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00:00Live, from Television City in Hollywood, presents, LIMAX.
00:29Tonight, starring, Michael Rennie, Cesar Romero, Rita Moreno, Osa Masson, Noah Pirrie, and now your host for Chrysler Corporation, Bill Lundy.
00:56Good evening. In tonight's story, two killers seek sanctuary from mob violence in a convent in western Arizona. For both, it's an end to flight, but for one, it's the beginning of a new life.
01:09As Maria, Rita Moreno appears through courtesy of 20th Century Fox, whose current release is Heaven Knows Mr. Allison, starring Deborah Carr and Robert Mitchell.
01:19And now, written by Ellis Catteson, especially for LIMAX, Strange Sanctuary.
01:26I'm sorry, Mr. Brooks, but that's the way banks operate. No collateral, no loan.
01:49But Mr. Bates, if I had this collateral, I wouldn't be needing a loan now, would I?
01:54Banks just don't grant loans to people they don't know. I'm sorry, Mr. Brooks.
02:00I'm sorry too, Mr. Bates. It's been a pleasure talking to you.
02:04Would you kindly open your safe?
02:06What?
02:07Just keep calm, old man.
02:09You heard him, Mr. Bates.
02:19Come on, Mr. Bates.
02:24Oh, now, get out of the way, friend. I'll get some money out of the bank.
02:38Can't you see? The bank's closed.
02:40Closed?
02:41Yeah.
02:42Oh, now, look, I drove that stage so fast from Santa Fe that the passengers' teeth rattled.
02:48And this old bank is supposed to stay open from 10 in the morning until 3 in the afternoon, and it ain't 3 yet.
02:56No, and it ain't 10 yet, too.
02:59It ain't?
03:00No.
03:02Then I'll be back when it is.
03:04Okay.
03:09Crazy, what'd you do that for?
03:10Saturday.
03:12All right, Mr. Bates. Stay where you are and you won't get hurt.
03:15Hey, I...
03:17All right, all of you, against the wall. You, too, Mr. Bates.
03:19Hands up.
03:21We don't want no trouble. Miguel, get the horses. Skip, take the guns.
03:25All right, all of you. You stay just where you are and you won't get hurt.
03:29Skip, let's go.
03:33All right, all of you, over there. Come on, let's go.
03:46Stop him, man! Stop him! Stop him, please! Stop him! Stop him, man! Stop him! Stop him!
04:16Skip.
04:26Too bad about Skip, eh, Iris?
04:28Aye, it is, Bucko.
04:30If there's a time for all of us, that's the way I look at it.
04:33He died rich anyway, Skip did. That's more than a lot of people can say.
04:36Eh, $20,000 is a lot of money for two men, Iris.
04:39Don't bother me none.
04:42What are we going to do now, Iris? With all this money, I mean.
04:45Sleep like rich men instead of like poor ones.
04:51We always going to keep running, Iris.
04:54You see anything out there?
04:56Oh, just the moon and the stars.
05:00You got the itch to settle down to a peaceable life, is that it?
05:04It'd be nice, a little house and kids, amigo.
05:07I greatly fear you have the makings of an honest man in you.
05:10It is a great disappointment.
05:12Well, I'll tell you what we're going to do.
05:14When we get to California...
05:15California?
05:16That's where we're going.
05:18Unless you can think of a better place, where the worse you're past, the better your future.
05:22When we get to California, we're going to become honest, law-abiding, legal crooks.
05:26We're going into some business.
05:27Business? You and me?
05:29And why not?
05:32You mean no more running?
05:34Not unless it's for public office.
05:37What's the matter, lad? Don't the idea appeal to you?
05:40Look, Iris, we've been friends for a long time now, and we talk a lot.
05:44There is one thing I don't tell nobody, not even you.
05:47Six years ago, before I become outlaw, I was married.
05:49I know.
05:50You had a little house and a piece of ground.
05:53Somebody cheated you out of them, and your wife died.
05:54Then I get sorted, everything and everybody in the world, and I fight back the only way I know how.
05:58Take from the take, as you told me all that before.
06:00See, but I never tell you this.
06:03I got a little baby, Iris.
06:06A little girl.
06:08That is how my wife, she die having her.
06:11Well, anyway, I know it is not good for little baby to be with hombre like me,
06:15or even to know that someone like me is her padre, so I leave her in a convent.
06:20A convent?
06:21See, where she can grow up and be good.
06:24But anyway, now that we're going to be rich and on our way to California, no more running,
06:28I think I want her with me.
06:30Miguel, it's too dangerous. We can't go stopping at a convent.
06:32No, I have make up my mind. I'm going to get her.
06:34You really set on it?
06:35Si.
06:37Where is this convent you left her in?
06:39In San Pablo.
