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01:15Are you sure it's Bill Lyons' wall?
01:17I'm positive.
01:18But he calls himself Happy Jack Cole.
01:22That's incredible.
01:24I can scarcely believe it.
01:26You see for yourself, miss.
01:28He's in the theater.
01:44It looks like Bill Lyons.
01:46I don't know what to think.
01:48There's no definite proof that he's dead.
01:50They never did find any trace of his plane.
01:53Yes, but here in Shanghai with a show
01:56in the name of Happy Jack Cole.
01:59It doesn't make sense.
02:03Wait here.
02:09♪♪
02:23Hey Charlie, wait a minute.
02:24How about after my first number
02:25I'll pick a woman in the bar.
02:26Say to her, darling I love you.
02:28You're the hope of my hope.
02:29The object of my dreams.
02:31I'd conquer worlds for you.
02:33I'd fight dragons.
02:34Who asked you to fight dragons?
02:35I'm only asking you to sing.
02:37Yeah, but it went over swell on the boat.
02:38Yeah, they had to listen to Jump Overboard.
02:40Here we got exits.
02:41What are you trying to do?
02:42Empty my theater?
02:43All right, Joe, hit it.
02:44Oh, it's sure fire, I tell you, Charlie.
02:46Get out there and sing.
02:47And remember, when you get hit
02:48with a rotten egg in China,
02:49it's at least 2,000 years old.
02:51But this is the best part of my act.
02:52It's sure fire.
02:53The audience love it.
02:54All right, all right.
02:55I'll get a pretty girl in the box for you.
02:57OK, thanks.
03:01Do you want me to get
03:02one of the girls into the box?
03:03No, do you think I'm crazy?
03:07How do you like that canary?
03:08I pick him off a boat
03:09where he's singing for beans
03:10and the first performance
03:11he tells me how to run my show.
03:15Man, the guns that clear the decks
03:17and lock up all the weaker sex.
03:19The devil dogs are here again.
03:21Dobby suits and jaunty hats
03:23They'll whip their weight in wild cats
03:25The devil dogs are really men
03:29When Uncle Sam gets in a jam
03:32They call on the Marines
03:37When there's a fight
03:38Where did that dog come from?
03:40They do it right
03:41They call on the Marines
03:44Shoulder to shoulder
03:46Over the sea you'll land
03:48The lead the next
03:49The lead the next
03:50Will have the situation
03:51Well in hand
03:52They'll come to your aid
03:55Don't be afraid
03:56Just call on the Marines
04:00They always call
04:01The old Marines
04:02To come and save the day
04:04But when the battle's over
04:06There's that urge that they obey
04:08Beneath the stars above
04:10They all go in for love
04:12And when they feel romantic
04:15Each Marine campaigns
04:18This way
04:21You're a treat for the eyes
04:24A thrill for the lips
04:26My trouble for the heart
04:29I'm never certain of my fate
04:32You keep my heart debating
04:35Is she really the one for me
04:37Am I the one that she loves?
04:39Gorgeous divine
04:41As long as you're mine
04:43My troubles all depart
04:46But when we say goodnight
04:48It's then my heart begins again
04:51Is she really the one for me
04:53Am I the one that she loves?
04:56I know your name
04:58Is in a thousand little red books
05:04Love is just a game
05:06That keeps me guessing
05:08I never know dear whether or not
05:10I'm in or out
05:11So what have I got
05:12A treat for the eyes
05:14A thrill for the lips
05:16My trouble for the heart
05:19I wonder if there'll come a spring
05:23When my heart will be singing
05:25Yes, she's really the one for me
05:27And I'm the one that she loves
05:37Darling, at last I found you.
05:39Ah, darling, I love you.
05:40Bill!
05:41You're the object of my dreams,
05:43The hope of my hopes,
05:44My inspiration.
05:46Bill, you're making a fool of yourself.
05:47You're my moonlight, my starlight,
05:49The light of my life.
05:51Hey, buddy, your light just went out.
05:56Well, boys, looks like the old uniform
05:58Isn't what it used to be.
06:02They're ready for action
06:04Ready by day or night
06:06There's lots of action
06:07When those devil dogs begin to bite
06:10Yes, they do their parts
06:12When trouble starts just call
06:15For the marines
06:23That's a nice stooge you put up in the box
06:24While she walked out on him.
06:25You're lucky they didn't all walk out with her.
06:27Yeah, you've still got an audience
06:28To make that silvery tenor out for a bow.
06:37So I take a pretty girl in the box,
06:39Mm-hmm.
06:42Oh, darling.
06:46I'm so glad to see you,
06:47To hear your voice again.
