Top 10 Movie Sets Ever Built
Before the cameras can roll, and the ion starts, aset invites audiences into the ion. A well-built set creates the world that the rest of thebrings to life. Here are our picks for the top 10sets in history! Subscribe: \r
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What did you think of the list? Did we overlook one of your favorite sprawling period sets, or your favorite digital landscape? Whatdo you remember as having a particularly immersive set? What other arts and crafts of filmmaking would you like to see us cover in future CineFix Movie Lists?\r
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Let us know in the comments!\r
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THE LIST\r
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Waterworld (1995)\r
Director: Kevin Reynolds\r
Production Design: Dennis Gasner\r
The Atoll was painstakingly constructed ON WATER, using pretty much all the steel that could possibly be brought in. It was a quarter-mile across, and so large in scope you could ually believe a whole self-sustaining city of people lived there. (Except the part where it didnt have bathrooms)\r
\r
Batman (1989)\r
Director: Tim Burton\r
Production Design: Anton Furst\r
Gotham City has always been a charer of its own in the Batman universe, but the Tim Burton 1989 Batman, Gotham City was prically city-sized. Not only did it feel urban, its deliberate ugliness gave the city the vibe of on that needed saving.\r
\r
Cleopatra (1963)\r
Director: Joseph L. Mankiewicz\r
Production Design: \r
Twice the size of the real-life Roman Forum, Cleopatras set (and theas a whole) almost bankrupted 20th Century Fox. But boy, was it impressive!\r
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Metropolis (1927)\r
Director: Fritz Lang\r
Art Direction:\r
Otto Hunte\r
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Erich Kettelhut\r
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Karl Vollbrecht\r
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The titular Metropolis pretty much defined the on-screen presence of futuristic city for almost the last hundred years. Big distinction for a miniature city!\r
\r
Dogville (2003)\r
Director: Lars von Trier\r
Production Design: Peter Grant\r
The painted-walls minimalist set of Dogville makes every bit as big an imp in the film as any of the more elaborate counterparts on this list. \r
\r
The Lego Movie (new)\r
Directors: Phil Lord, Christopher Miller\r
Anyone who has ever played with Lego Bricks WISHES they had enough pieces to build Bricksburg. Digital or not, its a dream realized for the 8-year-old in all of us. \r
\r
The Lord of the Rings (2001-2003)\r
Director: Peter Jackson\r
Production Design: Grant Major\r
Hobbiton is a case of a real-life location transformed into a fantasy world, and were pretty sure thats the definition ofmagic.\r
\r
Dau (Unreleased)\r
Director: Ilya Khrzhanovskiy\r
Production Design: Olga Gurevich, Boris Shapovalov, Denis Shibanov\r
The re-creation of 1950s Moscow was painstakingly re-created (down to controlling the ions and free time of all the cast and extras. The level of control exerted in re-creating a totalitarian state is impressive (if dubious), but it WAS effective.\r
\r
Apollo 13 (1995)\r
Director: Ron Howard\r
Production Design: Michael Corenblith\r
Constructing a set thats a vehicle has always involved some fancy engineering. But Apollo 13 was engineered to put the cast in Zero-G. Zero-G!\r
\r
The Abyss (1989)\r
Director: James Cameron\r
Production Design: Leslie Dilley\r
James Cameron has always been pushing technological limits to achieve leaps forward in filmmaking, and with The Deep Core Underwater platform, he sure was pushing it, constructing an ual underwater set to simulate deep underwater dives.
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What did you think of the list? Did we overlook one of your favorite sprawling period sets, or your favorite digital landscape? Whatdo you remember as having a particularly immersive set? What other arts and crafts of filmmaking would you like to see us cover in future CineFix Movie Lists?\r
\r
Let us know in the comments!\r
\r
THE LIST\r
\r
Waterworld (1995)\r
Director: Kevin Reynolds\r
Production Design: Dennis Gasner\r
The Atoll was painstakingly constructed ON WATER, using pretty much all the steel that could possibly be brought in. It was a quarter-mile across, and so large in scope you could ually believe a whole self-sustaining city of people lived there. (Except the part where it didnt have bathrooms)\r
\r
Batman (1989)\r
Director: Tim Burton\r
Production Design: Anton Furst\r
Gotham City has always been a charer of its own in the Batman universe, but the Tim Burton 1989 Batman, Gotham City was prically city-sized. Not only did it feel urban, its deliberate ugliness gave the city the vibe of on that needed saving.\r
\r
Cleopatra (1963)\r
Director: Joseph L. Mankiewicz\r
Production Design: \r
Twice the size of the real-life Roman Forum, Cleopatras set (and theas a whole) almost bankrupted 20th Century Fox. But boy, was it impressive!\r
\r
Metropolis (1927)\r
Director: Fritz Lang\r
Art Direction:\r
Otto Hunte\r
\r
Erich Kettelhut\r
\r
Karl Vollbrecht\r
\r
The titular Metropolis pretty much defined the on-screen presence of futuristic city for almost the last hundred years. Big distinction for a miniature city!\r
\r
Dogville (2003)\r
Director: Lars von Trier\r
Production Design: Peter Grant\r
The painted-walls minimalist set of Dogville makes every bit as big an imp in the film as any of the more elaborate counterparts on this list. \r
\r
The Lego Movie (new)\r
Directors: Phil Lord, Christopher Miller\r
Anyone who has ever played with Lego Bricks WISHES they had enough pieces to build Bricksburg. Digital or not, its a dream realized for the 8-year-old in all of us. \r
\r
The Lord of the Rings (2001-2003)\r
Director: Peter Jackson\r
Production Design: Grant Major\r
Hobbiton is a case of a real-life location transformed into a fantasy world, and were pretty sure thats the definition ofmagic.\r
\r
Dau (Unreleased)\r
Director: Ilya Khrzhanovskiy\r
Production Design: Olga Gurevich, Boris Shapovalov, Denis Shibanov\r
The re-creation of 1950s Moscow was painstakingly re-created (down to controlling the ions and free time of all the cast and extras. The level of control exerted in re-creating a totalitarian state is impressive (if dubious), but it WAS effective.\r
\r
Apollo 13 (1995)\r
Director: Ron Howard\r
Production Design: Michael Corenblith\r
Constructing a set thats a vehicle has always involved some fancy engineering. But Apollo 13 was engineered to put the cast in Zero-G. Zero-G!\r
\r
The Abyss (1989)\r
Director: James Cameron\r
Production Design: Leslie Dilley\r
James Cameron has always been pushing technological limits to achieve leaps forward in filmmaking, and with The Deep Core Underwater platform, he sure was pushing it, constructing an ual underwater set to simulate deep underwater dives.
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