06:40It's the convent of the Sisters of Compassion.
06:42Miguel, I think you're making a mistake.
06:43I mean, have you thought of the child? Don't you think she's better off where she is?
06:45I am thinking of her, Iris.
06:48But look, Iris, I don't feel bad if you want to call it quits. Now, you don't need me...
06:53Quits?
06:54Are you daft?
06:56What are you trying to do? Get rid of me?
06:58All right, so we stop at the convent.
07:00All these years, I keep my secret and I say nothing.
07:03But I always long to see my little girl.
07:06Gracias, amigo, gracias.
07:08I think we've shaken him off. Let's turn in.
07:09Si.
07:21In California, no more running.
07:23That's right, Pato.
07:24In California, no more running.
07:26That's right, Pato.
07:41Those flashes say you will get soap in your eyes.
07:44How many have you bathed today, Maria?
07:46Six, sister.
07:47You did not bathe Pepito.
07:50I bathed him yesterday.
07:51He is dirty today.
07:52He is dirty today.
07:53And I will bathe him tomorrow.
07:55You are a great help, Maria.
07:57When the time comes for you to leave us, we'll all miss you.
08:00Even Jose, I think.
08:01Are you going outside, Maria?
08:03I'm thinking of it.
08:04Duck.
08:05Are you getting married, Maria?
08:07Duck again.
08:10But you do think about it. Getting married, I mean.
08:13I do, sister.
08:15But then I get afraid.
08:17The orphanage is all I know.
08:18That's true.
08:19Maria, have you ever thought about becoming a nun?
08:24I don't know.
08:26I do not think I'd be good enough.
08:28Oh, Maria, don't worry about that.
08:30But soon, one way or the other,
08:32you must make up your mind what you want to do with your life.
08:35I will marry you, Maria.
08:36And I will wait for you.
08:39Oh, when you're finished, Maria,
08:40please come in and take over the supply list with me, will you?
08:43Yes, sister.
08:45I certainly will be glad when the Mother Superior gets back from St. Louis.
08:48Running a convent is too much for me.
08:50Sister Veronica, I do not think anything is too much for you.
08:53Even me.
08:55And Jose.
08:56And Pepito.
08:57And Pepito.
08:58Good afternoon.
08:59Good afternoon, gentlemen.
09:01I'm Sister Veronica.
09:02Hermana, sister.
09:04Oh, Maria, please take Jose into Sister Annuncia.
09:07It will be time for their lessons.
09:09Yes, sister.
09:12What can we do for you, gentlemen?
09:14Oh, sister, I...
09:16Oh, please come in.
09:27Won't you sit down, please?
09:34And now, gentlemen.
09:36Hermana.
09:40Sister, may I present Don Miguel de Sanchez.
09:43Don Miguel.
09:44My name is O'Connor.
09:46I'm a friend and a business partner, you might say, of Don Miguel's.
09:49I see.
09:50Oh, please come in, Maria.
09:53And what brings you to San Pablo?
09:56Sister, you have a home for foundlings here.
09:59That is our mission.
10:01Well, several years ago,
10:03at six last May to be exact,
10:05an infant girl was left at your door.
10:07She came to you wrapped only in a Mexican sarape.
10:09There was no note, no identification?
10:11Oh, no, hermana, only three silver dollars.
10:13It was all I have, and I did not know how to write.
10:15That's right, sister.
10:17You know the child?
10:19I do.
10:21We called her Angela del Cristo.
10:23Angela del Cristo.
10:25De Sanchez.
10:27Well, as you've no doubt surmised,
10:29Don Miguel is the child's father.
10:31Not a short and a lengthy story.
10:33And you see, hermana, now I am a rich man
10:35and on my way to California,
10:37and I would like to take my little muchachita with me.
10:39Señor, I'm very sorry, but...
10:41Sister, if it's him taking care of the child
10:43you're worried about, I can vouch for Don Miguel.
10:45He's a good man.
10:47Oh, I'm sure he would be able to take very good care...
10:49Underneath that rough exterior beats a heart of gold
10:51and a pocketful of the same.
10:53You misunderstand me.
10:55It's only that...
10:57And, sister, he'd be very happy to pay you
10:59for all the years you've taken care of the child.
11:01That isn't what I mean either, Mr. O'Connor.
11:03You have a talent for not letting people finish
11:05what they start to say.
11:07I'm sorry, sister.
11:09No offense intended.
11:11Don Miguel,
11:13your little daughter died three months ago.
11:18Oh, no, hermana.
11:21You make mistake.
11:23There was a scarlet fever epidemic.
11:25Everything possible was done.
11:27Angela was one of the men who died.
11:32Dead?
11:34My niñita?
11:36I'm very sorry, señor.
11:38We all loved her so.