06:49Well, gee, thanks,
06:50But, Ted, you know,
06:51You almost grabbed my act.
06:52Think that I found you
06:53After all these weeks.
06:55Well, it is nice.
06:59Aren't you glad to see me?
07:01Oh, sure.
07:02But you know,
07:03This seems so much like a dream.
07:05I feel almost as though
07:06I were dreaming, too.
07:07I always did think that dreams
07:08Were nicer than reality.
07:10Hey, there's a show going on here.
07:12Go and make your change.
07:13Okay, okay.
07:15I'll be seeing you.
07:22But don't you realize
07:23That we've searched everywhere for you?
07:24We've given you up for lost.
07:26Lost?
07:27Father's been frantic,
07:28And the navy's covered the entire pacific
07:29Looking for you.
07:30Navy looking for me?
07:31What for?
07:32Well, how can you ask such a question?
07:34Don't you realize how important it is?
07:36They've been accusing you of selling out.
07:38Selling out?
07:39Well, I haven't yet.
07:41Oh, then it isn't true.
07:42Oh, bill, I'm so happy.
07:44That makes both of us happy.
07:47Tell me,
07:48What happened?
07:49How'd you get here?
07:50Oh, just shelled out.
07:51Charlie picked me up.
07:52Oh, where?
07:53On a boat,
07:54Between here and manila.
07:55Then you did crash.
07:56Crash?
07:57Oh, yeah, head over heels.
07:59Why do you persist
08:00In joking about it?
08:01Joking?
08:02Joking about what?
08:04Now, listen,
08:05I don't like to say this,
08:06But I think that one of us
08:07Is crazy.
08:08What, bill?
08:09Bill, I'm not bill whoever he is.
08:11I'm happy jack cole.
08:13Oh, you poor boy.
08:15You did get hurt,
08:16And that's why you can't remember.
08:18You must see father.
08:19Yeah, bring him around
08:20Some afternoon.
08:21No, no, you must come now.
08:22Please.
08:23Say you're happy.
08:24I'll go and tell father
08:25And send the car back for you.
08:26You can't leave between numbers.
08:28Don't you understand, lady?
08:29We're doing a show.
08:31I'm mary gorham.
08:33Oh, miss gorham.
08:34Oh, yes.
08:35He must see father at once.
08:37It's terribly important.
08:38Well, I, uh,
08:39I suppose I could let him go
08:41Between the 2nd and 3rd act curtain,
08:43But see that you get back
08:44Here by 10 o'clock sharp.
08:45Oh, sure, sure.
08:46I'll be back on time.
08:47And please see that
08:48Nothing happens to him.
08:49Yes.
08:54Mary?
08:56Are you sure you weren't mistaken?
08:58But, father, how could I be?
09:00I tell you, I saw him,
09:01Talked with him.
09:02Anyway, he'll be here in a minute,
09:04And you can see for yourselves.
09:05Mary seems so incredible.
09:06Bill lions singing
09:07Musical comedy here in shanghai?
09:09For what reason?
09:10Because the theater is the last place
09:12Anyone would think of looking for him.
09:14And that proves that the navy department
09:16Suspicions are correct.
09:17He sold out to a foreign agent.
09:19I don't believe it, dad.
09:20I couldn't.
09:21Well, I could.
09:22That plane meant control of the air.
09:24And any major power would give
09:26Minutes for its design.
09:28And that rattlebrain,
09:30Disappears in the middle of a
09:32Trans-pacific flight.
09:34He sold out.
09:35What other explanation could there be?
09:37But, father, he cracked up
09:38Somewhere off manila.
09:39It affected his mind.
09:41Half the time, he didn't seem to
09:42Know me.
09:43I don't think he even knows who
09:44He is.
09:45His memory's gone.
09:46Perhaps his victim family's here.
09:48Well, there's a way of finding out.
09:50I beg your pardon, sir.
09:52The gypsy trio is here.
09:53Well, I can't be bothered now.
09:54But you yourself arranged the
09:56Audition, sir.
09:57Go ahead and listen to them, t.g.
09:59After all, they have to make a
10:01Living.
10:04All right, send them in.
10:06Why did I ever get mixed up in
10:07This radio business, anyway?
10:09And, morley.
10:10Yes, sir?
10:11When mr. Lyons arrives, show him
10:13In here at once.
10:14Mr. Lyons.
10:17Bill Lyons?
10:18Yes.
10:20Very good, sir.
10:22Psychoanalysis.
10:24This may have it.
10:26Right ahead, boys.
10:27Yes, sir.
10:28Uh-huh.
10:29Amnesia.
10:31Loss of memory.
