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00:00♪
00:30Hi, I'm Max Keller.
00:56This is how I'm spending my mornings now.
00:59I don't do high wire acts, rolling barrels, or put on big red putty noses.
01:03Not unless your ninja warrior intends on infiltrating Barnum and Bailey's.
01:07Concentrate.
01:08He always listens to me.
01:11What's that?
01:12The silken cord.
01:16I've had enough for one lesson.
01:17I figure the chances of having a tightrope in San Francisco are slim.
01:21Come on, lighten up.
01:22We're gonna have fun.
01:24And find your daughter at the same time.
01:28Maybe this time, Terry.
01:58Look at this place.
02:19Four in the morning and it's still jumping.
02:21What do you think of that?
02:28That's Kelly Patterson.
02:39She was the girl standing next to your daughter in the newspaper photograph.
02:42Old man runs this place.
02:44I'll try and catch her after this dance.
02:46We don't want to integrate you too fast into modern day society.
02:50All right, you go talk to the pretty girl.
02:52I'll talk to her father.
02:54What a pal.
02:55Anytime.
02:58Hey, Charlie, why don't you get out there and dance with your daughter?
03:16Yeah, sure.
03:16Come on, Kelly.
03:28She's something, isn't she?
03:51A true spirit permeated with joy.
03:54And she moves great.
03:55You betcha.
03:57Oh, Wesley.
03:59Where's Jill?
04:01She's watching old movies, Mr. Patterson.
04:04Mr. Patterson?
04:05I'll be right with you.
04:20Moon's loud backstage.
04:21Yeah, let me see.
04:24Look, pal.
04:25Just enjoy the show.
04:40Just a minute, young lady.
04:42Perhaps you can help us.
04:47We've come to see Mr. Patterson.
04:49In the office.
04:50Over there.
04:52Thank you so much.
04:55You'd think with all the roughnecks we get in this place, I'd be used to it.
05:15You were right to be afraid.
05:25What are you doing, Jill?
05:27I'm watching you and Mother dance the waltz from Lady Be Good.
05:37Look at that lift.
05:38Look at the way you moved.
05:40You were so graceful.
05:42I'll just bet you had Mr. Astaire shaking in his dancing pumps.
05:46I don't think he was shaking too hard.
05:49You think it's kind of sicko for the leader of a wheelchair brigade to get such a charge
05:53out of watching other people dance?
05:55I don't mean the way my sister dances.
05:57That's not dancing.
05:58That's aerobics.
06:01Now, what you did was dancing.
06:03I bet you could still do it, too.
06:05If you really wanted to.
06:06So could you.
06:08You're right, Dad.
06:10Put some hot towels on my legs at half hourly intervals.
06:13A couple of FDR canes.
06:15I might be able to manage a couple of steps.
06:17A cane didn't hurt Mr. Astaire's career.
06:20Don't you just hate dealing with it?
06:22An ex-hoofer with two daughters.
06:25One wheels the other cartwheels.
06:27One is shy and retiring, and one has a smart mouth.
06:32My sister shy and retiring?
06:35The decade's answer to Isidore Duncan?
06:40That's angry, Joe.
06:43I wonder what she calls me.
06:45Gimp.
06:46Isn't that what you call yourself?
06:48Isn't that what you call yourself?
06:50Tina, wait a minute.
06:51I took two steps yesterday.
06:53I know.
06:54Oh, this is my favorite part.
06:57This is your audition for The Dancing Pirate.
06:59This, this is a blast.
07:08Mr. Patterson, how good to meet you in person,
07:11after all those phone calls.
07:13I'm Jonathan Chan, and this is Mr. Lika.
07:19Would you excuse this young lady?
07:20Your father and I have some important business to discuss.
07:24In a pig's eye.
07:25Jill, go on.
07:29Watch your feet, gentlemen.
07:30I'm lethal with these things.
07:32Do you mind?
07:38So, let's talk business.
07:42There's a little trouble up front.
07:44While Attila Dahun was distracted,
07:46I stole my chance to get backstage.