11:40Come in.
11:44Sister, excuse me,
11:46but you are needed in the classroom for a moment.
11:48Thank you, sister.
11:50I'll be right there.
11:54I'm truly sorry, señor.
11:57If you gentlemen will excuse me.
11:59Hermana,
12:01I, uh...
12:03I'd like you to have this
12:05for my unclutched friends.
12:06Don Miguel,
12:08there are more than a thousand dollars here.
12:10Oh, this is not necessary.
12:12Oh, no, please, I want you to have it.
12:14My little girl,
12:16I'm sure she was very happy here.
12:18Thank you, señor.
12:20God bless you both.
12:37Señor.
12:39SÃ, señorita.
12:42I sympathize with you and your grief.
12:45Gracias, señorita.
12:48What the sister says is true.
12:50Angela was much loved here.
12:52You would have been very proud of her.
12:54Oh, thank you again, señorita.
12:56We spent much time together,
12:58but I did not know she was so dear to you.
13:01I'm sorry, señorita.
13:03I'm sorry, señorita.
13:04But I did not know she was your child, then, Miguel.
13:10¿Qué?
13:12You would not remember me, señor,
13:14but I remember you quite well.
13:16I was the daughter of the widow MartÃnez de Vergales.
13:19Vergales.
13:21MarÃa MartÃnez.
13:24Oh, I remember you well,
13:26but I would not have recognized you.
13:28You have grown much.
13:31What are you doing here?
13:32I was brought here five years ago after my mother died.
13:35Oh, my sympathies.
13:37She was a very fine woman.
13:39She spoke very highly of you,
13:41as did everyone.
13:43We often wondered where you disappeared to
13:45after you left us.
13:47I always mean to come back.
13:50Now I am back and it's too late.
13:54MarÃa, por favor.
13:56I would like to see my little Angelita's grave.
13:58Of course.
14:00I will get sister's permission.
14:03Lovely girl, Miguel.
14:05I am too late.
14:07That is my punishment.
14:09Don't talk like that, Baco.
14:11That is how I think
14:13and how I feel.
14:15Miguel, we should never have come here.
14:33I must go now.
14:48Time to ride, Baco.
15:02I think I'd like to get drunk.
15:04Sure.
15:06We're over a hundred miles from San Rosario.
15:08It's safe enough.
15:33I'm so glad to see you.
15:35I had to stay flat on the street
15:37to do this job.
15:41A bank killer.
15:43One of their fellows got a load of lead.
15:45There will be a next time party
15:47when I get to town.
15:49We have no use for killer around here.
15:51You owe me a drink.
15:53You bet.
15:55They are most likely in Mexico by now.
15:57They will be there.
15:59I do not know how long
16:00most likely in Mexico by now. Oh, I need that, I need that. You know, booting that stage
16:06in from San Jose gets tougher every time. Hey, Yank, open space here for you. A bottle
16:17and two glasses, huh? Oh, thank you. Yank, you ever see that fellow before? No, he's
16:31a stranger to me. You know, Irish, for six years now I am a different man from what I
16:41ever was. I steal, I almost get killed so many times. But one thing I say for me, I
16:46never kill anybody, you know that, huh? Sure, amigo. That I never do. But anyway, friends
16:56die, like Skip. I feel bad, but I don't know, it's not like I'm really feeling, you know
17:02what I mean? It's like, well, animals, small pack of wolves, one die, another take his
17:09place. But you know, Irish, all the time I am an animal, I say to myself, Miguel, someday
17:17you become a human being again. You got something to go back to. You got a muchacha, you a padre.
17:23Someday you're not animal no more. Well, someday's too late. Miguel, when we get to California...
17:30It's gonna be just the same. Why care, I says Irish. Maybe for you it's not so bad. You
17:36do not mind being animal. How do you know? Oh, don't get me wrong. You friend, you best
17:42friend I got even. But with you it's different. You do not mind being against everything.
17:47Ay, mi muchachita. Yank! Come here. Miguel, be careful when you look, but there are two
17:59men standing at the bar. The one with the feather in his head? That's right. Have you
18:08ever seen either of them before? No. Si, Santa Rosario, the bank, the stagecoach driver.
18:16That'll be it, Miguel. Now get up very slowly. Take the saddlebag and walk toward the door.
18:21Take your time. Hey, you. You're with the door. Okay, Miguel, get going.
18:51Is he hurt bad? Had a slug in his shoulder. Somebody get the doctor. The rest of you, come with me, I think we can get him. Hold on there. Hold on, boys. What is it? John, what's going on? A couple of strangers shot Winkler, Sheriff. Anybody know who they was? Jess Winkler says it's two of the gang that held up the bank and shot the teller at Santa Rosario. How bad's Winkler hurt in there? Got a slug in his shoulder. All right, search every building around here. If one of them fellas is hurt, he ain't going far. We'll hang him to a tree, come on. Yank, none of that means anything to me.