10:33That's what it is.
10:35Requires patience.
10:37Diplomacy and understanding.
10:39The proper usage of words that
10:41Suggest association.
10:43Memory.
10:44Ah-ha!
10:45That may bring him out of it.
11:03Well, sir.
11:05It's a pleasure to see you again.
11:07We've given you up for long.
11:09Well, I didn't know my arrival
11:10Was that important.
11:12Sir, you're being unduly modest.
11:14This is one of the greatest events
11:15In mr. Gorham's life.
11:17He hasn't even heard me sing yet
11:18And he feels that way?
11:19Say, it looks like I may do all.
11:21You're to go right in.
11:22Am I late?
11:23The audition has started.
11:25Well, I'll break in in the
11:26Middle of the chorus.
11:33You know
11:36That my place is right
11:39Beside you
11:42I know
11:45I'll be more than satisfied
11:51To string along
11:56In april or december
12:02In other words, remember
12:09I'm with you
12:12Right or right
12:21Right or right
12:25You'll find me right behind you
12:30If only to remind you
12:35I'm with you right or wrong
12:40Wrong or right
12:44I'll be the one to run to
12:49When clouds weather the sun through
12:53And things don't look so bright
12:58You know
13:00That my place is right
13:03Beside you
13:06I know
13:08I'll be more than satisfied
13:14To string along
13:19In april or december
13:23In other words, remember
13:28I'm with you
13:31Right or wrong
13:40That song was right down my alley,
13:42Don't you think?
13:43Well, I don't know what to think.
13:45Oh, you, splendid.
13:47You have a golden voice.
13:48Well, maybe you'd rather hear
13:49Something more peppy.
13:50A boy.
13:51Oh, no, that was fine.
13:52I think I'd better run along, T.G.
13:54Good night, Mary.
13:55Good night.
13:56Good night, young man.
13:57My name is Bennett.
13:58I hope to see you again sometime.
13:59Oh, thank you.
14:00Oh, Morley.
14:01Good night, Bennett.
14:02You sit right down there, young man.
14:03I want to have a talk with you.
14:08It looks like the old boy
14:09Kind of liked it, huh?
14:10I'm sure he did.
14:11It was wonderful.
14:15Cigar, my boy?
14:16Oh, thank you.
14:22Oh, thanks.
14:25Oh, do, help yourself.
14:26Would you like a scotch and soda?
14:28Well, no, thanks.
14:29I have another show to do.
14:30Oh, one little drink won't hurt you.
14:32Well, all right.
14:34Oh, Morley.
14:35Yes, sir.
14:37Bring a scotch and soda.
14:39Yes, sir.
14:41Poor Lyons.
14:43I'm afraid his mind has been affected.
14:46Good heavens.
14:47A lunatic in the household.
14:49Might I be required to use a bit of violence, sir?
14:53Oh, no, Morley.
14:54Nothing like that.
14:56Diplomacy.
14:57Diplomacy.
14:58By all means, sir.
15:00And a spot of scotch?
15:02Right.
15:08Are you comfortable, Bill?
15:09Oh, yes, very.
15:10But I'm not Bill.
15:11Mm-hmm.
15:12Who's this?
15:13Mm-hmm.
15:14Who's this?
15:20Well, I'll be darned.
15:22This looks exactly like me.
15:24It is you.
15:25Just before your flight across the Pacific.
15:27My flight?
15:28Why, I've never been up in a plane in all my life.
15:31Then you don't remember?
15:33Oh, how could I?
15:34Well, that's the point.
15:35We want to help you, Regula.
15:37Now, the easiest way to remember things
15:40is by the law of association.
15:42Uh-huh.
15:43For instance,
15:44if I were to say the word to you, uh, farmer,
15:47what would you say?
15:49Uh, daughter.
15:50Exactly.
15:51You see?
15:52It's sort of a little game.
15:53I'm sorry, Mr. Bohm.
15:54I like to play games with you,
15:55but, uh, I've got to be at the theater.
15:57Yes, yes, my boy.
15:58Now just compose yourself.
15:59Uh, thank you.
16:00Mm-hmm.
16:01Now then, you got the idea?
16:03I say a word,
16:04and you answer the first thing that enters your mind.
16:07You ready?
16:08Go.
16:09Right.
16:10Wrong.
16:11No, I mean.
16:13Well, you started before I began,
16:16if you know what I mean.
16:18Now then,
16:19take off, shoes.
16:21Oh, isn't that what you expected me to say?
16:23Well, not exactly.
16:25Aeroplane.
16:26Parachute.
16:27Sea.
16:28He crashed and he jumped, and he shoot.
