Released: 23/02/09
http://www.traxsource.com/track/146425/cant-get-enough-incl-henrik-b-hy2rogen-and-nikola-remix-guy-robin-layabouts-original-jazz-n-groove-mixes-henrik-b-instrumental
Soulsearcher reached the impressive heights of No.4 in the UK singles charts back in 1999 with the with the original dance disco diva classic 'Cant Get Enough', so it's about time this one was dusted off. Swedish DJ/Producer Henrik B, who has been playing and producing since the early nineties and remixed for the likes of Steve Angello and Groove Armada along the way, puts his slant on this house classic which has already been championed by the likes of Todd Terry and Danny Rampling. The De-funked and newly housed up Henrik B makes use of Thea Austin's familiar vocals, stretching them out and building them up into a definite 'hands in the air' sing along moment, before dropping stabbing synths and a bassline that bubbles along nicely and brings the whole track together. The next mix thumps from the off but the mode is softened by the introduction of a set of keys winds its way around the vocals with beautiful dexterity. This really is a tune to close your eyes to, sway from side to side and get lost in that dancefloor haze. If you loved the original you'll love these tracks; if you're not familiar with the original, you'll love them any way.
http://www.traxsource.com/track/146425/cant-get-enough-incl-henrik-b-hy2rogen-and-nikola-remix-guy-robin-layabouts-original-jazz-n-groove-mixes-henrik-b-instrumental
Soulsearcher reached the impressive heights of No.4 in the UK singles charts back in 1999 with the with the original dance disco diva classic 'Cant Get Enough', so it's about time this one was dusted off. Swedish DJ/Producer Henrik B, who has been playing and producing since the early nineties and remixed for the likes of Steve Angello and Groove Armada along the way, puts his slant on this house classic which has already been championed by the likes of Todd Terry and Danny Rampling. The De-funked and newly housed up Henrik B makes use of Thea Austin's familiar vocals, stretching them out and building them up into a definite 'hands in the air' sing along moment, before dropping stabbing synths and a bassline that bubbles along nicely and brings the whole track together. The next mix thumps from the off but the mode is softened by the introduction of a set of keys winds its way around the vocals with beautiful dexterity. This really is a tune to close your eyes to, sway from side to side and get lost in that dancefloor haze. If you loved the original you'll love these tracks; if you're not familiar with the original, you'll love them any way.
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Music