19:21Hang and talk, you hear me?
19:52Let's get a rope.
20:07So late. I'll answer it.
20:18Good evening, Sheriff. Oh, good evening, sister. Is anything the matter? Won't you come in? Oh, thank you kindly, ma'am, but I am in sort of a hurry. I'm just checking around. I'm looking for a Mexican and a foreign fella. They're both sort of tall men. Why, two men like that were here this afternoon. They was. What'd they want? The Mexican, he came to get his little girl. He didn't know that she had died. You remember the little Angelita? Yeah. Well, what about the other one?
20:43The other man was his partner, he said. Oh, and Sheriff, they left a large donation for the convent. Sister, them two are killers. They robbed a bank over in Santa Rosario and two men were killed. Now, sister, you just keep your eyes open and your doors locked. And if anything suspicious turns up, you tell me. No one else, you hear?
21:04Them folks over in Canva, they're getting kind of excited. I sure don't want no lynching on my hands. Oh, no, Sheriff. Well, good night, sister. Good night. Oh, Sheriff. Ma'am. What shall I do with the money that they left? Well, they'll take care of that later. You be careful, sister. Yes.
21:34Where's Maria? She went for a walk a short while ago. Maria? Maria! I'm coming, sister. Maria! Answer her. Un momento, Ron, I'm coming. I'm closing the barn door. And again, it is hurt. The barn, is it empty?
22:01He's hurt badly. Oh, it's like hot fire, Iris. Sister Veronica will know what to do. No. Help me get him to the barn. Oh, please, I must tell sister. Ron, here, take this. Iris, it's not good to come back to the convent safer here than in the hills. Easy, lad. Maria!
22:30Maria! You'd better go now. Senorita. Not a word of this, or I'll shoot the whole place up.
23:00Maria, when I call you, I expect you to come. I'm sorry, sister. All right, go inside now. Easy, bucko. Iris. I'm all right. Sure you are, Maria. Now, you take off now. Don't be daft. Now, you leave. You'll be miles away by morning. Leave without you?
23:25I brought some blankets. Thank you, Maria. Coronada. Maria, my name, you remember, it's Miguel. He's bleeding so much. He must do something. Por favor, Maria, reza por mi. I must tell sister Veronica. Not yet, lad. Wait till morning. If he's no better by then, Iris is right. Wait till morning.
23:55Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita
24:25Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita.
24:32Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita.
24:39Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita.
24:46Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita. Yes, senorita.
24:53Not one of them's as bad off as you all seem to think. How's it going, Doc?
24:58You better get to bed, Russell. You look like you're ready to drop.
25:00Yeah.
25:01All the good citizens in town are set on a lynching spree. There's nothing you can do about it tonight.
25:11He's a friendly sort of a cousin.
25:14He's friendly enough, Winkler.
25:16You got no cause to go getting sore, Sheriff?
25:19Well, I am sore. I want them two men. I want them back.
25:23But I don't want them hanging from no tree, you hear?
25:36It's only me. I couldn't sleep. I brought some clean towels and water.
25:43You're an angel indeed, Maria.
25:46Miguel. Miguel. How you feeling, bucko?
25:55Not so good, Agnes.
25:57He needs a doctor. Maria, why didn't you tell me?
26:01I'm sorry, sister. I wanted to.
26:03All right, be of good health.
26:05Sister Veronica, I am very sorry.
26:09The Sheriff has been here looking for you. There's talk of lynching.
26:15Your friend is very ill. He needs a doctor right away.
26:18No.
26:19But he may die.
26:20I don't trust no one.
26:21Yes, you do. You came here to us.
26:24Well, that's different. This is a convent. They can't search a convent. Ain't that true?
26:28There's no written law forbidding it.
26:30You mean they can come right here on the premises?
26:32Mr. O'Connor, if men do not bring a little of God with them, they won't find him anywhere. Not even here.
26:41Doctor.
26:44Sister, do any of the others around here know about this?
26:47I doubt it, but they will before long.
26:49Iris, you've got to get out of here.
26:52We came together, we leave together.
26:53But sooner or later, the Sheriff and the posse, they come back.
27:00Sister, what will you tell them when they come back?
27:08I will not lie.
27:10Maria, keep this untightly.
27:13Where are you going, sister?
27:14For the doctor.
27:15Go, Iris, go.
27:16Sister.
27:18This doctor.
27:19Can we trust him?
27:21There's no choice but to trust him.
27:24That's right.
27:25Just remember this, sister.
27:27Maria stays right here.
27:29Should you come back with anyone else but the doctor.
