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00:00:00Oh
00:00:25Well
00:00:30♪
00:00:49Well?
00:00:50♪
00:00:52He's guilty.
00:00:53♪
00:00:59Get going.
00:01:00♪
00:01:29Shh!
00:01:30Shh!
00:01:31Shh!
00:02:02Shh!
00:02:03Shh!
00:02:04Shh!
00:02:05Shh!
00:02:06Shh!
00:02:07Shh!
00:02:08Shh!
00:02:09Shh!
00:02:10Shh!
00:02:11Shh!
00:02:12Shh!
00:02:13Shh!
00:02:14Shh!
00:02:15Shh!
00:02:16Shh!
00:02:17Shh!
00:02:18Shh!
00:02:19Shh!
00:02:20Shh!
00:02:21Shh!
00:02:22Shh!
00:02:23Shh!
00:02:24Shh!
00:02:25Shh!
00:02:26Shh!
00:02:27Shh!
00:02:28Shh!
00:02:29Shh!
00:02:30Shh!
00:02:31Shh!
00:02:32Shh!
00:02:33Shh!
00:02:34Shh!
00:02:35Oh, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:03:05I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:03:25I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:03:35I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:03:51I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:04:05I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:04:25I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:04:36I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:04:50I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry, I'm sorry,
00:05:05I'm sorry, I'm sorry, I'm sorry, I'm sorry.
00:05:35Well, good night.
00:05:45Hello?
00:05:48Look, I told you before, I don't want any part of it. I'm through.
00:05:53Okay, so I'm yellow.
00:05:57Ah, keep the collar.
00:06:00So what? I don't care if the police do get it.
00:06:03No, not in here.
00:06:06I'll come out.
00:06:33Miss Tristram, no matter how many times I tell you...
00:06:36Miss Tristram, will you do me a favor?
00:06:38Something important's come up and I've got to go out.
00:06:40Will you keep your eyes open for my friends and give them the key?
00:06:43Oh, yes, of course.
00:06:45Tell them to make themselves at home. I'll be back later.
00:06:48All right.
00:06:49All right.
00:06:50Good night.
00:06:51Good night.
00:06:52Good night.
00:06:53Good night.
00:06:54Good night.
00:06:55Good night.
00:06:56Good night.
00:06:57Good night.
00:06:58Good night.
00:06:59Good night.
00:07:00Good night.
00:07:01All right.
00:07:02Thanks.
00:07:06Hi, Ed.
00:07:07Hi.
00:07:08Hi.
00:07:09Got those pictures with you, Ed?
00:07:11What pictures?
00:07:12You know, the ones you took with that trick camera of yours when we weren't looking.
00:07:15Somebody's been kidding you.
00:07:17Could be.
00:07:18Come on, let's knock off a few beers.
00:07:20Okay.
00:07:21When you pulled out, the boys got a little worried.
00:07:23Especially when you said you had enough on us to get us in trouble.
00:07:26I was sore, that's all. Just talk.
00:07:32Good morning.
00:07:36Oh.
00:07:37Don't do that to me.
00:07:39Sorry, darling, it snapped.
00:07:42Oh, so did I.
00:07:44Right out of a wonderful dream.
00:07:47Good one?
00:07:48Oh, the best.
00:07:50About a beautiful girl.
00:07:54I guess I must be in love.
00:07:56Silly.
00:07:57I guess I must be in love.
00:07:59Silly.
00:08:01Seen Ed yet?
00:08:02No.
00:08:04Ed?
00:08:06What kind of friends do you have?
00:08:08What?
00:08:09He didn't come home last night.
00:08:11That note you left out there on the table is still there.
00:08:14He's just being considerate.
00:08:18Here, darling.
00:08:20Thanks, baby.
00:08:28See these pictures?
00:08:30Mm-hmm. They're awfully good.
00:08:35He's great with a camera.
00:08:38You aren't so bad yourself.
00:08:40Ed taught me everything I know.
00:08:42You ready, baby?
00:08:43Mm-hmm. Wait, I'll fix my face.
00:08:45Okay, but hurry up, will you? I want to catch the morning sun.
00:08:48Want to leave a note for Ed in case he comes back while we're gone?
00:08:51Sure.
00:08:58Good morning.
00:09:00Oh, good morning. Mail for Mr. Stevens?
00:09:02Yes, sir.
00:09:27Thanks.
00:09:43All right, son. Hold it.
00:09:46Oh, very good. Thanks a lot.
00:09:49Geez! Get out the water!
00:09:52Oh, Ed will be starved and we still have marketing to do, and my feet are killing me.
00:09:56Say, mister, for a quarter, I can fast cook and be scared of, too.
00:09:59Yeah, me, too. Look, I'm petrified.
00:10:02All right, everybody get into it.
00:10:04Just one more, Nancy.
00:10:07Now, hold it now. Hold it.
00:10:10Okay, thanks a lot.
00:10:12Oh, boy!
00:10:13There you are, son.
00:10:14Geez!
00:10:15Oh, boy!
00:10:16I'm going to get the steering wheel!
00:10:17I'm going to get my panties!
00:10:18Let's go!
00:10:27Ed must be in. His mail's gone.
00:10:44Ed! You here?
00:10:49Paul! Look at that drawer!
00:10:52Ed!
00:10:54Where is he?
00:10:55I don't know. Someone was in here. I heard them.
00:10:57Move it out!
00:11:09Paul, what's going on?
00:11:12I don't know, but someone was in here. Went out through the window.
00:11:14See if any of our things are missing.
00:11:22There doesn't seem to be anything missing.
00:11:25Shall I call the police?
00:11:26No, wait a minute.
00:11:29I don't think this was an ordinary burglar.
00:11:32Paul, I'm worried about Ed.
00:11:35There's something wrong, I feel it.
00:11:36Oh, honey, don't go jumping to conclusions.
00:11:38Let me show you something.
00:11:55Where'd you get these?
00:11:56I found them this morning.
00:11:57They were hidden on a shelf behind some dishes.
00:12:00Some people believe this stuff.
00:12:05But Ed...
00:12:06Yes.
00:12:07Why should he have them?
00:12:09I don't know.
00:12:11Somebody probably stuffed them in his mailbox.
00:12:14I don't know.
00:12:15I don't know.
00:12:16I don't know.
00:12:17I don't know.
00:12:18I don't know.
00:12:19I don't know.
00:12:20I don't know.
00:12:21I don't know.
00:12:22I don't know.
00:12:23I don't know.
00:12:24It must be in a mailbox.
00:12:26Must be.
00:12:27Ed isn't like that.
00:12:29Probably used them to wrap up his garbage.
00:12:36Hello.
00:12:38Hello.
