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00:06:20Well, sir, you see, Mr. Arnold's that Santa Barbara man from California.
00:06:24And his folks live there.
00:06:26So his folks live in California.
00:06:28But I'm asking you about Miss Wallace.
00:06:30I'm not interested in Mr. Arnold's folks.
00:06:32But Miss Wallace is.
00:06:34For what reason?
00:06:36Lord, he thinks, Mr. Hart, a girl's gotta meet her in-laws sometimes.
00:06:40In-laws?
00:06:41Are you trying to tell me that Miss Wallace is married to Mr. Arnold?
00:06:44No, sir, but they're gonna get married as soon as they get to Santa Barbara.
00:06:47Holy mackerel!
00:06:51Steve! Steve!
00:06:53Don't let anyone leave. Keep them here.
00:06:55I'll have Pat Wallace back, dead or alive.
00:07:00Either way is okay with me.
00:07:02I ain't so particular.
00:07:04♪♪
00:07:34♪♪
00:07:43Which track's the screen light on?
00:07:45Track six.
00:07:46Six, thank you.
00:07:49Ticket, please.
00:07:50I'll be right back.
00:07:51I'm sorry, but you can't get through without a ticket.
00:07:53Well, I don't want to ride in the train. I don't want to talk to somebody.
00:07:55Oh, that's what they all say.
00:07:56I'm sorry, but you can't get through without a ticket.
00:07:59That's a great idea.
00:08:04Look, one on the screen light.
00:08:05You'll have to get in line.
00:08:06Oh, but I want to get on board that train.
00:08:07Sorry, but you'll have to get in line.
00:08:12Your name is Bradley?
00:08:13That's right, John Bradley. Cabins eight and ten.
00:08:17Eight and ten?
00:08:19Yes.
00:08:23My husband must have the ticket.
00:08:25Can you tell me how I can get aboard? I'm Mrs. Bradley.
00:08:28Can you identify yourself?
00:08:29Oh, yes, certainly.
00:08:32My card and my driver's license.
00:08:38That'll be all right. I'll pass you through.
00:08:40Terry?
00:08:41Yes, sir?
00:08:42Take Mrs. Bradley aboard the Streamline. Her husband has the ticket.
00:08:47Tickets for Gerald Wilson.
00:08:49And Brian.
00:08:54There you are.
00:08:56One on the Streamline.
00:08:58Sorry, but we're all sold out.
00:08:59But I must get on that train.
00:09:01I'll give you the full price of the ticket just to get on for five minutes.
00:09:04I'd like to help you, but this is the inaugural run,
00:09:06and half New York's been trying to get through.
00:09:08Sorry, but you can't get through without a ticket.
00:09:11That's right. Those are our orders.
00:09:30Here.
00:09:31Yes, sir.
00:09:32How much?
00:09:33Well, that's...
00:09:34How much?
00:09:35There.
00:09:36Well, that's...
00:09:42Flowers for Miss Wallace on the Streamline.
00:09:44Okay.
00:09:45Hey, Joe.
00:09:50Take these through to Miss Wallace on the Streamline.
00:09:52Yes, sir.
00:09:54If you want to see the new Streamline, go right through the Visitor's Gate.
00:09:59This veritable hotel on wheels will amaze you
00:10:02with its delightful upper deck, spacious cabins,
00:10:05broad corridors, and cocktail bar.
00:10:08In creating this epic of speed and efficiency,
00:10:11we feel we have marked a new era in modern transportation.
00:10:14Thank you, gentlemen. Thank you.
00:10:16Now, gentlemen, I'd like to introduce you
00:10:18to our new hotel on wheels,
00:10:21Thank you, gentlemen. Thank you.
00:10:23Now, folks, what can I add to what these gentlemen have already told you
00:10:26about this modern marvel of speed, beauty, and comfort?
00:10:29And speaking of marvel,
00:10:31here's Miss Patricia Wallace,
00:10:33who is going to assist us in the final ceremony.
00:10:38Hello, Miss Wallace.
00:10:40Won't you say a few words, please?
00:10:41Hey, Pat.
00:10:42Pat Wallace!
00:10:43Hey, shut up. We want to hear it.
00:10:45You must forgive me if I don't say very much.
00:10:47You see, I'm on my way to California to be married,
00:10:50and I've made up my mind that from now on,
00:10:52my husband will do all the talking for the family.
00:10:57Are you listening, Mitchell? That's news.
00:10:59And now for the grand finale.
00:11:01You launch a ship, you dedicate a building,
00:11:04and you christen a baby.
00:11:05But for a trade?
00:11:06Well, no matter what you name it,
00:11:08Miss Wallace is going to crown the streamline
00:11:10with a bottle of champagne.
00:11:17You got a glass? You can join me.
00:11:20Uh, thanks, sir.
00:11:21I'll drink from the bottle.
00:11:23That's what I call a man.
00:11:25Stand back, everybody.
00:11:48Go get her, Johnny. Go get her.
00:11:59Do you want to earn half a dollar?
00:12:00Sure.
00:12:01Come on, son. We'll play hide-and-seek.
00:12:07Pardon me.
00:12:08Yes?
00:12:09How soon does the streamline leave?
00:12:12Nine and a half minutes.
00:12:14Did you say ten minutes?
00:12:17Nine and a half minutes.
00:12:18The streamline leaves in one shot.
00:12:21Sonny, where are you, Sonny?
00:12:22What's the trouble?
00:12:23My little boy, did you see him?
00:12:24He was right here a minute ago.
00:12:26He must have gone through the gate.
00:12:27I'll go find him.
00:12:28Sonny!
00:12:29Here I am.
00:12:30You shouldn't run away from your daddy.
00:12:32He ain't my daddy.
00:12:33Come on, love.
00:12:36Say, where's my money?
00:12:38Well, you don't deserve it.
00:12:40But here.
00:12:41Oh, Wilbur, where have you been?
00:12:43Look, Mama.
00:12:44He gave me 50 cents to go through the gate with him.
00:12:46He did, did he?
00:12:47Where were you trying to take my little boy?
00:12:50Now, wait a minute.
00:12:51I'll show you, you kidnapper!
00:12:52Lady, please.
00:12:53Kidnapper!
00:13:00Kidnapper!
00:13:05Where'd he go?
00:13:09Hey, what's the matter?
00:13:10A guy just tried to kidnap a little boy.
00:13:12Can you beat it?
00:13:13Oh, when I like to lay my hands on a mug like that.
00:13:16You and me both, I'd jam a pot.
00:13:18I hope they nab him.
00:13:19The guy must be screwy trying to get away with a thing like that.
00:13:22Keep your eyes open.
00:13:23We might see him.
00:13:24I hope I don't.
00:13:26I ain't never killed a guy yet.
00:13:29Don't blame you.
00:13:30You're all a lot of rats.
00:13:31One guy ain't got no use for us, a kidnapper.
00:13:33Kidnapper!
00:13:37All aboard Streamline Express, leaving on monorail at 1 p.m.
00:13:42All aboard Streamline Express.
00:13:44All aboard.
00:13:55Where will I find Miss Wallace?
00:13:57Miss Wallace?
00:13:58Yes.
00:13:59Oh, yes, Miss Wallace.
00:14:00Straight ahead.
00:14:07Oh, I beg your pardon.
00:14:08I'm terribly sorry.
00:14:09Excuse me.
00:14:12Pat Wallace, what do you mean by...
00:14:14Save your breath.
00:14:15I'm not going back.
00:14:17And don't tell me the show must go on.
