent upon reshaping your dear little nose than in fashioning your character.
00:23:59It's an appalling school. Your spelling's atrocious. You're Latin absurd.
00:24:03Mr. Davis said it was as useful to educate a woman as to educate a female cat.
00:24:10I really must strangle Mr. Davis.
00:24:15Mr. Davis.
00:24:18What right have you to strike a child?
00:24:20In God's eyes, we are all children and we are all equals.
00:24:23If you hit and humiliate a child, the only lesson she will learn is to hit and humiliate.
00:24:31Amy, do you think you can discipline yourself to learn at home as Beth has done?
00:24:40I withdraw my daughter Amy from your school.
00:24:42It serves the scoundrel right.
00:24:44Joe will now supervise your education.
00:24:57Joe, tell me what happens next.
00:24:59After the Duke turns his back on his family fortune and saves Lady Zara.
00:25:04Don't know.
00:25:06It's all murder and gore.
00:25:08The damsel's in distress.
00:25:09Oh, I love your damsel's in distress.
00:25:12Oh, Beth, truly.
00:25:14I don't know if I could ever be good like Mommy.
00:25:18I'd rather crave violence.
00:25:22If only I could be like Father and go to war and stand up to the lions of injustice.
00:25:29And so Mommy does in her own way.
00:25:33Yes.
00:25:35But I want to do something different.
00:25:38I don't know what it is yet, but I'm on the watch for it.
00:25:42You will find it, Joe.
00:25:54Hello.
00:25:55Joe, come over here.
00:25:58You too, Meg.
00:25:59Stella's tomb's around here.
00:26:00Mr. Lawrence, one doesn't shout at ladies as if they were cattle.
00:26:12My apologies.
00:26:23All right.
00:26:37What do those girls do over there all day?
00:26:40Over the mysteries of female life, there is drawn a veil best left undisturbed.
00:27:11Oh, dear Countess, pray for me.
00:27:14For I have sinned against meself and me brother, Rodrigo.
00:27:18You've got to say sinned as if you've really sinned.
00:27:22Sinned.
00:27:24Sinned.
00:27:26Rodrigo, you arrive seeking the Duke of Lancashire.
00:27:32Hark ye, who goes there?
00:27:35Oh, I forgot the cymbals.
00:27:37Why, it's...
00:27:38Why, it's...
00:27:40It's Rodrigo.
00:27:43Rodrigo.
00:27:44I want to be Lady Violet.
00:27:47I'm exhaustified of being the boy.
00:27:50The play is the thing, Amy.
00:27:53You're too little to be Lady Violet.
00:27:55Here, be the Countess to Montenescue.
00:27:57You don't have any lines.
00:27:59Besides, who would be our Rodrigo?
00:28:04Gentlemen.
00:28:08I propose the admission of a new member to our theatrical society.
00:28:13Theodore Lawrence will put it to a vote.
00:28:15Nay, he'll laugh at our acting and poke fun at us later.
00:28:18He'll think it's only a game.
00:28:20No, he won't, upon my word, as a gentleman.
00:28:22Jo, we're just only ladies. We don't guard our conduct in the same way.
00:28:26We bare our souls and tell the most appalling secrets.
00:28:29He would find us improper.
00:28:31Oh, Teddy would do nothing of the sort.
00:28:34Oh, please, let's try him.
00:28:37Selfie?
00:28:42Hello, artists.
00:28:43May I present myself as an actor, a musician, and a loyal and very humble servant of the club.
00:28:52We'll be the judge of that.
00:28:54In token of my gratitude, and as a means of promoting communication between adjoining nations,
00:29:00shouting from windows being forbidden,
00:29:02I shall provide a post office in our hedge to further encourage the bearing of our souls
00:29:13and the telling of our most appalling secrets.
00:29:20I do pledge never to reveal what I receive in confidence here.
00:29:27Well, then.
00:29:32Do take your place, Rodrigo, sir.
00:29:36Rodrigo.
00:29:46And so Laurie was admitted as an equal into our society,
00:29:49and we March girls could enjoy the daily novelty of having a real brother of our very own.
00:29:56I want to go to the theater.
00:29:59I never get to go anywhere.
00:30:01You're too little.
00:30:02Beth, where are Tarnation and Mommy's opera glasses?
00:30:04I'm not too little.
00:30:06You're just hogging Laurie.
00:30:08Please, can't I go?
00:30:10Oh, Amy, I'm afraid Laurie only reserved four seats.
00:30:13Do I look too shabby?
00:30:14Oh, to hush her, Fat Meg.
00:30:15This isn't a carnation.
00:30:16It's just Laurie and that awful Mr. Brooke.
00:30:19Joe, can't you ask Teddy to get another ticket?
00:30:22No.
00:30:23You have a cold, dear.
00:30:25Rest your eyes.
00:30:26Evangeline and I will make you some ginger tea.
00:30:28You're weeks behind in algebra.
00:30:30Now, I want you to do all the pages that I've marked.
00:30:32I won't have a sister who's a lazy ignoramus.
00:30:35And don't sulk.
00:30:36You look like a pigeon.
00:30:37Oh, oh.
00:30:39Good night.
00:30:42You'll be sorry for this, Joe March.
00:30:51Whoa.
00:30:52Whoa there.
00:30:57Oh, thank you.
00:31:00Mrs. Nell Watson.
00:31:02Wasn't she a womanizer?
00:31:04She was.
00:31:05She was.
00:31:08Oh, Mrs. Nell Watson.
00:31:10Wasn't she a wonderful swooner?
00:31:12If only I were the swooning type.
00:31:14If only I were the catching type.
00:31:18Young Lawrence informs me that you are an aficionado of the theater, Miss Watt.
00:31:24Well, I enjoy reading plays.
00:31:26Yes.
00:31:27I find it most pleasurable myself.
00:31:31Though, I confess, I'm distracted at the theater.
00:31:34Thinking of the peculiar lives of the actors themselves.
00:31:37When one considers the immodesties Mrs. Nell Watson suffers,
00:31:41one wonders what sort of lady would seek such a life.
00:31:44Meg is a sensational actress.
00:31:46We're always putting on wild theatricals.
00:31:49Oh, it's just something that we play at.
