Unrated | 1h 20min | Horror, Drama | 5 March 1975 (USA)
Original Title: El monte de las brujas
A photojournalist traveling through the Pyrenees on assignment with a beautiful writer stays overnight at an ancient Spanish castle, only to hear that the adjoining mountain is occupied by a coven of witches.
Director: Raúl Artigot
Writers: Raúl Artigot, Juan Cortés, Félix Fernández, José Truchado
Stars: Patty Shepard, Cihangir Gaffari, Mónica Randall
Original Title: El monte de las brujas
A photojournalist traveling through the Pyrenees on assignment with a beautiful writer stays overnight at an ancient Spanish castle, only to hear that the adjoining mountain is occupied by a coven of witches.
Director: Raúl Artigot
Writers: Raúl Artigot, Juan Cortés, Félix Fernández, José Truchado
Stars: Patty Shepard, Cihangir Gaffari, Mónica Randall
Category
🎥
Short filmTranscript
00:00:00Morning.
00:00:26Good morning.
00:00:56How are you?
00:01:04Oscar!
00:01:08Yes, ma'am.
00:01:09Has anyone called?
00:01:10No one at all.
00:01:12Has the maid returned yet?
00:01:14No, she won't get here until eight tonight.
00:01:16Take my car to the mechanic.
00:01:18Have them check the brakes and the steering.
00:01:20Better wait for them to finish.
00:01:21I'll do that right away.
00:01:56Cersei! Where's that cat?
00:02:26It's...it's...Infidel.
00:02:54Gerda! What are you doing here?
00:02:58I came to punish you.
00:03:02To punish me?
00:03:06We were angry with what you did.
00:03:08Listen, Gerda, you're completely wrong. Let me explain.
00:03:11You can explain when we get there. Let's go.
00:03:14He's...he's hiding.
00:03:17Gerda! Gerda!
00:03:20It was all because of that stupid cat of yours.
00:03:23Wait. Wait a minute. Gerda, please wait. You're mistaken.
00:03:27I'm not mistaken at all.
00:03:30I had strict orders to take you to the others.
00:03:33Titi! Titi!
00:03:39Titi, where are you hiding?
00:03:43Leave. Give me just two days.
00:03:48You can't deny me that. I beg of you.
00:03:51Wait a minute, Gerda. Please wait.
00:03:53Titi!
00:03:54Please. Listen to me a second, Gerda.
00:03:57How could you live with that revolting animal? Now I can't find Titi anywhere.
00:04:00Gerda!
00:04:04Maybe she's in the garage. You know, she just loves cars.
00:04:08Titi, where are you? We're in a hurry.
00:04:14That old cat won't bother you anymore. I killed him.
00:04:18Look! There she is.
00:04:25Titi!
00:04:27Titi!
00:04:29Titi!
00:04:31Titi!
00:04:33Titi!
00:04:35Titi!
00:04:38Poor Titi. She's all upset.
00:04:42Calm down, my little one. We're going now.
00:04:46Carla's going to take us in her beautiful car.
00:04:49How could that cat frighten you?
00:04:51Calm down. We're leaving right away.
00:04:55You know what, Carla? Titi loves the smell of gasoline.
00:04:59Isn't that marvelous?
00:05:07Tenil, prince of darkness
00:05:10Tenil, prince of darkness
00:05:13Who lives in the mansions of shadows
00:05:20Look, I'm coming before you
00:05:26With my arms bended behind my back
00:05:32In the power of the sun
00:05:38In the power of the sun
00:05:44In the power of the sun
00:05:56Tenil, prince of darkness
00:06:02Tenil, prince of darkness
00:06:09All is real, none is dark
00:06:15In me, in me, you're the one
00:06:33Carla, what are you doing here?
00:06:36I've been waiting for you.
00:06:39How did you get in?
00:06:41I still have a key.
00:06:43No, that's impossible.
00:06:45I didn't know myself that I'd be coming back today.
00:06:48Well, I wanted to see you.
00:06:50I kind of guessed you'd be coming back.
00:06:52No, I didn't.
00:06:54I didn't know I'd be coming back today.
00:06:57I wanted to see you.