00:14:20But it must.
00:14:21And it can't without you.
00:14:23Let the understudy go on.
00:14:24That disappointed Benhart?
00:14:26Why, she's rotten, hammy, awkward...
00:14:28And she smells.
00:14:30That's right.
00:14:31Just what you said about me.
00:14:33Right in front of the whole company.
00:14:36I'm sorry.
00:14:37I didn't mean it.
00:14:39I lost my head.
00:14:40That's what you've been doing for the past three years.
00:14:42I'm fed up with it all through.
00:14:45Look, Pat, you're not sick or something, are you?
00:14:47I've never felt better in my life.
00:14:48I know what I'm doing.
00:14:49Well, you certainly picked a swell time to take train ride.
00:14:52Right in the middle of a dress rehearsal.
00:14:54Now, what about the actors?
00:14:55I left a check to cover their salary.
00:14:56Well, what about my play?
00:14:58What about me?
00:14:59I'm not interested in you.
00:15:01That's gratitude for you.
00:15:03I take you out of the sticks.
00:15:04Put you on Broadway.
00:15:05Make you a star.
00:15:06And what do I get?
00:15:07A quarter of a million dollars.
00:15:08No, a knife in the back.
00:15:10What a happy age.
00:15:12Look, look, look, Pat.
00:15:13Let's stop this nonsense.
00:15:15What is it you want?
00:15:16More money?
00:15:18No, James.
00:15:19I want to live.
00:15:20Be human.
00:15:21I want a home.
00:15:22Pat, you're crazy.
00:15:24You can't play mother parts.
00:15:25Oh, can't I?
00:15:26For 24 hours after this train hits California,
00:15:28I'm getting married.
00:15:29Not while you're under contract to me.
00:15:31I'm going to get married and live in Santa Barbara.
00:15:33That's a one night stand.
00:15:34You can't live there.
00:15:36It's no use, Jimmy.
00:15:37I'm through.
00:15:38Why, Pat, you die.
00:15:40Don't you realize the fear is in your soul
00:15:42and all the pink tees in Santa Barbara can't wash it out?
00:15:46Just the smell of the grease paint.
00:15:49The old dressing room.
00:15:52I ought to punch you in the nose.
00:15:53Why don't you?
00:15:54Because I don't have to.
00:15:55You'll do as I tell you.
00:15:56No, I won't.
00:15:57You told me how to act, what to wear,
00:15:59how to breathe for the last time.
00:16:01Now get out.
00:16:02I never want to see you again.
00:16:03I hate this theater and I hate you.
00:16:04And I'm not exactly fond of you.
00:16:06But the show must go on and you're coming back.
00:16:14Leave my things alone.
00:16:15Put it down.
00:16:16Here.
00:16:17Here.
00:16:18No.
00:16:19And here.
00:16:20Now come on.
00:16:21I won't.
00:16:22Come on.
00:16:23I won't.
00:16:25Come in.
00:16:30Did you ring this?
00:16:31Yes.
00:16:32Throw this man off the train.
00:16:34Now?
00:16:35Yes, now.
00:16:36This way, please.
00:16:41Could you marry that guy over my dead body?
00:16:43That will be a pleasure.
00:16:44Do try to arrange it.
00:16:46All right, come on, come on.
00:16:47Now you've got to get off before we start.
00:16:49Oh, give me just a few minutes, will you?
00:16:50No.
00:16:51No, if you call on the train, I'll lose my job.
00:16:55Your job.
00:16:56Do you want to make $100?
00:16:57No, I've made $100.
00:16:59$200.
00:17:00No kidding.
00:17:01No doubt.
00:17:02$500, right off the bat.
00:17:03Right off the train.
00:17:06$1,000.
00:17:07What?
00:17:08Dollars.
00:17:09Cash?
00:17:10Cash.
00:17:11Why?
00:17:12I've got an idea.
00:17:13Just cash?
00:17:14Yes, and $1,000.
00:17:16I'll listen.
00:17:17All right, where can we talk?
00:17:19Right here.
00:17:25Gilbert Landon.
00:17:29Uh, state room 14, Mr. Landon.
00:17:31There'll be a steward here in just a minute.
00:17:47Mr. Bradley.
00:17:49Uh, state rooms 8 and 10.
00:17:51Mac.
00:17:52Mac, look.
00:17:53I've got to get away.
00:17:54My wife is sick.
00:17:55She's awful sick.
00:17:56I've got to go.
00:17:57Hey, wait a minute.
00:17:58It's all right, sir.
00:17:59The office sent me down to take his place.
00:18:03OK.
00:18:04I hope it isn't serious.
00:18:05I hope not, thanks.
00:18:10Give this note to Steve at the Gaiety Theater.
00:18:12Tell him to hold everything.
00:18:13And don't worry about your job.
00:18:14I'll put you back to work if I have to make an act for you.
00:18:16Thanks.
00:18:17Stewart!
00:18:18Stewart!
00:18:19Hey, you're the steward's slug.
00:18:21Stewart!
00:18:22Hey, Stewart!
00:18:25Yes, sir.
00:18:26Take those bags to 8 and 10.
00:18:27Yes, sir.
00:18:33Oh, just a minute, Stewart.
00:18:34You're making a mistake.
00:18:35That's my bag.
00:18:36Oh, I'm sorry.
00:18:37Oh, it's quite all right.
00:18:39This way, please.
00:18:54Oh, Stewart.
00:18:56Put that bag in number 10.
00:18:58Oh, Stewart.
00:19:04Thank you, sir.
00:19:14I beg your pardon.
00:19:15Aren't you in the wrong cabin?
00:19:17No.
00:19:18But this is Mr. Bradley's cabin.
00:19:20I'm Mrs. Bradley.
00:19:22Oh.
00:19:24I beg your pardon.
00:19:33Are you happy?
00:19:34You know I am.
00:19:35That's the way I'll always try to keep you.
00:19:44By the way, here's a little something I picked up for you.
00:19:54A little something?
00:19:57Oh, John, it's gorgeous.
00:20:12But I don't want you to buy me a jewel.
00:20:15I hope that's the only thing we'll ever fight about.
00:20:23Now run along and let me unpack.
00:20:25All right, then.
00:20:47Over.
00:20:54It's exactly 1 o'clock.
00:20:55They've just closed the big door and it won't be open until we reach Los Angeles.
00:21:00Stop the train.
00:21:01Stewart, stop this train.
00:21:03You must stop this train.
00:21:13I know, I know, but doesn't it make any stops?
00:21:16No, sir.
00:21:17This is a record run.
00:21:18No stops now until we get to Los Angeles.
00:21:19Yes, but my wife must get off.
00:21:21Our schedule is New York to California without a stop.
00:21:24She'll have to stay on board.
00:21:30Very well.
00:21:31Will you get a stateroom for my wife?
00:21:32I'm sorry, but we're completely sold out.
00:21:35But you must have a room.
00:21:38I'm sure you'll find that your room will accommodate both of you very comfortably.
00:21:44Yes.
00:21:46Thanks.
00:21:47Well, folks, we're on our way.
00:21:49Zooming along at 150 miles an hour.
00:21:52I waved goodbye to a friend in New York and a perfect strange man in Philadelphia waved back at me.
00:21:57Now, that's speed in any man's language.
00:22:00So long, folks.
00:22:01We'll be back on the air every hour to report this breathtaking race against time.
00:22:06New York to California in 20 hours.
00:22:10Will we make it?
00:22:12What if we don't?