16:30Bang.
16:31Brrrrrrrrr.
16:32Overdrawn.
16:34And I did it just as it says in the book.
16:36I'm sorry, Mr. Bohm,
16:37but I must be getting back to the theater at ten o'clock.
16:39Well, I give it up.
16:40This is a job for the Naval Intelligence Department.
16:43What is this?
16:44Don't be alarmed.
16:45We're your friends, really.
16:46Here.
16:47Finish.
16:48Take your hands off me, all of you.
17:48Oh, it's you.
17:50Get away from that phone.
17:53Hello?
17:54Yes, Chief.
17:55Yes, we got him.
17:57Bringing him right over.
17:59Bringing who over where?
18:00You'll find that out when the Chief starts working on you.
18:02Yeah, but I didn't stab that man.
18:03I know you didn't.
18:04I did.
18:05Well, it's nothing to kid about.
18:07I'm not kidding.
18:08Get going.
18:09Hey, wait a minute.
18:10You're mistaking me for somebody else.
18:11Who do you think I am?
18:12You're the little fellow who thought he could steal a plane.
18:13Oh, so Gorms did on it, hey?
18:15Well, bring him in here.
18:16You can't do this to me.
18:17Never mind.
18:18Get going.
18:19Where's your authority?
18:20Right here in my hands.
18:21All right.
18:29Keep him covered, Al.
18:31Hey, you've got to get me to the theater, fellas.
18:33If I miss a show, it'll be my finish.
18:35Yeah, but Bill, if we don't take you to the boss,
18:36it'll be our finish.
18:37Oh, you've got me wrong.
18:38I'm not Bill.
18:39We don't make mistakes.
18:41You'll be healthy.
18:51I'm sorry to inform you, Sarge.
18:52You disregarded my signal.
18:54I'm sorry, officer.
18:55My brakes are bad.
18:56Get out of the way, you big mug.
18:57Can't you see we're in a hurry?
18:58He's a copper.
18:59Shut up.
19:01We have laws, Sarge.
19:02You are required to observe them.
19:04Well, let me tell you something.
19:05I make up my own laws.
19:06So go on, little boy, and blow your whistle.
19:08If you persist, I'll be forced to place you under arrest.
19:11You arrest me?
19:13I dare you.
19:14I double dare you.
19:15Shut up, will you?
19:16I don't have to shut up.
19:17This mug can't talk to my friends and get away with it.
19:19Not as long as I have influence in this town.
19:21Now go on, big boy, before I muss up your turban.
19:24Listen, officer, I want to apologize for my friend here.
19:26You don't have to apologize for me.
19:28I don't like his attitude or his beard.
19:31Fever.
19:32Enough's enough.
19:33You come along with me.
19:34But listen, officer, my friend doesn't know what he's saying.
19:36He's daffy.
19:37I apologize for him, officer.
19:39You can't arrest me, you big cheese eater.
19:42But I am.
19:43All right, take me to the station.
20:03So I talked the cop into arresting me.
20:05Then I broke away from him, and boy, did I run.
20:09I feel pretty bad, but I gotta laugh at that yarn.
20:11Yeah, but it's true.
20:12Are you crazy?
20:13I don't know.
20:14Charlie, who am I?
20:15You're the guy I said I'd fire if you were late.
20:17Hurry up, will you?
20:19Yeah, but Mary Gorham hauled out a picture of me dressed as an aviator.
20:22Picture of you?
20:23Yes, but it wasn't me.
20:24Well, who was it?
20:25Well, maybe it was Bill Lines.
20:26Who's he?
20:27He's me.
20:28Who are you?
20:29That's what I'm asking you.
20:33Wait a minute.
20:34That's my passport.
20:36I had to get a birth certificate to get this.
20:38It must be me.
20:39John L. Cole.
20:42Are you sure you weren't a public enemy back in the States?
20:44No, no, it's a passport photo.
20:46Yeah, that's you all right.
20:47But don't show it around.
20:48It'll ruin you socially.
20:49Ah.
21:04I've got to go on.
21:14You can't go on now.
21:15The girls are doing their number.
21:16Well, that's great.
21:17You can't shoot a guy with a chorus in back of him.
21:19A treat for the eyes.
21:37Lights are low and pretty music playing.
21:42Once again I'm pleading for your love.
21:47Darling, there's an old, old saying
21:52that fits you like a glove.
21:58You're a treat for the eyes, a thrill for the lips,
22:03my trouble for the heart.
22:06I'm never certain of my fate.
22:09You keep my heart debating.
22:12Is she really the one for me or am I the one that she loves?