07:48This was going to be easy.
07:49Excuse me.
07:57Anybody got a pencil in here?
08:00Okay, give him the number later.
08:03Okay.
08:11Hey.
08:13You don't take your hands from your eyes,
08:14you're going to walk into the wall.
08:18And, uh, you really shouldn't be back here.
08:20Our bouncer has a small personality problem.
08:23Who, Attila Dahun?
08:24We're pals.
08:26Kelly Patterson, I'm Max Keller.
08:28I'm looking for a girl.
08:30If the stars were in the right places, it'd be you.
08:32Her name's Terri.
08:33You know her?
08:34Uh, no dancer here named Terri.
08:37Look, uh, we're on a break now,
08:38and I've got to go with someone.
08:39Sorry.
08:40Yeah, but I, uh...
08:41Sorry.
08:43Just take a look at this picture and see if...
08:45So, it wasn't as easy as I thought.
08:48Uh...
08:58Kelly did mention a small personality problem of yours.
09:13See how you like this, pal?
09:15Here's a little warning.
09:19More practice.
09:26So, seven years bad luck.
09:30Meanwhile, the mask was getting us into even more trouble.
09:37Expansion is inevitable, Mr. Patterson.
09:40Like the roots of a great oak, we take hold where we can.
09:44The only protection I need is from people like you.
09:48Now, get out!
09:54I cannot move.
09:58That's an unusual insignia on your ring.
10:01An ancient household going back for centuries.
10:05Yes, I know.
10:11We've been told to leave.
10:12Let's go.
10:14I may leave when he lets me go.
10:27The old man hired you.
10:29I am not for hire.
10:31We are all for hire.
10:34In dark times...
10:35The dark times are gone.
10:39The night is always with us.
10:43Master.
10:57Here's her last address.
11:01Oh, he's so adorable!
11:03I wonder how he does it.
11:05One glimpse of those blue eyes and every girl falls for him.
11:07Gotta learn his technique.
11:10So, when's the last time you saw Terry?
11:12About a week ago.
11:14Look, I hope your friend isn't expecting to find Daddy's little girl.
11:18She's really messed up.
11:19Drugs.
11:23So, how'd you get past good old Attila?
11:26He carries some cute little tricks around with him.
11:30Like this.
11:35He's just leaving.
11:40It's daylight already.
11:40I didn't realize we were in there so long.
11:44What the hell was that all about?
11:48This is not a toy.
11:50You only throw a shuriken against another human being in self-defense.
11:53You ever again take another weapon out of my case,
11:56you'd be prepared to use it against your enemy.
11:59Even if it's me.
12:02I'd rather not.
12:04Not yet, anyway.
12:05I guess you don't respect what you don't understand.
12:11Kelly's address and phone number.
12:14I managed to get that much before you hauled me out of there.
12:16The other address is your daughter's.
12:18Kelly knows her?
12:19She knows a girl named Terry who used to be a dancer and a pilot.
12:24It doesn't necessarily mean she's your daughter.
12:26Let's find out.
12:28But I'll do the driving.
12:29You throw the titubishi and shurikens.
12:31Makes me feel like I can do something right.
12:40They're leaving now.
12:42Now comes the fun part.
12:43Riding with a ninja.
12:53We'll be followed.
12:56I know.
13:05Don't tell me why they're following us.
13:08I like surprises.
13:12Remember, Bullitt?
13:19Think of me as Paul Newman.
13:21Steve McQueen.
13:22Oh, right.
13:38Whoa!
13:41Who are those guys?
13:47Assassins.
13:48Sent by Okasa?
13:49No, a man like Okasa.
13:51A ninja.
13:52Do you just naturally run into these fellow ninjas everywhere you go?
13:54I mean, can't you just shake hands?
13:56Do you have to show you can outkill each other?
13:58You must believe I was in the club to help Charlie Patterson.
14:01What's his problem?
14:03Tell me later.
14:11Pull over when you can.
14:25Pull over?