00:22:14Oh, that would be terrible.
00:22:16Why terrible?
00:22:17Suppose we don't get to California for 21 hours.
00:22:20California will still be there.
00:22:22Oh, but I've got to get my wife to California as soon as possible.
00:22:26Don't worry, brother.
00:22:28I can't help it.
00:22:29It'll be all right.
00:22:31We'll make it.
00:22:32I hope so.
00:22:33Here we go.
00:22:42Streamline Express.
00:22:43Pittsburgh calling Streamline Express.
00:22:45Streamline, Pittsburgh calling.
00:22:47Okay, Pittsburgh.
00:22:48This is the Streamline.
00:22:49The Streamline.
00:22:50Position report.
00:22:51Okay, Streamline on schedule.
00:22:53Present position.
00:22:5434-2.
00:22:55Locked to report a vision 2.
00:22:57161.
00:22:58Speed 161.
00:22:596300.
00:23:00Wind resistance 6300.
00:23:01Did you get it?
00:23:02Okay.
00:23:03Weather report all clear to Altoona.
00:23:05Log in the mountains.
00:23:06It's very cloudy.
00:23:07That's all.
00:23:09Come in.
00:23:12Hello, darling.
00:23:13Hello.
00:23:14I just wired the family.
00:23:15Did you?
00:23:16Oh, you don't seem very enthusiastic about it.
00:23:19Oh, yes, I am, dear.
00:23:21I'm just a little tired.
00:23:22Oh, darling.
00:23:23Well, now, look here.
00:23:24You take things easy.
00:23:26Now, we'll have a nice, quiet little dinner,
00:23:28and then I'll see if I can scatter up a bridge game.
00:23:30I don't know how to play bridge.
00:23:32What?
00:23:33You don't know how to play bridge?
00:23:37Well, what do you do in the evening?
00:23:39I go to work.
00:23:40I have to be in the theater.
00:23:45Freddy, I've just realized it.
00:23:48For the first time in my life,
00:23:50I have nothing to do.
00:23:52Nothing to do?
00:23:54Why, you've got me to marry and bridge to learn.
00:23:57I want to do all those things.
00:23:59That's fine.
00:24:01Why, you'll forget all about the theater in no time at all.
00:24:04Freddy, you'll keep me from missing it, won't you?
00:24:07Sure.
00:24:08Why, we'll build a little theater on our place,
00:24:10and if you get lonesome, you can act your head off,
00:24:13and I'll be the audience.
00:24:16I never want to act again.
00:24:19I couldn't after what I've done.
00:24:21I've let them all down.
00:24:26I let Jimmy Hart down.
00:24:28Horribly.
00:24:29The understudy can play your part.
00:24:32Don't be ridiculous.
00:24:33Nobody can play that part but me.
00:24:36Jimmy wrote it for me.
00:24:37He knows what I can do.
00:24:39He took me out of the sticks,
00:24:40put me on Broadway, made me a star.
00:24:42Well, what if he did?
00:24:43You've got to think of yourself sometimes.
00:24:45It can't go on being a...
00:24:47In Santa Barbara.
00:24:49You know, sometimes I don't understand you at all.
00:24:52Every day at four o'clock for six months,
00:24:54I've been asking you to marry me, and you say no.
00:24:57Yesterday afternoon, at a quarter to four,
00:24:59you suddenly said yes, and everything's rosy.
00:25:03What's the matter, Pat?
00:25:05Are you sorry you left the show?
00:25:07And that fellow Hart?
00:25:09That Simon Legree.
00:25:11That slave driver.
00:25:12I hate the sight of him.
00:25:14Yes, well, if I have to listen to much more about him,
00:25:16I shall hate him too.
00:25:18You shouldn't.
00:25:19He's the one who convinced me I ought to marry you.
00:25:22He did?
00:25:24Well, I'd certainly like to thank the fellow.
00:25:29So would I.
00:25:31Let's send him a wire.
00:25:33Yes.
00:25:34I'll do it right now.
00:25:35Well, you know, this calls for a celebration.
00:25:38Let's have a drink.
00:25:43Stewart!
00:25:45Yes, sir?
00:25:47Hey, wake up, will you?
00:25:48Number four is ringing.
00:25:49Number four?
00:25:52Did you say number four?
00:25:54It's a pleasure.
00:26:02Come in.
00:26:05Oh, Stewart.
00:26:09Two champagne cocktails, please.
00:26:12Darling.
00:26:17Darling.
00:26:18Oh, yes?
00:26:19Do you feel contemptible with an I or an A?
00:26:21With an I, darling.
00:26:24That's a funny word to be putting in a wire of thanks.
00:26:27Yes.
00:26:29But he'll understand it.
00:26:52You seem to be having a lot of trouble with that wire, darling.
00:26:55Yes, dear.
00:26:57It's worth a lot of trouble.
00:27:00You know, I'm so happy I think I'll get drunk.
00:27:03Do you mind?
00:27:04Yes, I'll go right ahead.
00:27:06I wonder what he's keeping there, Stewart.
00:27:22Come in.
00:27:24As a matter of fact, only a very small vote.
00:27:26Just a 65-footer, your cocktail, sir.
00:27:29Oh, thank you.
00:27:31What are you doing on this train?
00:27:32I'm a stewardess.
00:27:34Number 13, to be exact.
00:27:36Do you know this man?
00:27:37Why, I certainly do.
00:27:38I found the theatre, sir.
00:27:40I was Mr. Hart's valet.
00:27:41Why, Jimmy Hart, you...
00:27:43Now there you go again.
00:27:45I thought we agreed not to talk about that fellow.
00:27:47But you don't understand.
00:27:48I don't want to talk about Hart.
00:27:50Oh, but everybody talks about Mr. Hart.
00:27:53He's a famous playwright.
00:27:55And a very brilliant gentleman, sir.
00:27:57They'd rather.
00:27:58A bit stern, perhaps.
00:28:00But underneath it all beats a warm heart.
00:28:02Warm heart.
00:28:04I tickled him in the ribs once and froze three fingers.
00:28:07You take clever lines.
00:28:08That was Mr. Hart's last place, sir.
00:28:10He always extends himself to give Miss Wallace his most brilliant witticism.
00:28:15So, you're a steward.
00:28:18Yes, miss.
00:28:19When the position presented itself, it seemed an excellent opportunity.
00:28:22So I accepted.
00:28:23Oh, you did, did you?
00:28:32Here.
00:28:33Clean my shoes.
00:28:34Yes, miss.
00:28:40Here.
00:28:41I want these prepped.
00:28:42Yes, miss.
00:28:43These brushed.
00:28:44Yes, miss.
00:28:45These cleaned.
00:28:46Yes, miss.
00:28:47Will that be all, miss?
00:28:49Just a minute, steward.
00:28:50Darling, you forgot the wire.
00:28:54Oh.
00:28:55So I did.
00:29:04Will you send this, please?
00:29:19Twenty-two words.
00:29:21That will be, uh, three dollars.
00:29:27Here.
00:29:28It's worth it.
00:29:29I don't doubt it.
00:29:31Thank you, miss.
00:29:32You forgot my clothes.
00:29:38Just a minute, steward.
00:29:40Here.
00:30:13Come in.
00:30:19Hello, Elaine.
00:30:24Surprised?
00:30:25No, not at all.
00:30:28You know, five years haven't changed you, but you're lovelier than ever.
00:30:32Five years haven't changed you, either.
00:30:34You lie better than ever.
00:30:37Same old Harry Potter.