22:16Gorgeous divine, as long as you're mine,
22:20my troubles all depart.
22:23But when we say goodnight, it's then my heart begins again
22:28with is she really the one for me or am I the one that she loves?
22:33I know your name is in a thousand little red books.
22:41Love is just a game that keeps me guessing.
22:45I never know, dear, whether or not I'm in or out.
22:48So what have I got?
22:49A treat for the eyes, a thrill for the lips,
22:53my trouble for the heart.
22:56I wonder if there'll come a spring when my heart will be singing.
23:02Yes, she's really the one for me and I'm the one that she loves.
23:12A treat for the eyes, a thrill for the lips,
23:16my trouble for the heart.
23:19I'm never certain of my fate.
23:22You keep my heart debating.
23:25Is she really the one for me or am I the one that she loves?
23:29Gorgeous divine, as long as you're mine,
23:33my troubles all depart.
23:36But when we say goodnight, it's then my heart begins again
23:41with is she really the one for me or am I the one that she loves?
23:47Well!
23:53Playing here now?
23:54Playing?
23:55Not those fellas.
23:56They're murderers.
23:57Murderers?
23:58Listen, Mr...
23:59Bennett.
24:00You look like a sane man.
24:02Could you tell me anything about Mr. Gorm?
24:04Mr. Gorm?
24:05Mr. Gorm.
24:06Mr. Gorm.
24:07Mr. Gorm.
24:08Mr. Gorm.
24:09Mr. Gorm.
24:10Mr. Gorm.
24:11Mr. Gorm.
24:12Mr. Gorm.
24:13Mr. Gorm.
24:14Mr. Gorm.
24:15Mr. Gorm.
24:16He's a very dear friend of mine.
24:17Just what in particular do you want to know?
24:19Well, I mean, that is...
24:20Have you ever found anything wrong with him mentally?
24:23Well, certainly not.
24:24He's an extremely brilliant man.
24:26He's considered eccentric.
24:28Eccentric?
24:29You're giving him a little of the best of it.
24:30He's just plum crazy.
24:32Why, what's the trouble, my boy?
24:33What happened?
24:34Well, right after you left, Mr. Gorm started playing games.
24:36The lights went out, I was slugged on the head,
24:38and when I came to, there was the butler with a knife in his back,
24:40and the Gorms were gone.
24:42Well, that's incredible.
24:43Mr. Bennett, do I look all right to you?
24:45I mean, that is, do I look crazy?
24:46Well, certainly not,
24:47but there's more to this than you'll ever know.
24:49Do you realize you're not to be trusted alone,
24:51that you're in great difficulty?
24:53I'll say I am.
24:54I'd better get to the police right away.
24:58Drive to the police headquarters at once.
25:04Cigarette?
25:06I need one.
25:08Gosh, Mr. Bennett,
25:09it's sure good to run up to somebody that makes sense for a change.
25:13Joe.
25:15Take him to the river.
25:35What a wallop he must have taken.
25:37If anything happens to him, good night.
25:39We'd better go tell the captain.
25:42All right.
26:10Oh, Bill!
26:12Oh.
26:14So that's it.
26:15You are mixed up with those cutthroats.
26:16How dare you say that?
26:18How dare I?
26:19You and your friends have a funny way of playing games.
26:21Every time I meet anyone connected with you, I wake up unconscious.
26:23I want to get out of here.
26:25Well, so do we.
26:26I didn't know what happened to you,
26:27but after the lights went out, Dad and I were kidnapped.
26:30Kidnapped?
26:31Yes.
26:32We're prisoners.
26:33Who are you talking to?
26:34Bill.
26:35Bill Lyons?
26:36He's responsible for all this?
26:38Let me at him.
26:40Hey, beautiful.
26:42So there you are, you scoundrel.
26:44What do you mean by kidnapping us?
26:47Come back and answer me, you coward.
26:49Come on, come on.
26:51Keep your neck out of that porthole,
26:52or somebody will come along and twist it, do you hear?
26:55I'm not deaf.
26:56You better not be dumb either.
26:58The captain's coming to see you,
26:59so you'd better know all the answers.
27:01He sold out to them.
27:02I knew it all the time.
27:03You're wrong, Dad.
27:04He's a prisoner too.
27:05He thinks you're responsible.
27:07Do you believe that twaddle?
27:08Yes.
27:09Well, you must be in love with him.
27:11Do I have to be in love with a man
27:12to believe he's telling the truth?
27:15Listen here, big crook.
27:16I'm tired of being pushed around.
27:18I want my clothes, and I want to get off this boat.
27:20You have an unfortunate choice of words, my friend.
27:23You're lucky to be alive.