00:31:53Well, as a matter of fact, at school, I engaged in debate.
00:31:59What do you think of that?
00:32:02Let's see what they do.
00:32:13I had a wonderful time, Mr. Brook.
00:32:15Yes, did I.
00:32:17It was a most delightful evening, and I very much liked it.
00:32:20Thank you very much.
00:32:22Good night.
00:32:23Oh, good night.
00:32:24Good night.
00:32:26That was rude.
00:32:29You plastered yourself on him.
00:32:31It's proper to take a gentleman's arm if it's offered.
00:32:33How was the theater?
00:32:35Amusing.
00:32:37It was wonderful.
00:32:39I was absolutely inspired by the love scene.
00:32:45You look flushed, Meg, dear. Was the theater overcrowded?
00:32:49Still sulking.
00:33:02Beth, where did I put my manuscript?
00:33:04Beth?
00:33:06Beth, where did I put my manuscript?
00:33:08Beth?
00:33:21No! No!
00:33:29You didn't do it!
00:33:31I'm going to kill you!
00:33:35I'm going to kill you!
00:33:37I'm going to kill you!
00:33:39I'm going to kill you! Do you hear me?
00:33:43How could you do this to me?
00:33:46Jo! Jo! Stop it!
00:33:49Jo! Jo!
00:33:50Let go of her!
00:33:51What's happened?
00:33:52I hate you! I hate you!
00:33:56No! Jo!
00:33:58Don't touch it!
00:34:00Come, just let it go.
00:34:03You're dead! You're nothing!
00:34:07I never want to see you again!
00:34:20It is a very great loss, and you have every right to be put out.
00:34:25But don't let the sun go down upon your anger.
00:34:27Forgive each other.
00:34:30Begin again tomorrow.
00:34:32I will never forgive her.
00:34:39I'm sorry, Jo.
00:34:41I'm sorry.
00:35:00Lucky!
00:35:05Looks like the last ice will melt.
00:35:09Say go.
00:35:10Sorry! Jo, wait for me!
00:35:13Ignore her.
00:35:15Ready!
00:35:25Jo, please!
00:35:41Ah!
00:35:47Amy!
00:35:49Hold on!
00:35:56Hold on, Amy!
00:36:00Get away!
00:36:06Grab the stick, Amy! Grab it!
00:36:09Grab on!
00:36:15Hold on!
00:36:23There we go!
00:36:29Josephine March, you walked all the way from Walden Pond and only these bloomers?
00:36:34As if she even noticed, dear Amy.
00:36:37How could I have been so horrible?
00:36:40Thank God for Laurie.
00:36:42Jo, do you love Laurie more than you love me?
00:36:45Oh, don't be such a beetle. I could never love anyone as I love my sisters.
00:36:50I'm not a beetle.
00:36:52Oh, look out, you're leaving out the best part.
00:36:54When Lady Zara succumbs to the Duke's wrath.
00:36:58Oh, right, yes. Sir Hugo.
00:37:02I quite prefer him myself.
00:37:08In the spring, we turned Orchard House upside down with preparations for Meg to attend Sally Moffat's coming out.
00:37:16Myself, I'd sooner have been hung by the neck than attend a fancy ball.
00:37:20Wait till all of Boston sees you in this dress, Meg.
00:37:23I told Laurie I was to show you off and keep you from being a wallflower upon penalty of death.
00:37:28Oh, where is that miserable glove?
00:37:30Oh, where is that miserable glove?
00:37:33Abigail, I shake my head at the way you're managing Margaret.
00:37:38How is she to be married without a proper debut?
00:37:41Now, Auntie, in our present circumstances...
00:37:43Your circumstances will not change with your husband's return.
00:37:47My nephew is as foolish with money as he is in his new philosophies.
00:37:52The one hope for your family is for Margaret to marry well.
00:37:57Though I don't know who marries governesses.
00:38:01Marmie?
00:38:02And this one has entirely ruined her disposition with books.
00:38:06Oh, are those for me, Josephine?
00:38:08No, Meg's taking them to the Moffats.
00:38:10Marmie, Meg's frantic. She lost her glove and she only has one pair.
00:38:13Now, she cannot go without gloves. The Moffats are a society.
00:38:17You're absolutely correct.
00:38:19Tell Meg she may borrow mine.
00:38:22Meg!
00:38:23You can take Marmie's!
00:38:24Oh, dear.
00:38:26Oh.
00:38:28More tea?
00:38:29No, thank you.
00:38:46Sally Moffat.
00:38:48You won't be able to draw your laces.
00:38:51At my coming out party, I didn't eat for weeks beforehand.
00:38:55Ahem.
00:38:59Oh, Meg, I do like that color on you.
00:39:02It's just like forget-me-nots.
00:39:04The nicest I've seen that kind of fabric since the war broke out.
00:39:08But you had it made up so plain.
00:39:11Oh, well, I...
00:39:12I do my own sewing and...
00:39:14Mrs. Finster's on Charles Street carries silk pieces ready-made.
00:39:17Tomorrow, I'll take you there.
00:39:19Marchers haven't bought silk in years.
00:39:21Marchers haven't bought silk in years.
00:39:23They have views on slavery.
00:39:26Meg, isn't it true that your father's school had to close when he admitted a little dark girl?
00:39:32The silk at Mrs. Finster's isn't milled in the South.
00:39:34It's made right here, over in Linfield.
00:39:36This isn't China silk.
00:39:38They use little children for labor.
00:39:40All the silk mills do.
00:39:43The poor are always with us.
00:39:46You are so good to remind us.
00:39:52May I tell you something?
00:39:55This is an afternoon dress.
00:39:58I'm going to make you my pet.
00:40:06Tonight, Miss March will have as many conquests as she likes.
00:40:11You have no corset.
00:40:21Come on.
00:40:41No, I believe the next dance is the polka.
00:40:44With me.
00:40:46Well, I will dance with you, Mr. Parker.
00:40:48But I fear for my new slippers.
00:40:50My credo is, don't tread on me.
00:40:55Miss March.
00:40:57I thought your family were temperance people.
00:41:00Laurie.
00:41:06Don't cover up.
00:41:07There may be one or two gentlemen here who haven't seen all of your charms.
00:41:11I did promise Joe I would show you off.
