Album Release: March 2016
NEVERMIND is made up of four young musicians and friends whose passion for early music and for the influence of jazz and traditional music stimulated them to form an ensemble whose virtuosity is equalled only by their youthful impetuosity and their love of fine music . . . For its first disc, Nevermind tackles the treasures of the Baroque in the shape of two totally neglected French composers. The first one, Jean-Baptiste Quentin, a dessus de violon at the Académie Royale de Musique (forerunner of the Paris Opéra), was a habitué of the Parisian salons, where he frequented Rameau among others. The second, Louis-Gabriel Guillemain, studied in Italy before joining the court musicians at Versailles. Sometimes whimsical and often very complex in Guillemain, invariably lucid and classical in Quentin, their style nonetheless presents a common feature: the dominance of the Italian idiom. Alpha Classics continues its discovery of young talents with this project conceived by the inspired musicians of Nevermind. Their credo is to introduce the widest possible audience to the riches of music that has been too long ignored. Anna Besson (flute), Louis Creach (violin), Robin Pharo (viola da gamba), Jean Rondeau (harpsichord).
NEVERMIND is made up of four young musicians and friends whose passion for early music and for the influence of jazz and traditional music stimulated them to form an ensemble whose virtuosity is equalled only by their youthful impetuosity and their love of fine music . . . For its first disc, Nevermind tackles the treasures of the Baroque in the shape of two totally neglected French composers. The first one, Jean-Baptiste Quentin, a dessus de violon at the Académie Royale de Musique (forerunner of the Paris Opéra), was a habitué of the Parisian salons, where he frequented Rameau among others. The second, Louis-Gabriel Guillemain, studied in Italy before joining the court musicians at Versailles. Sometimes whimsical and often very complex in Guillemain, invariably lucid and classical in Quentin, their style nonetheless presents a common feature: the dominance of the Italian idiom. Alpha Classics continues its discovery of young talents with this project conceived by the inspired musicians of Nevermind. Their credo is to introduce the widest possible audience to the riches of music that has been too long ignored. Anna Besson (flute), Louis Creach (violin), Robin Pharo (viola da gamba), Jean Rondeau (harpsichord).
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Music