27:24You wouldn't be if it wasn't for your brain.
27:26My brain?
27:27You seem to forget that you sold it to us.
27:29Sold it to you?
27:31What the devil are you talking about?
27:33You're quite clever, having us believe you were dead.
27:36And posing as an actor was a stroke of genius.
27:39The theater was the last place
27:40we'd have thought of looking for you.
27:42But when you started double-crossing the chief,
27:44you stopped being smart, Lyons.
27:46You've got me wrong, mister.
27:47I'm not Lyons.
27:48I'm Happy Jack Cole.
27:50That is, I was happy.
27:53But you don't have to take my word for it.
27:55You can catch me any afternoon at the theater.
27:57We have caught you, my friend.
27:58And you'll fulfill your bargain or take the consequences.
28:01Yeah, but supposing you're wrong,
28:02and I'm not Bill Lyons.
28:04You'd be of no further use to us.
28:05You mean you'd let me go?
28:06After cutting your throat.
28:09It's a good thing I didn't carry this joke too far.
28:16I'd like to go ashore, Captain.
28:17Not a chance.
28:18As soon as the chief comes aboard,
28:19we're sailing up the river.
28:22I'm telling you, we've got to get out of here.
28:26I'm sorry.
28:38Bill, have you gone mad?
28:40Yeah, yeah, yeah, sure.
29:04I'm going to escape and bring the police.
29:05Don't start screaming.
29:06I've been waiting for you for hours.
29:07Help!
29:08Keep it up!
29:09Keep it up!
29:10Help!
29:12Help!
29:13My cover's on fire!
29:16Help!
29:17Help!
29:18Ha, ha, ha, ha, ha.
29:21Move!
29:24Captain, the boat's afire.
29:27Help!
29:37Here.
29:39Get him out of here, quick.
29:40Break out the hose.
29:42Put the, put the, put the hose on.
29:43Hurry up.
29:48Break out another hose.
30:07Help!
30:20Say, can you help a fella get some clothes?
30:26Here.
30:27This.
30:28There.
30:29What are you getting there?
30:33No.
30:34No.
30:36Here.
30:39Ha, ha, ha, ha.
30:42No.
30:43No.
30:44Oh.
30:47Ha, ha, ha, ha, ha.
30:48Ha, ha, ha, ha, ha.
31:11I had to put up a $50 bond to get you out,
31:13and then I had a tough time convincing him you weren't crazy.
31:16I wish somebody'd convince me you're not.
31:18Hey, you're not going to fire me now, are you?
31:20Oh, I'll let you get away with this once,
31:21but I'm going to keep my eye on you.
31:23Ha, ha, ha.
31:26Hey, I'm not going to be walking through this in this outfit.
31:28These people are taking me for a coolie.
31:30Taking you for one.
31:31Why don't you put it on for them?
31:32I had to.
31:33They took all my clothes away on me.
31:34Hey, look, Charlie, you've got to buy me a new suit
31:36for my last number.
31:37I can't go on in this outfit.
31:38I wouldn't buy you a costume for a bubble dance.
31:47Say, this is all right.
31:48When we get back to the theater, you draw $85 and pay me back.
31:52Sure.
31:53I bet I'd go over swell in this at the theater.
31:55Well, that's one way of keeping track of you.
31:57Well, I'm not going to disappear anymore.
31:59You bet you're not.
32:00You won't get out of my sight.
32:02I'm sticking to you like glue.
32:04Why, the dirty so-and-so.
32:07And he just cost me $85.
32:14Take it down to the kitchen.
32:16So you're a quick change artist, eh?
32:18I thought you'd get away with it.
32:19Well, you can't.
32:20I'll show you, you're going back to jail.
32:24All right, look here, pass me a paper.
32:26I'll show you, you'll get out of jail.
32:28Whoa, where'd you get that?
32:30Where'd I get that?
32:32Oh, in the car.
32:33I said, where'd you get that?
32:34Where's the paper?
32:35It's in my car.
32:36I mean, I didn't take it.
32:37I offered it.
32:38And where is it?
32:39In my car.
32:40What car?
32:41I don't know.
32:42I took it.
32:43What car?
32:44a. Top.
32:53Good afternoon get what Mr Bennett in the living room so I keep moving you have to
32:57do that it makes me nervous.
