Kwab Lay Lo Kwab (Documentary on Noon Meem Rashid)
- 9 years ago
This documentary is a portrait of one of the great poet of Urdu "Noon Meem Rashid."
N M Rashed was often attacked for his unconventional views and life style. According to Zia Mohyeddin, a friend of Rashed, "In the time when everybody was in quest of learning English, which was a must for getting some decent job, Rashed was busy in making paintings or poetry."
The themes of Rashed's poetry run from the struggle against domination to the relationship between words and meanings, between language and awareness and the creative process that produces poetry and other arts.
Initially his poetry appeared to have the influence of John Keats, Robert Browning and Matthew Arnold and he wrote many sonnets on their pattern, but later on he managed to maintain his own style. These were his initial exercises of poetry, which could not last for a longer period of time, and so ultimately he developed and maintained his own style.
He rebelled against the traditional form of the 'ghazal' and became the first major exponent of free verse in Urdu Literature. His first book, 'Mavra', introduced free verse and is technically accomplished and lyrical.
N M Rashed was often attacked for his unconventional views and life style. According to Zia Mohyeddin, a friend of Rashed, "In the time when everybody was in quest of learning English, which was a must for getting some decent job, Rashed was busy in making paintings or poetry."
The themes of Rashed's poetry run from the struggle against domination to the relationship between words and meanings, between language and awareness and the creative process that produces poetry and other arts.
Initially his poetry appeared to have the influence of John Keats, Robert Browning and Matthew Arnold and he wrote many sonnets on their pattern, but later on he managed to maintain his own style. These were his initial exercises of poetry, which could not last for a longer period of time, and so ultimately he developed and maintained his own style.
He rebelled against the traditional form of the 'ghazal' and became the first major exponent of free verse in Urdu Literature. His first book, 'Mavra', introduced free verse and is technically accomplished and lyrical.