Writing
In its earliest stages, the story was originally conceived as a Tootsie-like romantic comedy film where Mulan, who was a misfit tomboy that loves her father, is betrothed to Shang whom she has not met. On her betrothal day, her father Fa Zhou carves her destiny on a stone tablet in the family temple, in which she shatters in anger, and runs away to forge her own destiny.[17] In November 1993, Chris Sanders, who had just finished storyboard work on The Lion King, was hopeful to work on The Hunchback of Notre Dame until Schumacher appointed him to work on Mulan instead.[18] Acting as Head of Story, Sanders grew frustrated with the romantic comedy aspect of the story, and urged producer Pam Coats to be more faithful to the original legend by having Mulan leave home because of the love for her father.[19] This convinced the filmmakers to decide to change Mulan's character in order to make her more appealing and selfless.[20] Sequence Six – in which Mulan takes her father's conscription order, cuts her long hair, and dons her father's armor – served as a pivotal moment in the evolution of Mulan's character. Director Barry Cook explained that the sequence initially started as a song storyboarded by Barry Johnson and redrawn by character designer Chen-Yi Chang. Following the story changes to have Mulan leave to save her father, the song was dropped. Storyboard artist and co-head of story Dean DeBlois was tasked to revise the sequence, and decided to board the sequence with "minimal dialogue".[21] Assisted with an existing musical selection from another film score courtesy of Sanders, the sequence reel was screened for Peter Schneider and Thomas Schumacher, both of whom were impressed. DeBlois stated, "Sequence Six was the first sequence that got put into production, and it helped to establish our 'silent' approach."[22] Additionally, General Li was not originally going to be related to Shang at all, but by changing the story, the filmmakers were able to mirror the stories of Shang and Mulan's love for their fathers
In its earliest stages, the story was originally conceived as a Tootsie-like romantic comedy film where Mulan, who was a misfit tomboy that loves her father, is betrothed to Shang whom she has not met. On her betrothal day, her father Fa Zhou carves her destiny on a stone tablet in the family temple, in which she shatters in anger, and runs away to forge her own destiny.[17] In November 1993, Chris Sanders, who had just finished storyboard work on The Lion King, was hopeful to work on The Hunchback of Notre Dame until Schumacher appointed him to work on Mulan instead.[18] Acting as Head of Story, Sanders grew frustrated with the romantic comedy aspect of the story, and urged producer Pam Coats to be more faithful to the original legend by having Mulan leave home because of the love for her father.[19] This convinced the filmmakers to decide to change Mulan's character in order to make her more appealing and selfless.[20] Sequence Six – in which Mulan takes her father's conscription order, cuts her long hair, and dons her father's armor – served as a pivotal moment in the evolution of Mulan's character. Director Barry Cook explained that the sequence initially started as a song storyboarded by Barry Johnson and redrawn by character designer Chen-Yi Chang. Following the story changes to have Mulan leave to save her father, the song was dropped. Storyboard artist and co-head of story Dean DeBlois was tasked to revise the sequence, and decided to board the sequence with "minimal dialogue".[21] Assisted with an existing musical selection from another film score courtesy of Sanders, the sequence reel was screened for Peter Schneider and Thomas Schumacher, both of whom were impressed. DeBlois stated, "Sequence Six was the first sequence that got put into production, and it helped to establish our 'silent' approach."[22] Additionally, General Li was not originally going to be related to Shang at all, but by changing the story, the filmmakers were able to mirror the stories of Shang and Mulan's love for their fathers
Category
🎥
Short film