33:04Very as cheap well I hope you've recovered your memory sufficiently to tell me why
33:09you didn't deliver the plane the wall city why. I cracked up somewhere off the
33:14Philippines I think you're lying why didn't you communicate with us I was afraid
33:18to show my face in Manila what's all this nonsense about seeing
33:21a theater that I had to have money to get back to Shanghai didn't I. Yes but you
33:26didn't have to bring the police to my yard explain that because you double crossed
33:31me what do you mean kidnapping Mary Gorman a father wasn't an idea was it no but
33:35when you were reported dead we had to hold them in order to get the design of his
33:38plane or now that you've got me with you let them go lines you're
33:42a curious combination you sell a man out and still be in love with his daughter
33:47gallantly touches me they're going to go free. Just as soon as you start to build
33:52a plane and electric control I'm ready right now where they go on here where oh
33:57don't get excited nobody's going to hurt them I'll arrange things so that you can
34:01leave the wall sitting in our you Alan brought the line OK G.
34:07I. Like
34:14a gypsy trio you've got to play well together you're saying saying why in their
34:19spare moments the boys used to sing in the choir. To the Department of Justice
34:23knocked off our tenor. I'm pretty good how about a little harmony OK.
34:37I.
34:38A.
35:04That wasn't half bad getting kind of stuffy and here.
35:09All of you don't go too far it might not be healthy thank you and keep saying.
35:22We put our hearts together. Now they must be as one.
35:29We. It's something that love has
35:36done. And there may be storms to weather.
35:42But there'll be sunshine. So.
35:50You know what I think of you.
35:54You know Bill.
36:02They're going to set you free now are you sure they're only holding me
36:09now you'll see they've got me. What are they going to do.
36:16He. My son. That's.
36:24To build. So pray now.
36:35I love you.
36:39The police.
36:46In.
36:53That right.
36:57You know you know.
37:02You know the words.
37:08I'm with.
37:16You.
37:21You're not the lion.
37:30Well how do you feel great everything's going to be fine.
37:36Did the young lady enjoy your singing Oh yes they usually do and you're going to
37:41plot your course before you take off take off. Of course you're flying.
37:49That's great. What's the matter I feel sort of sick to my stomach with
37:54a brandy and so to make you feel better no drinking if you're going to fly me Oh
37:57don't worry I can fly just the well drunk or sober don't hold us up for
38:00a drink or nothing's going to hold us up. To the gulf go free now just
38:07as soon as I hear you've landed you'll hear about that all right.
38:18I don't know how are you Oh fine fine by the shoot yeah I keep your pants on I'll
38:24get
38:24a British weather station reports is no ceiling off the east of here. That sounds
38:30pretty bad don't you think we better kind of wait a little while a little fog
38:34shouldn't bother
38:34a great flyer like you I know but didn't you fly across the Pacific blind Oh I did
38:39the Pacific fog and this Chinese fog of different fog fog I don't see any
38:43difference well it's all the same to me.
38:52Where's Bennett.
38:53The.
39:03Lion Yeah what's left of me I wouldn't be here now if a bunch of bandits hadn't
39:08started
39:08a burning plane. I was thrown clear of the crash and I've been unconscious for
39:15a week we've made
39:16a bad mistake then he was Jack Cole. Well that's his misfortune he knows too much
39:24we'll have to get rid of him what about the Gorham they know too much to. Call Joe
39:29get out of the airport at once we've got to stop him wrecked the plane if necessary
39:32for.
39:34All right get in all right remember I want you about the fog and I'm warning you to
39:39put.
39:39A stall.
39:46Now wouldn't you like to know.
39:55OK old timer give us
39:57a gun I'm going to relax. That's what you think.
40:10I.
40:27Will not emerge.
40:39From.
40:47That's about the only thing we will.
40:48Miss.
41:05It's not quite.
41:18Look at the crazy fool fly that ship.
41:48I.
42:09Are you hurt. Are you hurt. No I'm all right you better look after them.
42:18.
42:19A call?
42:45Quick, where's the Count?
42:49Young. Are you the U.S.
42:54Consul yes well listen there's
42:56a gang of international spies plotting against the United States government they're
42:59trying to steal the plane going plane mean the one he invented for the Navy yes and
43:03not only that they've kidnapped Gorman his daughter surprised hey well you ain't
43:07heard nothing yet J.
43:09Lansing Bennett is the ringleader no yes and he's holding the prisoners at his
43:13house this is sensational we'll call the police I don't waste your time I've been
43:17there they refused to act and I'll call the Marines great at last I've come to the
43:21right place.
43:29The ground expecting Dr Wilson and me. Here's your lunatic I
43:35shouldn't have kept you locked up in jail this morning Mr Cole Colonel Wallace
43:39reported your case to me this new now listen you've got to believe me Bennett has
43:43a gun locked up in his home I saw them I talked to them. Of course you saw
43:49them of course you did and this morning you saw them on the benefit of us and you
43:53don't think I'm crazy do you you'll be responsible for the murder of two people
43:57we'll take that responsibility the symptoms are clear cut I'll stake my reputation
44:02that this man is suffering from maniac depressive insanity it's quite obvious it
44:07certainly is you're all on a plot you're all working for Bennett.