27:31Mr. O'Connor.
27:32Sister, I'm not afraid.
27:34To tell you the truth, I am. Just a little.
27:36Just enough not to trust nobody.
27:38Not even you, sister.
27:40Now, would you please get the doctor.
27:43Poor man.
27:44What?
27:45It must be terrible.
27:47Being like you, trusting no one.
27:50How alone you must be.
27:53I won't be long, Maria.
28:00They must be miles from here by now.
28:02We'll never get them now.
28:03They'll say they're right here in this town someplace.
28:06The way you've been looking for them, they could be in Mexico by now.
28:10John, you take some of your men and head north to that little hill.
28:13Howard, I want you to go down toward McGregor Wells.
28:16There's just a chance they went that way.
28:18Now, the rest of you...
28:19Oh, howdy, sister.
28:20The rest of you fellas stay right here in this town with me.
28:22We're going to turn it upside down.
28:24We'll look under every wood pile, you hear me?
28:26I still have a rope, sir.
28:28I don't want to hear any of that talk.
28:40Sheriff, you want to see something? Come here.
28:45That's blood, isn't it?
28:49Yeah.
28:50This must have been where they hid last night.
28:52Say, it looks like they was losing a lot of blood.
28:55Now I know their story.
28:57Least ways one of them is.
29:09How soon can he move, Doc?
29:26He's pretty bare low.
29:28What do you mean?
29:29I mean he's been shot.
29:30That means he might have been killed.
29:32Now, the only thing you can do for him...
29:33I've seen wounds before and bigger than that too.
29:35But not as infected.
29:36Well, you can't let him die, do you understand?
29:38It's better that he died this way than on the gallows.
29:41The gallows, yes, for me.
29:42But not for Miguel, he never hurt anyone.
29:44I'll look in later, sister, if I get the chance.
29:46You're not going no place, Doc.
29:48Now listen to me, my Celtic friend.
29:50I'm much too busy to stand here and listen to your threats.
29:53I suggest you move him inside if you can.
29:55This cold barn will kill him as quick as the wound.
29:57I'd hate to have to use force to stop you.
29:59Of course you would.
30:01Then you'll stay till I leave.
30:03No, and you won't use force either.
30:06I'd be obliged if you didn't put that to the test.
30:09Doctor!
30:16Doc, will you...
30:18Will you give us a break and not go shooting off your mouth to the sheriff?
30:21Shooting off my mouth is not a habit with me.
30:24I happen to be Scottish, not Irish.
30:37You have no idea, sister.
30:39It's just that I might need him later.
30:41Anyway, he's a beautiful talker.
30:43It would be a shame to stop a flow of words like his.
30:47Tell me, sister.
30:49Do you think he's as good a doctor as he is a talker, do you?
30:52Yes, I do.
30:54I think we'd better move Miguel into the study now.
31:37Oh.
31:41Poor man.
31:43He is in such pain.
31:45He hasn't awakened all afternoon.
31:47You like Miguel, huh?
31:50Yes, I like Miguel.
31:52He's a good man, Maria.
31:54It was a great pity he didn't meet someone like you before he met me.
31:58There's no need for you to stay any longer, Mr. O'Connor.
32:01We will take good care of Miguel.
32:03Believe me, sister, I'd like to be going.
32:05But I'm not leaving until my friend can leave with me.
32:10Maria, please go and get some dinner for Mr. O'Connor.
32:13I'll watch out for Miguel.
32:21Mr. O'Connor, may I ask you a question?
32:24If it'll satisfy some curiosity, sister.
32:27Oh, I beg your pardon.
32:28Ask any question you want.
32:30Do you believe in God?
32:32Well, to tell you the truth, sister, I did once.
32:35But then once I believed in fairy tales.
32:38Forgive us our trespasses as we forgive those who trespass against us.
32:42What did you say, sister?
32:43A prayer.
32:45Do not lead us into temptation, but deliver us from evil.
32:48To keep the curse of the devil from you?
32:50No.
32:52To ask the God to have mercy upon you, Mr. O'Connor.
32:56I do not think that you are as bad as you would like to believe that you are.
33:01Thank you, sister, for any kind thoughts you may have about me.
33:03Sister.
33:05Thank you, Maria.
33:09Please sit down here and eat.
33:21Maria.
33:23Sister.
33:27You feeling better, Miguel?
33:29Yes, a little.
33:31I see, Miguel.
33:32You prayed so hard.
33:34Thank you, Maria.
33:36You are good, like your mother.
33:39Iris, I think I'll be able to go with you soon.
33:43Why soon, Miguel?
33:44No, I'll go with you now.
33:46We must not be found here.
33:47You're too sick, Miguel.
33:48No, but...
33:49Miguel, you cannot go.