00:12:40Yes, this is Ed Stephens' apartment.
00:12:44Yes, this is Paul Lester.
00:12:46Message from Ed.
00:12:48Is he all right?
00:12:50Good.
00:12:52Where?
00:12:54In 20 minutes.
00:12:56Yeah, we'll be there.
00:12:58Thanks, fella.
00:13:00We're gonna meet Ed at the corner of Elm and Douglas.
00:13:03But why isn't he coming here?
00:13:05I don't know.
00:13:07Maybe he's in some kind of a jam.
00:13:09I better go alone.
00:13:12Come in.
00:13:16Good evening.
00:13:17I brought some extra sheets.
00:13:19Oh, thank you.
00:13:20Is Mr. Stevens here?
00:13:22No, he hasn't shown up yet.
00:13:23We just heard from him. I'm on my way to see him.
00:13:25Oh.
00:13:26Mrs. Tristram, would you have dinner with my wife?
00:13:29That's awfully nice of you, but I'm on a diet.
00:13:33Oh, please, I wish you would.
00:13:35Well, I really shouldn't, but I will.
00:13:39Thanks.
00:13:40You know, I've heard of babysitters,
00:13:42but I do believe I'm the first bridesitter in history.
00:13:46Can I give you a hand?
00:13:48There, everything's all right.
00:13:50I'll be back soon.
00:13:52Keep a light in the window.
00:13:54Don't get yourself mixed up in anything.
00:13:56I won't.
00:13:57Don't worry.
00:14:03I'll see who it is.
00:14:07Keep the door locked, just for luck.
00:14:10Are you ringing 2-D?
00:14:22Yes.
00:14:23I'm looking for Mr. Stevens, Ed Stevens.
00:14:25Oh, he's not at home.
00:14:27Can I be of any assistance?
00:14:28Well, I don't know.
00:14:29I'm from Snap Magazine.
00:14:31We received a letter from Mr. Stevens, special delivery.
00:14:34Said he had some important information for you.
00:14:36Oh, what kind of information?
00:14:38I haven't the slightest idea.
00:14:39You a friend of his?
00:14:40Yes, Paul Lester.
00:14:41I'm Larry Mitchell.
00:14:42How do you do?
00:14:43Wonder if you know what Mr. Stevens had in mind.
00:14:45No, I'm afraid not.
00:14:47Well, I'll drop back some other time.
00:14:49I was just going to meet him.
00:14:50Would you care to come along?
00:14:51Sure, glad to.
00:15:06This is it.
00:15:10Cigarette?
00:15:11No, thanks. I never use it.
00:15:18Are you from this state?
00:15:20No, just passing through.
00:15:22My wife and I, we're on our honeymoon.
00:15:24Oh, how nice.
00:15:25Congratulations.
00:15:26Thank you very much.
00:15:33Oh, now, don't bet, dear.
00:15:35He'll be back soon.
00:15:39Oh, Miss Tristram, the hall telephone.
00:15:41What?
00:15:42The hall telephone. It's ringing.
00:15:44Oh, is it?
00:15:45Could I get it for you?
00:15:46No, you just sit still. I'll answer it.
00:15:58Hello?
00:16:00Hello?
00:16:04Hello?
00:16:07Hello?
00:16:10Hello?
00:16:18I'm afraid I can't wait any longer.
00:16:20Sure.
00:16:21I live close by here.
00:16:22Just tell Mr. Stevens I dropped in and I'll call him.
00:16:25Nice meeting you.
00:16:26Bye.
00:16:27Bye.
00:16:40Nancy.
00:16:42Nancy, what's the matter?
00:16:44There was a man in the kitchen. I saw him.
00:16:46Oh, she's been awfully nervous ever since you left.
00:16:48But I saw him, I tell you.
00:16:50Did you get a good look at him?
00:16:52No, it was too dark.
00:16:54Mrs. Tristram, thank you very much.
00:16:56I think Nancy ought to rest now.
00:16:58Oh, of course.
00:16:59Good night, dear.
00:17:01In the morning it'll all be forgotten.
00:17:03Uh, did you see Mr. Stevens?
00:17:05No, he didn't.
00:17:06Uh, did you see Mr. Stevens?
00:17:08No, he didn't show up.
00:17:10Probably got to drinking with the boys.
00:17:12Well, good night.
00:17:13Thanks for everything.
00:17:14Good night.
00:17:17I feel better now.
00:17:19Good night's rest and you'll be all right.
00:17:24That's about all, Sergeant.
00:17:26I don't know much about him since we left the army
00:17:28and this landlady tells me he lost his job.
00:17:31That phone call seemed like a stunt to get me out of the house.
00:17:34It all adds up to confusion.
00:17:36Maybe he just took a temporary powder.
00:17:38Happens all the time.
00:17:40We drag a river and the guy we're looking for
00:17:42comes up and taps me on the shoulder
00:17:44and asks me what it's about.
00:17:46It can frustrate you.
00:17:48Why should he duck out, though?
00:17:50Well, who knows?
00:17:51Guy out of a job does a lot of funny things.
00:17:55Maybe it's a girl.
00:17:57Look, if I'd come up with the answer just like that
00:17:59I'd knock off tomorrow and go fishing.
00:18:05What happened?
00:18:06Travel across the street.
00:18:10What is it?
00:18:11What happened, Miss Fisher?
00:18:13I was just sitting down for supper
00:18:15when all of a sudden a great big rock
00:18:17smashes through the window.
00:18:18It almost killed my little girl.
00:18:20They've killed my husband
00:18:22and now they're smashing the window.
00:18:24Oh, bad end.
00:18:29Sergeant Fontelli, this is my wife.
00:18:32How do you do?
00:18:33Hello, Miss Lester.
00:18:34Who are they, Sergeant?
00:18:36Fishers. They've been living there for years.
00:18:38Never heard of anyone.
00:18:40Now they don't want them around here anymore.
00:18:42They?
00:18:43Mm-hmm.
00:18:44Who are they?
00:18:45You tell me.
00:18:47What's that about someone killing her husband?
00:18:49Yeah, hit and run driver last week.
00:18:51I'd better get over there with her.
00:18:53Oh, just a minute.
00:18:55All right.
00:18:58Ran into the Fisher kid the other day.
00:19:00She was on her way home from school.
00:19:03Here's some ice cream for the little girl.
00:19:05Oh, thanks. That'll help.
00:19:07Say, if your friend doesn't show up by tomorrow morning,
00:19:09let me know. I'll put a warrant on him.
00:19:11Goodbye.
00:19:12All right, thanks, Sergeant.
00:19:19It was quite a downer to hurry.
00:19:24Well, what did that detective want?