00:41:14Girls dressed me up and I rather like it.
00:41:16That's what reveals a whole new Meg.
00:41:21Would you call this?
00:41:39Meg.
00:41:43I'm sorry.
00:41:47Please don't tell Joe how I've behaved.
00:41:50Of course not.
00:41:52If you won't tell anyone how I've behaved.
00:41:55I was only playing a part.
00:41:58To see how it felt to be Belle Gardner with four proposals and twenty pairs of gloves.
00:42:05You're worth ten of those other girls.
00:42:07Did you see the way this March girl has gone after the Lawrence heir?
00:42:10Best thing that could happen to the Marches.
00:42:17Oh.
00:42:19This ridiculous dress. I've been tripping over it all night.
00:42:24Tie something around your neck where it could do you some good.
00:42:30I don't like people speculating about Laurie and our Meg as if they were characters in some play.
00:42:36And nothing provokes speculation more than the sight of a woman enjoying herself.
00:42:42Why is it Laurie may do as he likes and flirt and tipple champagne?
00:42:46And no one thinks the less of him?
00:42:48Well, I suppose for one practical reason.
00:42:51Laurie is a man and as such he may vote and hold property and pursue any profession he pleases.
00:42:58And so he is not so easily demeaned.
00:43:02Why should anyone care what they think?
00:43:05I do.
00:43:07It's nice to be praised and admired. I couldn't help but like it.
00:43:11Of course not.
00:43:13I only care what you think of yourself.
00:43:17If you feel your value lies in being merely decorative, I fear that someday you might find yourself believing that's all that you really are.
00:43:25Time erodes all such beauty.
00:43:28But what it cannot diminish is the wonderful workings of your mind.
00:43:33Your humor, your kindness, and your moral courage.
00:43:38These are the things I cherish so in you.
00:43:42I so wish I could give my girls a more just world.
00:43:45But I know you'll make it a better place.
00:43:58Those words resounded. Resounded with song of the nightingale.
00:44:04Gosh.
00:44:06Gosh.
00:44:09No.
00:44:12Gosh.
00:44:14No.
00:44:24No, I don't want them now.
00:44:26And keep the music. I won't be going near a piano for ages.
00:44:29You need your books in college. Here's your Dombey and Sons.
00:44:33I could have sworn there was another volume.
00:44:35Honestly, Jo, I won't be taking all of Dickens to Harvard with me.
00:44:39Oh, no. You'll have much more important things to read.
00:44:44Nothing's going to change, Jo.
00:44:48I wish I could go.
00:44:51I wish you could, too.
00:44:54You'll come back knowing all sorts of things I don't know and then I'll hate you.
00:44:59Oh.
00:45:01Well, as it happens, I already know something you don't know.
00:45:06I already know something you don't know.
00:45:09About Meg and a certain former tutor of mine soon to be employed at the firm of Lawrence and Lawrence.
00:45:17Liar.
00:45:19Has Meg mislaid a certain personal article such as a glove?
00:45:31Meg, John Brooks stole your glove.
00:45:34What glove?
00:45:36Not my white one.
00:45:37Brooks had it forever. Laurie says he keeps it in his pocket.
00:45:40You must tell him to return it, Hannah. Don't you think he ought to give it back?
00:45:44It isn't what I think that matters.
00:45:47Jo? Meg?
00:45:51It's a telegram from Washington Hospital.
00:45:56Your father's been wanted.
00:45:59Oh, my God.
00:46:06Come on, Annie, let's see.
00:46:07The household account is in this ledger. It should see you through to the end of the month.
00:46:10Of course. Don't worry about us.
00:46:12Oh, Beth, dear, look in on the house for me, will you?
00:46:15I will, Mammy.
00:46:17Where's Jo? It's almost six.
00:46:19Doing battle without March for Marvy's Railway TV.
00:46:25John.
00:46:26Mr. Brooks.
00:46:27I've come to offer myself as an escort to your mother.
00:46:30Cook, pack the supper, and Grandfather sends a bottle of spirits for Mr. Lawrence.
00:46:34Oh, that's lovely, Laura. Thank you.
00:46:36Mommy, Mr. Brooks is here.
00:46:38This is March.
00:46:39Mr. Brooks.
00:46:40As young Lawrence no longer requires a tutor, Mr. Lawrence has commissions for me in Washington.
00:46:44I should like to be of service to you there.
00:46:47We couldn't let you travel alone.
00:46:48Oh, Mr. Brooks, how kind of you.
00:46:50May I?
00:46:51Thank you.
00:46:52Are we to go on the six o'clock train?
00:46:53Yes, I sent Jo off, but she hasn't returned.
00:46:55I'm here.
00:46:56Finally.
00:46:58Twenty-five.
00:46:59Can Anbert spare this?
00:47:01I couldn't bear to ask her.
00:47:04I sold my hair.
00:47:06Jo, how could you?
00:47:08You're one beauty.
00:47:10This isn't going to affect the state of the union.
00:47:12It'll grow back.
00:47:13It suits you.
00:47:15We'll tell Father that we love him.
00:47:18Tell him we pray for him.
00:47:20We pray for him.
00:47:21I'll never forget his kindness.
00:47:23Anna, thank you.
00:47:27Oh, I shall miss my little one.
00:47:31I love you.
00:47:55What are you thinking about, Father?
00:47:58My hair.
00:48:24Wait for me!
00:48:28Blast!
00:48:30Oh, dear, the stove.
00:48:32We'll eat them anyway.
00:48:33There's no more cornmeal nor coffee.
00:48:35The grocer won't let us have any more on account.
00:48:38What can I bring the Hummels?
00:48:40Oh, fry the Hummels.
00:48:41You spent hours there last week.
00:48:43The boys are sick.
00:48:44I wasn't light of this to Mommy.
00:48:46She has enough burdens now.
00:48:48I hate money.
00:48:53Your potatoes!
00:48:57Oh, dear!
00:49:00And be careful when you leave the house.
00:49:02Don't forget to study at home.
00:49:04And wear a scarf.
00:49:23Mother, Mother, come!
00:49:27Thank God you're here.
00:49:28Where's your mother?
00:49:29I need medicine.
00:49:31Where's your mother?
00:49:33We're all terribly ill here.