33:50The doctor has to see you.
33:51We cannot stay here.
33:52The girl cares for you.
33:53Can't you see that?
33:55For me?
33:57An evil one?
33:59You are not evil.
34:06A little one.
34:08Do not try to fit me to a halo.
34:20It's as lucky you are to be loved by somebody, Miguel.
34:23Sister.
34:25Would you not say so, sister?
34:31God's mercy on both of you.
34:40God's mercy.
34:42Well, let's admit it, Sheriff.
34:44Wounded or not, they got away.
34:48Maybe yes, maybe no.
34:50Listen, Sheriff.
34:51Every ranch and shack within a day's riding distance is here.
34:54They got away, that's all.
34:56Tell the rope, boys.
34:57Come with me.
34:59What's eating you, Winkler?
35:01I followed the doctor, Sheriff.
35:03I found those two killers.
35:05They're hiding out in the convent.
35:07We're going to have ourselves a necktie party.
35:11Get that rope, Yank.
35:13Come on, boys.
35:14Hold it, Winkler.
35:16What's the matter with all of you?
35:18You smell blood and you're going crazy.
35:20Did you hear me?
35:21I told you those killers are hiding in that convent.
35:23With women and children around, there's no telling what they'll do.
35:25Now, listen.
35:26You're all my friends.
35:28You're good citizens in the mean world.
35:31But I ain't having no hanging judges on my posse.
35:34Now, you get back, Winkler.
35:35Get back with the rest of them.
35:36Go on, get back against the wall, all of you.
35:39Back off.
35:40John, you come here.
35:42Come here!
35:44You hold these good citizens right here.
35:51You really mean to hold us here, John?
35:53You let the sheriff handle this.
36:00Do we, boys?
36:03Come on.
36:04Come on, you know the sheriff.
36:05You know he'll handle it all right.
36:06Come on, men.
36:07You can't do this.
36:08You can't do this.
36:09I told you to hold it.
36:11And get back here in a hurry, you hear me?
36:13Because I'm going to use this rope.
36:16He'll live.
36:17I'm going to make it, Maria.
36:19Yes, but in your case, I see no cause for rejoicing.
36:23Hey, Doc.
36:24All right if I sit up?
36:26Be very careful.
36:31Can he leave with me, Doc?
36:32No.
36:33You can go.
36:34He can't.
36:35Might reopen the wound.
36:36No, the Doc is right, Irish.
36:37You leave now.
36:38You leave now.
36:39You leave now.
36:40You leave now.
36:41You leave now.
36:42You leave now.
36:43You leave now.
36:44You leave now.
36:45You leave now.
36:46You know, I gave you my word.
36:47No, no, no.
36:48I think by myself and yourself, we got a chance.
36:50Together, we are dead.
36:53You sure, Bucko?
36:54Si, si, Irish.
37:02What are you doing?
37:03Leaving you half the money.
37:05You can't do anything without a stake, and half of it's yours.
37:07Irish, you misunderstand.
37:09Money ain't going to buy me the kind of a life I want.
37:11If I make some, all right.
37:13If I don't, life is still going to be good to me.
37:17If only for a couple of days.
37:21Comprendes, amigo?
37:23Comprendo, amigo.
37:26Well, don't wait no more, Irish.
37:28I hate to leave you like this.
37:29I mean, if you're caught, then I die with friends near.
37:33Not alone.
37:34Miguel, you will not die.
37:36Sister, he never hurt anyone in his life.
37:38That's the gospel truth.
37:39Do you understand that, Doc?
37:40Yes, I do.
37:44Adios, amigos.
37:47Vaya con Dios, Irish.
37:57Looks like the sheriff.
37:58I only heard one horse.
38:00That's right. He's alone.
38:02No, wait. I'll talk to him.
38:05Sister, it's one thing to passively shelter a wounded man.
38:08But it's something else to actively misdirect a posse hunting for a killer.
38:13Now, Doc.
38:16Just take care of Miguel and don't talk so much.
38:18You think you can shoot your way out?
38:20Either that or they shoot their way in.
38:32Good evening, Sheriff.
38:33Sister, I hate busting in on you like this, but I've got to ask you.
38:37Good evening, Sheriff.
38:38Sister, I hate busting in on you like this, but I've got to ask you.
38:42Are you hiding them killers here?
38:45Why, Sheriff, what makes you ask that?
38:48Well, we keep seeing the Doc heading this way, and...
38:51That winkler, he thinks them outlaws is here.
38:54Well, there are many people in this convent.
38:57Nuns, children...
38:58Sister, where is the doctor?
39:04Inside.
39:06Which way, sister?
39:10Which way, sister?
39:13Follow me.
39:18Sheriff, why don't you leave before there's any more bloodshed?