00:19:26Was it about Ed?
00:19:28I sent for him.
00:19:29Did you tell him about the pamphlets I found?
00:19:32Honey, you don't think Ed was mixed up in anything like that.
00:19:36You know him better than I do.
00:19:38I could use a little air.
00:19:40So could I. I'll get my coat.
00:19:46Honey, what happened to the films I put here?
00:19:48You know, the stuff I shot today?
00:19:50Oh, uh, they're in my top drawer there.
00:19:53Oh.
00:19:56Think we might as well drop them off to be printed.
00:19:58There's a little camera shop down the street.
00:20:00Put them in your purse, honey.
00:20:03Oh, here's another one.
00:20:09Come on, Al. Hit it over the wall.
00:20:11A low one, Brody. A low one.
00:20:13He eats low ones.
00:20:14Go on.
00:20:15He's gonna drop the ball. Watch him. He's gonna drop it.
00:20:19Come on.
00:20:20He'll load it with luck.
00:20:23Good evening.
00:20:25Oh, I'm sorry.
00:20:27If it had been a home run, you wouldn't have been sorry.
00:20:29You're so right.
00:20:31When would you like these?
00:20:32Tomorrow night, if possible.
00:20:34Oh, they'll be ready. I'll be here until 11.
00:20:36Name and address, please.
00:20:38Paul Lester.
00:20:39Paul Lester.
00:20:41531.
00:20:42531.
00:20:43Parker.
00:20:45Parker.
00:20:462D.
00:20:482D.
00:20:49That's Mr. Stevens' apartment.
00:20:51Yeah.
00:20:52Did he recommend me?
00:20:53We saw your sign. Do you know Ed?
00:20:55He used to be a very good customer.
00:20:57What do you mean, he used to be?
00:20:59I don't know. He just doesn't come in here anymore.
00:21:01Stop it.
00:21:02Stop it.
00:21:03Stop it. Stop it.
00:21:08Look, they slashed your tire.
00:21:10That bunch of kids.
00:21:11It's the third time in a month.
00:21:13What?
00:21:14But why should they do a thing like that?
00:21:16My name is Strauss. That's why.
00:21:19You got a spare?
00:21:20Yeah.
00:21:21I'll give you a hand.
00:21:22Oh, that's all right.
00:21:23Where's the check?
00:21:24Under the seat.
00:21:32Nice neighborhood you have here.
00:21:34It used to be.
00:21:35Well, I hope you don't have any more trouble, Strauss.
00:21:38Good night.
00:21:39Good night.
00:21:40And thanks again.
00:21:41Good night.
00:21:42Good night.
00:21:43Eddie!
00:21:44Sorry, Mr.
00:21:45Eddie!
00:21:46Come on.
00:21:47Now, say you're sorry to these folks here.
00:21:49Mind your manners, son.
00:21:50Well, we did.
00:21:51It was just an accident.
00:21:53I'm Mrs. Hill.
00:21:54You folks are new in the neighborhood.
00:21:56We're just visiting.
00:21:58I saw you on Strauss' camera shop.
00:22:00Yes, we left some film.
00:22:02Why don't you take them upstairs?
00:22:04Sure.
00:22:05Come on.
00:22:06Come on.
00:22:07Come on.
00:22:08Come on.
00:22:09Come on.
00:22:10Come on.
00:22:11Come on.
00:22:12Why don't you take them up to the drugstore on the corner?
00:22:15Why?
00:22:16Is the work better up there?
00:22:17Well, it isn't just that.
00:22:20You know.
00:22:22No, I'm afraid we don't know.
00:22:24What's wrong with Strauss?
00:22:26We just don't like to have him around here.
00:22:28Let him move somewhere else of his own sort.
00:22:34Oh, really?
00:22:37You look like the right kind of people.
00:22:40I don't have to tell you anymore.
00:22:42No, you don't have to tell us anymore.
00:22:45Come on, Nancy.
00:22:54But, Paul, why must it be like that?
00:22:57I suppose some people can't live without hating.
00:22:59It's the only way they can feel superior.
00:23:02Some people hate because they're stupid.
00:23:04Others just plain vicious.
00:23:07And there's some that hate just because they're told to.
00:23:14Paul.
00:23:15Yeah, honey?
00:23:16You know what?
00:23:18What?
00:23:20I think you're wonderful.
00:23:22You say that just one more time and you'll get yourself a kiss.
00:23:26Oh, yeah?
00:23:28That might be Ed.
00:23:32We're getting jittery.
00:23:37Hello?
00:23:39Oh, hello, Sergeant.
00:23:42What?
00:23:44What is it?
00:23:48Yeah, I'll be down in a minute.
00:23:50I'll be down in a minute.
00:23:52I'll be down in a minute.
00:23:54I'll be down in a minute.
00:23:56Yeah, I'll be down right away.
00:23:58What's the matter?
00:24:00Sergeant Pond-Telly wants me to come down to the station house right away.
00:24:04It's about Ed.
00:24:06I hope he's all right.
00:24:08Come on, let's go.
00:24:10Come on.
00:24:24Hello, Mrs. Lester.
00:24:25Hello.
00:24:27What's happened?
00:24:29You better wait outside, Mrs. Lester.
00:24:31All right.
00:24:33Something the matter with Ed?
00:24:34Come on inside.
00:24:37Sit in the car, honey.
00:24:40Come on.
00:24:58Why did it happen?
00:24:59Run over by a truck.
00:25:03The woman was already dead.
00:25:07What?
00:25:11See that mark on his neck?
00:25:15That's what killed him.
00:25:18I don't get it.
00:25:19He was murdered.
00:25:22Murdered?
00:25:25I don't feel so good.
00:25:27Yeah, I know.
00:25:29He never gets used to it.
00:25:32Where did it happen?
00:25:34A little while ago, over on the north side.
00:25:38You got any ideas?
00:25:39A couple.
00:25:42Come on, I got something I want to show you.
00:25:52Remember Fisher?
00:25:54Yeah.
00:25:55When we picked up his body, he was holding on to the torn sleeve of his shirt.
00:25:59A striped shirt.
00:26:01Yes, this is it.
00:26:07His pal was wearing it.
00:26:10Come on.
00:26:19And so, Edward Stephen, you are now from whence you came.
00:26:25And gathered here, your good friends took with you life eternal.
00:26:31May God bless you.
00:26:33Amen.
00:26:37Amen.
00:27:01Murdered, that's what he was.
00:27:02But if it did, it should hang.
00:27:05How come the Strauss is here?
00:27:07Probably thought he could pick up some business.
00:27:09Yeah, some nerve.
00:27:11Ed hated him.
00:27:12Wouldn't go into his shop.
