Popular Berlioz Requiem: Piano/Vocal Score SATB Edition with a dedicated alto part to meet the
- 6 years ago
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Imagine trying to perform a choral work written for sopranos, tenors and basses with a chorus that has many more altos than tenors and basses. This is the situation facing many conductors when they attempt perform the Berlioz Requiem. This new edition by Adrian G.Horn absolutely NAILS the solution by constructing a dedicated alto part out of the second soprano and first tenor parts. There is no need to run the risk of alienating your vital alto section with a set of complicated rehearsal instructions when this simple solution is at hand. In addition, Horn s score has been thoroughly tested and vetted by over 1,000 singers, plus conductors and accompanists, through seven successful performances. Reviews and commentsAdrian Horn s new edition of the Berlioz Requiem was one of the most fortunate discoveries of my 40 years in choral music. A wizened colleague had already sent me a sly email -- "What re you going to do with your altos?" -- when I started into the laborious chore of marking a score with arrows, squiggles and "colla" signs. When the Horn edition emerged, I eyed it suspiciously at first. On what grounds was he an expert; why should I trust his choices? Close inspection showed a conscientious and principled approach, and so I got to know more about Horn and his long history with the piece. He started his singing career in a performance under Robert Shaw, and has been associated with more performances of this still-rare work than anybody I ve known, short of Mr. Shaw! It was ultimately an elegant solution to a notoriously messy problem. The sound that resulted was excellent, and best of all, my altos always knew what line they were to read; I was spared the surliness of singers who are confused by makeshift changes in the score; I could concentrate on the sound of the music. That sound, I believe, was very close to what Berlioz had in mind. David Chase, La Jolla Symphony and Chorus For accompanists in particular, Adrian Horn s edition is a quantum leap forwar
Imagine trying to perform a choral work written for sopranos, tenors and basses with a chorus that has many more altos than tenors and basses. This is the situation facing many conductors when they attempt perform the Berlioz Requiem. This new edition by Adrian G.Horn absolutely NAILS the solution by constructing a dedicated alto part out of the second soprano and first tenor parts. There is no need to run the risk of alienating your vital alto section with a set of complicated rehearsal instructions when this simple solution is at hand. In addition, Horn s score has been thoroughly tested and vetted by over 1,000 singers, plus conductors and accompanists, through seven successful performances. Reviews and commentsAdrian Horn s new edition of the Berlioz Requiem was one of the most fortunate discoveries of my 40 years in choral music. A wizened colleague had already sent me a sly email -- "What re you going to do with your altos?" -- when I started into the laborious chore of marking a score with arrows, squiggles and "colla" signs. When the Horn edition emerged, I eyed it suspiciously at first. On what grounds was he an expert; why should I trust his choices? Close inspection showed a conscientious and principled approach, and so I got to know more about Horn and his long history with the piece. He started his singing career in a performance under Robert Shaw, and has been associated with more performances of this still-rare work than anybody I ve known, short of Mr. Shaw! It was ultimately an elegant solution to a notoriously messy problem. The sound that resulted was excellent, and best of all, my altos always knew what line they were to read; I was spared the surliness of singers who are confused by makeshift changes in the score; I could concentrate on the sound of the music. That sound, I believe, was very close to what Berlioz had in mind. David Chase, La Jolla Symphony and Chorus For accompanists in particular, Adrian Horn s edition is a quantum leap forwar