00:06:59I kind of guessed you'd be coming back.
00:07:00I wanted to see you.
00:07:02I kind of guessed you'd be coming back.
00:07:06Are you that surprised to see me?
00:07:08You don't love me any longer?
00:07:16Don't be ridiculous, Carla.
00:07:19Tell me why you've come here.
00:07:21Because I love you, that's why.
00:07:24You know you're forcing me to be disagreeable.
00:07:27It's just that you haven't gotten over the surprise of seeing me.
00:07:31You can't be serious.
00:07:33I've never been more serious in my life.
00:07:40Another woman?
00:07:42Don't be silly.
00:07:44You know perfectly well we can't live together.
00:07:47Have you forgotten?
00:07:50Mario, listen to me, I...
00:07:52Come on, Carla, let's forget about it.
00:07:54End of conversation.
00:07:55End of conversation.
00:07:58Sit down, would you please?
00:08:07I guess it was a mistake to come by without calling first.
00:08:10I wanted to surprise you, darling.
00:08:18Mario, two plane tickets for Brazil.
00:08:22I knew you were going to take a vacation.
00:08:23And I thought we might spend it together, you and I.
00:08:26I need you now, more than ever.
00:08:39Gramer Publishing?
00:08:41This is Mario Valdor calling.
00:08:44Give me the head of photography.
00:08:47Is that you, Dan?
00:08:50Doing okay.
00:08:51Doing okay.
00:08:53Just now, I have something important to tell you.
00:08:56I don't want a vacation.
00:08:59No, your hearing's not going bad.
00:09:01Give me any assignment you want.
00:09:03No, I'm not drunk.
00:09:07You want me to do what?
00:09:09Am I hearing you right?
00:09:11All right, I'll do whatever you say.
00:09:14I'll leave tomorrow. So long.
00:09:18You'll be sorry for that, you hear?
00:09:19You shouldn't be so melodramatic.
00:09:25I'll see you to the door.
00:09:27Don't bother.
00:09:29I know my way out.
00:09:49I'll see you to the door.
00:10:19I'll see you to the door.
00:10:49I'll see you to the door.
00:10:50Nice place.
00:11:21A lot of privacy, too.
00:11:23I thought the same thing.
00:11:25But I see I was mistaken.
00:11:27Can I stay a while?
00:11:29You take a picture of me?
00:11:31Several.
00:11:33What was the object?
00:11:35I just like beauty. You see, I'm an artist.
00:11:37I'm sorry if I bothered you.
00:11:39I don't mind. Photograph me as much as you wish.
00:11:41But give the negatives to me.
00:11:43You shall have them.
00:11:45And as punishment for my impertinence,
00:11:47I'll invite you to lunch.
00:11:48What are we waiting for?
00:12:01Excuse my asking,
00:12:03but are you from around here?
00:12:05No, I came to work here.
00:12:07What do you do?
00:12:10I'm a writer.
00:12:12Very interesting.
00:12:14Have you been here very long?
00:12:16Almost three months.
00:12:18Do you know where the mountain is?
00:12:20No.
00:12:23I have an assignment
00:12:25up around the lakes.
00:12:27Would you like to come with me?
00:12:30Thanks, but I can't.
00:12:38Are you married?
00:12:40No. And you?
00:12:41Not yet, I'm not.
00:12:51There you are.
00:12:53Bring the check, will you please?
00:12:55Certainly.
00:13:06I'm sorry you can't come with me.
00:13:08I'd like to have a drink with you.
00:13:09I'd like to make a trip with you.
00:13:13What time is it?
00:13:15It's 4.30.
00:13:17Could you take me home, please?
00:13:19Sure, of course.
00:13:21I live two miles from here.
00:13:23Do you live alone?
00:13:25Yes.
00:13:27Don't you get bored?
00:13:29No, to the contrary.
00:13:40Would it be possible
00:13:42to see you again when I come back?
00:13:45Yes, sometimes.
00:14:03That's my house there.
00:14:05And that's your house?
00:14:07Yes.
00:14:24I've decided to go with you to the mountains.
00:14:26Wait a minute.
00:14:28Sure.
00:18:09I still can't understand about that music.