00:27:18Mr. Strauss likes Ed.
00:27:20Mr. Strauss likes everybody.
00:27:25Friends of Ed's?
00:27:26I guess so.
00:27:28I used to drink with him in the 19th hole.
00:27:3019th hole?
00:27:32A local country club.
00:28:02You sure you don't want to go with me to the concert tonight?
00:28:22Thanks very much, but I'd better not if we're leaving tomorrow.
00:28:25I need to see you go home.
00:28:27You've been awfully kind.
00:28:32Ed's really glad to get out of here.
00:28:35Yeah.
00:28:37Well, we'd better start packing right away.
00:29:03Darling, how about making a little coffee?
00:29:05Of course, darling.
00:29:25Nancy.
00:29:26Yes?
00:29:27Last night when I threw those pamphlets in the drawer in the living room,
00:29:30there was a shirt.
00:29:32A shirt?
00:29:33There were several of them.
00:29:35The one in the middle drawer was striped,
00:29:37with part of the sleeve and the collar ripped off.
00:29:40Collar ripped?
00:29:45Somebody broke in here and stole it.
00:29:47And Ed was wearing that same shirt when they found him last night.
00:29:53Frontelli told me that when they picked up Fisher's body,
00:29:55he was clutching a piece of that same shirt in his hand.
00:29:58Then it was Ed who ran down Fisher.
00:30:00Maybe that's why he disappeared.
00:30:03But why does he keep coming back for that shirt?
00:30:06It doesn't make sense.
00:30:08Yes, it does.
00:30:09Because Ed didn't take it.
00:30:10Ed was framed.
00:30:11Framed and murdered.
00:30:12And whoever ran down Fisher is in the clear.
00:30:14But why Ed?
00:30:15Why pick on him?
00:30:17I don't know.
00:30:19That magazine.
00:30:21That man from Snap Magazine.
00:30:23Mitchell.
00:30:24Ed had something that he wanted to give him.
00:30:26What do you suppose it was?
00:30:28I don't know.
00:30:30Book, diary, letters.
00:30:33I don't know, but we've got to find out.
00:30:35Paul, let's go away from here.
00:30:38There's nothing you can do.
00:30:40Ed's got some pretty bad marks against him the way things stand now.
00:30:43Well, let Frontelli handle it.
00:30:45I'm sure he'll get to the bottom of it.
00:30:47No, darling.
00:30:48It doesn't matter if we stay another day or two.
00:30:50I want to go through Ed's things.
00:30:52All right.
00:30:53Where do we start?
00:30:55You take the bedroom and I'll look in the living room.
00:31:00It was delicious, darling.
00:31:02Well, shall we straighten up?
00:31:04You sure tore that living room to pieces.
00:31:07Did you go through those boxes in the closet?
00:31:09Mm-hmm.
00:31:10There's nothing there but old papers and some odds and ends.
00:31:13Darling, let's just stack the dishes tonight.
00:31:16You've still got time to make that concert.
00:31:18Trying to get rid of me?
00:31:20Why don't you go with Mrs. Tristram?
00:31:22You've had a rough day.
00:31:23It'll do you good.
00:31:24Oh, I thought maybe we'd go to a movie together.
00:31:27I don't feel like it, baby.
00:31:29Do you mind?
00:31:30No.
00:31:31I guess the honeymoon's over.
00:31:33Don't be silly.
00:31:34Go get dressed.
00:31:36I'll wait up for you.
00:31:37All right, darling.
00:31:38To tell you the truth, anything to get out of this spring cleaning.
00:31:42My, how nice you look.
00:31:45So do you.
00:31:54The good gal I get, Steve, it's knocked off.
00:31:56The whole thing stinks.
00:31:57I know what I'd do if I was Mrs. Tristram.
00:31:59I'd have to go to the bathroom.
00:32:01I'd have to go to the bathroom.
00:32:03I'd have to go to the bathroom.
00:32:05I'd have to go to the bathroom.
00:32:07I'd have to go to the bathroom.
00:32:09It stinks.
00:32:10I know what I'd do if I was running things.
00:32:12So do you, Bob.
00:32:13Why?
00:32:15Run the foreigners out of the neighborhood.
00:32:17All of them.
00:32:18Then you'd be sure to get the one that took care of Ed.
00:32:22Small beer, please.
00:32:23Sure, Bob.
00:32:24Yeah, but you always told me people like that was yellow.
00:32:27How could yellow...
00:32:28Well, they stick together, don't they?
00:32:30Everybody sticks together.
00:32:31Well, they really stick together.
00:32:32That's why they're knocked off Ed.
00:32:33It's as plain as a nose on your face.
00:32:35You sure of that?
00:32:36Yeah, everybody knows it.
00:32:38Who's printing that announcement?
00:32:40Are the announcements printed by the police department?
00:32:43I don't know.
00:32:44Say, who are you, fella?
00:32:45Johnny Law?
00:32:46You got a badge undercover?
00:32:47Open up.
00:32:48The drinks are on the fat man.
00:32:50I'm friends with Ed.
00:32:51You don't talk like him.
00:32:55No?
00:32:57No.
00:32:58Stick to your drink, Roy.
00:33:00You know Ned Long?
00:33:01We were in the service together.
00:33:03How come we haven't seen you here before?
00:33:06Because I haven't been here before.
00:33:09Say, I've seen you someplace.
00:33:13I've been someplace.
00:33:15Oh, smart guy, huh?
00:33:17He told you.
00:33:19Where did Ed work?
00:33:21We're a friend.
00:33:22You don't know so much.
00:33:24You know, I could learn not to like you.
00:33:28Take it easy, Locke.
00:33:29Ed wasn't working.
00:33:30He quit down at the Lawrence machine shop.
00:33:32Put him on a shift with a bunch of foreigners.
00:33:36Chucked the job right in the face.
00:33:39That's right.
00:33:40Spoke right up.
00:33:41That's the kind of man we need.
00:33:44Right, Fasso?
00:33:46That's right.
00:33:47It's late, Roy.
00:33:49Unless you eat it.
00:33:52You gotta get up early tomorrow.
00:33:55Get lost.
00:33:57Fasso, tell her you lost.
00:33:59You'll miss another day at the shop, and we need the money.
00:34:02Look, you leave me alone or you're gonna get it.
00:34:06You wouldn't dare.
00:34:07You're in enough trouble already.
00:34:09Stay out.
00:34:10It's his ball and chain.
00:34:11Primary to the drink, Fasso.
00:34:22Hi, Chuck.
00:34:23Hi, Chuck.
00:34:26Seen this yet, Bob?
00:34:27I don't know.
00:34:28Haven't I seen you somewhere before, mister?