00:49:35Fritz and Emil.
00:49:36We have to go.
00:49:37We have to go to the doctor.
00:49:38Where's your mother?
00:49:39Look at the child.
00:49:41Look at her head.
00:49:43Look at her head.
00:49:44How cold she is.
00:49:46Where's your mother?
00:49:48We're all ill here.
00:49:50Can't you see that we're cold?
00:49:54The child burns me from my eyes.
00:49:58Come on.
00:50:11Larry's home for the weekend.
00:50:13In need of funds, no doubt.
00:50:14He'd have a week's groceries with what he spends on billiards.
00:50:20Oh, Josh.
00:50:21Fat.
00:50:27Meg!
00:50:28Meg, you won't believe it!
00:50:30I've sold The Lost Duke of Gloucester!
00:50:32Five whole dollars!
00:50:33I'm an author!
00:50:35Beth?
00:50:37The humble baby is sick.
00:50:43I feel so strange.
00:50:50She's burning up, but she says that she's freezing.
00:50:52She has a terrible thirst, but she won't drink.
00:50:54It's like her silicone, but she looks more like Bella Donna.
00:50:57I saw the homeless.
00:50:59Two children taken up to Jesus.
00:51:01Scarlet fever.
00:51:02You and Miss Jo won't be harmed.
00:51:04You had it when you were babies.
00:51:06But Miss Amy, we have to send you away.
00:51:18She won't die.
00:51:21Will she, Roy?
00:51:22God wouldn't let her die.
00:51:26I don't want to go away.
00:51:29I'll come and see you every day.
00:51:32I swear it.
00:51:33You won't be alone.
00:51:40I'm afraid of Aunt Marge.
00:51:45If she's unkind to you, I'll come and take you away.
00:51:49I'll come and take you away.
00:51:52Where will we go?
00:51:55Paris.
00:52:01If I get scarlet fever and die,
00:52:04give Meg my box with green doves on it,
00:52:07and you must have my turquoise ring.
00:52:09I'll see to that.
00:52:12I don't want to die.
00:52:15I've never even been kissed.
00:52:17I've waited my whole life to be kissed.
00:52:20And what if I miss it?
00:52:22I'll tell you what.
00:52:25I promise to kiss you before you die.
00:52:48I don't know. I don't think Marmy should be a father.
00:52:51Beth needs Marmy. She depends on her.
00:52:53But what if we send for her and father gets worse?
00:52:56How in the name of all that's holy would we pay for the train?
00:53:01That he profane not my sanctuaries.
00:53:05Sanctuary.
00:53:07Sanctuaries.
00:53:09For I, the Lord, do sanctify them.
00:53:13For I, the Lord, do sanctify them.
00:53:17And Moses told it unto Aaron,
00:53:20and to his sons, and unto all the children of Israel.
00:53:33And the Lord spake unto Moses, saying,
00:53:35saying,
00:53:41Joe, Mr. Lawrence is here.
00:53:49If we may, I wish my personal physician, Dr. Bangs, to examine the little girl.
00:54:06There's nothing to be done.
00:54:08If I bleed her, it would finish her.
00:54:12Best to send for the mother.
00:54:14Forgive me.
00:54:16I've already done so. Mrs. March arrives on the train this night.
00:54:35Joe!
00:54:41Cricket.
00:54:43Marmy's here.
00:54:50Icy cold. Joe.
00:54:53Joe, fetch a basin with vinegar, water, and some rags, Meg.
00:54:57My kit.
00:54:59Must draw the fever down from her head.
00:55:02It's all right.
00:55:04It's all right.
00:55:06It's all right now.
00:55:08It's my love.
00:55:34Beth.
00:55:42Beth.
00:56:04Beth.
00:56:15And so our dear Beth came back to us,
00:56:18although the fever had weakened her heart forever.
00:56:21We did not know then that a shadow had fallen.
00:56:25We prepared for another Christmas without Father.
00:56:29Try each corner. Thank you.
00:56:30No, no!
00:56:32One bottle's enough.
00:56:34Miss Lawrence, thank you.
00:56:39Oh, I'm so sorry.
00:56:41It happens all the time.
00:56:45Here she comes.
00:56:47What should I do with these bottles?
00:56:49Don't scare her like that.
00:56:51I'll find the chance.
00:56:53We like them, Amy.
00:56:55Quick.
00:57:01The house is beautiful.
00:57:18They're friends of mine from college.
00:57:20Freddie Vaughn and Ava Watson.
00:57:22They won't bite.
00:57:31No, don't sit there. Sit...
00:57:33Here.
00:57:35Sit here, child.
00:57:37Merry Christmas.
00:57:39Merry Christmas.
00:57:48I should have given it to you long ago.
00:57:52It belonged to my little girl
00:57:55who had to leave us when she was very young.
00:57:57But now, it will make music again.
00:58:11Thank you, Mr. Lawrence.
00:58:15Merry Christmas.
00:58:17Merry Christmas.
00:58:19Play something, then.
00:58:21Shall I?
00:58:27Yes.
00:58:40Gang the halls with bars of holly
00:58:43Fa-la-la-la-la-la-la-la-la
00:58:45Tis the season to be jolly
00:58:48Fa-la-la-la-la-la-la-la-la
00:58:50Don we now our gay apparel
00:58:53Fa-la-la-la-la-la-la-la-la
00:58:54To the ancient Yuletide carol
00:58:57Fa-la-la-la-la-la-la-la-la
00:59:00See the blazing yule before us
00:59:03Fa-la-la-la-la-la-la-la-la
00:59:05Strike the harp and join the chorus
00:59:08Fa-la-la-la-la-la-la-la-la
00:59:10Follow me in merry measure
00:59:13Fa-la-la-la-la-la-la-la-la
00:59:15While we tell of Yuletide treasure
00:59:18Fa-la-la-la-la-la-la-la-la
00:59:20That was good.
00:59:25I fear you would have a long engagement.
00:59:28In three or four years, John must secure a house before you can marry,
00:59:32and you must do a service to the union.
00:59:34John? Marry?
00:59:36You mean that pokey old Mr. Brooke?
00:59:39How did he weasel his way into this family?
00:59:41Joe, John has been very kind to go visit Father in the hospital every day.