00:18:15You still thinking about that?
00:18:16What are you trying to do brightening?
00:18:18Oh, you're just trying to kid me.
00:18:20Me?
00:18:21Suppose you have loud speakers outside the house.
00:18:24You put a record on and then you turn off the volume.
00:18:27Ah, what an imagination you have.
00:18:30Music stopped when you came out.
00:18:34Now go on and laugh.
00:18:35I found you out.
00:18:56Are you still thinking about your music?
00:18:58Let's forget about it.
00:19:05Let's go.
00:19:20I think this is the end they told me about.
00:19:22What do you say we take a look?
00:19:24I hope this is it. I'm hungry and sleepy.
00:19:30Shall we go in?
00:19:35Let's go.
00:19:40Good evening.
00:19:45Good evening.
00:19:46Good evening. What can I do for you?
00:19:49Do you have rooms?
00:19:51How many do you want?
00:20:00All right.
00:20:02Anything to eat? There's soup, bread, and bacon and eggs.
00:20:08Anything's all right with me.
00:20:10How's that?
00:20:12She said anything will be all right.
00:20:14Give us whatever you have to eat.
00:20:16Oh, all right. I'll give you a little bit of everything I have.
00:20:20Since I have a lot to talk to him about, I'll wind up with laryngitis.
00:20:27Why did you look at me when you asked for the rooms?
00:20:32What would you have said if I'd only asked for one room?
00:20:36What do you think I would have said?
00:20:38Your dinner will be ready in a minute.
00:20:40I've baked soup, bacon and eggs, and venison.
00:20:45I think that's great. Will it be long?
00:20:47Right away.
00:20:49I'm sure it'll all be wonderful.
00:20:52How can you say that if you haven't tried it yet?
00:20:56Shall we bring the luggage in?
00:21:03I want to ask you something.
00:21:05What's that?
00:21:06What made you decide so suddenly to come with me?
00:21:11I felt kind of foolish.
00:21:13Only for that.
00:21:16There's another reason. You seem like an interesting person.
00:21:20No, I don't seem like. I am.
00:21:25Whenever you want, I'll show you to your room.
00:21:28I have to go to bed. I have to get up early.
00:21:32So do we.
00:21:33Right.
00:21:54Good night.
00:22:14Here's your room.
00:22:16It's you in the morning.
00:22:19Delia, what time do you want to get up in the morning?
00:22:23Whenever you say, it's all right with me.
00:22:25When I wake up, I'll knock on your door.
00:22:28Get a good night's sleep.
00:22:30See you in the morning.
00:22:48Good night.
00:23:18Water.
00:23:48Water.
00:24:02What are you frightened about?
00:24:04It's only me.
00:24:07I forgot to tell you, we turn the electricity off now.
00:24:10I brought a candle for you.
00:24:12Delia, what's wrong?
00:24:15Why did you scream?
00:24:17What happened?
00:24:19Who turned the lights out?
00:24:21What did you say?
00:24:23Who turned the lights out?
00:24:25I know that. It happens every night.
00:24:27It's the main station that connects with the mine.
00:24:30They're back on.
00:24:34They'll go back off again in a very few minutes.
00:24:38Don't worry, Delia. It was just a short circuit.
00:24:41There was someone in my window.
00:24:43He was looking at me.
00:24:45I opened the window.
00:25:02Her face was there on a level the same as mine.
00:25:05If you don't mind, I'll go to bed now.
00:25:09Do you have a ladder?
00:25:10A ladder? What for?
00:25:12A window frightened the young lady.
00:25:14And to get up to her window, they had to use a ladder.
00:25:18I don't think you're right.
00:25:20Then how did they get to the young lady's window?
00:25:23Easy. Because her window is only five feet from the ground.
00:25:27The back of the house is against the mountainside.
00:25:32Is it all right if I go to bed now?
00:25:36Aren't you frightened to sleep alone?
00:25:39Can we spend the night down below in the bar?
00:25:42If you like.
00:25:44By the fire you can stay warm, can't you?
00:25:46Yes, thanks.
00:25:49Let's see if it's all right with you.
00:25:51Sure. Why not?
