Marc Brierley "Welcome to the Citadel" 1968 British Folk
Although Marc Brierley had released an EP on Transatlantic in 1966, 1968's Welcome to the Citadel was the British folkie's first album. It was an accomplished yet rather bland work, built around Brierley's singing, songwriting, and acoustic guitar. But it was also pushed a little toward folk-rock and pop by the use of electric bass and drums (by Tony Reeves and Mike Travis, who'd just been touring with John Mayall & the Bluesbreakers), as well as some cello, trumpet, and violins. It's on the mild and twee side of British folk-rock; Brierley's slight vocals and drifting compositional sense fall in the realm of other minor British singer/songwriters of the genre like Keith Christmas. Observational sketches like "Matchbox Men" and the title track have an attractive but forgettable baroque-folk flavor; other numbers like "Take Me for a Ride on Your Aeroplane" seem a little like forced attempts at getting an electric Bert Jansch-type sound; and more acoustic-based numbers mine the dreamy folk-pop espoused by numerous British troubadours from Donovan on down. It's a varied album, but you could get roughly similar stuff elsewhere by performers of far greater distinction. The entire album has been reissued on the Brierley compilation Autograph of Time, which also includes his second album (^1969's Hello), his 1966 EP, and couple of non-LP singles.
AllMusic Review by Richie Unterberger
Personnel:
Marc Brierley - Acoustic guitar and vocals
Henry Lowther - Trumpets and violins
Clare Lowther - Cello
Tony Reeves - Electric bass
Mike Travis - Drums and percussion
Geoff Heath and the musicians - Studion percussion
Mike FitzHenry - Studio engineer
Although Marc Brierley had released an EP on Transatlantic in 1966, 1968's Welcome to the Citadel was the British folkie's first album. It was an accomplished yet rather bland work, built around Brierley's singing, songwriting, and acoustic guitar. But it was also pushed a little toward folk-rock and pop by the use of electric bass and drums (by Tony Reeves and Mike Travis, who'd just been touring with John Mayall & the Bluesbreakers), as well as some cello, trumpet, and violins. It's on the mild and twee side of British folk-rock; Brierley's slight vocals and drifting compositional sense fall in the realm of other minor British singer/songwriters of the genre like Keith Christmas. Observational sketches like "Matchbox Men" and the title track have an attractive but forgettable baroque-folk flavor; other numbers like "Take Me for a Ride on Your Aeroplane" seem a little like forced attempts at getting an electric Bert Jansch-type sound; and more acoustic-based numbers mine the dreamy folk-pop espoused by numerous British troubadours from Donovan on down. It's a varied album, but you could get roughly similar stuff elsewhere by performers of far greater distinction. The entire album has been reissued on the Brierley compilation Autograph of Time, which also includes his second album (^1969's Hello), his 1966 EP, and couple of non-LP singles.
AllMusic Review by Richie Unterberger
Personnel:
Marc Brierley - Acoustic guitar and vocals
Henry Lowther - Trumpets and violins
Clare Lowther - Cello
Tony Reeves - Electric bass
Mike Travis - Drums and percussion
Geoff Heath and the musicians - Studion percussion
Mike FitzHenry - Studio engineer
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Music