14:41I didn't know what he was gonna do, but I don't think I wanted to know.
15:12Where'd he go?
15:32I'll back up.
17:11I'm careless.
17:39You all right?
17:42The steering wheel gag was a classic.
17:46Where'd you learn that?
17:47Driving school.
17:49We call the cops?
17:50And tell them you were the driver that forced another car off the pier?
17:54Maybe we should pass.
17:56Now you're gonna tell me who these guys are?
17:58It's a family affair.
17:59They're moving out of Chinatown into a new neighborhood.
18:02Only Charlie Patterson's a stubborn old man, and he won't pay protection.
18:06And when do you like them?
18:09So where to next?
18:11Well, our ex-hooper doesn't understand who he's dealing with.
18:14He's gonna have to be convinced.
18:16Let's go.
18:22Right, right.
18:27Our dear Mr. Patterson appears to have more powerful friends than I imagined.
18:33We'll need a little more to bargain with.
18:38Like his daughter.
18:39Pick up the dancer.
20:42I can't do this.
20:55Yes, you can.
20:56If it comes from the heart.
20:58Who's there?
21:01A hand reaching out of the darkness.
21:06Sometimes we can do things for strangers.
21:08Try another step.
21:09What can you lose?
21:11You can do it.
21:13I make it five steps.
21:16Imagine the silken cord being spun out from here.
21:20Your key.
21:20One more step.
21:26You can do it.
21:39I'd appreciate it if you'd take me back to my chair now.
21:59Look, you, uh, did your good deed for the day.
22:02Sorry it didn't work out for either one of us.
22:05If you're, uh, here to see the dancing, you're a little late.
22:07It's my sister Kelly's department.
22:12It must be tough.
22:14What?
22:15Having a big sister that moves like an angel?
22:18It's a trip.
22:20I watch her every night.
22:22Gimps get, uh, very vicarious.
22:26Why are you here?
22:27I came to see your father.
22:30I'm sorry.
22:30I didn't mean to interrupt you.
22:32I came to see your father.
22:34Who are you?
22:35John Peter McAllister.
22:37And you?
22:39I'm Jill Patterson.
22:41The...
22:41Gimp.
22:42I got it.
22:43Handles are dangerous things.
22:45Only once you start walking, you won't be called the gimp any longer.
22:50A couple of those steps did feel pretty good.
22:53Like I had weight on them.
22:54Like I was putting one foot right in front of the other.
22:57Like I was walking, you know?
23:00You look that way to me.
23:01Jill, uh, I...
23:02Pops, there's someone here to see you.
23:12You were very good with her.
23:13She'll walk up here first.
23:15When she does that, you'll know.
23:16You seem to have taken quite an interest in my family.
23:20You can't handle that protection thing by yourself.
23:23Not against those boys.
23:25They're more than just gangsters, or even the Tong sect.
23:28They're ninja.
23:30I'll explain.
23:30Where's Kelly?
23:32The master had sent me to protect Kelly.
23:37But I wasn't fast enough.
23:56Excellent.
23:58I see that your master has found himself a pupil.
24:01They will attempt to be a worthy adversary.
24:26Hurry!
24:31What a pity.
24:34Your lessons had to end so abruptly.
24:46Four fractured ribs.
24:48Lika?
24:50It's too fast.
24:51I couldn't move.
24:53No way you're gonna stop them.
24:58This is Charlie Patterson.
24:59Mr. Patterson.
25:01I regret the measures you've forced us to take.
25:04However, I'm certain that after our initial misunderstanding,
25:07the business between us will be gentlemanly.
25:10You'll withdraw $20,000 from the bank today.
25:13I haven't got that kind of money to withdraw.
25:16Oh, some bonds cashed in, some shares sold.
25:20A loan for improvements.
25:22A little austerity is good for the soul, Mr. Patterson.
25:25Speak to your daughter, who is in good health.
25:27I'm a little scared.
25:29But that's only natural.
25:31Daddy, I'm fine.
25:39Don't give him anything.
25:41Don't!
25:42Daddy!