00:26:09Forgive me. I didn't want to be a nuisance.
00:26:12Don't talk nonsense.
00:26:14You're an excellent traveling companion.
00:26:16Go on now. Get some rest.
00:26:18We have work tomorrow.
00:26:32Try to get some sleep.
00:26:34Try to get some sleep.
00:27:05Try to get some sleep.
00:27:24Celia!
00:27:27Celia!
00:27:29Celia!
00:27:35Celia!
00:28:00Have you seen the young lady?
00:28:03The young lady!
00:28:05Where is she?
00:28:29Celia!
00:28:36Celia!
00:28:39Celia!
00:28:59Celia!
00:29:05You two are the strangest pair I've ever seen.
00:29:08Would you tell me what's wrong now?
00:29:14The young lady has disappeared.
00:29:17Don't worry about that.
00:29:19She just went out for a walk and is looking around the countryside. That's all.
00:29:25You and your girlfriend are a strange pair.
00:29:29You and your girlfriend are a strange pair.
00:29:59You and your girlfriend are a strange pair.
00:30:29Mario!
00:30:33Mario!
00:30:59Mario!
00:31:29Mario!
00:31:59Mario!
00:32:19Mario!
00:32:24It's all right now.
00:32:26What happened?
00:32:28I don't know.
00:32:30I woke up in the middle of the forest.
00:32:33Why did you leave the inn alone?
00:32:35I just don't know.
00:32:37Maybe you're a sleepwalker.
00:32:40I felt like someone was following me.
00:32:43You can tell me all about it in the jeep.
00:32:58You can tell me all about it in the jeep.
00:33:01Something hot will be good for you, don't you think?
00:33:32Are you sure you don't want to rest before we leave?
00:33:35No. I feel much better now.
00:33:40After we've had some breakfast, we'd better take off.
00:33:43I'll go up for my baggage.
00:33:45Right.
00:33:49Fix us a lunch to take with us, would you?
00:33:51Would you talk louder?
00:33:54Fix us a lunch to take with us! We're leaving!
00:33:59Would you mind answering me a question?
00:34:03Of course not.
00:34:07Are you...
00:34:09Are you going very far?
00:34:12To the lakes.
00:34:14Is the young lady going with you?
00:34:19The mountain is very, very difficult.
00:34:23You must take care and be awful careful for the young lady.
00:34:27Don't worry about it.
00:34:29We're only going to go as far as our car will take us.
00:34:33Don't forget that I warned you.
00:34:36Thanks all the same.
00:34:45You know what the innkeeper told me?
00:34:49He told me that you shouldn't come with me.
00:34:52And what do you think?
00:34:54Maybe he was right.
00:34:56It would be better...
00:34:58Better if I took you home.
00:35:00He said it might be dangerous for you.
00:35:03Don't you worry about me. This trip interests me.
00:35:06I have no intention of backing out now.
00:35:26I have no intention of backing out now.
00:35:57Hey.
00:36:11Mario.
00:36:12Did you see that? I've never seen such shy people in my life.
00:36:15Hurry, will you? Those animals horrify me.
00:36:26I don't know.
00:36:45I think I'll climb this hill.
00:36:50You're too tired. You can stay in the jeep and rest.
00:36:52I wouldn't think of it.
00:36:54It's a long trip to continue sitting in the jeep.
00:36:57Are you ready to climb?
00:36:59Of course.
00:37:00Okay.
00:37:25Mario, someone's driving the jeep away.
00:37:42Hey, come back here!
00:37:46Hey!
00:37:49That's my car!
00:37:54Come on.
00:38:02How do you like that? If you'd stayed in the jeep like I asked...
00:38:05And if you hadn't left the keys inside...
00:38:09Excuse me, dearly.
00:38:11That was a stupid thing for me to say to you.
00:38:14Forget it.
00:38:15What do we do now?
00:38:17I don't know.
00:38:19I suppose we'll have to start walking.
00:38:22Of course, we could always hitch a ride.
00:38:34There's a shepherd. Maybe he saw someone.
00:38:40Good afternoon.
00:38:42Did you happen to see a jeep pass by here a little while ago?
00:38:46Which way did it go? Do you remember?