00:30:39No, no.
00:30:40The name is now Landon.
00:30:42Gilbert Landon.
00:30:43I'm traveling incognito.
00:30:45I'm traveling incognito.
00:30:47Any special reason?
00:30:49No, just leaving New York before it gets too hot.
00:30:56Doctor's order?
00:30:59No, as a matter of fact, my friend the commissioner thought it would be a good idea.
00:31:03Suggested a change of climate.
00:31:05You know, all the best people go away in summer.
00:31:08Then this isn't a business trip.
00:31:10No, no, indeed.
00:31:11However, I wouldn't be averse to picking up a little business if tempted.
00:31:18And you?
00:31:19Oh, I'm collecting material for a novel.
00:31:22Oh.
00:31:23And how are collections?
00:31:25Well, I think they're going to be all right.
00:31:31Just a minute, please.
00:31:42Come in.
00:31:47Miss Vinson?
00:31:48Yes?
00:31:50I'm Mrs. Bradley.
00:31:52Oh, no, no, I'm not going to make a scene.
00:31:56May I sit down?
00:31:58Why, yes, of course.
00:32:07Through no fault of my own, I'm forced to accompany you on this little trip.
00:32:13Amusing, isn't it, for a wife to chaperone her husband while he's running away with another woman.
00:32:19Would you mind telling me just why you came here?
00:32:21I'd be delighted.
00:32:24When I first discovered this, um, shall we say, event,
00:32:29I was angry.
00:32:31Then I must confess I was curious.
00:32:33About me?
00:32:34Naturally.
00:32:37Well, now that you've seen me...
00:32:39Miss Vinson, have you ever been really in love?
00:32:42I'm in love now.
00:32:43Oh, I don't mean that kind of love. I...
00:32:48Have you ever lived with a man, seen him off in the morning,
00:32:51listened to his troubles when he came home at night,
00:32:54sort of grown to be a part of him?
00:32:57Well?
00:32:59What of it?
00:33:01This.
00:33:02I know how much it takes to keep him happy.
00:33:05You're taking on quite the contract.
00:33:08And you don't think I'm capable of filling it?
00:33:11No, I don't.
00:33:12Well, you're wrong.
00:33:14And if you've come to ask me to give him up, I won't.
00:33:18I love John, and I'll do my best to make him happy.
00:33:23In that case, there's nothing more to be said.
00:33:28You don't look like a woman who would give up so easily.
00:33:31When a woman's husband makes up his mind to leave her,
00:33:34there isn't much a wife can do, huh?
00:33:38He thinks you're wonderful.
00:33:40Please don't give him cause to think otherwise.
00:33:50This is a fine spot to be in, just as I had everything set.
00:33:53I thought you did very well.
00:33:55It's sheer genius getting a wife to say, bless you, my children.
00:33:58Well, there wasn't much else she could do but give him up.
00:34:01Suppose she hasn't.
00:34:03From where I sat, she sounded like a pretty clever woman.
00:34:06Oh, I think I can handle her.
00:34:08I hope so.
00:34:10But if she ever learns the truth about Elaine Vinson,
00:34:14the party's over.
00:34:15Well, there's not much danger of that unless...
00:34:21You're not going to do it, are you?
00:34:23Why, I never gave it a thought.
00:34:26Until now.
00:34:28Can you imagine that?
00:34:29A real business proposition right in front of my eyes,
00:34:32and I didn't recognize it.
00:34:34I must be slipping.
00:34:35Listen, Harry.
00:34:37I'm not as young as I used to be.
00:34:39This may be my last chance.
00:34:41You're not going to spoil it for me, are you?
00:34:44Elaine, you're making it very difficult for me.
00:34:47Here I am, torn between sentiment and business.
00:34:52And you know I've always been a sentimentalist.
00:34:55But opportunity knocks but once.
00:34:57Oh, give me a break, Harry.
00:34:58You won't lose anything by it.
00:35:00After I marry him, I'll make it up to you.
00:35:02Well, suppose you don't marry him.
00:35:03Oh, I can't miss if you'll only lay off.
00:35:05Oh, but that wife seems such a sure thing.
00:35:09I'll bet she'd pay plenty for what I know.
00:35:12Plenty.
00:35:15You can't do this to me, Harry.
00:35:17You've got to give me a break.
00:35:18I'll take care of you.
00:35:19Honest, I will.
00:35:21This is all I've got.
00:35:23It's worth 5,000 easy.
00:35:25Oh, please take it.
00:35:26Please take it, Harry.
00:35:27I don't want that.
00:35:28I'll give you more after I'm married.
00:35:30Please take it.
00:35:32All right, if you insist.
00:35:35Thanks, Harry.
00:35:44But really, I had no intention of telling his wife anything.
00:35:51Here you are.
00:36:00One Manhattan and three martinis.
00:36:02I'll have the same.
00:36:03One Manhattan and three martinis.
00:36:06The country's getting lovelier all the time.
00:36:21Oh, wait till you see the orange trees.
00:36:22That's that, isn't it?
00:36:23Pardon me, Miss Wallace.
00:36:24A radiogram.
00:36:25For me?
00:36:26Yes, it's an answer to the one you sent.
00:36:27How do you know that?
00:36:28I recognize the handwriting, sir.
00:36:30Handwriting on a radiogram?
00:36:32A bit of a joke, sir.
00:36:34Pardon me.
00:36:35Pardon me.
00:36:36Is it from Mr. Hart?
00:36:37Yes.
00:36:38The man's gone crazy.
00:36:39Why, what is it?
00:36:41Nothing.
00:36:42Nothing at all.
00:36:43Oh, let me see.
00:36:57Well?
00:36:58Why, does he want to punch me in the nose?
00:37:01Is he in love with you?
00:37:03No.
00:37:04No, sir.
00:37:05I'm sure that he isn't.
00:37:06Well, why's she angry at me for this?
00:37:08Because you took Miss Wallace out of his show.
00:37:11Oh.
00:37:12Oh, I see.
00:37:13Well, he can't stop us getting married.
00:37:16I don't know.
00:37:17He's crazy enough to try.
00:37:18Well, let him.
00:37:19I can do a little nose-punching myself.
00:37:21Well, I wouldn't.
00:37:22Let's try it with you, sir.
00:37:24You see, Mr. Hart was intercollegiate light heavyweight champion.
00:37:28You saw the medals he won, didn't you, Miss Wallace?
00:37:32Yes.
00:37:33There were a lot of them.
00:37:34Well, I don't care how many.
00:37:36I'll knock his head off.
00:37:37Really?
00:37:38Yes, and if he were here, I'd do it right now.
00:37:39Oh, I wouldn't worry about that.
00:37:41I'll send him another wire.
00:37:43Shall I get you a blank form?
00:37:45No, thanks.
00:37:46I'll get it myself.
00:37:52I want to talk to you.
00:37:56Pardon me.
00:37:57Isn't this Mr. Arnold's cigarette case?
00:38:00It's too bad.
00:38:02I thought she'd gotten over it.
00:38:04What?
00:38:05What's that?
00:38:06An advertent slip of the tongue, sir.
00:38:07Well, go on.
00:38:08Tell me about it.
00:38:09I'd rather not.
00:38:10Now that love has come into her life, maybe she'll get over it.
00:38:13Well, go on.
00:38:14Go on.
00:38:15Tell me about it.
00:38:18What do you mean to tell me that Miss Wallace...
00:38:20A trifle absent-minded.
00:38:21That's all, sir.