00:59:45Oh, he's dull as powder. Meg, can't you at least marry someone amusing?
00:59:49I'm fond of Mr. Brooke. He's a good man. He's kind and serious,
00:59:52and I'm not afraid of being poor.
00:59:54Marmy, you can't just let her go and marry him.
00:59:57I'd hardly just go and marry anyone.
00:59:59I would rather Meg marry for love and be a poor man's wife
01:00:02than marry for riches and lose her self-respect.
01:00:05So you don't mind that John is poor?
01:00:08No, but I would rather he have a house.
01:00:12Why must we marry at all?
01:00:14Why can't things just stay as they are?
01:00:16It is only a proposal. Nothing needs to be decided.
01:00:18Now, girls, let's not spoil the day.
01:00:33Father? Father!
01:00:35Merry Christmas, everyone.
01:00:37What a wonderful Christmas present.
01:00:39Oh, Father, you're home!
01:00:43Meg!
01:00:44Oh, you're more handsome than ever.
01:00:46Beth, Merry Christmas.
01:00:48Thank you.
01:00:50Thank God you're well.
01:00:52Here's a way. Give a man room to breathe.
01:00:54Oh, my wild girl.
01:00:57Well, this could become the fashion.
01:01:00Watch his arm.
01:01:02I'm not used to this.
01:01:04Be very careful, now.
01:01:06Oh, now, Father, it's time to go.
01:01:08Oh, Father.
01:01:10Anna!
01:01:12God bless you.
01:01:14It's good to see you.
01:01:16It's good to have you home.
01:01:18Now, let me look at my girls.
01:01:33The cholera took more men than the Rebs, as I understand it, sir.
01:01:36Agriculture isn't taught, and it should be.
01:01:39It should be required.
01:01:41Perhaps the freedmen should be given a hand in that.
01:01:42Whatever you want.
01:01:48Isn't it wonderful, Jill?
01:01:50Yes, it's wonderful.
01:02:12It's wonderful.
01:02:17Thank you.
01:02:43Change will come as surely as the seasons, and twice as quick.
01:02:48We make our peace with it as best we can,
01:02:51or as Amy once said when she was still a little girl,
01:02:55we'll all grow up someday.
01:02:57We might as well know what we want.
01:03:13Lord of all to thee we raise,
01:03:18this our hymn of grateful praise.
01:03:27So you feel our Amy has talent?
01:03:30Oh, Miss March excels at drawing,
01:03:34but you know, her landscapes lack emotion.
01:03:37I definitely feel Amy would benefit from further study,
01:03:41but she won't get it around here.
01:03:43Where do you suggest?
01:03:45Cape Cod has a foreign orders colony,
01:03:48but Europe is the best place.
01:03:57Teddy!
01:03:59Teddy!
01:04:01Your houseman said you wouldn't be home till night.
01:04:04I couldn't wait so long.
01:04:06Hail the conquering graduate!
01:04:09Is Grandfather exceedingly proud?
01:04:11Yes, and exceedingly bent on locking me up in one of his offices.
01:04:15Why is it Amy may paint China,
01:04:18and you can scribble away while I must manfully set my music aside?
01:04:22Why must you?
01:04:25If I don't, I'd have to defy Grandfather.
01:04:29Yes, and not the whole of society.
01:04:34I can't go against the old man.
01:04:37When I imagine myself in that life,
01:04:44I can think of only one thing that would make me happy.
01:04:51Oh, no, Teddy.
01:04:54Teddy, don't.
01:05:03No, we're...
01:05:04No, we're...
01:05:06Teddy, we have to talk about this reasonably.
01:05:09I have loved you since the moment I clapped eyes on you.
01:05:14What could be more reasonable than to marry you?
01:05:18We'd kill each other.
01:05:20Nonsense.
01:05:22Neither of us can keep our temper.
01:05:24I can, unless provoked.
01:05:26We're both stupidly stubborn, especially you.
01:05:28We'd only quarrel.
01:05:30I wouldn't.
01:05:31Quarreling.
01:05:33Jo.
01:05:36Dear Jo, I swear I'll be a saint.
01:05:41I'll let you win every argument.
01:05:45I'll take care of you and your family.
01:05:49I'll give you every luxury you've ever been denied.
01:05:52You won't have to write unless you want to.
01:05:55Grandfather wants me to learn the business in England.
01:06:01Can't you see us bashing around London?
01:06:05What?
01:06:07Oh, Teddy, I'm not fashionable enough for London.
01:06:10You need someone who's elegant and refined.
01:06:13I want you.
01:06:19Teddy, please don't ask me.
01:06:21Teddy.
01:06:29Teddy, I'm desperately sorry.
01:06:32But I do care for you.
01:06:34With all of my heart, you're my dearest friend.
01:06:39I just can't go be a wife.
01:06:42You say you won't, but you will.
01:06:47I won't. I won't.
01:06:49One day,
01:06:53you'll meet some man.
01:06:55A good man.
01:06:57And you will love him tremendously.
01:07:02And you will live and die for him.
01:07:07Teddy, please.
01:07:09You will.
01:07:11Jo.
01:07:14I know you.
01:07:20And I'll be hanged if I stand by and watch.
01:07:46Jo, are you awake?
01:07:49Jill?
01:07:51She has refused, Laurie.
01:07:54Well, I'm sure she can take it back.
01:07:57It's just a misunderstanding.
01:07:59No.
01:08:05Listen to him.
01:08:09I must get away.
01:08:12Of course.
01:08:16Aunt March is going to France.
01:08:19France?
01:08:21That's ideal. I would put up with anything to go.
01:08:24Aunt March has asked me to go.
01:08:26To Europe?
01:08:30Why Europe?
01:08:36When?
01:08:38It was decided just today.
01:08:41Well?
01:08:43I am her companion now.
01:08:47She wishes me to study painting abroad
01:08:50and hopes I might make a good match there.
01:08:54Oh.
01:08:56But perhaps she wouldn't mind if you stayed at Plumfield
01:09:03while we are gone.
01:09:06I don't mind.
01:09:07While we are gone.
01:09:14Well, of course Aunt March prefers Amy over me.
01:09:17Why shouldn't she? I'm ugly and awkward and I always say the wrong things.