00:38:52No.
00:39:12Mario, what happened to the shepherd and his goats?
00:39:15What do I care?
00:39:17The only thing I care about is my jeep.
00:39:20Ask him where his trail goes.
00:39:22What's the difference? We have no other alternative than to go where it goes.
00:39:50THE SHEPHERD
00:40:21It looks as though they didn't take a thing.
00:40:30Who do you suppose drove it here?
00:40:33This little village looks abandoned.
00:40:37I'll find out right now.
00:40:39You stay here.
00:40:40Wouldn't think of it. I'm going where you go.
00:40:43You're the boss. Let's go.
00:40:50THE SHEPHERD
00:41:07It's not as abandoned as we thought.
00:41:21THE SHEPHERD
00:41:32What can I do for you?
00:41:34Good afternoon. Could you tell me who drove that car here?
00:41:42Didn't you two drive it?
00:41:44Someone stole it from us several hours ago. We just found it here.
00:41:47Well, I wouldn't know.
00:41:49Would you know if it was someone here in the village?
00:41:51There isn't anybody else. I live here alone.
00:41:54Alone?
00:41:55Yes, young lady.
00:41:57The old folks have been dying and the young people have been going to the city.
00:42:03Would you like to stay overnight here?
00:42:05Yes, all right.
00:42:08Do you happen to know of someplace we could stay the night?
00:42:11If you're not too proud, you can spend the night at my house.
00:42:14The spare bedroom hasn't been used in a long time.
00:42:17Thank you, ma'am. We'll spend the night.
00:42:20Won't you come in?
00:42:22I'll go down and get our luggage for us.
00:42:27Come in, miss, and make yourself at home.
00:42:43You have a very pretty house.
00:42:45Oh, you're just being kind, young lady.
00:42:48It's poor and old. Poor and old like its owner.
00:42:51No, really, I like it.
00:42:54Please sit down, miss. You look awfully tired.
00:42:58Get out of here! Get to your place! Go!
00:43:00Go!
00:43:12If you'll excuse me, I'll finish what I was doing.
00:43:15After, I'll fix us some coffee.
00:43:17No, don't worry about me.
00:43:30What are you making?
00:43:32Just some home remedies. The doctors don't get up this far.
00:43:36These recipes are centuries old and have been around for generations.
00:43:40And do they give results?
00:43:42Like nothing else.
00:43:44Why are you preparing so much if there's no one else in the village?
00:43:48Can't you see what a wreck I am?
00:43:50But you seem to be in very good shape.
00:43:52Well, the truth is, I make my living from it.
00:43:57There are some shepherds who ask me for my medicines from time to time.
00:44:02Besides that, I...
00:44:07Excuse me, I must have knocked something over when I came in.
00:44:09Oh, don't worry about that, my boy.
00:44:15I still can't figure it out.
00:44:17Who stole the jeep? And why did they steal it?
00:44:21There's absolutely nothing missing.
00:44:23Maybe the thief didn't know we would find it.
00:44:25You may come back later to take it away.
00:44:27This time I locked everything.
00:44:29I even took the distributor cap.
00:44:34Oh, ma'am, where can I put my things?
00:44:36Leave it in here, where you're going to sleep.
00:44:46Is your husband a photographer?
00:44:48Yes.
00:44:51Few travelers pass through the village.
00:44:53Only hunters, normally.
00:44:56And less of them come through now.
00:44:59I'm going to have to thank the thief who brought us here.
00:45:02This place is incredible.
00:45:04I'm going to take advantage of the remaining light outside.
00:45:07Would you like to come with me?
00:45:09No, I think I've hoped enough for today.
00:45:11I think I'm getting an inspiration just now.
00:45:13What do you say to that?
00:45:15Don't go too far from the village, my boy.
00:45:18And when the fog comes up, get back to the house immediately.
00:45:21You might get lost.
00:45:22Don't you worry about me.
00:45:23I'm a good mountaineer.
00:45:24I'll see you later.
00:45:25Don't be too long.