00:38:22Good heavens, man.
00:38:23Do you mean she actually takes things...
00:38:25I wouldn't worry about it if I were you.
00:38:27We never did it at the theater, and we always got everything back.
00:38:31Oh, dear.
00:38:32Did you think I ought to do something?
00:38:34No, no, no, no.
00:38:35I wouldn't, sir.
00:38:36We tried everything.
00:38:37Now, when they dismissed her from the asylum, sir...
00:38:40What?
00:38:41It's quite all right.
00:38:42No cause for alarm.
00:38:43It was a private asylum, sir.
00:38:45Oh, dear.
00:38:46Here she comes.
00:38:47I wouldn't say anything to her about it.
00:38:49No, no, no.
00:38:50No, no, no.
00:38:51No, sir.
00:38:52Pardon.
00:38:53Oh, just a minute, Stuart.
00:38:56I want you to be quite sure that Miss Wallace has anything that she wants.
00:39:01Anything.
00:39:02Yes, sir.
00:39:03I'll make it my business, sir, to see that Miss Wallace has my personal attentions.
00:39:10Okay.
00:39:11Okay.
00:39:16Oh, Stuart.
00:39:17Yes, sir.
00:39:18One dry martini and one Manhattan, please.
00:39:20Just a minute.
00:39:21Isn't that Miss Benson?
00:39:26Yes.
00:39:27Stuart, ask the young lady in the doorway to join us, please.
00:39:31Yes, ma'am.
00:39:35Mary, what are you going to do?
00:39:38You'll see.
00:39:39I beg your pardon.
00:39:41Mrs. Bradley would like you to join her.
00:39:43Mrs. Bradley?
00:39:44Yes, ma'am.
00:39:50Miss Benson, this is...
00:39:52Oh, we've met.
00:39:54Dry mart...
00:40:03Miss Benson, I asked you to join us because...
00:40:06Well, just to keep up appearances.
00:40:10I'm sure we'd all rather avoid a scandal, if possible.
00:40:13Of course.
00:40:15That's right.
00:40:19The bacchete for Miss Benson.
00:40:20Yes, sir.
00:40:25Phew.
00:40:28I have no intention of interfering with your plans.
00:40:31Of course not.
00:40:32Your being here was just an accident, I suppose.
00:40:34Yes, that's exactly what happened.
00:40:36The train started before she could get off.
00:40:38How unfortunate.
00:40:40I mean, it must be so inconvenient to be here without suitable clothes.
00:40:43Oh, I'll borrow some pajamas from John.
00:40:55Happy landings.
00:40:58This may be amusing to you, but it is not to me.
00:41:01Why?
00:41:04Why, you act as though you were the outraged wife and I were the other woman.
00:41:08Well, it's practically that.
00:41:10John has decided to leave you.
00:41:12So why don't you leave us alone?
00:41:14Oh, the shoe does hurt when it's on the other foot.
00:41:17Well, John was my husband.
00:41:19It was quite all right for him to buy you jewels.
00:41:23Oh, don't try to hide it.
00:41:25I know all about it.
00:41:30Where is it?
00:41:31I don't know.
00:41:32I had it just a little while ago.
00:41:35Well, perhaps you left it in the estate room.
00:41:40Skyton sort of me.
00:41:42Do you want me to go and look for it?
00:41:43Oh, no, no, no, no, no.
00:41:44I'm sure I had it when I left the room.
00:41:46I must have lost it.
00:41:48I beg pardon, but is there something wrong?
00:41:50Yes, Miss Vinson has lost a diamond pendant.
00:41:53Did you look in your estate room?
00:41:55Think that.
00:41:56Are you sure you didn't put it somewhere?
00:41:58No, I didn't take it off.
00:42:00I know I had it when I left my room.
00:42:02And you came directly here?
00:42:04Yes.
00:42:05Well, don't worry.
00:42:06If it's on the train, we'll find it.
00:42:14Do it.
00:42:18Listen.
00:42:19A diamond pendant has been lost.
00:42:21You search the upstairs corridor.
00:42:23You take the lower.
00:42:24Yes, sir.
00:42:25You get back here as soon as you can.
00:42:26Yes, sir.
00:42:32I beg your pardon, sir.
00:42:33Perfectly all right.
00:42:44Oh, bartender.
00:42:46Let's see what the gentleman will have.
00:42:49I'll have a big glass of milk.
00:42:54Make my...
00:42:55No, no, no.
00:42:56Never mind.
00:42:57Skip it.
00:43:03Bartender, sir.
00:43:04Look around in there.
00:43:05Yes, sir.
00:43:06Take the right-hand side.
00:43:08I couldn't find it downstairs.
00:43:09It must be in here.
00:43:10Take that side.
00:43:11Yes, sir.
00:43:12Just a moment, please.
00:43:13Would you mind waiting here a little while?
00:43:15But I've got to get this milk to my wife.
00:43:16She's a very sick woman.
00:43:17I'm sorry.
00:43:18It'll only take a few minutes.
00:43:19You see, a valuable diamond has been lost.
00:43:29We've searched all the corridors, Mr. Bradley,
00:43:31and though we haven't found anything yet,
00:43:33we may seem to be having some trouble back there.
00:43:35If they don't find it, do you think they'll stop the train?
00:43:40I shouldn't be a bit surprised.
00:43:42Oh, they can't.
00:43:43I've got to get my wife to California as soon as possible.
00:43:47Hey, conductor.
00:43:48Conductor.
00:43:49I've got to get back to my wife.
00:43:51If you think I have the jewel, why don't you search me?
00:43:53But I don't want to search anybody.
00:43:55Why not?
00:43:56I think it's a very good idea.
00:43:58No, no, no.
00:43:59Not that.
00:44:00No, don't do that.
00:44:01What's the matter?
00:44:02You act as though you stole it.
00:44:03Not at all.
00:44:04Not at all.
00:44:05I suggest you search everybody.
00:44:06If there's a thief on board,
00:44:07you'll be protecting the rest of the passengers.
00:44:09I don't like to do it.
00:44:10Naturally.
00:44:12Does anyone object?
00:44:13Why, no innocent person could.
00:44:15It's much better than having everyone suspicious of everyone else.
00:44:18Well, thank you so much.
00:44:21I've got to get back to my wife.
00:44:22Couldn't you start with me first?
00:44:24Oh, very well.
00:44:43Sorry I detained you.
00:44:46Do you mind?
00:44:48Mind?
00:44:49Not at all.
00:45:12May I?
00:45:13Sure, go ahead.
00:45:28Wedding ring.
00:45:29Say, where you're at?
00:45:31Will you see if you can find my bride?
00:45:35Stewart, come here.
00:45:38Where are you going?
00:45:39Order for number 15, sir.
00:45:41Just a minute.
00:45:42Order for number 15, sir.
00:45:43Just a minute.
00:45:51All right.
00:45:59Eeny, meeny, miny, moe.
00:46:07Eeny, meeny, miny, moe.
00:46:12Eeny, meeny, miny, moe.
00:46:24Eeny, meeny, miny...
00:46:25Oh, pardon me just a minute.
00:46:26One of these is mine.
00:46:27Go ahead.
00:46:28Do you want to play?
00:46:30May I?
00:46:31Sure, go ahead.
00:46:34Eeny, meeny, miny, moe.
00:46:42Eeny, meeny, miny, moe.
00:47:07All right, that's all.
00:47:09Pardon me, sir.
00:47:13Stewart.
00:47:14Yes, sir.
