Belgium | Borgloon | Reading between the lines | Doorkijkkerk | See through Church in Belgium

  • 4 years ago
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‘Reading between the lines’ is a project by the duo Gijs Van Vaerenbergh, a collaboration between young Belgian architects Pieterjan Gijs (Leuven, 1983) and Arnout Van Vaerenbergh .Since 2007, they have been realizing projects in public space together that start from their architectural background, but have an artistic intention. Their projects do not always originate out of the initiative of a classical client, for example, and carry a large degree of autonomy. Their primary concerns are experiment, reflection, a physical involvement with the end result and the input of the viewer.

Gijs Van Vaerenbergh makes church sculpture as part of art in public space project
Gijs Van Vaerenbergh, a collaboration between young Belgian architects Pieterjan Gijs and Arnout Van Vaerenbergh, have built a see-through church in the Belgian region of Haspengouw. The church is a part of the Z-OUT project of Z33, house for contemporary art based in Hasselt, Belgium. Z-OUT is an ambitious long-term art in public space project that will be realised on different locations in the Flemish region of Limburg over the next five years.

The church is 10 meters high and is made of 100 layers and 2000 columns of steel. Depending on the perspective of the viewer, the church is either perceived as a massive building or seems to dissolve - partly or entirely - in the landscape. On the other hand, looking at the landscape from within the church, the surrounding countryside is redefined by abstract lines.

The transparent church is located in Hesbaye in the hills south of Looz, between the city and the Roman road, and can be considered as landscape art. The set is built in horizontal planks of Corten steel, connected by welded squares. The work rests on a concrete base in the Looz landscape. The form refers to the archetype of the Western European church.
Located on a hiking trail, the church gives a strange impression. When you approach it, it gradually appears that it is not a church. The construction is, by the use of horizontal planks, more or less transparent, hence the name of the work.This transparency is obvious if one enters inside the work.



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