CGI & VFX Animated Shorts : Driven - by Michael Zachary Huber
Check out this fantastic CGI animated short film “Driven” written and directed by Michael Zachary Huber and Produced\r
at Project X Studio, Cogswell College. Driven is the tale of “Jack” a young aerospace engineer who redeems a past loss through the aid of good-ol ingenuity, resourcefulness, and guts. At faster than the speed of sound no ones going to hold him back this day! Driven asks the question do challenges in life break us or make us?\r
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Cont Email - mzhuber@gmail.com\r
Music by Chad Seiter\r
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/ ABOUT /\r
Driven was nearly a two-year production that included countless man-hours from nearly twenty burgeoning computer graphics artists. What sets this film apart from most short animated films was the advanced rendering and compositing techniques used to create the imagery. Most of the animation and lighting was created in Maya and then rendered in Pixars Renderman. For compositing the production utilized Digital Fusion and Photoshop. A full floating point rendering and compositing pipeline was developed in order to create the 64bit final images. As well a proprietary render queue software system was written in order to parse out the complex multi layer renders that went into every frame of animation. From a technical perspective the techniques and pipeline was incredibly advanced for a short animation.\r
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Michael is also known for his work on Minority Report (2002), Black Hawk Down (2001) and The Matrix Revolutions (2003).\r
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To watch another CGI film by Michael Z. Huber!\r
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SUBSCRIBE - To TheCGBros for more inspiring content!\r
at Project X Studio, Cogswell College. Driven is the tale of “Jack” a young aerospace engineer who redeems a past loss through the aid of good-ol ingenuity, resourcefulness, and guts. At faster than the speed of sound no ones going to hold him back this day! Driven asks the question do challenges in life break us or make us?\r
\r
Cont Email - mzhuber@gmail.com\r
Music by Chad Seiter\r
\r
/ ABOUT /\r
Driven was nearly a two-year production that included countless man-hours from nearly twenty burgeoning computer graphics artists. What sets this film apart from most short animated films was the advanced rendering and compositing techniques used to create the imagery. Most of the animation and lighting was created in Maya and then rendered in Pixars Renderman. For compositing the production utilized Digital Fusion and Photoshop. A full floating point rendering and compositing pipeline was developed in order to create the 64bit final images. As well a proprietary render queue software system was written in order to parse out the complex multi layer renders that went into every frame of animation. From a technical perspective the techniques and pipeline was incredibly advanced for a short animation.\r
\r
Michael is also known for his work on Minority Report (2002), Black Hawk Down (2001) and The Matrix Revolutions (2003).\r
\r
\r
To watch another CGI film by Michael Z. Huber!\r
\r
\r
SUBSCRIBE - To TheCGBros for more inspiring content!\r
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TV