00:47:16You're a new man, aren't you?
00:47:17Yes, sir.
00:47:18He's taking Smith's place.
00:47:19Oh.
00:47:21What happened to Smith?
00:47:22He was called home.
00:47:23His wife's sick.
00:47:24That's too bad.
00:47:25That's all, Stewart.
00:47:31So Smith's wife is sick, huh?
00:47:33Yes.
00:47:34I've known Smith for about nine years.
00:47:37He hasn't got a wife.
00:47:41I thought that new man was acting funny.
00:47:43He's been sneaking around ever since he got on board.
00:47:47Keep your eye on him.
00:47:48He may be in on this.
00:47:50Yes, sir.
00:48:04Oh.
00:48:32Someone's knocking.
00:48:33Is he a doctor?
00:48:34I want a doctor.
00:48:35I want a doctor.
00:48:36Is there a doctor on the train?
00:48:38I need a doctor right away.
00:48:39What's the problem?
00:48:40I must have a doctor.
00:48:41I gotta have a doctor.
00:48:42Find the physician.
00:48:43What is it?
00:48:44Doctor, come quick.
00:48:45Hurry.
00:48:46My wife.
00:48:53In here, doctor.
00:48:56Oh, I think you better wait outside.
00:49:00Now, now, now.
00:49:01You take it easy, old man.
00:49:02Everything will be all right.
00:49:04Oh, Stuart.
00:49:05Bring my instruments from my stateroom,
00:49:07and I'll need a lot of boiling water.
00:49:10How is she, doctor?
00:49:11What the devil do you mean by bringing a woman in her condition on board a train?
00:49:15But I had to.
00:49:16You see, my uncle in Los Angeles died last Friday.
00:49:18Well, what's that got to do with it?
00:49:20But he left my baby $10,000 in his will.
00:49:22Well, if you're in such a rush to get the money,
00:49:24couldn't you leave your wife at home?
00:49:26Well, not very well.
00:49:29You see, the baby won't get the money unless it's born in California.
00:49:32Oh, I see.
00:49:34Doctor, do you think it'll be in California?
00:49:37Right now, it looks more like New Mexico.
00:49:39Oh, thank you.
00:49:41Doctor, is there anything I can do?
00:49:43No, I think you've done enough already.
00:49:51You don't want to be alone at a time like this.
00:49:53Come along with us.
00:49:55Do you mind?
00:49:56I'm scared.
00:49:58Of course you are.
00:50:01I know.
00:50:02It's a sort of a helpless feeling.
00:50:05Something you don't forget.
00:50:07Eh, Mary?
00:50:08Yes.
00:50:09Something you don't forget.
00:50:11Do you have a son?
00:50:12Yeah.
00:50:13Great kid.
00:50:14Oh, John.
00:50:15I want to hear.
00:50:16You know, I'm awfully proud of that boy.
00:50:18I'll bet he's proud of you, too.
00:50:21Yes, I suppose he is.
00:50:24That's a good idea.
00:50:25Why don't you have some dinner with us?
00:50:27I don't want to.
00:50:28I can't eat.
00:50:29Oh, it'll make you feel much better.
00:50:30Really, go on.
00:50:40Oh, Judge.
00:50:41Judge.
00:50:44They've wired the police to meet the train in Los Angeles.
00:50:46What of it?
00:50:47Well, they might find a pendant on her.
00:50:49Nonsense.
00:50:50She hasn't got it.
00:50:51Didn't they search everybody?
00:50:52Yes, but she might have hidden it when she went to send that file.
00:50:54Maybe you're right.
00:50:55Something must be done.
00:50:58Supposing I were to speak to her.
00:51:00Oh, I wouldn't do that if I were you.
00:51:02It's a very delicate matter.
00:51:04Yes, yes.
00:51:05Of course it is.
00:51:06Look here.
00:51:07You've been through this sort of thing with her before.
00:51:10Supposing you talk to her.
00:51:11Oh, I couldn't do that.
00:51:12Oh, no, I couldn't.
00:51:13I couldn't possibly.
00:51:14Oh, please, as a favor to me.
00:51:16Well, if you insist.
00:51:17Oh, yes, yes.
00:51:18Where is she?
00:51:19She's right in here.
00:51:23Good luck.
00:51:33Well, what do you want?
00:51:35Well, I...
00:51:36I, uh...
00:51:37I've come to make up for bed.
00:51:39But I don't want to go to bed.
00:51:41I haven't had my dinner yet.
00:51:42That's as it should be.
00:51:43All Santa Barbara wives go to bed before dinner.
00:51:46Is that so?
00:51:47Oh, yes.
00:51:48Unless, of course, it has to be Rotarian dinner.
00:51:50In that case, the husband...
00:51:52Freddy's not a Rotarian.
00:51:54Well, this is no time to argue.
00:51:56I...
00:51:57I have my bed-making to do.
00:52:05What have you done with it?
00:52:07With what?
00:52:08With the bed.
00:52:09I haven't got it.
00:52:11Come, come.
00:52:12I'm not so easily fooled.
00:52:15Probably lurking about somewhere.
00:52:18Oh, it's not in there.
00:52:19I know.
00:52:20It's not in...
00:52:21It's not in there.
00:52:22Well, I can't find it.
00:52:24Do you mind sleeping in the bathtub?
00:52:26I'll worry about that later.
00:52:29Good night.
00:52:30You, uh...
00:52:31Oh, I couldn't possibly think of going at my work undone.
00:52:34Why, what would the purser say?
00:52:36Now, with me, my work comes first.
00:52:39With you, it's different.
00:52:42So, there you are, you silly juggerns.
00:52:45Is this a social call, or did you come to make the bed?
00:52:48To make the bed, madame.
00:52:50Well, do it and get out.
00:52:51Early to bed and early to rise.
00:52:53My, how I envy you going into a life of ease and comfort.
00:52:57No more long rehearsals.
00:52:59No more opening nights.
00:53:01No more hanging around with your friends.
00:53:04No more...
00:53:05No more...
00:53:06No more...
00:53:07No more...
00:53:08No more...
00:53:09No more...
00:53:10No more hanging around Lindy for the wee hours waiting for the reviews to come out.
00:53:15No more...
00:53:16That's way stupid.
00:53:17Here, I'll do it.
00:53:18I'll do my own work.
00:53:19Any sap can make a bed.
00:53:20Any sap doesn't seem to be able to.
00:53:22Well, perhaps two saps are all better than one.
00:53:25Don't you dare call me a sap.
00:53:26Well, you call me one.
00:53:27Get out of here.
00:53:28Not until I've made the bed.
00:53:30Let go of that.
00:53:31I won't.
00:53:32You let go of that.
00:53:33Let go just long enough for me to hit you with it.
00:53:34If you do, I'll stew you.
00:53:35You would, you chiseler.
00:53:41You knocked me down, you brute.
00:53:43You fell down, you crybaby.
00:53:44Why, didn't I?
00:53:45You knocked me down.
00:53:46You're going to pay for this.
00:53:47Well, before I do, you're going to get what you deserve.
00:53:51This is the end.
00:53:52Yes, this is the end.
00:53:53I'm going to pound some sense into you.
00:53:55Not that way.
00:53:56Yes, this is the only way to make you understand that I've had enough.
00:53:59That I'm divorced.
00:54:00I mean what I say, that I love you.
00:54:03I love you.
00:54:06Love you.
00:54:08Love you.
00:54:10Oh, Pat, I do love you.
00:54:14Why didn't you say so before?
00:54:16Well, how could I?