00:45:52Oh
00:46:23Look, I'm going with you
00:46:29To the dead one hidden down
00:46:36Or to the one who lives in the end
00:46:44Any place you decide
00:47:05Will take me for you
00:47:19Immobile and unshaken
00:47:26Look, I'm going with you
00:47:32To the dead one hidden down
00:47:39Or to the one who lives in the end
00:47:46To the dead one hidden down
00:47:53Or to the one who lives in the end
00:48:00To the dead one hidden down
00:48:07Or to the one who lives in the end
00:48:19It's getting a little late.
00:48:20Where do you suppose Mario is?
00:48:22It's not dark yet.
00:48:23Your husband will get here.
00:48:26You're a head writhing.
00:48:27I never once heard that little noise.
00:48:58It's getting awfully late.
00:48:59Something must have happened.
00:49:01I told your husband it was easy to get lost in these mountains, didn't I?
00:49:05Do you think he's lost?
00:49:07I'm sure of it.
00:49:08He doesn't know his way.
00:49:10And with this fog, you can't take one step in the clear.
00:49:19Where are you going?
00:49:22I don't know.
00:49:24We must do something.
00:49:25He could have fallen and hurt himself.
00:49:27And you if you go out now.
00:49:30Don't worry about your husband.
00:49:33He said he was used to the mountains.
00:49:36He's probably taking shelter in a cave waiting for dawn.
00:49:40Have dinner and go to bed.
00:49:42He'll return.
00:49:46We ought to go look for him.
00:49:48No, even me, who was born here,
00:49:50knowing step by step of this mountain,
00:49:53I didn't think of taking a step outside in this fog.
00:49:57Don't worry.
00:49:58Your husband will return.
00:49:59I'm sure of it.
00:50:01He's not my husband.
00:50:03Would you believe I knew it?
00:50:04How did you know?
00:50:06Because I'm very old.
00:50:14You have to stop worrying.
00:50:17And eat.
00:50:18I'm not hungry.
00:50:20Have a little hot milk.
00:50:22It will make you feel good.
00:50:24Go on, get out of there.
00:50:25Go on, go away.
00:50:26Go on.
00:50:52Go on.
00:50:53Go on.
00:50:54Go on.
00:50:55Go on.
00:50:56Go on.
00:50:57Go on.
00:50:58Go on.
00:50:59Go on.
00:51:00Go on.
00:51:01Go on.
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00:53:12Okay.
00:53:15What time is it?
00:53:17Just before dawn.
00:53:19You must be patient.
00:53:21He will come back before daylight.
00:53:24You should eat something.
00:53:27Then sleep a little more now.
00:53:29It will make you feel a lot better if you do.
00:53:32I put a little something in your cup so that you would sleep better.
00:54:11He's coming, young lady. He's coming.
00:54:23What happened to you? I'm so glad. It doesn't seem to be serious.
00:54:35I fell and then I got lost in the fog. Then I slept a little while.
00:54:39Give me a little cognac, would you? It's in there in my suitcase.
00:54:44You were lucky, young man. You could have broken your neck if you'd fallen off a cliff.
00:54:49I'll heat some water to wash that off. Thank you.
00:54:53Here. Worrying about me being hurt on the mountain, and now it's you that's the victim.
00:55:03I saw something that I'll never forget as long as I live, Delia.
00:55:08What did you see? A very strange procession of women dressed in mourning.
00:55:14Some of them didn't seem to have any faces. The witches?
00:55:18How can you believe in those stupid things? It was nothing more than a funeral.
00:55:22It was a lot more than that. But did you see it before or after you fell?
00:55:30Before. You don't think it could have been an hallucination?
00:55:35That's what I thought. But anyway, it'll be in the photographs I took last night.
00:55:41I shot two reels of the procession.
00:55:44Your bed is ready for you.
00:55:46Thank you, ma'am. I'm not going to bed until I've developed these photographs.
00:55:54We'll soon know what's going on. This never lies.
00:56:06What do you think about the procession?
00:56:09I don't know. I certainly don't believe in the old ladies' witches' stories.
00:56:14Do you believe that everything has a logical explanation?
00:56:17Of course I do, don't you?
00:56:29Some things don't happen to have an explanation.
00:56:32On the surface, everything has a logical explanation when you discover its cause.
00:56:40How much longer?