00:34:30These are friend of Ed's.
00:34:31They were in the army together.
00:34:32Oh?
00:34:33Yeah, I saw you at the funeral.
00:34:35That's right, sure.
00:34:37Put a head on it for the gentleman.
00:34:38Sure.
00:34:39Hey, friend of Ed's got a drink with us.
00:34:41What did you say your name was?
00:34:43I didn't.
00:34:44Paul Lester.
00:34:45Mine's Hill.
00:34:46Shake.
00:34:50Nothing like a concert for relaxation.
00:34:53Yes, I enjoyed it very much.
00:34:58Oh, would you mind stopping in the camera shop?
00:35:00What is it?
00:35:01Would you mind stopping in here a minute?
00:35:03It'll save Paul a trip.
00:35:04Oh, of course.
00:35:05Yes.
00:35:09Hello.
00:35:10Hello.
00:35:11I believe you have some films for Lester.
00:35:13Yeah, I know.
00:35:15Where's Harry?
00:35:16He's in the back somewhere.
00:35:17Oh.
00:35:19How cute.
00:35:20Oh, yes.
00:35:21It's the Fisher baby.
00:35:23Of course, that was taken when she was just a year old.
00:35:29I'm sorry, Mrs. Lester, they aren't back yet.
00:35:32Oh, that's too bad.
00:35:33When will they be ready?
00:35:34Not ready?
00:35:36Hello.
00:35:37Hello, Harry.
00:35:38Are you sure, Ralph?
00:35:39They should be back.
00:35:40Let me take a look.
00:35:41You rented the concert?
00:35:43I had other things on my mind tonight.
00:35:44Oh.
00:35:45How's your husband?
00:35:46Oh, I'm very tired, I'm sure.
00:35:48Oh, here.
00:35:49We're right here, Ralph.
00:35:51I guess I didn't see him.
00:35:53Good.
00:35:54How much are they?
00:35:55Two dollars, even.
00:36:02Good night, Harry.
00:36:04Good night.
00:36:05Good night.
00:36:06Come in again.
00:36:07Oh.
00:36:23Hey, Spare!
00:36:24Spare!
00:36:30Are you saving this or throwing it away?
00:36:32Come on, let's take a walk.
00:36:34I didn't do nothing.
00:36:35Let me off!
00:36:37I didn't do nothing.
00:36:42Hey, Harry.
00:36:51Your window's insured?
00:36:52For sure.
00:36:53Why?
00:36:54You'll just be going to find out.
00:36:56Winding up for the big picture.
00:36:59What's the idea, Teddy?
00:37:01Have I ever done anything to hurt you?
00:37:02Leave me alone.
00:37:04Why'd you want to break my window?
00:37:05Leave me alone, you hear?
00:37:07What do you think I got to do with you?
00:37:09Go tell my pa.
00:37:10Go on.
00:37:11See if he cares.
00:37:12I think I'll haul him down a juvenile court.
00:37:14Leave me alone.
00:37:15I didn't do nothing.
00:37:16He wouldn't do any good.
00:37:18Yeah.
00:37:19Go on, Peter.
00:37:23His father's worse than he is.
00:37:28What can you do?
00:37:29Have you seen that circuit?
00:37:31Yeah.
00:37:32I heard Father Dunn called a protest meeting.
00:37:33Is that right?
00:37:34Yeah.
00:37:35Father's burned up about that circuit.
00:37:39So long, Harry.
00:37:40See you around.
00:37:41So long, Mike.
00:37:42Thanks for the window.
00:37:57Tom, you asleep?
00:38:04Tom!
00:38:13Pardon me.
00:38:14I'm sorry, Mrs. Lester.
00:38:17What do you want?
00:38:18I'm sorry to bother you.
00:38:19It's those pictures.
00:38:20Have you looked at them?
00:38:22No.
00:38:23You'd see that I was right.
00:38:24Strauss made a mistake.
00:38:25He gave you the wrong ones.
00:38:26Oh, I'll get them back to you.
00:38:29But our name's on the envelope.
00:38:31Just a second, I'll look at them.
00:38:32Don't bother.
00:38:33Give them to me.
00:38:34I'll see that yours are delivered.
00:38:35But I'd better look at them.
00:38:36Give them to me, do you hear?
00:38:37I have to have them.
00:38:39Have to have what?
00:38:41Well, it seems...
00:38:42What's the trouble?
00:38:44There's a mistake, Mr. Lester.
00:38:46These pictures, I picked them up at Strauss's.
00:38:48He says he gave them to someone else by mistake.
00:38:52That's all the excitement.
00:38:53I'll deliver yours in the morning.
00:38:55Sure.
00:38:57Let's see how good Strauss's work really is.
00:39:03These are mine.
00:39:05Not bad.
00:39:06Look at that detail.
00:39:09Yours?
00:39:11It's my mistake, then.
00:39:12Yeah, it seems that way.
00:39:13I'll... I'll check again.
00:39:15Sure.
00:39:24He didn't want me to look at them.
00:39:25A dumb kid.
00:39:27Paul, where were you?
00:39:28I decided to ask some questions about Ed.
00:39:33Hey, these aren't mine.
00:39:35Nancy, look.
00:39:37Ed with those guys.
00:39:38And that drunk from the bar.
00:39:39Your friend Ed with them?
00:39:42Wait a minute.
00:39:43That shirt wasn't all they were looking for.
00:39:44They were after these pictures.
00:39:46That roll of film must have been in that drawer.
00:39:48We took them by mistake.
00:39:49Baby, that was no mistake.
00:39:51Ed must have shot those.
00:39:54Here it is.
00:39:55Elton 409.
00:39:57Elton 409?
00:39:58Who's that?
00:39:59Snap Magazine.
00:40:01Man, Mitchell.
00:40:03Ed was gonna get in those pictures.
00:40:04An expose of the whole mess.
00:40:10Must be clothes.
00:40:12Nancy, look.
00:40:14I saw this man pushing his wife around
00:40:15when she said he was in some kind of trouble.
00:40:19I think I'll have a talk with him.
00:40:21Paul, that's for the police.
00:40:24Yeah.
00:40:25There's more chance of his talking to me
00:40:26than to a policeman.
00:40:30Darling.
00:40:31Darling.
00:40:32Please be careful.
00:40:34Sure.
00:40:39And you keep your door locked.
00:40:41You draw men like honey draws flies.
00:40:44And you're hitched to a very jealous character.
00:40:55Excuse me.
00:40:59Strauss Camera Shop.
00:41:01Oh, hello, Mrs. Lester.
00:41:08Ralph was there?
00:41:10I'll be right over.
00:41:15I'm for peaceful methods myself.