01:09:22I fly around throwing away perfectly good marriage proposals.
01:09:26I love our home, but I'm just so pitiful and I can't stand being here.
01:09:33I'm sorry.
01:09:34I'm sorry, Mommy.
01:09:37There's just something really wrong with me.
01:09:40I want to change, but I can't and I just know I'll never fit in anywhere.
01:09:47Oh, Jo.
01:09:49Jo, you have so many extraordinary gifts.
01:09:52How can you expect to lead an ordinary life?
01:09:57You're ready to go out and find a good use for your talent.
01:10:04Although I don't know what I shall do without my Jo.
01:10:10Go and embrace your liberty
01:10:15and see what wonderful things come of it.
01:10:35Larry sought his refuge in London and abroad.
01:10:39Marmy helped me find a place in the great city of New York
01:10:43and so I stepped over the divide between childhood and all that lay beyond.
01:10:50Mrs. Kirk?
01:10:52Josephine!
01:10:54Jo!
01:10:56Jo!
01:10:58Jo!
01:11:00Jo!
01:11:02Jo!
01:11:04Josephine!
01:11:06Yes, how do you do?
01:11:08Kitty! Minnie!
01:11:10This is Miss March.
01:11:12Her father was Colonel March. He knew your papa.
01:11:15It was cold.
01:11:17Mr. Kirk, again.
01:11:19Oh, do come in, my dear.
01:11:25Dear Beth, Marmy's friend, Mrs. Kirk, has made me feel quite at home.
01:11:30My little students, Kitty and Minnie, are dear girls.
01:11:35How curious to grow up in a busy boarding house
01:11:39with no father and your own mother the innkeeper.
01:11:43I felt bold on leaving Concord,
01:11:46but I confess I find New York rough and strange
01:11:49and myself strange in it.
01:12:04Mrs. Kirk believes that I am here for a brief interlude of sensational experience
01:12:09before succumbing to a matrimonial fate.
01:12:12And while there is surely no lack of sensational experience of every kind available in such a city,
01:12:18I hope, though I've had no luck yet,
01:12:21that any experience I gain here will be strictly literary
01:12:25and that all events of a romantic or sensational nature will be entirely confined to the page.
01:12:30Our subscribers are not interested in sentiment and fairy stories, miss.
01:12:36They're not fairy stories.
01:12:38Try one of the ladies' magazines.
01:13:00Come on, Will, hurry up!
01:13:20You know that when first I saw you,
01:13:24I thought, ah, she is a writer.
01:13:28What made you think so?
01:13:37Yes, I know many writers.
01:13:40Ah, in Berlin I was...
01:13:43I was professor at the university.
01:13:46Here I am just a humble tutor, I'm afraid.
01:13:53No, please, sit down.
01:13:58Thank you.
01:14:13You're far from home, Miss March.
01:14:16Do you miss your family?
01:14:18Oh, very much.
01:14:20My sisters especially.
01:14:22And Laurie.
01:14:24She is your sister?
01:14:27Oh, no, he's a friend.
01:14:31You like your coffee?
01:14:33Oh, it's just very strong.
01:14:36I like it.
01:14:44Oh, you have quite a library.
01:14:47Did you bring all these books from Germany?
01:14:50A few of them.
01:14:52May I?
01:14:54Of course.
01:14:55Most of these I could not bear to leave behind.
01:15:00I sold everything that I won to get my passage to come here,
01:15:04but my books, never.
01:15:09Oh, Shakespeare.
01:15:13Some books are so familiar,
01:15:17reading them is like being home again.
01:15:21Will you be returning to Berlin, Professor Baer?
01:15:26Friedrich.
01:15:28Call me Friedrich.
01:15:30No.
01:15:32Sadly, the fatherland of Goethe and Schiller is no more.
01:15:38Oh, I adore Goethe.
01:15:40My father used to read me all the German poets when I was a child.
01:15:44Really? That is most surprising.
01:15:45Well, my mother and father were part of a rather unusual circle in Concord.
01:15:51Do you know the word transcendentalist?
01:15:55But this is German romantic philosophy.
01:15:58We throw off all our constraints and we come to know ourselves through insight and experience.
01:16:03But it goes out of fashion now.
01:16:06Well, not in the March family, I'm afraid.
01:16:10It's just that with all of this,
01:16:13it's just that with all of this transcendence comes much emphasis on perfecting oneself.
01:16:21Ah, this gives you a problem?
01:16:24I'm hopelessly flawed.
01:16:27If only we could transcend ourselves without perfection.
01:16:32Like your poet Walt Whitman, who rides up and down the streets of Broadway all day shouting poetry against the roar of the cars.
01:16:38Keep your silent woods, your nature, your quiet places by the woods.
01:16:44Give me the streets of Manhattan.
01:17:00I think we are all hopelessly flawed.
01:17:03He is as poor as one might imagine an itinerant philosopher to be.
01:17:08Yet as the weeks go by, I see that he is unfailingly generous to all of us who live in the house.
01:17:14I am grateful to have a friend.
01:17:33Ah!
01:18:03This is the system our nation was founded on.
01:18:06Come now, it was nothing short of a betrayal of our country's ideals.
01:18:10Our country's ideals?
01:18:12A constitution that denies the basic rights of citizenship to women and black people?
01:18:18They just passed the 15th amendment, Jacob. They can vote.
01:18:22Ah, black men can vote, Charles.
01:18:25A lady can vote.
01:18:27A man can vote.
01:18:29A woman can vote.
01:18:30Ah, black men can vote, Charles.
01:18:33A lady has no need of suffrage if she has a husband.
01:18:36No, no.
01:18:38You don't take wine?
01:18:40Only medicinally.
01:18:42Well, pretend that you've got a cold.
01:18:44I agree.
01:18:46But if women are a moral force, shouldn't they have the right to govern and preach and testify in court?
01:18:50What is it, Miss Mudge?
01:18:53I find it poor logic to say that because women are good, women should vote.
01:18:59Men do not vote because they are good, they vote because they are male.
01:19:03And women should vote not because they are angels and men are animals,
01:19:07but because we are human beings and citizens of this country.
01:19:12You should have been a lawyer, Miss Mudge.
01:19:15I should have been a great many things, Mr. Mayor.