00:54:18I just found it out myself.
00:54:20And I've loved you all the time.
00:54:22Oh, you angel.
00:54:24Darling.
00:54:31Oh, Jimmy, you do love me.
00:54:32You do.
00:54:33I guess I always have.
00:54:35But I didn't know it.
00:54:37Oh, Pat, don't ever run away from me.
00:54:39I can't lose you.
00:54:41Don't ever leave me.
00:54:42Oh, I love you so.
00:54:44I'll never leave you.
00:54:46Oh, but Jimmy, I'm engaged.
00:54:51You mean you were engaged.
00:54:56That's right.
00:54:58I was engaged.
00:54:59We'll get married right away.
00:55:01On the train?
00:55:02We'll stop the train.
00:55:03Don't be silly.
00:55:04All right.
00:55:05As soon as we get to California, we'll get married.
00:55:06Well, that's all that matters.
00:55:07Then we'll go to Honolulu on a honeymoon.
00:55:09Oh, that'll be heaven.
00:55:11Oh, Pat, we haven't got time for a honeymoon.
00:55:13As soon as we get married, we'll hop on a fast train
00:55:14right back to New York.
00:55:16We can get there without delaying the opening of day.
00:55:18Gee, it's worked out great.
00:55:21Well.
00:55:22You understand?
00:55:25I understand.
00:55:27Perfectly.
00:55:32You get out of here.
00:55:34Darling.
00:55:35Don't you darling me.
00:55:36You'd get me back in your show
00:55:37even if you had to marry me to do it.
00:55:39Now get out of here.
00:55:41But, Pat.
00:55:42Get out.
00:55:43But.
00:55:44No.
00:55:51How did you make out?
00:55:52Out.
00:55:53Out?
00:55:54Out.
00:55:55Out.
00:55:57It was all right for a while, and then she went.
00:56:00Oh, yes.
00:56:01Times have changed.
00:56:03Well, what are we going to do about that?
00:56:04That's just what I'd like to know.
00:56:06Look here, old man.
00:56:07Will you see her again tomorrow?
00:56:09You really think I ought to?
00:56:11Oh, sure, sure.
00:56:13Well, if you insist.
00:56:15Thanks.
00:56:16Thanks, old man.
00:56:17You're a pal.
00:56:18Stick to it.
00:56:29Listen, I'm bidding you good morning.
00:56:31We're still shooting at that speed record.
00:56:32But it's more than a race against the clock.
00:56:34That old bird, the stork,
00:56:35has been following us every inch of the way.
00:56:37So stand by for results.
00:56:39Well, any news?
00:56:41No.
00:56:46Why don't they tell us something?
00:56:50Do you think anything could have happened to Margaret?
00:56:52No, of course not.
00:56:54Mrs. Bradley will tell us if there's anything wrong.
00:56:56Come on, buck up.
00:56:58We'll soon be in California,
00:56:59and everything will be all right.
00:57:00You know, I don't want that money for myself.
00:57:02I never had anything.
00:57:04I want my baby to have a chance.
00:57:06I quit my job.
00:57:08I sold everything I had, everything I owned,
00:57:10just so he could have a chance.
00:57:12Mr. Jones, congratulations.
00:57:14You're a father.
00:57:16How's Margaret?
00:57:17She's all right.
00:57:18You can see her in a few minutes.
00:57:20Did you hear that?
00:57:21Did you hear that?
00:57:22I'm a father.
00:57:23I'm a father!
00:57:24Shh.
00:57:26Shh.
00:57:28Shh.
00:57:35Shh.
00:57:36I'm a father.
00:57:54Margaret.
00:57:55Shh.
00:57:57I'm a father.
00:58:00Amazing.
00:58:06What's the matter?
00:58:07Shh.
00:58:08I'm a father.
00:58:09That's all right.
00:58:10I won't tell anybody.
00:58:17Where am I?
00:58:18Where am I?
00:58:19What's that?
00:58:20Where are we?
00:58:21We're on the streamline.
00:58:22Oh, no, no, no.
00:58:23I mean the train.
00:58:24Where are we?
00:58:25Arizona.
00:58:26Paris.
00:58:29Tough luck, old man.
00:58:38Arizona.
00:58:41Good morning, Mr. Lanham.
00:58:42Oh, good morning, Percy.
00:58:43Going to breakfast?
00:58:44Yeah.
00:58:47Mr. Jones.
00:58:50Here comes Lanham's room.
00:58:57Oh.
00:58:58Oh.
00:58:59Oh.
00:59:00Oh.
00:59:01Oh.
00:59:02Oh.
00:59:03Oh.
00:59:04Oh.
00:59:05Oh.
00:59:06Oh.
00:59:07Oh.
00:59:08Oh.
00:59:09Oh.
00:59:10Oh.
00:59:11Oh.
00:59:12Oh.
00:59:13Oh.
00:59:14Oh.
00:59:15Oh.
00:59:16Oh.
00:59:17Oh.
00:59:18Oh.
00:59:19Oh.
00:59:20Oh.
00:59:21Oh.
00:59:22Oh.
00:59:23Oh.
00:59:24Oh.
00:59:25Oh.
00:59:26Oh.
00:59:27Oh.
00:59:28Oh.
00:59:29Oh.
00:59:30Oh.
00:59:31Oh.
00:59:32Oh.
00:59:33Oh.
00:59:34Oh.
00:59:35Oh.
00:59:36Oh.
00:59:37Oh.
00:59:38Oh.
00:59:39Oh.
00:59:40Oh.
00:59:41Oh.
00:59:42Oh.
00:59:43Oh.
00:59:44Oh.
00:59:45Oh.
00:59:46Oh.
00:59:47Oh.
00:59:48Oh.
00:59:49Oh.
00:59:50Oh.
00:59:51Oh.
00:59:52Oh.
00:59:53Oh.
00:59:54Oh, Miss Vinson.
01:00:01Yes?
01:00:05I know where your pendant is.
01:00:09You know?
01:00:10Yes.
01:00:11I can't tell you about it here, but I'll see that you get it back.
01:00:22Good morning.
01:00:34What did you do with the pendant?
01:00:35It's quite safe.
01:00:36Why?
01:00:37It's hot.
01:00:38The police are going to meet the train.
01:00:39Isn't that just ducky?
01:00:40The moment the police come in, I become suspect number one.
01:00:51You wouldn't want that to happen to me, would you, dear?
01:00:54Give me a break, Harry.
01:00:55Look, there's only one person who can get that pendant off this train without being
01:01:00searched.
01:01:01Really?
01:01:02Who?
01:01:03Me.
01:01:04Getting smart?
01:01:05I'm not trying to cross you.
01:01:06Honest, I'm not.
01:01:07It's our only chance.
01:01:08I'll give it back to you, and more, if you'll only give me a break now.
01:01:19Now, how could I refuse an old friend?
01:01:25We are old friends, aren't we?
01:01:27Of course we are.
01:01:28Then let's keep it that way.
01:01:29I'll get it for you.
01:02:00What the devil are you doing here?
01:02:22So you're the...
01:02:25You crook!
01:02:26Conductor!
01:02:27Waiter!
01:02:28Somebody!
01:02:29I've got him!
01:02:30Oh, no, you don't.
01:02:31Oh, no, you don't.
01:02:32You took one too many steps.
01:02:33Here, here.
01:02:34What's this all about?
01:02:35There's your jewel, and there's your thief.
01:02:36He tried to hide that in that tube of shaving cream.