00:41:17But when I hear of a good American like Ed being lynched...
00:41:19Where's Carter?
00:41:20Well, it does something.
00:41:22Race is right.
00:41:23Now, you know how they stick together.
00:41:26It's really cooking.
00:41:27Just like Philip said it would.
00:41:28Yeah.
00:41:30Come in.
00:41:35I saw the films Ed took.
00:41:36What?
00:41:37Where are they?
00:41:38I had them right in my hand.
00:41:39Where are they?
00:41:40I almost got them in the shop.
00:41:41Then Strauss walked in.
00:41:42He gave them to the people.
00:41:43Their name is Lester.
00:41:44They're friends of Ed's.
00:41:45So I sneaked up there.
00:41:46Only they caught me.
00:41:48Why did you go up there?
00:41:50Why did you hit me?
00:41:51Because you showed yourself.
00:41:53And you'll get more if you don't watch your step.
00:41:58You better tell Phillips about this right away.
00:41:59Yeah.
00:42:01Go out and tell Pat's on what happened.
00:42:03Have him call Phillips and come back and tell me what he says.
00:42:06Go!
00:42:11I don't like this.
00:42:13I don't like it.
00:42:15Go out and tell the boys to take it easy.
00:42:23We'll call a meeting and figure things out.
00:42:29You're not helping.
00:42:39Don't get too steamed up, fellas.
00:42:40Slow it down.
00:42:42I'm getting yellow.
00:42:43You're drunk.
00:42:44Go home.
00:42:45Who's drunk?
00:42:46Go home, I said.
00:42:48Okay, I'll have one drink and then I'll go home.
00:42:52Just one.
00:42:56I'll make that a double.
00:42:59Good luck.
00:43:03Well?
00:43:04Still talking.
00:43:06They'll ruin me if those pictures get out.
00:43:08You?
00:43:09What about me?
00:43:10What about my gas station?
00:43:11Phillips has got to do something about it.
00:43:13Why don't you catch on?
00:43:14Ed was taking pictures of us.
00:43:16Why didn't I catch on?
00:43:17Why didn't anybody catch on?
00:43:18You talk too much, Mason.
00:43:19Did you get him?
00:43:20Yeah, Fatso talked to him.
00:43:21He said he'd take care of him.
00:43:23He'd better.
00:43:24You don't look too happy.
00:43:25Oh, shut up.
00:43:26Listen, you're in enough trouble already.
00:43:28Cut it out.
00:43:29Sit down.
00:43:49It's time you got home.
00:43:54Good evening, Mrs. Locke.
00:43:55What do you want?
00:43:57I was at the 19th hole tonight.
00:43:59So what?
00:44:00I saw your husband slap you.
00:44:02Who are you?
00:44:04Get out.
00:44:05None of your business.
00:44:07I don't like to see a woman slapped.
00:44:10Get out or I'll call a cop.
00:44:11Remember Ed Stevens?
00:44:15I don't remember anything.
00:44:17I've got nothing to tell you.
00:44:19You're afraid of your husband?
00:44:21You said you saw him hit me.
00:44:23Yes, I am afraid of him.
00:44:26I want you to take a look at this picture, Mrs. Locke.
00:44:37Where'd you get this?
00:44:39Where'd you get this?
00:44:53Tell me about your husband.
00:44:54Maybe I can help you.
00:44:58Tell you what?
00:45:02After the last five years,
00:45:03he hasn't drawn a sober breath.
00:45:05Now he beats me to prove that he's better than I am.
00:45:09He's a man.
00:45:16Now he throws out the few flowers I pick
00:45:19since they stink up the house.
00:45:23Now he can't keep a job.
00:45:26Always blames it on to the kikes and the wops.
00:45:29Never on to himself.
00:45:32Now he's broken me.
00:45:35Torn me to pieces.
00:45:46Is that what you want me to tell you?
00:45:53I don't need him.
00:45:56I don't need you.
00:45:59I've never needed him.
00:46:02But he won't let me go.
00:46:04He won't let me go.
00:46:06In the bar tonight, you said he was in trouble.
00:46:09What kind of trouble?
00:46:11I'm no squealer.
00:46:13I can help you.
00:46:17Leave me alone.
00:46:20All right, but this is your chance.
00:46:25All right, Mrs. Locke.
00:46:27Wait.
00:46:30He's a murderer.
00:46:32Just the same as if he did it in cold blood.
00:46:35Go on, Mrs. Locke, tell me.
00:46:37It was a week ago Wednesday.
00:46:40I remember because it was my birthday.
00:46:45About 10 o'clock that night,
00:46:48I screamed to get a cake.
00:46:52That husband of mine didn't even come home.
00:46:54I went to get him.
00:46:57He was so drunk, I was scared to speak to him.
00:47:02He and Mace were trying to get Ed
00:47:04to come along and do something.
00:47:07Ed didn't want to go.
00:47:09He said he was through with all that kind of stuff.
00:47:15I didn't know what they meant then.
00:47:19They said something about
00:47:21running the Jews out the door.
00:47:24It was in the neighborhood.
00:47:29I left the home.
00:47:34Then I saw a car.
00:47:37It was Mace's car.
00:47:40It was parked near the corner.
00:47:44I couldn't understand why.
00:47:46Then I knew
00:47:48Mr. Fisher was about to cross the street.
00:47:54Then Ed jumped out of the car and ran to Mr. Fisher.
00:48:06It was nothing but murder.
00:48:09Mace, Locke.
00:48:17I promise you, Mrs. Locke, you'll be protected.
00:48:19No, you're not.
00:48:21I said I'm going to protect you.
00:48:24Put up your hands.
00:48:26Don't be crazy, Locke.
00:48:28Pull them up.
00:48:30Get over there.
00:48:33You too.
00:48:36Locke, I'll make a deal with you.
00:48:38You got nothing I want.
00:48:40I got a picture.
00:48:42A picture of you setting fire to an altar.
00:48:44You're lying.
00:48:46Ask your wife.
00:48:47I saw it.
00:48:49Give it to me.
00:48:51It's in my pocket.
00:48:53You, bring it to me.
00:49:18Drink.
00:49:20Give me a drink.
00:49:22Sure.
00:49:24At the station house.
00:49:26No.
00:49:28No, please don't.
00:49:30Don't take me.
00:49:32Mary, don't take me.
00:49:34I'll do anything you want, Mary.
00:49:36I won't drink anymore, Mary.
00:49:38I promise, I promise.
00:49:40They'll hang me.
00:49:43Maybe they will, Roy.
00:49:45Maybe.
00:49:47I didn't do anything.
00:49:49I'll tell you anything you want to know.
00:49:52We'll need witnesses for that.