01:19:29Friedrich?
01:19:31Oh, I'm sorry.
01:19:33No, no, please, please, come in.
01:19:36I have some good news.
01:19:38A newspaper has published two of my stories and they wish to see more.
01:19:42This is wonderful.
01:19:44The Daily Volcano.
01:19:47The Sinner's Corpse by Joseph Mudge.
01:19:51Joseph Mudge?
01:19:56Lunatics? Vampires?
01:19:59This interests you?
01:20:05People like thrilling stories, Friedrich.
01:20:09This is what the newspapers want.
01:20:11Yes, yes, I suppose.
01:20:14I suppose that is true.
01:20:16Well, I'll buy a new coat for Beth and I'm sure she'll be grateful to have it.
01:20:21Jo.
01:20:22Oops.
01:20:45I...
01:20:47I do not want to be your teacher.
01:20:50No, understand me.
01:20:52I am saying only that you should please yourself.
01:20:56My opinion is of no importance.
01:21:00Do you forgive me?
01:21:03Of course.
01:21:05Then I make a gift, an experience.
01:21:08Do you like the opera?
01:21:10Oh, I do.
01:21:12I mean, I think I do.
01:21:14We don't seem to get a lot of opera in Concord.
01:21:19Well, I don't have an opera dress.
01:21:22I'm perfect.
01:21:24Where we are sitting, we shall not be so...
01:21:27formal.
01:21:53Leila is a goddess.
01:21:56She has made a promise never to love.
01:21:59If she breaks her vow, all will be lost.
01:22:07Trouble is coming.
01:22:09What's going to happen?
01:22:11Inevitable.
01:22:13Leila...
01:22:15Leila's soul is her opening.
01:22:18She is drawn to Nadia.
01:22:21He says...
01:22:23love has a fatal power.
01:22:43Your heart...
01:22:45understood mine.
01:22:51In the depths...
01:22:53of the fragrant night...
01:22:57I listened with ravished ecstasy...
01:23:00to your voice.
01:23:02I heard it.
01:23:04I heard it.
01:23:06I heard it.
01:23:08I heard it.
01:23:10I listened with ravished song...
01:23:16to your beloved voice.
01:23:22Your heart...
01:23:24understood mine.
01:23:39I heard it.
01:23:41I heard it.
01:23:43I heard it.
01:23:45I heard it.
01:23:47I heard it.
01:23:49I heard it.
01:23:51I heard it.
01:23:53I heard it.
01:23:55I heard it.
01:23:57I heard it.
01:23:59I heard it.
01:24:01I heard it.
01:24:03I heard it.
01:24:05I heard it.
01:24:07I heard it.
01:24:09I heard it.
01:24:11I heard it.
01:24:13I heard it.
01:24:15I heard it.
01:24:17I heard it.
01:24:19I heard it.
01:24:37My Divinity Lets be...
01:24:39Oh
01:24:56Wicked we heard you were in Greece or somewhere
01:25:02You've been much occupied with business I'm sure I'm not pursuing business just now grandfather agreed
01:25:08I should concentrate on my music for a while
01:25:11You know Fred Vaughn
01:25:14Good day Lawrence. Yes, I see you've taken up a passion for art ready and March you look splendid
01:25:21I cannot say the same for you my boy
01:25:23Amy dear
01:25:25We belong I must retire. Yes aunt March
01:25:29Do come see us
01:25:38Are they engaged
01:25:59Friedrich how long would it take stricken to dissolve and ready? Oh
01:26:03About eight minutes and is it is a dagger worn at the waist or is that saber I
01:26:09Think that in these novels the daggers usually
01:26:13concealed in the boot
01:26:14by a man with a dark mustache
01:26:32Oh
01:27:03Oh Laurie, how lovely
01:27:12It isn't what it should be but
01:27:14You have improved it
01:27:16Please don't I liked you much better when you were blunt
01:27:21natural
01:27:24Did not serve me well I
01:27:29Find you changed
01:27:33In fact, I despise you you laze about spending your family's money and courting women
01:27:40You aren't serious about music
01:27:42My compositions are like your paintings
01:27:46Mediocre copies of another man's genius
01:27:50And why don't you go to grandfather in London and make yourself useful? I should
01:27:57Why don't you reform me
01:28:02Someone more practical
01:28:04You do not love
01:28:08Fred Vaughn is stable and well-mannered as 40,000 a year. I've always known I would not marry a pauper. I
01:28:18Expect a proposal any day
01:28:21You'll regret it
01:28:23I'll regret it
01:28:27I'm reminded of a promise
01:28:30Didn't I say I would kiss you before you die
01:28:36Do you hear from Joe she has befriended a German professor
01:28:45Yes, well no doubt he's showing her the ways of the world I
01:28:50Do not wish to be courted by someone who is still in love with my sister
01:28:55I'm not in love with Joe
01:28:58Then how do you explain your jealousy I envy her happiness I
01:29:05Envy his happiness I
01:29:08Envy John Brooke for marrying Meg
01:29:11Hate Fred Vaughn
01:29:14Beth had a lover I would despise him too. Just as you have always known you would never marry a pauper. I
01:29:21Have always known I should be part of the March family
01:29:28I do not wish to be loved for my family any more than Fred Vaughn wishes to be loved for his 40,000 a year
01:29:34My
01:29:36My
01:30:02Darling Amy
01:30:04It is you I want and not your family
01:30:08I've gone to London to make myself worthy of you
01:30:12Please do not do anything. We shall regret
01:30:19Mr.. Foreman sir may I show him in
01:30:35Friedrich did you read it? Yes?
