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Electronic music, any music involving electronic processing, such as recording and editing on tape, and whose reproduction involves the use of loudspeakers.

Although any music produced or modified by electrical, electromechanical, or electronic means can be called electronic music, it is more precise to say that for a piece of music to be electronic, its composer must anticipate the electronic processing subsequently applied to his or her musical concept, so that the final product reflects in some way the composer’s interaction with the medium. This is no different from saying that a composer should have in mind an orchestra when composing a symphony and a piano when composing a piano sonata. A conventional piece of popular music does not become electronic music by being played on an electronically amplified guitar, nor does a Bach fugue become electronic music if played on an electronic organ instead of a pipe organ. Some experimental compositions, often containing chance elements and perhaps of indeterminate scoring, permit but do not necessarily demand electronic realization, but this is a specialized situation.