39:33All right.
39:35All right, where's the other one?
39:40Sister?
39:43I don't know, Sheriff.
39:45When did you see him last?
39:49I...
39:52Sheriff, please, I'm terribly tired.
39:55We've been nursing this man ever since he was brought here.
39:59If you feel that that was wrong, I'm sorry.
40:02Sister, sister, you know in my eyes you could do nothing wrong.
40:06Well, your lights and mine, they're different somewhat.
40:09Now, there ain't no doubt, sister, yours is the brightest.
40:12But I've got to go according to mine.
40:16Now, sister, you're in trouble enough.
40:19Won't you please tell me where the other one is?
40:24I don't know.
40:28Maria?
40:32Doc?
40:37Sister, I'm asking you for the last time.
40:41Is he or isn't he here?
40:43Just drop the gun, Sheriff.
40:50Get away from him.
40:56You get no idea, Sheriff.
40:58If she could say nothing, no one would have to soon kill his look at you.
41:01And you, Doctor?
41:02He couldn't say nothing from the start.
41:04He didn't want to risk the sisters or the children's lives.
41:06You know you'll never get away from here.
41:08And that's without your help.
41:10My help?
41:11Look, my men are trying to hold off a lynch mob right now.
41:15That's why I rode out here ahead of them to warn you.
41:17Now, you give yourself up to me and maybe I can help you.
41:20So you came right in before they did.
41:22Well, maybe you couldn't control them.
41:25No, you couldn't.
41:26Irish, you've got to stop running sometime.
41:28Why don't you give yourself up to the Sheriff?
41:30I know mobs.
41:31They don't respect the Sheriff, they won't respect a convent.
41:34They'll shoot you down right here.
41:35The only thing they'll respect is this.
41:37Now, Sheriff, you and the Doc, help get Miguel in the barn.
41:41Irish, I...
41:42Miguel, you cannot ride. Your wound will open.
41:44They'll get you. They'll have to catch us first.
41:46Please, Miguel, you can't ride like this.
41:48Maria, Maria, no llores por mi.
41:51Sister Veronica, all this trouble, I'm very sorry.
41:55Okay, Miguel, let's go.
42:00Sister, what can we do?
42:04Maria, they will need food. Get it.
42:10Sisters, stay with the children, please.
42:24Sheriff, you and the Doc, saddle the horses.
42:28Irish, I don't think you'll make it with me through.
42:30I'll tell you to your saddle. Just take it easy.
42:36As quickly as possible, gentlemen.
42:39Irish.
42:42Watch out, that light.
42:44Come on.
42:55There was a light in the barn. It just went out.
42:59Dan, you take Homer. Carl and Adam go around the back of the barn, you hear?
43:04Come with me.
43:15All right. Who's in the barn?
43:20Now, you speak up, you hear, or we're going to start shooting.
43:24Sheriff, over here.
43:28Just you answer them, Sheriff, and be careful what you say.
43:32Hey, out there. This is Sheriff Russell.
43:36We're all right in here. You fellas stay put. All of you.
43:41Sheriff?
43:43Sheriff, we're going to give you just...
43:45Just three minutes to come out of there, or we're going to come in.
43:49Ain't that right, boys?
43:51That's right, Sheriff.
43:53Come on, let's go.
43:54Come on, let's go.
43:55Come on, let's go.
43:56Come on, let's go.
43:57Come on, let's go.
43:58Come on, let's go.
43:59Come on, let's go.
44:00Come on, let's go.
44:01Come on, let's go.
44:02That's enough, Sheriff. It's down to the throat.
44:08It's hopeless, Irish. You can hear them out there.
44:10Give yourself up to me. It's your only chance.
44:13I think you're right, Sheriff.
44:15You're coming out with us.
44:16We'll see what real influence you have.
44:18Now, get back to settling the horses.
44:20You got just two minutes left, Sheriff.
44:26That hungry marble suited anything.
44:32Mikkel, talk sense into him.
44:36It's too late.
44:38All too late.
44:41I'm sorry, Sheriff.
44:42I'm sorry, Sheriff.
44:43I'm sorry, Sheriff.
44:44I'm sorry, Sheriff.
44:45I'm sorry, Sheriff.
44:46I'm sorry, Sheriff.
44:47I'm sorry, Sheriff.
44:48I'm sorry, Sheriff.
44:49I'm sorry, Sheriff.
44:50I'm sorry, Sheriff.
44:51I'm sorry, Sheriff.
44:52I'm sorry, Sheriff.
44:53I'm sorry, Sheriff.
44:54I'm sorry, Sheriff.
44:55I'm sorry, Sheriff.
44:56I'm sorry.
45:05Sheriff, tell that mob that there are innocent people in here.
45:09They won't listen to me now.