00:49:54Come on.
00:49:57I'm sorry, Mrs. Locke.
00:50:03I'm sick.
00:50:18He's a dynamite.
00:50:20You better be careful, Mrs. Lester, and hide them.
00:50:23And we'll turn it over to this fellow Mitchell tomorrow.
00:50:25I'm worried about Paul.
00:50:27I think I know where he is.
00:50:29Where?
00:50:31The 19th hole.
00:50:33It's a saloon.
00:50:35I never go there myself.
00:50:37Even if I did, they wouldn't serve me.
00:50:39But I'll look in.
00:50:41If he's there, I'll send somebody in to get him.
00:50:43Oh, thank you very much.
00:50:45Bye.
00:50:47Better hide those.
00:50:49All right.
00:51:10Hello?
00:51:12Hello!
00:51:14Get off the line, lady.
00:51:16Please, this is an emergency.
00:51:18This is a party line. Can't you hear?
00:51:20That's telling her, Chuck.
00:51:21Chuck?
00:51:44Operator, get me the police station, please.
00:51:4842nd Precinct.
00:51:51Hello?
00:51:53Sergeant Fontelli, please.
00:51:55Oh.
00:51:57Well, then, as soon as he does, will you give him this message?
00:51:59Tell him that Mr. Strauss is at the 19th hole
00:52:02and wants him to come there at once.
00:52:04It's important.
00:52:06This is Mrs. Lester.
00:52:10Oh, Mistress.
00:52:12Why, heavens, child.
00:52:14Well, you're all brought up.
00:52:16Now, what you need is a nice cup of tea.
00:52:18You come along with me.
00:52:20Come on.
00:52:27What's the idea?
00:52:29This is Lester.
00:52:31I'll tell you about it later, but he's got the films.
00:52:33Films?
00:52:35So, Mr. Lester.
00:52:37May we have the films?
00:52:39What films?
00:52:41He's got them.
00:52:43Let me stay out of this.
00:52:45You hear those films?
00:52:47I haven't got them.
00:52:49He's lying.
00:52:51Maybe this will help your memory.
00:52:53Look in his pocket.
00:53:02You know, he's so good-looking, Roy.
00:53:04Too much talk.
00:53:06A little accident like we give his friend.
00:53:09Shut up!
00:53:11Well, what if he does know?
00:53:13One more chance.
00:53:15Those films.
00:53:17I burned them.
00:53:19His wife's got them.
00:53:23Got a tire iron in the car?
00:53:25Yeah.
00:53:27We might need it.
00:53:29As a condenser.
00:53:31Yeah.
00:53:33Relax, Lester.
00:53:35Relax.
00:53:50Well, if it isn't my old friend, Strausky.
00:53:53Who are you looking for?
00:53:55Nobody.
00:53:57Well, come on in.
00:53:59Let's have a little drink.
00:54:01I don't want you to be lonesome.
00:54:03No, thanks.
00:54:05I have to go.
00:54:07Come on in.
00:54:09I'll buy.
00:54:11Hey, Fatso.
00:54:13Set them up for me and my old friend, Strausky.
00:54:16Well, well, Mr. Strausky.
00:54:17We never did have the pleasure of acquaintance here before.
00:54:21Louis!
00:54:23Champagne for the gentleman.
00:54:25What'll you have with your champagne?
00:54:27Caviar?
00:54:29Yeah, caviar.
00:54:31Just come in to see if Paul Lester is here.
00:54:34Well, maybe he is here.
00:54:36He's probably in the back room having a drink with the boys.
00:54:39Come on, let's go see.
00:54:41Yeah, we got a private room for our special guest.
00:54:44Mr. Strausky.
00:54:46Mr. Strausky.
00:54:51Serve the drinks in the private room, James.
00:55:00Gentlemen, a very special guest.
00:55:03Mr. Strausky.
00:55:06Ralph, what are you doing here?
00:55:08He's a friend of ours.
00:55:10Why shouldn't he be here?
00:55:12Oh, no, Ralph.
00:55:13Yeah, that's true.
00:55:15He told me that if I helped put you out of business,
00:55:17they'd give me a job at twice the pay.
00:55:19For money, Ralph?
00:55:21My competitor.
00:55:23Sit down, Mr. Straus. We want to talk to you.
00:55:26Being that you and Mr. Lester are such good friends.
00:55:29I brought a drink for our special guest.
00:55:31Should I serve you, Your Royal Highness?
00:55:35Slap him down. Slap him down.
00:55:39I'm sorry, Harry.
00:55:40What are you sorry about?
00:55:42Nothing.
00:55:44I never did like the idea of a pup like you hanging around.
00:55:48Before the interruption, we were talking about pictures, remember?
00:55:51I remember.
00:55:53Well, I want those pictures, and I want them tonight.
00:55:55Well, I got the pictures. And the negatives, too.
00:55:58You're lying.
00:56:00Ralph, didn't you try to get them for Mrs. Lester?
00:56:02Yeah.
00:56:04We know that.
00:56:06She came to the store and gave them to me. I have them.
00:56:08Take me to the store, and I'll prove it.
00:56:11What can we lose?
00:56:13Okay, he's yours.
00:56:15Let's go.
00:56:17You'll lay off him?
00:56:19If we get the pictures, it's a deal.
00:56:21You'll get them.
00:56:23You can bet on that.
00:56:27What good are the pictures if he's around knowing about Fisher and Ed?
00:56:30Wait a minute.
00:56:32Quiet.
00:56:34A man's got a right to defend himself.
00:56:36Well?
00:56:38Mrs. Locke told me that you killed Ed and Fisher, but I knew it before.
00:56:42So?
00:56:44Brontelli told me.
00:56:46He's just trying to stall.
00:56:48Stay out of this.
00:56:50I'll do the talk from now on.
00:56:52We vote.
00:56:54You.
00:56:56Guilty.
00:56:58You.
00:57:00Guilty.
00:57:02You.
00:57:04Guilty.
00:57:06Guilty.
00:57:08You.
00:57:11Vote.
00:57:14Guilty.
00:57:16Madness.
00:57:19You see, it isn't smart to know too much, mister.
00:57:22It isn't smart at all.
00:57:24Ed found that out.
00:57:28Pazzo.
00:57:30Set him up.
00:57:32Bring some runway.
00:57:35Come on.
00:57:54Come on, open up.
00:57:57Come on, are you nervous?
00:58:02Hurry up, hurry up.
00:58:05Come on, get in there.
00:58:12All right, where are the pictures?
00:58:14In the storeroom.
00:58:15Let's go.
00:58:18Mikey, why don't you get some sense and go back where you came from?
00:58:22The next block where I was born?
00:58:26My name is Strauss.