44:13Don't move any one of you.
44:22Get over there you. Please please put out that that gun it isn't loaded you can't
44:29fool me I'm too smart for you the first one that makes a move get it shall I know
44:35no there's no need to make him but I'll handle it. You are right they are plotting
44:41against you I tell you you come with me I'll take you to have no coming why he'll
44:45back you with
44:46a whole Asiatic fleet that's what I need to smash this plot the Navy come on with
44:51me. Don't move any. Stick them up.
44:58Get over here you. Get in that room all of you come on get in there.
45:02And. I was first one in the chosen space.
45:17I unreasonable all I have to do is three shows a day on time. I'm sorry Charlie
45:25yeah you're sorry come on take off those clothes you've got
45:28a lot of nerve to get me when I was looking to look at my suit me suck you what's
45:31the matter with you are you crazy to get
45:33a mouse in my eye that says you did you're fired all this and Charlie you've got to
45:37let me go on just this one I don't care what you do after that my eighty five
45:42dollars and get out of here you're through Smitty throw him out all this and Charlie
45:45this is
45:45a matter of life and death involves three people you've got to let me go on the only
45:49place I can get help is out there on that stage you were fired well fired and I'm
45:53going on to do that number now take off those pants before I.
46:02Do.
46:16Girls come on get back on the stage.
46:24Double crossers.
46:32The.
46:36Land on the sand get in the jam they call on the money.
46:44When there's a fight to do with life they call on the money.
46:51Don't love to show all over the sea around the land the next will have
46:56the situation well and. Don't be afraid just.
47:12To tell us I need help my girl a part of
47:15a kidnap last night there are Americans and they're being held prisoners by
47:18a gang of spies who are trying to steal the plans of a plane of our Navy why don't
47:22you call on the Marines. I'm serious so my you're fired.
47:35Give me another chorus. And when the guy can't do the job they call
47:43on the Marines. For when. A sailor runs to
47:49call on the Marines.
47:54Ten thousand dollars lay down this one to buy one little money.
48:02And thousands more got licked before by one little money.
48:09Or sailor sailor where is your girl tonight I'll bet she's out with some
48:14a marine and higher than a kite when you spent your pay and sailed away they call
48:22on the Marines. The gobs keep selling have their toast and tea but any time there's
48:29trouble there are thousands of miles at sea. But they haven't stopped so far on
48:38the. Show back there and apologize that's great.
48:50Sense of humor.
48:52I.
49:05Got a bunch of guys I don't know it's
49:08a man loving to see a lawyer make that out of it.
49:12All. Right.
49:20I like. Don't go now.
49:28The way to make you can't do that. Say listen wise guy you're inviting a date with
49:34the undertaker you're going to lay off you've got me wrong I didn't insult the Navy
49:39I only sang that song so the fellows would follow me here it did say a couple of
49:42Americans was held prisoner sergeant that's right and this is the place I've been to
49:46the police the consulate marines and none of them would listen to me now when you
49:49fellas please help me won't do any harm to look into that that's right come on.
49:56Now we're going in there remember this is private property don't break nothing don't
50:01bash nobody unless this fellow's right you fell a sickle a house and don't let
50:05anybody out show up at all come with us.
50:28Excuse us for harming you but this man here says that the man of the house.
50:36Is.
50:49What's your hurry get out of my way I own this place that's perfect you're just
50:53a man with
50:53a lot of.
51:15Say that you see
51:16a fellow in there the old you're under arrest let me go go I tell you he'll get
51:22a way to get away Bill I see every day to get away I told him he's
51:26a dangerous little bit so you're
51:28a quick change artist there he is. So you'll suck me in the eye when you're
51:35on my show when you're on this for the eighty five dollars.
51:45Hey Charlie what are you doing.
51:52With. My. Excuse me Mr it's just
51:58a slight case of mistaken identity. Look who's crazy now there's your man.
52:07Are you. Yeah.
52:14Hey what about my eighty five dollars well what about it.
52:18But. What I'm going to do.
52:26But you're going to. Bury
52:32this the bomb. Boy what happened you did bring the police I don't do business with
52:37the police I brought the Navy.
52:39The. Last time you're right from now on I'm sitting on
52:47a gorm radio hook up you better put
52:49a ball and chain on one hand. Don't let them see you kissing me but I'm not
52:55just just thought I'd tell you in case you did.