01:30:38It's oh, it's it's well written Joe
01:30:42And the first novel what what a great accomplishment. I'm going to be showing it to your publisher friend. Mr.. Fields today
01:30:50He liked the sinner's corpse
01:30:53What is it mr. Fields is it is a good man he will he will give you an honest opinion oh
01:31:02You see
01:31:05What is your honest opinion, I'm a professor of philosophy Joe, I'd really like to know what you think
01:31:14You
01:31:15You should be writing from from life
01:31:19from the depths of your soul
01:31:21There is nothing in here of the woman that I am privileged to know
01:31:27Friedrich this is what I write
01:31:29Mm-hmm
01:31:31My apologies if it fails to live up to your high standards Joe there is more to you than this
01:31:38If you have the courage to write it
01:31:59I
01:32:30Oh
01:32:42Why didn't you tell me no one hardly speaks of such things
01:32:53How's Beth you will find her much altered
01:33:00You
01:33:15Army
01:33:20She wouldn't let us in for you soon the doctor has been here a number of times
01:33:27It's beyond all of us, and I think
01:33:34I think she's been waiting for you
01:33:36Oh
01:33:54Drink up all this good broth. I'm glad you're home
01:34:06Oh
01:34:19Mr.. Pickwick changed color ah said mr.. Waddle well, that's important. There was nothing suspicious then I suppose I
01:34:29Feel stronger with you close by
01:34:36You better yet if God wants me with him there is none who will stop him I
01:34:49Don't mind I
01:34:53Was never like the rest of you making plans about the great things I do I
01:35:02Never saw myself as anything much
01:35:06Not a great writer like you
01:35:10Not a great writer, but he will be
01:35:17I'm sure I've missed you so
01:35:25Why does everyone want to go away I love being home
01:35:31I
01:35:35Don't like being left behind
01:35:42How I'm going ahead
01:35:49I'm not afraid I
01:35:54Can be brave like you
01:35:56But
01:36:00I know I shall be homesick for you even in heaven
01:36:26I
01:36:56I
01:37:26You
01:37:56You
01:38:27I
01:38:37Just bedridden it would not survive a sea voyage Amy must bide her time and return later
01:38:52Will we never all be together again
01:38:56I
01:39:26I
01:39:43Lovely morning. Thank you, sir
01:39:57I
01:40:01Dearest Laurie
01:40:03You may not have heard our sad news of Beth's Mac has entered a confinement
01:40:08And poor Amy must stay in the bay with aunt Marge
01:40:20This is far too great a sorrow to bear alone
01:40:24Please come home to us Teddy dear
01:40:28You're faithful Joe
01:40:50Laurie
01:40:54I
01:41:00Knew you would come
01:41:23I
01:41:53I
01:42:23I
01:42:53I
01:43:10The real charm of it lay in Beth's happy face as she leaned over the new piano and lovingly touched the beautiful black-and-white keys
01:43:18During the next few minutes the rumor circulated that Amy Marge had got 24 delicious lines. I
01:43:27Told you they dressed me up, but I didn't tell you that they powdered and squeezed and made me look a fashion plate
01:43:35As she spoke Joe took off her bonnet a general outcry arose for all her abundant hair was cut short
01:43:42General outcry arose for all her abundant hair was cut short
01:43:47Joe how could you your one beauty?
01:43:50Nothing's going to change
01:44:12We raise
01:44:42I
01:45:12I
01:45:31Surprise John you have a daughter and a son
01:45:42Mommy I can't believe you did this four times
01:45:47Yes, but but never two at once
01:46:12Daisy
01:46:17So beautiful and him he is a handsome he's gonna look just like his papa
01:46:24Yes, it does look like John
01:46:29Have you heard from the professor
01:46:36We did not part well
01:46:42John and I don't always agree, but then we meant it
01:47:06You are absolutely
01:47:13May I tell you something without the others my dear friend
01:47:19May I present my wife
01:47:42Oh
01:47:49Russell slice. Oh, I went to Europe to paint the great cathedrals, but I couldn't get our home out of my mind
01:47:57Cal Amy has captured orchard
01:48:01Oh, it's beautiful
01:48:04Not as beautiful as I wanted, but I am still learning
01:48:07Dear little angel
01:48:12Joe you must tell me the truth as a sister, which is a relation stronger than marriage
01:48:19Do you mind at all?
01:48:23Oh, no, I was surprised
01:48:27Mind you I had it on good authority that our Teddy would never love another
01:48:32And now he's gone and gotten married
01:48:34And now he's gone and gotten married it's good to hear you call me Teddy again
01:48:42At last we're all family as we always should have been
01:48:48Must promise me that you will always live close by I couldn't bear losing another sister
01:49:04Oh
01:49:10Joe it's so gloomy and chilly one would require an income just for the cold to heat this place
01:49:17What could the dear girl have been thinking?
01:49:19Most likely she felt sorry for me
01:49:23decrepit homeless spinster
01:49:27Poor aunt living here all those years alone in this useless old house
01:49:34Yes, her blessings became a burden because she couldn't share them. Wouldn't this have made a wonderful school?
01:49:41School
01:49:45What a challenge that would be
01:50:04Oh
01:50:34I
01:50:46Thought he was one of miss Amy's European friends
01:51:04Oh
01:51:31Thank you for my book
01:51:35Oh
01:51:36When I didn't hear from you, I thought you hated it. Oh, no, no
01:51:42reading your book was like
01:51:44Opening a window into your heart
01:51:46James Fields took it out of my hands and he would not give it back to me. Hey, I
01:51:51Said such news. I have to give to one myself
01:51:58Just a silly no, no not silly at all
01:52:04It's so good to see you
01:52:07Come and meet my family
01:52:10Thank you
01:52:12I have to catch the train
01:52:15Hey, I'm going to the West my ship leaves from Boston tomorrow morning
01:52:23Yes, the schools in the West are young they need professors and
01:52:30They are not so concerned about the eggs
01:52:37I don't mind it either
01:52:41See me my aunt left me Plumfield
01:52:44It isn't a field. It's a house actually a rather large house
01:52:48And it isn't really good for anything except the school and I want a good school
01:52:54When that would be open to anyone who wanted to learn
01:52:59I'm meeting someone who knows how to teach
01:53:04If they're nothing I might say to keep you here I confess that I
01:53:10Was hoping that I might have a reason
01:53:13Stay
01:53:16Congratulations on the celebration of your marriage
01:53:20No
01:53:23It's Amy my sister Amy and Laurie actually no, I I'm not married
01:53:33Please don't go so far away
01:53:37Joe
01:53:39Such a little name
01:53:42Such a person
01:53:48You have
01:53:51With all of my heart
01:53:57But I have nothing to give you my hands are empty
01:54:03Not empty now
01:54:20You
01:54:50You
01:55:20You
01:55:50You
01:56:20You
01:56:50You
01:57:20You

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