00:58:28Harry Strauss.
00:58:30He'll kill me.
00:58:32I got the pictures.
00:58:35Come on.
00:58:42Where are you?
00:58:43I'll break your neck, Strauss.
00:58:45Afraid of the law?
00:58:48Let me out of here.
00:58:50No, no.
00:58:51Your friends are waiting for us.
00:58:53But I think the police will get there first.
00:58:56Where are you?
00:59:00Where are you?
00:59:02Where are you?
00:59:04This way.
00:59:05I'm waiting for you.
00:59:06This way, this way.
00:59:33Got them tied?
00:59:34Yeah.
00:59:35Okay, let's go, boys.
00:59:36Aren't you waiting for Hill and the pictures?
00:59:38Send them a walk back.
00:59:39Strauss is coming with us.
00:59:41Oh, poor Strauss.
00:59:43He had such a nice business, too.
00:59:45Hey, wait a minute.
00:59:46What are you going to do to Strauss?
00:59:48Are you worried about him, Ralphie?
00:59:50No.
00:59:51No, but I thought that...
00:59:52Just leave the thinking to me.
00:59:53Let's go.
00:59:55Shut up, you moody.
00:59:59We must have missed him.
01:00:01You got a key?
01:00:02Yeah.
01:00:03Come on.
01:00:17Let's go.
01:00:21Let's go.
01:00:24You're too nice.
01:00:32It's open.
01:00:37Looks like they've gone.
01:00:39What's that?
01:00:40Can you smell it?
01:00:41It's acetic acid, must be in the storeroom.
01:00:44Locked.
01:00:45Wait a minute, I got a key here.
01:00:54Harry!
01:00:56Bill!
01:00:57Why?
01:01:05Where's Harry?
01:01:17Oh, I...
01:01:25What?
01:01:29We found that printing press of yours, Carter.
01:01:31You're quite an author.
01:01:33A man's got a right to say what he wants.
01:01:35Yeah, like yelling fire in a crowded theater?
01:01:38There's a law against that.
01:01:40Sergeant, I'll tell you anything you want to know.
01:01:42It wasn't my fault, it was Phillips.
01:01:44He said we could build a political party.
01:01:46He said we'd start small, but there'd be dough behind us, plenty of it.
01:01:50Phillips, that cheap water healer, is he back again?
01:01:53Give us a break, Sergeant.
01:01:55Make it worth your while, Sergeant.
01:01:57Come here.
01:02:05Brush him in the leg.
01:02:06Yes, sir.
01:02:07Come on, you three.
01:02:08I'll heal him for you.
01:02:14Hey, Harry, what'd they do to you?
01:02:16Did you see the other guy?
01:02:19Take it easy on Ralph, I think the kid's learned by now.
01:02:22Anyone see a doctor?
01:02:23Doctor?
01:02:24I never felt better in my life.
01:02:40You feel better now?
01:02:41Yes, thank you, Miss Tristan.
01:02:43Well, good night, dear.
01:02:44Good night.
01:02:53Mrs. Lester?
01:02:56Yes.
01:02:57I'm Mr. Mitchell of Snap Magazine.
01:02:58I know your husband.
01:02:59Your door was open, so I took the liberty of walking in.
01:03:02Mr. Mitchell, I can't tell you how glad I am to see you.
01:03:05We discovered what...
01:03:06I know.
01:03:07The picture.
01:03:08But how did you know?
01:03:09From your husband.
01:03:10You see, the murder of Mr. Stevens is a page one story.
01:03:13I was on my way up here when I read it, Mr. Lester.
01:03:16Well, why didn't he come with you?
01:03:18Well, as a matter of fact, I'm here on a double mission.
01:03:21Not only for the pictures, but to bring you to him.
01:03:23Where is he?
01:03:24At that cafe down the street, 19th Hall.
01:03:27Now, if you'd be kind enough to let me have them.
01:03:29You see, we've reserved the feature space for the article.
01:03:31The magazine goes to press tonight.
01:03:33You don't know how glad I'll be to get rid of them.
01:03:46Just a second.
01:03:47I'll get my coat.
01:03:52Hey, Frontelli.
01:03:53Yeah?
01:03:54Who's this guy Phillips they were talking about?
01:03:56Phillips?
01:03:57Yeah.
01:03:58Smart operator.
01:03:59Sounds crazy to me.
01:04:00He's crazy.
01:04:01He's power crazy.
01:04:02Maybe he's trying to get even for something he's burned up about.
01:04:05Like how?
01:04:06Well, he works on a lot of little guys that have got gripes, too.
01:04:11One fellow because he wants to be a big shot.
01:04:13Another one because he wants to be a big shot.
01:04:15He's a big shot.
01:04:16Another one because he wants to be a big shot.
01:04:18Another one because he wants to be a big shot.
01:04:20Another one because he wants to be a big shot.
01:04:22Another one because he wants to be a big shot.
01:04:23Another one who's in it for the dough.
01:04:24And maybe a guy who can't hold onto his job.
01:04:26There are a lot of them.
01:04:27This Phillips must've been knocked dizzy by a detective magazine once.
01:04:30How do you mean?
01:04:31He likes to use phony names, aliases.
01:04:35I pinched him for it.
01:04:36He couldn't make it stick in court, though.
01:04:39It's a free country, you know.
01:04:42Sorry, I'm so jumpy, but there's been so much trouble.
01:04:45Foreigners?
01:04:46Oh, yeah.
01:04:47You know.
01:04:48Rumors.
01:04:49Mr. Mitchell.
01:04:50What's the telephone number of Snap Magazine?
01:04:51Phone number?
01:04:52Oh.
01:04:53Ashfield.
01:04:549-1-0-3.
01:04:55Who are you?
01:04:56Give me those pictures.
01:04:57You hear me?
01:04:58Give me those pictures.
01:04:59So long, Funtelly.
01:05:00Nancy.
01:05:09Nancy!
01:05:39Phillips!
01:05:41Sit down!
01:06:01Lieutenant Mann?
01:06:03It's Fontelli speaking.
01:06:05You send a wagon of 531 pounds.
01:06:08531 Parker, back alley.
01:06:12Phillips?
01:06:15Yeah, he was playing Hitler.
01:06:17But in the wrong precinct.
01:06:20All right, I'll stick around.
01:06:25You all right, Mr. Lester?
01:06:26Should be all right.
01:06:28I'll see you in a second.
01:06:30Good night.
01:06:31Good night, Sergeant.
01:06:39Excuse me, folks.
01:07:01You get home and wipe those dishes right now!
01:07:05You get home and wipe those dishes right now!
01:07:08See, now I'm gonna play!
01:07:10Right now!
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