45:12Then I would tell them myself.
45:14Is it truly?
45:15Are you all right, Sheriff?
45:17Sheriff, the money's up there in the saddlebag.
45:20Can you give him a break?
45:21Irish, mi amigo.
45:23Okay, Miguel.
45:25I always told you it'd end like this.
45:26Just like I always said you had the makings of an honest man in you.
45:30Sheriff, I'm the killer you're looking for.
45:33I'm confessing.
45:34I'm confessing to everything.
45:36He never did nothing in his life.
45:37Do you hear that, Doc?
45:38Yes, I'm a witness.
45:41Miguel, I told you we shouldn't have come here.
45:43We're coming in!
45:45I'm coming out!
45:46No, Irish!
46:04Sheriff, please, don't take Miguel and we'll go away.
46:09I promise, never again will he do anything but good.
46:13Please, Sheriff, I promise!
46:15Are you calling me a yan-yan?
46:17Remember, Russell.
46:18You've got more than one life in your hands now.
46:20I want you to keep your head down.
46:27Sheriff?
46:29Where's the other one, Sheriff?
46:31We got cheated out of one hanging tonight.
46:33Where's the other one?
46:34Here's the money.
46:35Never mind that money.
46:36Where's the other one?
46:37Where's the other killer?
46:39There ain't no other killer in there, Winkler.
46:49Some of you men bring the body.
47:09Shh.
47:23In just a moment, you'll meet Shelley Winters, Warren Stevens, Mildred Dunnock, and Henry Silver
47:28in a preview of next week's exciting Climax program.
47:31Bill! Bill! Bill!
47:34That man, that man over there, he tried to strangle me.
47:37By the statue.
47:39There's no one there, Carol.
47:41You must have imagined it.
47:42Oh, no.
47:43No, Phil.
47:44He did.
47:45He did.
47:46You've got to believe me.
47:47Look at my throat.
47:52There are no marks on your throat, Carol.
47:56Mildred Dunnock plays the part of Aunt Harriet who doesn't realize the depth of Carol's terror.
48:04Carol, when you were a little girl, you used to tell me everything.
48:07I wouldn't want anything changed between us.
48:10Can't you tell me what's the matter?
48:13Henry Silver plays the part of Mark Lambert, the mysterious and menacing figure
48:18whom only Carol believes to be real.
48:23Come now, Carol.
48:25There's no evidence that I tried to murder you.
48:27No sign of violence.
48:29Do you believe that it really happened?
48:31Next week on Climax, starring Shelley Winters in Don't Touch Me,
48:36and also co-starring Warren Stevens, Mildred Dunnock, Henry Silver, and Robert Emmart.
48:42Don't Touch Me was written by Jerome Gruskin, especially for Climax,
48:46and now it's Bill Lundingen saying thank you, and remember, traffic control begins at your wheel.
48:53You see, Art, my wife has our car all the time.
48:57If I don't get a second car soon, I'll...
48:59Say no more. With the big switch on to Chrysler Corporation's new cars,
49:03our dealers have taken in more used cars than ever before.
49:06Lots of late models at unusually low prices.
49:09So, for the best used car deal, see one of our dealers tomorrow.
49:29CLIMAX
49:59CLIMAX
50:30Coming April 11th, Jack Benny starring in Shower of Stars,
50:34also starring Tallulah Bankhead, Ed Wynn, Dean of American Comedy,
50:38Tommy Sands, and special guest star Julie London.
50:44And on April 18th, Mad Bomber, starring Dane Clark, Ann Bancroft, Theodore Bikel,
50:51Jim Backus, Estelle Winwood, and written especially for Climax by Adrian Spies.
50:57This is the timely dramatic story of threats which strike terror to an entire community,
51:01and to one man in particular.
51:03Unknown threats from a mad bomber, and when he will strike is known only to him.
51:09Week after week, top drama, top stars on Climax and Shower of Stars.
51:18Climax has been presented by Chrysler Corporation, maker of these five great cars.
51:24Plymouth, Dodge, DeSoto, Chrysler, and the exclusive Imperial.
51:38The five great cars of the forward look from Chrysler Corporation.
51:48Crippled children need a year-round program of treatment, education, and recreation.
51:52Your Easter Seal gift provides the care these youngsters need.
51:56Have you given this year? If you haven't, do it today.
51:59Send your gift to your Easter Seal society, or to crippled children, in care of your local post office.
52:09Forty thousand men, women, and children will be wiped out in traffic accidents this year,
52:13according to the present accident rate.
52:15Where traffic laws are obeyed, deaths go down.
52:18Remember, drive safely.
52:20Art Gilmore speaking.
52:22Climax has been selected for viewing by our armed forces overseas,
52:26and is a CBS Television Network production.