25:44No harm will come to her.
25:46Because both you and I understand that you are going to cooperate.
25:51You are not going to call the police.
25:54And the man we saw in your club, he will leave San Francisco.
25:58You have until three o'clock this afternoon.
26:01I'll get the money.
26:02I know you will.
26:04We will call your office at three o'clock.
26:07And please, don't disappoint me, Mr. Patterson.
26:11I so hate to be disappointed.
26:15Goodbye, sir.
26:19Kelly.
26:21We'll find her.
26:22She's got to be somewhere in Chinatown, right?
26:26Many doors will be closed.
26:28Few will hear you.
26:30All you'll see in their eyes is fear.
26:32Then we'll search it from one end to the other.
26:35Not by three o'clock.
26:37Can you withdraw that kind of money?
26:39I'll have to put a lien on the club.
26:41But I can do it.
26:43I don't believe what I'm hearing.
26:46You mean we're just going to give in to them?
26:48Pay the ransom?
26:50Sell out?
26:51Is that what a real ninja would do?
26:54Smokescreen.
26:55Illusion.
26:57Give them what they expect and they'll believe it.
26:59What are we really doing?
27:01The unexpected.
27:03They'll see us coming.
27:05Not if we send the right person.
27:09Jill, I need your help.
27:12You're going to wheel me into the lion's den, huh?
27:15That's right.
27:16You think you can handle it?
27:18Against those creeps?
27:19Are you kidding?
27:22But just don't close your eyes to the chair, pal.
27:26What do you want me to do?
27:28Deliver the money.
27:29Um...
27:34Lika, alleyway between Morgan and Nashville.
27:38Count the money.
27:40If it looks like any type of trap,
27:42kill the girl.
27:59Let me see the money.
28:21Where's my sister?
28:22Safe.
28:23This is supposed to be an exchange.
28:27The money for Kelly.
28:28Your sister will be returned to you.
28:32You have my word.
28:45If I could only get out of this chair.
28:48Be glad that you can't.
29:18Let's hope they fall for the unexpected.
30:18Guards at the front.
30:25Can't get in that way.
30:32Maybe that's the way in.
30:43Something's happened to your friend.
30:46Not to him.
30:48I didn't even see him.
30:49That doesn't mean he wasn't there.
30:50Charlie Patterson.
30:5120,000 is promised.
30:52You didn't disappoint me after all.
30:53When will my daughter be returned?
30:54I understand from the bank you had to take out
30:55a lien on your club.
30:56Yes, I did.
30:57I'm sorry.
30:58I'm sorry.
30:59I'm sorry.
31:00I'm sorry.
31:01I'm sorry.
31:02I'm sorry.
31:03I'm sorry.
31:04I'm sorry.
31:05I'm sorry.
31:06I'm sorry.
31:07I'm sorry.
31:08I'm sorry.
31:09I'm sorry.
31:10I'm sorry.
31:11I'm sorry.
31:12I'm sorry.
31:13I'm sorry.
31:14I'm sorry.
31:15I'm sorry.
31:16I'm sorry.
31:17I'm sorry.
31:18I'm sorry.
31:19I'm sorry.
31:20I'm sorry.
31:21too much of a financial strain at these hard times.
31:22You will sign a lien over to me.
31:23I will pay it.
31:25The club will then be mine of course.
31:28Oh, but you must stay on.
31:30Your customers would be so disappointed.
31:33If that's what it'll take to bring my daughter back.
31:36Have it arranged by tomorrow morning.
31:38She'll be with you for lunch.
31:42Look, you stay here at the club, and we'll both be back tonight.
31:48With Kelly.
31:49He's not doing this alone.
31:50I thought this was a partnership.
32:05Too dangerous.
32:06Oh, that little chase through the streets this morning?
32:08You don't suppose that had just a small element of danger in it?
32:11What am I, your chauffeur?
32:12I told you, when you're ready.
32:14I'll tell you what I'm not ready for.
32:16I'm not ready to see Kelly killed.