01:02:37You're a liar.
01:02:38I found it in your shaving cream.
01:02:39My shaving cream?
01:02:40Gentlemen, I ask you.
01:02:41This is the cream I use.
01:02:42Look, it's still moist from this morning's shave.
01:02:43I told you to keep an eye on this man.
01:02:44Come on.
01:02:45I tell you, I didn't do it.
01:02:46Now, just listen to me.
01:02:47I'll tell you how it happened.
01:02:48No, no, don't.
01:02:49I'll tell you how it happened.
01:02:50I'll tell you how it happened.
01:02:51I'll tell you how it happened.
01:02:53I told you to keep an eye on this man.
01:02:54Come on.
01:02:55I tell you, I didn't do it.
01:02:56Now, just listen to me.
01:02:57I'll tell you how it happened.
01:02:58No, no, don't.
01:02:59Don't say anything to your senior lawyer.
01:03:00I'll get you the best one in California.
01:03:01Why, do you know this fellow?
01:03:02Yes, well, he was a valet to a friend of mine.
01:03:03I couldn't vouch for him.
01:03:04Well, I've got to turn him over to the police.
01:03:05Don't worry, I'll stand by you.
01:03:06Just don't say a word.
01:03:07The only thing I've done wrong was to use his shaving cream.
01:03:08Well, I'll take care of it, I promise.
01:03:09I came in to pick up that bad.
01:03:10Now, that fact, I've never heard of.
01:03:11But I've got to turn him over to the police.
01:03:13Now, don't worry, I'll stand by you.
01:03:16Just don't say a word.
01:03:17The only thing that I've done is wrong with you is his shaving cream.
01:03:19Now, I'll take care of that.
01:03:20I came in to pick up that bed.
01:03:22Now, let's try that...
01:03:22Take your clothes, Conductor.
01:03:24The man obviously stole that tablet.
01:03:31What's all the racket about?
01:03:33They've caught the stewards.
01:03:35What stewards?
01:03:36Well, you know, the fellow that used to be hard salad.
01:03:38The number 13.
01:03:40So they found him out.
01:03:42Good.
01:03:43Maybe that'll teach him to mind his own business.
01:03:45But they'll put him in jail.
01:03:47Why?
01:03:47That's where he belongs.
01:03:49Oh, but my dear, we've got to get him out.
01:03:51Why?
01:03:53Now, look here, darling.
01:03:55I don't blame you for anything.
01:03:58Why should you?
01:03:59We'll get the very best doctor we can find.
01:04:02Who's sick?
01:04:03Well, you are.
01:04:05I never felt better in my life.
01:04:08Oh, well, perhaps we'd better see a doctor anyway.
01:04:11Have you gone crazy?
01:04:13I don't know.
01:04:14I think perhaps I have.
01:04:17Where are you going?
01:04:18Well, to wire up for a lawyer.
01:04:20But you just wanted a doctor.
01:04:22Well, that was for you, dear.
01:04:23Then who's the lawyer for?
01:04:25Well, for the steward.
01:04:26Freddy Arnold.
01:04:27If you get him out of this, I'll never talk to you again as long as I live.
01:04:33Oh, yes.
01:04:36I'll be stopping at the Ambassador.
01:04:37You can get me there if you need me.
01:04:39Thank you, Mr. Linton.
01:04:41Sorry you were inconvenienced.
01:04:42That's quite all right.
01:04:44Lock him up in the baggage room.
01:04:45You're making a terrible mistake.
01:04:47I'm James Hart, the playwright.
01:04:48Make it Shakespeare and I'll listen to reason.
01:04:50But this is silly.
01:04:51You've got to believe me.
01:04:53I can prove it.
01:04:54How?
01:04:54Ask Miss Wallace.
01:04:55She worked for me.
01:04:57Get Miss Wallace, please.
01:04:58Yes, sir.
01:04:59Now you'll find out who I am.
01:05:07Did you send for me?
01:05:09Is this the jewel you lost, Miss Minson?
01:05:13Yes.
01:05:14Where did you find it?
01:05:15Mr. Linton here caught this steward with it.
01:05:21Thanks.
01:05:25You don't know how happy this makes me.
01:05:28I can very well understand that.
01:05:32You want me?
01:05:33Do you know this man?
01:05:35Yes.
01:05:36He's a steward.
01:05:37And I might add a very bad one.
01:05:38The service has been abominable.
01:05:40That's just it.
01:05:42He's not a steward.
01:05:44Do you know who he really is?
01:05:46No.
01:05:48I never saw him before in my life.
01:05:50Pat, this is no joke.
01:05:51I'll say it's no joke.
01:05:53You'll get 10 years for this.
01:05:5410 years?
01:05:55Maybe 20.
01:05:5720 years?
01:05:59Jimmy, darling, what are they trying to do to you?
01:06:03They're trying to put me in jail.
01:06:05But who cares as long as you love me?
01:06:07Miss Wallace.
01:06:09Of course I do.
01:06:11He's Jimmy Hart.
01:06:14So you're Jimmy Hart?
01:06:16Yes.
01:06:18A fellow that wanted to punch my nose.
01:06:20I've changed my mind.
01:06:21What's all this got to do with who stole the pendant?
01:06:24Plenty.
01:06:25He did.
01:06:26Why on earth should he want to do a thing like that?
01:06:28To prove that you're a kleptomaniac.
01:06:30But I'm a klepto...
01:06:31He said that you take things.
01:06:32And to make me believe it, he stole the pendant.
01:06:35And when things got too hot for him,
01:06:38he tried to conceal it in my steak room.
01:06:40He couldn't have taken it.
01:06:44Why not?
01:06:44Because when I left Miss Vinson's steak room,
01:06:46she was wearing the pendant.
01:06:48I came directly here and that man waited on me.
01:06:51When Miss Vinson came in a few minutes later,
01:06:53she didn't have it on.
01:06:54I told you I found it in his shaving cream.
01:06:56Well, Mr. Langdon.
01:07:00I'm sorry, old girl, but from here on,
01:07:02it's every man for himself.
01:07:04Shall I tell them why you gave it to me?
01:07:10Just tell them that we were old friends.
01:07:13Let it go at that.
01:07:20Well, I guess you don't want me around here anymore.
01:07:25Hello.
01:07:34I'm sorry, John.
01:07:39I'm not.
01:07:40It was a lucky thing for me you were caught on this train.
01:07:44What?
01:07:45That's quite all right.
01:07:49Pat.
01:07:50He must love you an awful lot to go to so much trouble
01:07:52to keep you from marrying me.
01:07:54Good.
01:07:56Who, me?
01:07:57Yes, you.
01:07:58What do you want?
01:08:00I want you to give Miss Wallace
01:08:02your very best personal attention.
01:08:06Yes, sir.
01:08:08On a honeymoon to Honolulu.
01:08:11Are we having time for a honeymoon?
01:08:13Mr. and Mrs. Hart are catching the first plane
01:08:15back to New York.
01:08:17I wouldn't hold up your new plane for all the tea.
01:08:19In Santa Barbara?
01:08:21No, in the whole world.
01:08:24Where are we?
01:08:25Where are we?
01:08:26California.
01:08:27What's the matter?
01:08:28I'm a father.
01:08:30Oh, you knew that before.
01:08:31But you only know the half of it.
01:08:32My wife just had another baby.
01:08:35Drink for everybody.
01:08:36Come on, bartender, pour him up.
01:08:39It's not excitement.
01:08:40I just had twins.
01:08:42It's mine to save.