00:56:45It's ready.
00:57:32Something strange?
00:57:38Tell me what you see.
00:57:41I have to make some copies.
00:57:43There's something there, isn't there?
00:57:46I have to amplify them. Let's get back to the old ladies' house.
00:57:55Are they coming?
00:57:56They're almost ready now.
00:58:03You can come in.
00:58:07Where are they?
00:58:09Nothing came out of the procession.
00:58:12However, something much better came out.
00:58:15Maybe I should say stranger.
00:58:17They developed both roles.
00:58:19Who were those women?
00:58:21That's what I'd like to know.
00:58:23I don't understand it.
00:58:25When I took these yesterday morning,
00:58:29When I took these yesterday morning,
00:58:31the village was completely empty.
00:58:37I'll ask the old lady. Maybe she can explain it.
00:58:40There's still more.
00:58:42Look at this one.
00:58:44But that's you and me.
00:58:46This is the photograph that worries me so.
00:58:50Thunder! Thunder!
00:58:54You'd better hurry. We have a serious injury.
00:59:19I know this path.
00:59:21I know this path. It goes to the clearing.
00:59:24You'd better wait in the jeep.
00:59:26Here are the keys. I'm going to follow.
00:59:28No. I want to go with you.
00:59:31All right. Let's go.
00:59:52Please, Maria.
00:59:54Let's get out of here.
00:59:58Please, let's go.
01:00:04Do you hear me?
01:00:21Do you hear me?
01:00:52What are we waiting for?
01:00:56We have to leave before it gets dark.
01:01:00That's true.
01:01:01But there simply has to be an explanation.
01:01:05And if there isn't?
01:01:07There has to be.
01:01:12All right.
01:01:14If you believe an explanation exists, look for it.
01:01:17I think I'll go speak with the old lady and the other women.
01:01:20You'll see how it's just an absurd joke.
01:01:26After all, I'm not too worried.
01:01:28I have enough material for a good photographic layout.
01:01:32You'll be all right here, won't you?
01:01:38I'll be back as soon as possible.
01:01:50All right.
01:02:13Don't worry about me.
01:02:20Don't worry about me.
01:02:50Don't worry about me.
01:03:20Don't worry about me.
01:03:50Don't worry about me.
01:03:57Don't worry about me.
01:04:20Oh, say can you see, by the dawn's early light,
01:04:30What so proudly we hailed at the twilight's last gleaming?
01:04:40Please, look at me, and found me sweet and lowly.
01:05:11That wily king, falling in love with me,
01:05:28Hold me by the arm, in all his gloom, and was my love.
01:05:43The wind has calmed, the rain has stopped, and sweetly I think he's calling.
01:05:59Get up, my friend, please come near me, I await you, my beloved.
01:06:15You were created so beautiful, so full of sweetness in your heart.
01:06:29The wind has calmed, the rain has stopped, get up, my friend, my love.
01:06:59Oh, say can you see, by the dawn's early light,
01:07:14What so proudly we hailed at the twilight's last gleaming?
01:07:26Please, look at me, and found me sweet and lowly.
01:07:56Get up, my friend, please come near me, I await you, my beloved.
01:08:26Get up, my friend, please come near me, I await you, my beloved.
01:08:56Get up, my friend, please come near me, I await you, my beloved.
01:09:26Get up, my friend, please come near me, I await you, my beloved.
01:09:56Get up, my friend, please come near me, I await you, my beloved.
01:10:26Get up, my friend, please come near me, I await you, my beloved.
01:10:46Where is Santa? Where is Santa? Where is Santa?
01:11:17Let's get out of here.
01:11:26What's the descriptor, Captain?
01:11:31Here it is.
01:11:46Here it is.
01:12:16Here it is.
01:12:17Here it is.
01:12:18Here it is.
01:12:19Here it is.
01:12:20Here it is.
01:12:21Here it is.
01:12:22Here it is.
01:12:23Here it is.
01:12:24Here it is.
01:12:25Here it is.
01:12:26Here it is.
01:12:27Here it is.
01:12:28Here it is.
01:12:29Here it is.
01:12:30Here it is.
01:12:31Here it is.
01:12:32Here it is.