32:17I'm not ready to see you go off into the sunset against that pack of wolves.
32:20I'm not ready to be shot at, driven at, or kicked in the face.
32:23And then have to go sit out the walls.
32:25But you are ready to get killed.
32:27With you around, how could you let that happen?
32:30I suppose you'd only follow me.
32:32Believe it.
32:34I believe it.
32:35You ready for your ninja robes?
32:38Still working up to that.
32:39But I do have a black outfit.
32:40Jeans and a turtleneck.
32:41How about a weapon?
32:42Hold it.
32:43It'll make you feel better.
32:44Just don't throw it.
32:45I wouldn't think of it.
32:46Bring the girl to me.
33:13I knew he'd find a way to get me on a tightrope.
33:41At least I could ride inside.
33:42If it was getting back that worried me.
33:43Let go of me!
33:44Ow!
33:45No!
33:46I hear you're quite a performer.
33:47Dance for me.
33:48You're a dancer.
34:03Dance!
34:08You're a dancer! Dance!
34:39I can't! I can't!
34:49Good night, Mr. Chen.
34:58It's all right. Kelly, we're your only chance out of here.
35:01There's only one way.
35:03How?
35:04The high wire between the buildings.
35:06I couldn't.
35:07You'll have to.
35:10Max, get the money.
35:32No, I can't do this.
35:34Yes, you can. I'll help you.
35:36No, I can't. I can't do it.
35:39Take my hand.
35:40No!
35:41Come on, take it!
35:44I won't let you fall.
36:03Okay.
36:06Okay.
36:09Listen to my voice.
36:11There's nothing below you.
36:13There's nothing around you.
36:16We are one.
36:18As I step back, you step forward.
36:24That's it.
36:26That's it.
36:28You won't fall unless I do.
36:31And I won't fall.
36:37No.
36:43Okay.
36:45Don't look down.
36:58Almost there.
37:07Come on.
37:15Now it was my turn.
37:19And I said the chances of tightrope walking in San Francisco were slim.
37:23With the master around, you could do it every night.
37:33Come on, Max, you can do it.
37:36Don't look down.
37:39Small steps.
37:51Come on.
38:03Almost there. Don't lose it.
38:06Come on.
38:16Master.
38:22They are of no concern to me.
38:25They can go.
38:28Go on.
38:29If you think I'm going to leave...
38:31Get her out of here.
38:33Go on.
39:03Go on.
39:33Come on.
40:03Come on.
40:24Where are you?
40:28There.
40:29My friend, time for you to die.
40:59Come on.
41:29Come on.
41:47You think you moved great back then, ladies and gentlemen.
41:50We're going to show you the Charlie Patterson of the 80s.
41:54Charlie, do a little step for us.
41:59Come on.
42:09Charlie, I've got a birthday surprise for you.
42:30It's okay, Pops.
42:32I can stand on my own two feet now.
42:35You want to dance?
42:37You betcha.
42:59Come on.
43:17Let's not get carried away.
43:19You're the hoofer. I'm new at this game.
43:30Come on.
43:43Hey, Jill, come on over here.
43:49I talked to my friend Terry today.
43:53She's not your daughter.
43:59I'm sorry.
44:05We'll find her.
44:08Yeah.
44:29I'm sorry.
44:30I'm sorry.
44:31I'm sorry.
44:32I'm sorry.
44:33I'm sorry.
44:34I'm sorry.
44:35I'm sorry.
44:36I'm sorry.
44:37I'm sorry.
44:38I'm sorry.
44:39I'm sorry.
44:40I'm sorry.
44:41I'm sorry.
44:42I'm sorry.
44:43I'm sorry.
44:44I'm sorry.
44:45I'm sorry.
44:46I'm sorry.
44:47I'm sorry.
44:48I'm sorry.
44:49I'm sorry.
44:50I'm sorry.
44:51I'm sorry.
44:52I'm sorry.
44:53I'm sorry.
44:54I'm sorry.
44:55I'm sorry.
44:56I'm sorry.
44:57I'm sorry.