01:12:33Here it is.
01:12:34Here it is.
01:12:35Here it is.
01:12:36Here it is.
01:12:37Here it is.
01:12:38Here it is.
01:12:39Here it is.
01:12:40Here it is.
01:12:41Here it is.
01:12:42Here it is.
01:12:43Here it is.
01:12:44Here it is.
01:12:45Here it is.
01:12:46Here it is.
01:12:47Here it is.
01:12:48Here it is.
01:12:49Here it is.
01:12:50Here it is.
01:12:51Here it is.
01:12:52Here it is.
01:12:53Here it is.
01:12:54Here it is.
01:12:55Here it is.
01:12:56Here it is.
01:12:57Here it is.
01:12:58Here it is.
01:12:59Here it is.
01:13:00Here it is.
01:13:01Here it is.
01:13:02Here it is.
01:13:03Here it is.
01:13:04Here it is.
01:13:05Here it is.
01:13:06Here it is.
01:13:07Here it is.
01:13:08Here it is.
01:13:09Here it is.
01:13:10Here it is.
01:13:11Here it is.
01:13:12Here it is.
01:13:13Here it is.
01:13:14Here it is.
01:13:15Here it is.
01:13:16Here it is.
01:13:17Here it is.
01:13:18Here it is.
01:13:19Here it is.
01:13:20Here it is.
01:13:21Here it is.
01:13:22Here it is.
01:13:23Here it is.
01:13:24Here it is.
01:13:25Here it is.
01:13:26Here it is.
01:13:27Here it is.
01:13:28Here it is.
01:13:29Here it is.
01:13:30Here it is.
01:13:31Here it is.
01:13:32Here it is.
01:13:33Here it is.
01:13:34Here it is.
01:13:35Here it is.
01:13:36Here it is.
01:13:37Here it is.
01:13:38Here it is.
01:13:39Here it is.
01:13:40Here it is.
01:13:41Here it is.
01:13:42Here it is.
01:13:43I'll have it up in five minutes.
01:13:47Fine.
01:13:48Here.
01:13:49Thanks.
01:14:13It's all set.
01:14:34Wait a minute.
01:14:38It's better this way, no?
01:15:03It's better this way, no?
01:15:22It's better this way, no?
01:15:52It's better this way, no?
01:16:12It's better this way, no?
01:16:36It's better this way, no?
01:16:51It's better this way, no?
01:17:11It's better this way, no?
01:17:38It's better this way, no?
01:17:56It's better this way, no?
01:18:21It's better this way, no?
01:18:51It's better this way, no?
01:19:21It's better this way, no?
01:19:35It's better this way, no?
01:19:55It's better this way, no?
01:20:10Delia!
01:20:14Delia!
01:20:16Delia!
01:20:30Delia!
01:20:36Delia!
01:20:40Delia!
01:20:45Delia!
01:20:48Delia!
01:20:50Delia!
01:20:53Delia!
01:20:56Delia!
01:20:59Delia!
01:21:02Delia!
01:21:05Delia!
01:21:08Delia!
01:21:11Delia!
01:21:14Delia!
01:21:17Delia!
01:21:20Delia!
01:21:23Delia!
01:21:26Delia!
01:21:29Delia!
01:21:32Delia!
01:21:35Delia!
01:21:38Delia!
01:21:41Delia!
01:21:44Delia!
01:21:47Delia!
01:21:50Delia!
01:21:53Delia!
01:21:56Delia!
01:21:59Delia!
01:22:02Delia!
01:22:05Delia!
01:22:08Delia!
01:22:11Delia!
01:22:14Delia!
01:22:17Delia!
01:22:20Delia!
01:22:23Delia!
01:22:26Delia!
01:22:29Delia!
01:22:32Delia!
01:22:35Delia!
01:22:38Delia!
01:22:41Delia!
01:22:44Delia!
01:22:47Delia!
01:22:50Delia!
01:22:53Delia!
01:22:56Delia!
01:22:59Delia!
01:23:02Delia!
01:23:05Delia!
01:23:08Delia!
01:23:11Delia!
01:23:14Delia!
01:23:17Delia!
01:23:20Delia!